‘As you wish’ - Glenn interviews Princess Bride star Cary Elwes

December 18, 2014

The Glenn Beck Program

We'll never survive.
Nonsense. You're only saying that because no one ever has. - The Princess Bride, 1987

If you have been listening to Glenn for awhile, you are very well aware that 'The Princess Bride' is one of his favorite movies. He loves it so much he declared the film a "right of passage" in his family. Glenn was honored to have actor Cary Elwes on radio today to talk about his new book As You Wish, which takes readers behind-the-scenes on the making of 'The Princess Bride'. The book includes photographs, exclusive interviews and never before told stories.

That's a lot of content! Why it's..."INCONCEIVABLE!"

During the interview, Glenn took the opportunity (as any proper fan would) to ask Elwes some of the stories during the making of the film. The story about the Rodents of Unusual Size (better known as R.O.U.S') is definitely one that is worth a listen.

So don your black mask and "prepare to die" of laughter as you listen to this great interview.

GLENN: We are thrilled to have somebody on today that has a new book on called As You Wish. You know that phrase if you're our kind of people. And when I say that, I don't care how you vote. Where you're from in the world. If you know the word as you wish, and it brings back fond memories, you're my kind of people. We've used this -- I have used, do you like the Princess Bride when I was dating. If they said no, we're not going to get along.

[laughter]

We've done this with friends, with writers, with everybody we know. This is perhaps the Wizard of Oz of our time. This is a magical movie that will last for generations and has become such a part of our culture. And Cary Elwes is the guy who played Wesley, who said, as you wish. Twenty-fifth anniversary of the movie came and went, and he decided, I have to write some of the stories down. And he put out a new book called As You Wish. And Cary is with us now.

Hello, Cary, how are you?

CARY: I'm well, Glenn. How are you, sir?

GLENN: I'm really good. I will tell you, I feel a little for you today because you must be sitting in your hotel room, wherever you are, thinking to yourself, good God, is my career over? I'm on the Glenn Beck Program. I can't go any lower than this.

CARY: No. Not at all, sir. I'm happy to be on your show. Thank you.

GLENN: So, Cary, first of all, thank you for the joy that you have given me, my family, my children. Just recently we watched the Princess Bride. Again, that was a magical movie, and I would imagine one that people would look to make their entire life and don't usually get to make. But more importantly, thank you for appreciating the fact that you were in that and you're not shunning it and saying, I'm above that now.

CARY: No. I'm beyond grateful to be apart of it. I think I can speak for everyone on the film when we say we feel blessed to be a part of it. It's the film that gave me my career and gave me the life I lead today. So I'm eternally grateful.

GLENN: I've wondered this about the movie Moulin Rouge. I don't know if you saw that.

CARY: Sure.

GLENN: But Baz Luhrmann is a genius. And Rob Reiner is a genius. And I think those are probably the only two that could make actors stand in a room and say, okay, have you way out of a -- you'll be dancing in an elephant in Moulin Rouge or you'll be wrestling with rodents of unusual size, and feel comfortable.

CARY: Yes.

GLENN: Was there any time on the set that you thought, this is either going to be magic or a disaster?

CARY: There was one moment. When the little fellow who was playing the rodent of unusual size I was put to wrestle with didn't show up to work. And Rob decided that the only alternative available to us, because we were going to lose the set that day, was to have me wrestle a rubber rat. And that -- I had some -- I had some moments there while Rob was directing me on how to make the rubber rat seem more realistic. I was definitely going to myself, hmm, I wonder if this is going to sell.

[laughter]

We didn't have the money for CGI or anything back then, you know.

GLENN: And the guy actually had been arrested the night before.

CARY: Correct. That is correct. He was driving 5 miles an hour in a 25-mile per hour zone. And I think he had had a couple of drinks. And he was -- had to spend the night in jail. Poor guy.

GLENN: Right.

CARY: He did eventually arrive and saved me from having to wrestle the latex foam rodent of unusual size.

GLENN: The scene, you describe that whole fire swam in great detail. There were a lot of problems in that scene. I mean, the dress really didn't catch fire over and over again.

