Occupy Wall Street posts cartoon guide to murdering US border agents

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Remember when cartoons were happy things? Each panel took you on a tiny journey, carrying you to an unexplored place. In Understanding Comics, Scott McCloud writes:

The comics creator asks us to join in a silent dance of the seen and the unseen. The visible and the invisible. This dance is unique to comics. No other artform gives so much to its audience while asking so much from them as well. This is why I think it's a mistake to see comics as a mere hybrid of the graphic arts and prose fiction. What happens between . . . panels is a kind of magic only comics can create.

When that magic is manipulated or politicized, it often devolves the artform into a baseless thing. Yesterday, Occupy Wall Street published the perfect example of low-brow deviation of the artform: A six-panel approach at satire, which imitates the instructions-panel found in the netted cubbyhole behind seats on airplanes. The cartoon is a critique of the recent news about immigrant children being separated from their parents after crossing the border. It is a step-by-step guide to murdering US Immigrations and Customs Enforcement agents.

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The first panel shows a man shoving an infant into a cage meant for Pomeranians. The following five panels feature instructions, and include pictures of a cartoonish murder.

The panels read as follows:

  1. If an ICE agent tries to take your child at the border, don't panic.
  2. Pull your child away as quickly as possibly by force.
  3. Gently tell your child to close his/her eyes and ears so they won't witness what you are about to do.
  4. Grab the ICE agent from behind and push your knife into his chest with an upward thrust, causing the agent's sternum to break.
  5. Reach into his chest and pull out his still beating heart.
  6. Hold his bloody heart out for all other agents to see, and tell them that the same fate awaits them if they f--- with your child again.

Violent comics are nothing new. But most of the time, they remain in the realms of invented worlds — in other words, not in our own, with reference to actual people, let alone federal agents.

The mainstream media made a game of crying racism with every cartoon depiction of Obama during his presidency, as well as during his tenure as Senator, when the New Yorker, of all things, faced scrutiny for depicting him in "Muslim clothing." Life was a minefield for political cartoonists during the Obama era.

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This year, we saw the leftist outrage regarding The Simpsons character Apu — a cartoon representation of a highly-respected, though cartoonishly-depicted, character on a cartoon show composed of cartoonishly-depicted characters.

We all remember Charlie Hebdo, which, like many outlets that have used cartoon satire to criticize Islam, faced the wrath and ire of people unable to see even the tamest representation of the prophet, Muhammad.

Interesting, isn't it? Occupy Wall Street publishes a cartoon that advocates murdering federal agents, and critics are told to lighten up. Meanwhile, the merest depiction of Muhammad has resulted in riots throughout the world, murder and terror on an unprecedented scale.

The intersection of Islam and comics is complex enough to have its own three-hour show, so we'll leave it at that, for now. Although, it is worth mentioning the commentary by satirical website The Onion, which featured a highly offensive cartoon of all the major religious figures except Muhammad. It noted:

Following the publication of the image above, in which the most cherished figures from multiple religious faiths were depicted engaging in a lascivious sex act of considerable depravity, no one was murdered, beaten, or had their lives threatened.

Of course, Occupy Wall Street is free to publish any cartoon they like. Freedom of speech, and so on—although there have been several instances in which violent cartoons were ruled to have violated the "yelling fire in a crowded theater" limitation of the First Amendment.

Posting it to Twitter is another issue — this is surely in violation of Twitter's violent content policy, but something tells me nothing will come of it. It's a funny world, isn't it? A screenshot of a receipt from Chick-fil-A causes outrage but a cartoon advocating murder gets crickets.

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In Understanding Comics, Scott McCloud concludes that, "Today the possibilities for comics are — as they've always been — endless. Comics offers . . . range and versatility, with all the potential imagery of film and painting plus the intimacy of the written word. And all that's needed is the desire to be heard, the will to learn, and the ability to see."

Smile, and keep moving forward.

Crude and awful as the Occupy Wall Street comic is, the best thing we can do is nod and look elsewhere for the art that will open our eyes. Let the lunatics draw what they want, let them stew in their own flawed double standards. Otherwise, we're as shallow and empty as they are, and nothing good comes of that. Smile, and keep moving forward.

Things are getting better. Show the world how to hear, how to learn, how to see.

TRUMP: The twilight hour of socialism has arrived

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The other day, at Florida International University in Miami, facing large American and Venezuelan flags, President Trump gave a rousing speech in Miami, including this line, the "twilight hour of socialism has arrived."

Trump went on to say:

Socialism is about one thing only—power for the ruling class. They want the power to decide who wins and who loses, who's up and who's down…and even who lives and who dies.

He then repeated a phrase that helped define his State of the Union address this year:

America will never be a socialist country.

Fittingly, Fox News posted an article yesterday exposing the overlooked evils of Che dangers of socialism that all too often disappear behind a flashy design on a t-shirt.

