Lincoln Center Theater's 'The King and I' Was the Best I've Seen

My daughter, Mary, and I have seen every major production of our favorite musical, The King and I, since she was six. Almost 30 years now. We have seen the movie hundreds of times, seen if off and on Broadway, to cuttings at symphonic programs. If it is done, we go — although I have drawn the line at high school performances unless I am related to one of the actors. :)

Last night, Mary gave me an early Christmas gift of two tickets to see the Lincoln Center Theater road version of The King and I. So I took my "best girl" to dinner, donned my black tie — which she has insisted on since our first father-daughter date to see The King and I on Broadway.com with Lou Diamond Phillips. Usually, I have lower expectations for tours that run after Broadway, as they sometimes seem to be using the same casting director as the Ice Capades. The sets being trucked from city to city are usually not as grand or exciting. It is understandable as a roadshow is a rough life.

All of this to say — last night, I was treated to the best production of The King and I in my lifetime.

First, the acting: I thought it would be impossible to beat the performance of Debra Kerr and Yul Brynner. Those performances are iconic and I have always felt badly for those who later took on the roles as no matter how good you are, you will never be Kerr or Brynner.

The role of Anna was taken on by Laura Michelle Kelly who has played this role on the stage at Lincoln Center. She is perhaps best known for her work in London. America will fall in love with her and her version of Anna. She hit every mark that Debra Kerr hit, and from where I was sitting, she even looked like Kerr, but that is not enough to receive this rave. She had all the grace, elegance and talent of Kerr, but also managed to make this her own. Her version of "Shall We Dance" was more beautiful, fun, touching and had more sexual tension than the classic film. Her voice, acting, slight comedic hat tip and phrasing was as if the role had never been played before and had indeed been written for her.

The King, played by Jose Llana is a role I would not wish on my worst enemy. It is a battle lost before the curtain rises. You will never be THE KING that Yul plays still on the stages of the eternities. Llana at first, I thought, was too weak to play the king, but I quickly realized this came from the fact that I had only seen people imitating the 1956 king. Once I stopped expecting an impersonator, I saw a new king — Jose Llana had made the role his as well. This is not easy. His subtle choices made him a more accessible King and one for a new age. Brave, and well done.

I could go on and say the same for almost every cast member; the young prince; Tuptim; her lover; the "Head Wife"; and the children.

The "Uncle Tom’s Cabin" scene was not only more beautiful than the movie or any production I have seen, but it was more beautifully staged and emotionally powerful than I could have ever imagined.

Everything was in its rightful place. The lavish costumes were so spot on they brought me back to my time in Bangkok earlier this year. The first costume for Tuptim was so simple and pure it almost made her look angelic. Couple that with her performance and you could almost see the ethereal rays of light.

Rarely does one need to recognize the lighting design, but from the tricks of light from the opening curtain and first sunset, it was almost a dance between the lighting designer and the set designer. Shall we dance? Yes, they will and they did. Notice the lack of a spot on the palace pillars as the king walks around them.

It shouldn’t have been a surprise in seeing that it was directed by Bartlett Sher. I spoke with him after the performance to congratulate him on what I believe is...

The King of The King and I productions.

My grandfather was a horse man and he always told me every Kentucky Derby that you don’t bet on the horse, you bet on the trainer and jockey. How appropriate here. This is a good horse that has been ridden by many talented riders, but the trainer and jockey this time have given the stage a triple crown.

See it when it comes to your town.

Eric Weinstein, managing director of investment firm Thiel Capital and host of "The Portal" podcast, is not a conservative, but he says conservative and center-right-affiliated media are the only ones who will still allow oppositional voices.

On "The Glenn Beck Podcast" this week, Eric told Glenn that the center-left media, which "controls the official version of events for the country," once welcomed him, but that all changed about eight years ago when they started avoiding any kind of criticism by branding those who disagree with them as "alt-right, far-right, neo-Nazi, etc.," even if they are coming from the left side of the aisle. But their efforts to discredit critical opinions don't stop there. According to Eric, there is a strategy being employed to destroy our national culture and make sure Americans with opposing views do not come together.

"We're trifling with the disillusionment of our national culture. And our national culture is what animates the country. If we lose the culture, the documents will not save us," Eric said. "I have a very strongly strategic perspective, which is that you save things up for an emergency. Well, we're there now."

In the clip below, Eric explains why, after many requests over the last few years, he finally agreed to this podcast.

Don't miss the full interview with Eric Weinstein here.

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Glenn Beck: Why MLK's pledge of NONVIOLENCE is the key to saving America

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Listen to the Rev. Dr. Martin Luther King Jr.'s pledge of nonviolence and really let it sink in: "Remember always that the nonviolent movement seeks justice and reconciliation — not victory."

On the radio program, Glenn Beck shared King's "ten commandments" of nonviolence and the meaning behind the powerful words you may never have noticed before.

"People will say nonviolent resistance is a method of cowards. It is not. It takes more courage to stand there when people are threatening you," Glenn said. "You're not necessarily the one who is going to win. You may lose. But you are standing up with courage for the ideas that you espouse. And the minute you engage in the kind of activity that the other side is engaging in, you discredit the movement. You discredit everything we believe in."

Take MLK's words to heart, America. We must stand with courage, nonviolently, with love for all, and strive for peace and rule of law, not "winning."

Watch the video below for more:

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Conservatives are between a rock and a hard place with Section 230 and Big Tech censorship. We don't want more government regulation, but have we moved beyond the ability of Section 230 reforms to rein in Big Tech's rising power?

Rachel Bovard, Conservative Partnership Institute's senior director of policy, joined the Glenn Beck radio program to give her thoughts and propose a possibly bipartisan alternative: enforcing our existing antitrust laws.

Watch the video below:

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Dan Bongino, host of The Dan Bongino Show, is an investor in Parler — the social media platform that actually believes in free speech. Parler was attacked by Big Tech — namely Amazon, Apple, and Google — earlier this week, but Bongino says the company isn't giving up without a fight. In fact, he says, he's willing to go bankrupt over this one.

Dan joined Glenn Beck on the radio program to detail what he calls a "smear" campaign behind the scenes, and how he believes we can move forward from Big Tech's control.

"You have no idea how bad this was behind the scenes," Dan told Glenn. "I know you're probably thinking ... well, how much worse can the attack on Parler have gotten than three trillion-dollar companies — Amazon, Apple, and Google — all seemingly coordinated to remove your business from the face of the Earth? Well, behind the scenes, it's even worse. I mean, there are smear campaigns, pressure campaigns ... lawyers, bankers, everyone, to get this company ... wiped from the face of the earth. It's incredible."

Dan emphasized that he would not give up without a fight, because what's he's really fighting for is the right to free speech for all Americans, regardless of their political opinions, without fear of being banned, blacklisted, or losing jobs and businesses.

"I will go bankrupt. I will go absolutely destitute before I let this go," he said. "I have had some very scary moments in my life and they put horse blinders on me. I know what matters now. It's not money. It's not houses. It's none of that crap. It's this: the ability to exist in a free country, where you can express your ideas freely."

Watch the video below to hear more from Dan:

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