CARY: Yes. Well, the dress was made -- had a flame retardant liquid that had been -- it had been dipped in. And one area had, I believe, some, I guess, it was alcohol or some kind of area where the flame was supposed to catch the dress on fire, yeah. But Bill Goldman, the author and playwright, showed up in the middle of the first take and had no idea what we were shooting that day. And saw Robin catch fire and screamed out loud, she's on fire. Robin Wright is on fire, at the top of his lungs.

And Rob Reiner yelled, cut, and turned to him and went, Bill, she's supposed to catch fire. That's part of the script. You've written it in the last eight drafts.

And he was mortified, the poor guy. But he had no idea. Imagine anyone walking on the set and seeing Robin Wright on fire. If you had no idea what the context was, you'd probably do the same thing.

GLENN: Right. I would say pretty much anybody on fire. But Robin Wright -- and Robin Wright, let's be honest, is typically on fire, if you know what I mean.

CARY: Very good. Very good.

GLENN: I will tell you, when I saw in the book, that you did the -- the, you know, most passionate kiss ever, and it took you like seven or eight takes, I didn't feel badly for you.

CARY: No. Well, it had to do with the fact that we were giggling so much. Robin and I became very good friends. Still are good friends. And, you know, it's weird kissing your best friend. It's -- so Rob got a little frustrated with us because obviously Wesley and Buttercup were not supposed to be giggling while they were engaging in the passionate embrace. But we got it in the end.

GLENN: Right. Can you tell me about the -- and I'm trying to remember the name of the actor. He's a great actor. So I apologize. The inconceivable guy.

CARY: Wallace Shawn, yeah.

GLENN: So I love that guy.

CARY: Oh, he's great.

GLENN: He's brilliant, and just brilliant in it. Even reading the book, The Princess Bride, which if you haven't read the book, it's just brilliant. It reads just like the movie.

But he played that role so perfectly, but you say he broke out in hives because he was so convinced he was going to be cut.

CARY: Not just cut, but replaced. His agent had told him before he got on the plane to fly to England that, in fact, he was not the first choice to play that scene. The filmmakers wanted Danny DeVito. And he was convinced that he was merely standing in, waiting for Mr. DeVito to become available.

And I only had the one scene with him. The battle of wits scene. And he showed up to work. Here's the guy, always the smallest guy in the room. Fulbright scholar. Lectures at Oxford and Cambridge. Here he is sweating at this little scene. I didn't know what it was about.

But I found out from writing this book that he had actually -- he was convinced that his ticket had already been booked, and when you look at his performance now, it's inconceivable to think of anybody else playing that role, other than him. I mean, he's just perfect in that.

GLENN: When you are -- you're in the fight scene at the top of the cliffs of insanity. And you have to sword fight.

CARY: Yeah.

GLENN: I've always found it amazing that it was clearly you guys sword fighting.

In the book --

CARY: Yes.

GLENN: -- you say we should perhaps even be more amazed because of your foot and because of changes at the last minute.

CARY: Yes. So by the -- first of all, I broke my toe fooling around on Andre the Giant's all-terrain vehicle, which I had no business being on. But he kept taunting me to try it. Eventually -- you know, when a giant says you should try his toy --

GLENN: You do.

CARY: -- several times a day, at some point, you need to relent.

GLENN: Wait. Wait. Wait. Before you get to the sword fight scene. Just talk -- I have to verify, he never actually was riding -- I love the way -- I love the way you say that you walked on the set, and you saw him on the top of the horse and you realized, this is the craziest job in the world.

CARY: In the world.

GLENN: He never actually road the horse.

CARY: No. He was always on wires. Never touched -- the horse would never allow -- the horses are very smart. The horse took one look at Andre, all 460 pounds, 7'5" of him and said, there's no -- this was a Clydesdale. The kind you see on the Budweiser commercial. The biggest horse ever. It just refused. So they had to blindfold it and then lower Andre down on a wire, not actually touching the horse.

GLENN: Is that crazy?

CARY: Huh?

GLENN: That's crazy.

CARY: Crazy. Anyway, so I broke my toe fooling around on his all-terrain vehicle. Luckily, it was fairly reasonably well-healed by the time -- it was three weeks later we shot the sword fight.

