"American Pie" explained by Glenn Beck: What does "The Day the music died" mean?

February 09, 2012

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Part 2:

“Our culture has erased the meaning of anybody who tried to issue a warning. Anybody who was on the other side. They're trying to do it now with the ‘Hobbit’ and the ‘Lord of the Rings’ and they are saying that that has nothing to do with Jesus and Christianity. That was the point. They're trying tried to do it with ‘The Lion, the Witch and the Wardrobe’ and the ‘Adventure of the Chronicles of Narnia’. They try to do this every step of the way and they've done it with much of music,” Glenn said on radio this moring

He was specifically referring to songs like “Revolution” by The Beatles, which was clearly suspicious of violent revolution and uprisings, as well as “American Pie” by Don McLean.

Many people think that the song “American Pie” is about the death of Buddy Holly and other musicians in a plane crash, but Glenn presented a reading of the lyrics on radio and showed how it could also be seen as a warning against the danger of violent uprisings like what is happening now with Occupy Wall Street.

“ I've never understood I drove the Chevy to the levee, I didn't know what that was. Let's just start there on the simple part because Chevy, just think of Chevy and mom and apple pie. He's making a point here. Chevy, I drove my Chevy to the levee. This actually goes back into the 1950s and a Dinah Shore commercial for Chevy,” Glenn explained.

Watch the commercial Glenn is referring to below:

“So America is the greatest country of all and it was an era that believed in America. I drove my Chevy to the levee. I drove the Chevy. I bought into the idea that America was the greatest.”

“So in the second verse he goes back to his childhood and he goes back to sock hops in the gym and the pickup trucks and... and here he's talking about the book of love, which was a song by the Monotones in 1957 and he asked her about faith. He asked her about faith and whether she believes, no matter what, if the Bible tells her so. That is the representation of the faith in the Fifties. He then talks about, do you have faith in rock and roll, that music will save your mortal soul.”

“But music is the metaphor for life in America. So the girl moves on to somebody else, leaving him with his truck and the carnation. But it's not really about the girl. It's about America. She's moved on from all of those things just as America began to move on from all of those things that faith would help you, that faith, you would do it through faith. You would do things because the Bible told you so. But now you're starting to believe that music will save your soul.”

Glenn played more of the song, reaching the part where McLean sings “Now for 10 years we’ve been on our own”.

“For ten years now we've been on our own. It's the decade of the Sixties. Remember in the Fifties you had faith, you had the Bible, you had family, you had all of these things that were there. But now for ten years we've been on our own and moss grows fat on a Rolling Stone. This is referring to Bob Dylan who the court jester and his song like a Rolling Stone. Also Dylan wore a coat from James Dean on the cover of his '63 album Free Wheelin' and McLean laments all of the change in our values that was occurring in the 1960s when he said that's not how that's not the way it used to be.”

“So he's singing dirges in the dark mourning the loss of America, that America is changing fundamentally. Lenin read a book of Marx. We know that John Lennon was influenced at the time by Karl Marx. Lennon read a book of Marx. The quartet practiced in the park. Could be a reference to the Beatles preparing for their role in the cultural revolution. And as the ultimate icons of the new era. But McLean is saying, but we sang dirges in the dark because we knew what was coming.”

What was coming?

Helter Skelter in a summer swelter

The birds flew off with the fallout shelter

Eight miles high and falling fast It landed foul on the grass

The players tried for a forward pass

With the jester on the sidelines in a cast

Now the halftime air was sweet perfume

While sergeants played a marching tune

We all got up to dance

Oh, but we never got the chance

‘Cause the players tried to take the field,

The marching band refused to yield.

Do you recall what was revealed,

The day the music died?

We started singing

“Helter Skelter in a Summer Swelter, again the Beatles song reference also indicates the chaos and the violence that broke out in the summer of '68. The Byrds he spells with a Y, flew off to the fallout shelter. Nature, represented by the Byrds, sense the danger, headed for safety in a shelter. But eight miles high is another song reference by the band the Byrds. So they are falling fast, because everything is falling fast. Everybody, the smart people, nature knows, get into a fallout shelter. Then he goes into the youth culture clashing with the government violently, using a football metaphor.”

“You're at halftime. He said the players youth going for a forward pass. The players going for a forward pass. That's the youth, going for a forward pass. And the government hitting back. And the jester on the sidelines in a cast. Remember that's, the jester is Bob Dylan. Bob Dylan had a serious motorcycle accident for a while and he was healing on his own and music flounder everything kind of floundered for a time. Then he gets to halftime.”