  1. Guevara said he killed people without regard to guilt or innocence. In an interview, Guevara said, "in times of excessive tension we cannot proceed weakly. At the Sierra Maestra, we executed many people by firing squad without knowing if they were fully guilty. At times, the Revolution cannot stop to conduct much investigation; it has the obligation to triumph."
  2. Humberto Fontova, author of "Exposing the Real Che Guevara," told Fox that Guevara created system that put gay people in labor camps. "The regime that Che Guevara co-founded is the only one in modern history in the Western Hemisphere to have herded gays into forced labor camps."
  3. Guevara opposed a free press: "In 1959, leftist journalist José Pardo Llada reported that Guevara told him: 'We must eliminate all newspapers; we cannot make a revolution with free press. Newspapers are instruments of the oligarchy.'"
  4. Guevara made racist statements: Guevara went on to write: "the black is indolent and a dreamer; spending his meager wage on frivolity or drink; the European has a tradition of work and saving."

These are just some of the many historical examples of the failure of socialism. President Trump is right. If the frivolities of Alexandria Ocasio-Cortez and Bernie Saunders catch on and spread, we could have an unbelievable problem on our hands.

Poor Jussie: His narrative is falling apart completely

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Here's how the media works now: Find a story that confirms their narrative, run it constantly and relentlessly. When the real story comes out, minimize exposure of the correction. Repeat.

We're seeing this pattern play out over and over again.

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Here are some of the knee-jerk reactions that the media had to this Jessie Smollett hoax, from Insider Edition, CNN, E! News, Headline News, CNBC, TMZ, to name a few:


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And those are just the reactions on TV. It was just as bad, at times worse, in print and online. I'll give you one special example, however. Because, you know the situation is bad when TMZ is connecting the dots and seeing through this guy's story:

The sources say there were red flags from the get go. Cops were extremely suspicious when Jussie took them out to the area where he said he was attacked and pointed to an obscure camera saying how happy he was that the attack was on video. Turns out the camera was pointing in the wrong direction. Cops thought it was weird he knew the location of that camera. And there's this. We're told investigators didn't believe the 2 alleged attackers screamed 'This is MAGA country' because 'Not a single Trump supporter watches 'Empire.''

Here's the man himself, in an interview just days after the alleged beating…I'm sorry, the alleged "modern day lynching." Here he is in an interview with ABC News, complaining about people making up stuff:



Strong words, spoken by a man who, allegedly, created the whole narrative to begin with.

This compromise is an abomination

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Three decades ago, "The Art of the Deal" made Donald Trump a household name. A lot has happened since then. But you can trace many of Trump's actions back to that book.

Art of the Deal:

In the end, you're measured not by how much you undertake but by what you finally accomplish.

People laughed when he announced that he was running for President. And I mean that literally. Remember the 2011 White House Correspondents' Dinner when Obama roasted Trump, viciously, mocking the very idea that Trump could ever be President. Now, he's President.

You can't con people, at least not for long. You can create excitement, you can do wonderful promotion and get all kinds of press, and you can throw in a little hyperbole. But if you don't deliver the goods, people will eventually catch on.

This empire-building is a mark of Trump.

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The most recent example is the border wall. Yesterday, congress reached a compromise on funding for the border wall. Weeks of tense back-and-forth built up to that moment. At times, it seemed like neither side would budge. Trump stuck to his guns, the government shut down, Trump refused to budge, then, miraculously, the lights came back on again. The result was a compromise. Or at least that's how it appeared.

But really, Trump got what he wanted -- exactly what he wanted. He used the techniques he wrote about in The Art of the Deal:

My style of deal-making is quite simple and straightforward. I aim very high, and then I just keep pushing and pushing and pushing to get what I'm after.

From the start, he demanded $5.7 billion for construction of a border wall. It was a months' long tug-of-war that eventually resulted in yesterday's legislation, which would dedicate $1.4 billion. It would appear that that was what he was after all along. Moments before the vote, he did some last-minute pushing. A national emergency declaration, and suddenly the number is $8 billion.

Art of the Deal:

People think I'm a gambler. I've never gambled in my life. To me, a gambler is someone who plays slot machines. I prefer to own slot machines. It's a very good business being the house.

In a rare show of bipartisanship, Senate passed the legislation 83-16, and the House followed with 300-128. Today, Trump will sign the bill.

It's not even fair to call that a deal, really. A deal is what happens when you go to a car dealership, fully ready to buy a car, and the salesman says the right things. What Trump did is more like a car dealer selling an entire row of cars to someone who doesn't even have a licence. When Trump started, Democrats wouldn't even consider a wall, let alone pay for it.

Art of the Deal:

The final key to the way I promote is bravado. I play to people's fantasies. People may not always think big themselves, but they can still get very excited by those who do. That's why a little hyperbole never hurts. People want to believe that something is the biggest and the greatest and the most spectacular. I call it truthful hyperbole. It's an innocent form of exaggeration—and a very effective form of promotion.

He started the wall on a chant, "Build the wall!" until he got what he wanted. He maneuvered like Don Draper, selling people something that they didn't even know they wanted, and convincing them that it is exactly what they've always needed.