But when we came to show it to Rob Reiner, Manny and I had become so fast at the routine that it clocked in at about a minute. And Rob turned to us and went, guys, you got to go back and add another two minutes. You know, look at this set I built for you. This beautiful set. You can't be in here for just a minute.

So we had literally four or five days to go. We had to go back and add another two minutes to the fight, which we did. And we added the whole acrobatic piece, where we had this gymnast do this wonderful flip on the bars. And it was fun.

GLENN: I was going to say, Cary is obviously a great storyteller. He just butchered that. It's great in the book. It's great in the book.

So, Cary, you are -- and I let you decide or want to leave it for the reader to discover. But when you get to the end of the book, you talk about Peter Falk and the touching scene between a grandfather and his grandson.

CARY: Yes.

GLENN: And how that became real. Do you care to go into that at all?

CARY: Sure. I lost my own grandfather during the making of the film. And my grandfather was the hero in my life. He was a real-life World War II veteran. He had been sort of a commando. He worked for special operations executives, SOE, and their job was to fly behind enemy lines and create a fit column (phonetic) to fight the Germans and the Italians in Albania and in many other places.

Anyway, he died of complications related to diabetes. And he was the kind of guy who used to tell tales to me as a kid, much like Peter Falk did with Fred Savage.

And when I went to the hospital after I wrapped the movie, I started to share with him -- because he was unable to come to the set, he was too sick. I shared with him the whole story of my experience making the film. And he was under a lot of medication at the time. I don't know how much he really could understand what I was saying. But I wanted to share it with him anyway. And I realized while I was sharing the whole making of the film with him that I was having my own as-you-wish moment with him. So it was very moving for me. And, yeah, it was -- it was very sad. Very touching.

GLENN: Cary, we were talking before you came on about the movie Galaxy Quest with Tim Allen. Okay. You know that. So I can't remember the guy or the character he plays. But he plays basically the Spock character.

CARY: Right.

GLENN: And he is -- he's pissed that he's been in this movie and that's all people -- he's like, yeah, I got it. I got it. There has to be times that even if you love -- and, I mean, that character he didn't love it. He was really pissed that's what he turned into be. You've done so much. You've been in really critically acclaimed movies. You're a great actor.

CARY: Thank you.

GLENN: But there has to be times that you run into fans where you're like, okay, it's a movie, dude. It's a movie.

CARY: I got to share with you this. Here's how I look at it, Glenn. I think as an actor you are blessed to have anyone resonate with your work. Some actors go through life and don't have a single movie that anyone has even cared to watch or have -- you know, feels anything about.

And I look at it like, how blessed am I that I have a film that has touched so many people. I call this the gift that keeps on giving. This is like a generational film. I meet families who have passed down their VHS copies from grandparents to grandkids. It's just incredible.

GLENN: It's a rite of passage. It really is. We shared it with our kids. I have kids in their 20s and an 8-year-old. And it is a rite of passage that we're watching this movie.

So, Cary, I thank you very much for being on the program.

CARY: Thank you, sir.

GLENN: I've never done this before. But I would like to ask if we could send you a few copies of your book and you could sign them so we could give some away.

CARY: Absolutely.

GLENN: Thank you for being so cool. I appreciate it.

CARY: Happy Holidays to you and all your listeners. And thank you for having me on your show.

GLENN: God bless you. Thank you very much.

CARY: God bless you too.

GLENN: Name of the book is As You Wish: The Inconceivable Tales From the Making of the Princess Bride.

STU: He was great.

GLENN: I have to tell you, after my experience with B.B. King, where my wife fell asleep at a B.B. King concert, and I am a huge B.B. King fan. And we went backstage to meet him, and he couldn't give a flying crap about me.

STU: He was hitting on Tania, wasn't he?

GLENN: He was hitting on my wife the whole time. And I wanted to say to him, she fell asleep. She hates you. She's like, stop with B.B. King all the time.

And after that, and then an experience with Billy Joel and Elton John right in the same summer, I swore off meeting anyone that I liked. If I liked your music, I liked your work. I don't want to meet you. It's going to be disappointing. That was a cool interview. Really, really gracious guy. Really great.