“Halftime, he's seeing the summer of love. This is 1967, a brief respite in '67 with the flower children. Sergeant's playing a marching tune. That's the Beatles and Sergeant Pepper. And the summer of love was an opportunity to get up and dance. But the violence returned in the summer of '68. And remember we're here at '68, recreate '68. We never got the chance.”

“We just passed our summer of love. What happened there in the park, that was just love. There were people in the park that were just trying to be loved. We're now headed for 1968.”

“What happened in the summer of '68. Do you remember, do you recall what was revealed, the Miss America protest of '68 when women were burning their bras and everything else. But also Altamont, and this is such a clear, clear message against what is coming and what happened in an event that almost is erased. It's more important than Woodstock, and it was it's being erased in history. Here he is warning.”

There we were all in one place

A generation lost in space With no time left to start again

So come on Jack be nimble, Jack be quick

Jack Flash sat on a candle stick

‘Cause fire is the devil’s only friend.

As I watched him on the stage

My hands were clenched in fists of rage

No angel born in hell

Could break that satan’s spell

And as flames climbed high into the night

To light the sacrificial rite

I saw satan laughing with delight

the day the music died.

“ Because fire is its only friend. Okay. Gathering all in one place, 300,000 flower children flocked to Altamont in the fall of 1969. It was, it was the followup to Woodstock: Drugs, alcohol, increasing violence. They were a generation lost in space. Remember, the space race was also going on. There was nowhere left to go. Their momentum was fading and the decade was gone. And so was America. Then the rolling stones who had pushed the counterculture envelope with the last couple of albums took the stage as McLean alludes to with, "Come on, Jack be nimble, Jack be quick, Jack sat on the candlestick," that is the Jumpin' Jack Flash song by the Rolling Stones. And he's referring here to Mick Jagger was the Devil who refuses to end the Altamont concert despite the violence and the loss of crowd. Even, even the Grateful Dead said this is crazy.”

“’No angel born in hell could break that Satan spell.’ The Hells Angels were hired for security. They couldn't stop the chaos. In fact, they added to it. And Jagger, Satan in the song, continued to hold the audience in his spell.”

“A gun wielding man in the crowd heads for the stage but Hells Angels intercept him and they stab him to death. That's what happened at Altamont. They stab him to death. The sacrificial rite. Shortly before the stabbing, right before this guy starts going on a rampage, the Stones had performed ‘Sympathy For the Devil’.”

“Could it get any creepier than this? Don McLean was not just writing about this event but the demise of an era. The erosion of your culture. The erosion of our values. Altamont was the final blow to bring about the day the music died.”

Glenn took a break and then returned to discuss the song further.

“We're just looking at some of the old interviews with Don McLean because he never talks about this song anymore. But at the time he said that he was obsessed with what he called the death of America and so many things. The loss of so many things that he grew up with.”

“ (McLean) said in a sense ‘American Pie’ was a despairing song. In another way it was hopeful. He said Pete Seeger told me that he saw it as a song in which people were saying something, that they had been fooled, they had been hurt and they weren't going to let it happen again. He said that's a good way to look at it, a hopeful way. Unfortunately Pete Seeger was a communist and I mean, that's the way that's why this happens again.”

“It happened with Mao and it won't happen this way again. It happened at Altamont but it won't happen like that again. I mean, it's the same story over and over and over again.”

“The good news is, is that there was at least somebody that was in this culture at that time that was mourning the loss of America then and we didn't lose America then. We're still going. We might despair now and say, ‘Jeez, we're going to lose America’. That's not necessarily true unless we allow it.”

Is Mayor Bass HIDING the real reason behind LA’s riots?

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Protesters wore Che shirts, waved foreign flags, and chanted Marxist slogans — but corporate media still peddles the ‘spontaneous outrage’ narrative.

I sat in front of the television this weekend, watching the glittering spectacle of corporate media do what it does best: tell me not to believe my lying eyes.

According to the polished news anchors, what I was witnessing in Los Angeles was “mostly peaceful protests.” They said it with all the earnest gravitas of someone reading a bedtime story, while behind them the streets looked like a deleted scene from “Mad Max.” Federal agents dodged concrete slabs as if it were an Olympic sport. A man in a Che Guevara crop top tried to set a police car on fire. Dumpster fires lit the night sky like some sort of postapocalyptic luau.