STU: Yeah. I must remind you that I brought that to the table. So there's one for the last ten or 15 years.

[laughter]

GLENN: As You Wish the name of the book. The inconceivable tales of the making of the Princess Bride.

5 videos that reveal the WOKE GARBAGE being taught to our kids

School today is not like it used to be...

Glenn recently covered how our medical schools have been taken over by gender-affirming, anti-racist, woke garbage, and unfortunately, it doesn't stop there. Education at all levels has been compromised by progressive ideology. From high-level university academics to grade school, American children are constantly being bombarded by the latest backward propaganda from the left. Luckily, in the age of Zoom classes and smartphones, it's harder for teachers to get away their agenda in secret. Here are five videos that show just how corrupt schools really are:

Woke teacher vandalizes pro-life display

Professor Shellyne Rodriguez, an art professor at Hunter College in New York, was caught on camera having a violent argument with a group of pro-life students who were tabling on campus. Rodriguez was later fired from her position after threatening a reporter from the New York Post, who was looking into this incident, with a machete.

Woke professor argues with student after he called police heroes

An unnamed professor from Cypress College was captured having a heated discussion with a student over Zoom. The professor verbally attacked the student, who had given a presentation on "cancel culture" and his support of law enforcement. The university later confirmed that the professor was put on leave after the incident.

Professor goes on Anti-Trump rant

Professor Olga Perez Stable Cox was filmed by a student going on an anti-Trump rant during her human-sexuality class at Orange Coast College. This rant included Professor Cox describing Trump's election as "an act of terrorism”. The student who filmed this outburst was suspended for an entire semester along with several other punishments, including a three-page apology essay to Professor Cox explaining his actions. Orange Coast College continues to defend Professor Cox, citing the student code of conduct.

Unhinged teacher caught on video going on left-wing political rant

Lehi High School teacher Leah Kinyon was filmed amid a wild, left-wing rant during a chemistry class. Kinyon made several politically charged remarks, which included encouraging students to get vaccinated and calling President Trump a "literal moron." Despite her claims that the school admins "don't give a crap" about her delusional ramblings, a statement from Lehi High School reveals that she "is no longer an employee of Alpine School District."

Far-left Berkeley law professor melts down when a Senator asks her if men can get pregnant

During a Senate Judiciary Committee hearing, Berkeley Law Professor Khiara M. Bridges was asked by Missouri Senator Josh Hawley to clarify earlier statements involving "people with a capacity for pregnancy." The senator's line of questioning is met with a long-winded, frantic rant accusing the senator of being transphobic. When Sen. Hawley tries to clarify further, Professor Bridges makes the outrageous claim that such a line of questioning somehow leads to trans suicides.

Woke ideology trumps medicine in America's top 5 medical schools

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Progressive ideology has infected our most prestigious medical schools and is seeping into our medical system.

As Glenn covered in his latest TV special, "diversity, equity and inclusion" (DEI), and leftist rhetoric have overtaken science and medicine as the focus of medical schools across the nation. The next generation of doctors and nurses is being force-fed DEI and "anti-racist" nonsense at the expense of slipping standards. This has led to a decline in people's trust in the medical industry and for good reason. Woke ideology has already been the driving force behind at least one medical malpractice case, and more are undoubtedly on the way.

All of this is being spearheaded by universities, which have integrated DEI practices into the fabric of their programs. Our top medical schools now require students and staff to participate in mandatory DEI and "anti-racist" classes and training and are adjusting the standards to reflect this new shift in focus. Here are 5 statements from the top American medical schools that show that medicine is no longer their primary focus:

Harvard Medical School

Boston Globe / Contributor | Getty Images

Taken from the Harvard University "Unconscious bias" resource page:

“As members of HMS, we each have a responsibility to create an inclusive community that values all individuals. Barriers to inclusion may include assumptions we make about others that guide our interactions. Recognizing our Unconscious Bias is a critical step in developing a culture of equity and inclusion within HMS and in our partnerships with other communities.”

The Johns Hopkins University School of Medicine

Rob Carr / Staff | Getty Images

Pulled from the JHM Office of Diversity, Inclusion and Health Equity blog:

“One-hour live, virtual unconscious bias training ... [w]ill be required at all Johns Hopkins Health System (JHHS) entities for managers and above; hospital nurse leaders; credentialed providers (such as physician assistants and nurse practitioners); and for school of medicine faculty and trainees (including residents, fellows, medical and graduate students, and research postdocs), as well as those at a manager level or above.”

Stanford University School of Medicine

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Found on the Stanford Medicine Commission on Justice and Equity page:

“The Commission on Justice and Equity—composed of external and internal leaders, experts, and advocates—represents an institution-wide, collaborative effort to dismantle systemic racism and discrimination within our own community and beyond.”

Perelman School of Medicine at the University of Pennsylvania

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Taken from the Penn Medicine Commitment to Inclusion, Equity, and Antiracism site:

“We openly acknowledge the role of structural forces of oppression as primary drivers of the disparate health outcomes. We believe that working to reverse the underrepresentation of historically excluded groups is critical in achieving equitable health outcomes. While this is an ongoing journey for our program, here are some of the tangible steps we have taken to achieve an inclusive culture”

Columbia University Vagelos College of Physicians and Surgeons

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Pulled from the Vagelos College of Physicians and Surgeons Diversity, Equity, Inclusivity, Justice, and Anti-Racism page:

"Courses are being revised to be more inclusive and informed by the key principle of race as a social construct and a social determinant of health. We are training faculty that Anti-Racism is not an add-on to a course. Anti-Racism is a pedagogy - a manner of teaching, designing courses, and measuring learning outcomes. We make sure that the classroom environment is inclusive by holding space for respectful conversation and ensuring that we address any “classroom ruptures”– a disorienting dilemma or situation when a bias or microaggression that may occur, providing real time opportunities for professional development, learning, and growth. Racist actions and remarks are never tolerated at Columbia University and will be dealt with following established protocols."

Critical theory destroys truth and justice

Editor's note: This article was originally published on TheBlaze.com.

Critical theory once stood out as the absurd progressive notion that it is. Now, its maxims are becoming an integral part of ordinary political discourse. The more you repeat a lie, the more you will believe it, and this is the very dangerous place in which we find ourselves today.

Take this critical theory maxim as an example: If we desire justice, we must sometimes champion what may appear superficially as injustice. It's a necessary evil, if you will, the necessity of “controlled injustice.”

By using truth through fabrication and controlled injustice for justice, we’ll save the republic. We’ll be acting in a noble way.

This definition of justice is defined by the “oppressed,” not the “oppressor.” It is the greatest happiness for the greatest number. To achieve this justice, however, we need to endorse acts on occasion that, while seemingly unjust, serve a higher purpose. It will ensure the stability and the unity of our republic, and this may manifest in ways that seem contradictory to our values. But these are the necessary shadows to cast light on “true justice.”

And isn’t that what we are all after, anyway?

Here’s another critical theory maxim: Sometimes we find the truth through fabrication. Our pursuit of truth sometimes requires a strategic use of falsehoods. The truth is a construct that has been shaped and tailored to promote the well-being of the collective.

We sometimes need to accept and propagate lies designed by "the system” — not the old system, but the system that we’re now using to replace the old to get more justice through injustice and more truth through fabrication.

We’re engaging in a higher form of honesty. When we fabricate, it’s for the right reason. We are reaching up to the heavens fighting for a higher sort of honesty. To fortify the truth, we occasionally must weave a tapestry of lies. Each thread, essential for the greater picture, will ultimately define our understanding and ensure our unity under this infallible wisdom.

The election is coming up. Does this maxim sound familiar? Many think it is imperative that we secure our republic through election control to maintain our republic. Sometimes, we might need to take actions that by traditional standards might be questionable.

The act of securing elections requires cheating. It's not mere deception. It is a noble act of safeguarding our way of life. We're on the verge of losing this democracy, and without deception, we will lose it.