If you suggest that violent criminals should be deported or imprisoned, you’re painted as the extremist.

But sure, it was peaceful. Tear gas clouds and Molotov cocktails are apparently the incense and candles of this new civic religion.

The media expects us to play along — to nod solemnly while cities burn and to call it “activism.”

Let’s call this what it is: delusion.

Another ‘peaceful’ riot

If the Titanic “mostly floated” and the Hindenburg “mostly flew,” then yes, the latest L.A. riots are “mostly peaceful.” But history tends to care about those tiny details at the end — like icebergs and explosions.

The coverage was full of phrases like “spontaneous,” “grassroots,” and “organic,” as if these protests materialized from thin air. But many of the signs and banners looked like they’d been run off at ComradesKinkos.com — crisp print jobs with slogans promoting socialism, communism, and various anti-American regimes. Palestinian flags waved beside banners from Mexico, Venezuela, Cuba, and El Salvador. It was like someone looted a United Nations souvenir shop and turned it into a revolution starter pack.

And guess who funded it? You did.

According to at least one report, much of this so-called spontaneous rage fest was paid for with your tax dollars. Tens of millions of dollars from the Biden administration ensured your paycheck funded Trotsky cosplayers chucking firebombs at local coffee shops.

The same aging radicals from the 1970s — now armed with tenure, pensions, and book deals — are cheering from the sidelines, waxing poetic about how burning a squad car is “liberation.” These are the same folks who once wore tie-dye and flew to help guerrilla fighters and now applaud chaos under the banner of “progress.”

This is not progress. It is not protest. It’s certainly not justice or peace.

It’s an attempt to dismantle the American system — and if you dare say that out loud, you’re labeled a bigot, a fascist, or, worst of all, someone who notices reality.

And what sparked this taxpayer-funded riot? Enforcement against illegal immigrants — many of whom, according to official arrest records, are repeat violent offenders. These are not the “dreamers” or the huddled masses yearning to breathe free. These are criminals with long, violent rap sheets — allowed to remain free by a broken system that prioritizes ideology over public safety.

Photo by Kyle Grillot/Bloomberg | Getty Images

This is what people are rioting over — not the mistreatment of the innocent, but the arrest of the guilty. And in California, that’s apparently a cause for outrage.

The average American, according to Los Angeles Mayor Karen Bass, is supposed to worry they’ll be next. But unless you’re in the habit of assaulting people, smuggling, or firing guns into people’s homes, you probably don’t have much to fear.

Still, if you suggest that violent criminals should be deported or imprisoned, you’re painted as the extremist.

The left has lost it

This is what happens when a culture loses its grip on reality. We begin to call arson “art,” lawlessness “liberation,” and criminals “community members.” We burn the good and excuse the evil — all while the media insists it’s just “vibes.”

But it’s not just vibes. It’s violence, paid for by you, endorsed by your elected officials, and whitewashed by newsrooms with more concern for hair and lighting than for truth.

This isn’t activism. This is anarchism. And Democratic politicians are fueling the flame.

This article originally appeared on TheBlaze.com.

Glenn Beck's 'No King but Christ' merch: Will faith STOP the chaos?

On Saturday, June 14, 2025 (President Trump's 79th birthday), the "No Kings" protest—a noisy spectacle orchestrated by progressive heavyweights like Randi Weingarten and her union cronies—will take place in Washington, D.C.

Thousands will chant "no thrones, no crowns, no king," claiming to fend off authoritarianism and corruption.

But let’s cut through the noise. The protesters' grievances—rigged courts, deported citizens, slashed services—are a house of cards. Zero Americans have been deported, Federal services are still bloated, and if anyone is rigging the courts, it's the Left. So why rally now, especially with riots already flaring in L.A.?

Chaos isn’t a side effect here—it’s the plan.

This is not about liberty; it's a power grab dressed up as resistance. The "No Kings" crowd wants you to buy their script: government’s the enemy—unless they’re the ones running it. It's the identical script from 2020: same groups, same tactics, same goal, different name.

But Glenn is flipping the script. He's dropping a new "No Kings but Christ" merch line, just in time for the protest. Merch that proclaims one truth: no earthly ruler owns us; only Christ does. It’s a bold, faith-rooted rejection of this secular circus.

Why should you care? Because this won’t just be a rally—it’ll be a symptom. Distrust in institutions is sky-high, and rightly so, but the "No Kings" answer is a hollow shout into the void. Glenn’s merch begs the question: if you’re ditching kings, who’s really in charge? Get yours and wear the answer proudly.