To ensure it doesn't fall into the hands of those we know will destroy it, we may have to make a few fabrications. We're fabricating stories to be able to control or secure the republic through our elections. By using truth through fabrication and controlled injustice for justice, we'll save the republic. Therefore, we'll be acting in a noble way. Stealing an election from those who wish to harm our society is truly an act of valor and an essential measure to protect our values and ensure the continuation of our just society.

If we desire justice, we must sometimes champion what may appear superficially as injustice.

I know it's a paradox of honor through dishonor. But in this context, by embracing the dishonor, we achieve the highest form of honor, ensuring the stability and the continuation of our great republic.

Let this be heard, far and wide, as a great call to patriotic action. As we advance, let each of us, citizens of this great and honorable republic, consider these principles. Not as abstract or paradoxical but as practical guides to daily life. Embrace the necessity of controlled injustice, the utility of lies, the duty to secure our electoral process, and the honor and apparent dishonor. These are not merely strategies for survival. They are prerequisites for our prosperity.

We all have to remember that justice is what our leaders define, that truth is what our party tells us. Our republic stands strong on the values of injustice for justice, honor through dishonor, and the fabrication of truths. To deviate from this path is to jeopardize the very fabric of our society. Strength through unity; unity through strength.

We've heard this nonsense for so long. But now, this nonsense is becoming an instituted reality, and we are entering perilous times. Don't be fooled by the narratives you will hear during the march to November. Never let someone convince you that the ends justify the means, that a little bit of injustice is needed to achieve a broader, collective vision of justice, that truth sometimes requires fabricated lies and narratives. If we do, justice will cease to be justice, truth will cease to be truth, and our republic will be lost.

Top 5 MOST EVIL taxes the government extorts from you

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"In this world nothing is certain but death and taxes." -Ben Franklin

The injustice of taxation has been a core issue for Americans since the very beginning of our country, and it's a problem we have yet to resolve. This belief was recently reignited in many Americans earlier this month on tax day when the numbers were crunched and it was discovered that the government was somehow owed even more hard-earned money. As Glenn recently discussed on his show, it's getting to be impossible for most Americans to afford to live comfortably, inflation is rising, and our politicians keep getting richer.

The taxpayer's burden is heavier than ever.

The government is not above some real low blows either. While taxes are a necessary evil, some taxes stretch the definition of "necessary" and emphasize the "evil." Here are the top five most despicable taxes that are designed to line the IRS coffers at your expense:

Income Tax

Joe Raedle / Staff | Getty Images

"It would be a hard government that should tax its people one-tenth part of their income." -Ben Franklin

On February 24th, 2024 we hit a very unfortunate milestone, the 101st anniversary of the 16th Amendment, which authorized federal income tax. Where does the government get the right to steal directly out of your paycheck?

Death Taxes

Dan Mullan / Staff | Getty Images

"Now my advice for those who die, Declare the pennies on your eyes" -George Harrison

Not even in death can you escape the cold pursuit of the tax collector. It's not good enough that you have to pay taxes on everything you buy and every penny you make your entire life. Now the feds want a nice slice, based on the entire value of your estate, that can be as much as 40 percent. Then the state government gets to stick their slimy fingers all over whatever remains before your family is left with the crumbs. It's practically grave-robbery.

Payroll

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"The power to tax is the power to destroy." -John Marshall

What's that? The nice chunk of your paycheck the government nabs before you can even get it to the bank wasn't enough? What if the government taxed your employer just for paying you? In essence, you make less than what your agreed pay rate is and it costs your employer more! Absolutely abominable.

Social Security

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"We don't have a trillion-dollar debt because we haven't taxed enough; we have a trillion-dollar debt because we spend too much." -Ronald Reagan

Everyone knows the collapse of Social Security is imminent. It has limped along for years, only sustained by a torrent of tax dollars and the desperate actions of politicians. For decades, people have unwillingly forked over money into the system they will never see again.

FICA

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"What at first was plunder assumed the softer name of revenue." -Thomas Paine

FICA is the payroll equivalent of Social Security. Your employer has to match however much you pay. It means it costs your employer even more to pay you—again, you'll NEVER see that money. At this point, are you even working for yourself, or are you just here to generate money for the government to frivolously throw away?