Truth unleashed: 95% say media’s excuses for anti-Semitism are a LIE

ELI IMADALI / Contributor | Getty Images

Glenn asked for YOUR take on the rising tide of anti-Semitism, and you delivered. After the Boulder attack, you made it clear: this isn’t just a news story—it’s a crisis the elites are dodging.

Your verdict is unmistakable: 96% of you see anti-Semitism as a growing threat in the U.S., brushing aside the establishment’s weak excuses. The spin does not fool you—95% say the media is deliberately downplaying the issue, hiding a cultural rot that’s all too real. And the government’s response? A whopping 95% of you call it a disgraceful failure, leaving communities exposed.

Your voices shatter the silence. Why should we trust narratives that dismiss your concerns? With 97% of you warning that anti-Semitism will surge in the years ahead, you’re demanding action and accountability. This is your stand for truth.

You spoke, and Glenn listened. Your bold response sends a message to those who’d rather ignore the problem. Keep raising your voice at Glennbeck.com—your input drives the fight for justice. Take part in the next poll and continue shaping the conversation.

Want to make your voice heard? Check out more polls HERE.

JPMorgan Chase CEO issues dire warning about America's prosperity

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Jamie Dimon has a grim forecast for America — and it’s not a recession. He sees a fragile nation drifting into crisis while its leaders fight over TikTok.

Jamie Dimon, CEO of JPMorgan Chase — one of the most powerful financial institutions on earth — issued a warning the other day. But it wasn’t about interest rates, crypto, or monetary policy.

Speaking at the Reagan National Defense Forum in California, Dimon pivoted from economic talking points to something far more urgent: the fragile state of America’s physical preparedness.

We are living in a moment of stunning fragility — culturally, economically, and militarily. It means we can no longer afford to confuse digital distractions with real resilience.

“We shouldn’t be stockpiling Bitcoin,” Dimon said. “We should be stockpiling guns, tanks, planes, drones, and rare earths. We know we need to do it. It’s not a mystery.”

He cited internal Pentagon assessments showing that if war were to break out in the South China Sea, the United States has only enough precision-guided missiles for seven days of sustained conflict.

Seven days — that’s the gap between deterrence and desperation.

This wasn’t a forecast about inflation or a hedge against market volatility. It was a blunt assessment from a man whose words typically move markets.

“America is the global hegemon,” Dimon continued, “and the free world wants us to be strong.” But he warned that Americans have been lulled into “a false sense of security,” made complacent by years of peacetime prosperity, outsourcing, and digital convenience:

We need to build a permanent, long-term, realistic strategy for the future of America — economic growth, fiscal policy, industrial policy, foreign policy. We need to educate our citizens. We need to take control of our economic destiny.

This isn’t a partisan appeal — it’s a sobering wake-up call. Because our economy and military readiness are not separate issues. They are deeply intertwined.

Dimon isn’t alone in raising concerns. Former Google CEO Eric Schmidt has warned that China has already overtaken the U.S. in key defense technologies — hypersonic missiles, quantum computing, and artificial intelligence to mention a few. Retired military leaders continue to highlight our shrinking shipyards and dwindling defense manufacturing base.

Even the dollar, once assumed untouchable, is under pressure as BRICS nations work to undermine its global dominance. Dimon, notably, has said this effort could succeed if the U.S. continues down its current path.

So what does this all mean?

Christopher Furlong / Staff | Getty Images

It means we are living in a moment of stunning fragility — culturally, economically, and militarily. It means we can no longer afford to confuse digital distractions with real resilience.

It means the future belongs to nations that understand something we’ve forgotten: Strength isn’t built on slogans or algorithms. It’s built on steel, energy, sovereignty, and trust.

And at the core of that trust is you, the citizen. Not the influencer. Not the bureaucrat. Not the lobbyist. At the core is the ordinary man or woman who understands that freedom, safety, and prosperity require more than passive consumption. They require courage, clarity, and conviction.

We need to stop assuming someone else will fix it. The next crisis — whether military, economic, or cyber — will not politely pause for our political dysfunction to sort itself out. It will demand leadership, unity, and grit.

And that begins with looking reality in the eye. We need to stop talking about things that don’t matter and cut to the chase: The U.S. is in a dangerously fragile position, and it’s time to rebuild and refortify — from the inside out.