Something special about this new Broadway show compels people to stand

Glenn doesn't often go around praising Broadway shows - not since Spider-Man came out anyway. After recently attending a special pre-showing for Amazing Grace, Glenn had more than a little praise for the new musical.

"I don't promote things and really stand on them if it's just because, hey, this is a message and we should support this message. No, the message needs to be done right," Glenn said.

Glenn described Amazing Grace as a story about slavery in colonial times, told accurately, in a really entertaining and compelling way, and how one man was changed and then began to change the world. It's also about God, Glenn added.

Chuck Cooper as Thomas & Josh Young as John Newton in Amazing Grace. Photo by Joan Marcus (Broadway.com). Chuck Cooper as Thomas & Josh Young as John Newton in Amazing Grace. Photo by Joan Marcus (Broadway.com).

After watching it a month and a half ago, Glenn predicted the show would be criticized harshly by the press, and sure enough, that's what's happening.

"They actually had a little hope that that wouldn't happen. Because before it went to Broadway, it was in Chicago, and it got great reviews. Well, The New York Times and Variety and everybody else came out and just slaughtered this show."

Despite the harsh reviews, Glenn said he couldn't recommend the show highly enough.

"There is something special about this," Glenn said. "While the song was going on - it was the finale, but it wasn't like the point you clap - everybody stood up. We all just felt compelled to stand. There's something happening with this show."

He went on.

"If every American could see this show, you wouldn't be having people say black lives matter. And you can't dare say white lives don't -- or, white lives do. You know, all lives matter."

If you're anywhere near New York City and would like to attend Amazing Grace, tickets are available here.

Listen to the segment below.

Below is a rush transcript of this segment, it might contain errors.

GLENN: I want to tell you that if you are anywhere in the New York area or planning to go to New York in the next six months, you need to see a show called Amazing Grace. We saw it in rehearsals before it opened up on Broadway. And, Pat, you thought it was really good.

PAT: Oh, yeah. Oh, yeah.

GLENN: I saw it in a preview, before it opened up. I saw it finished. And I'm telling you, it is Les Miserables quality. The story is Les Miserables quality. The singing and acting is off the charts. These guys are top, top people. And what's amazing about this is, this is the story of how the song Amazing Grace was written. If you know the story, it is so compelling to see it actually on Broadway. You can't believe you're sitting in a Broadway -- New York City Broadway theater. Because you go to Broadway, and you can see all kinds of stuff that is degenerate. It is anything that is -- just about anything that you see on Broadway today is tearing our culture, our traditional culture apart.

Now, here's what's happened. Because this is so unbelievably -- it's the story of slavery. It is the story of how one man was changed and then began to change the world. And it -- so it's slavery, black and white. And it's about God. I said before when it was -- before I even saw any of it, I said, you know you're going to get panned by the New York Times and everyone else. No matter how good it is, you're going to get slaughtered in the press. And they actually had a little hope that that wouldn't happen. Because before it went to Broadway, it was in Chicago, and it got great reviews. Well, the New York Times and Variety and everybody else came out and just slaughtered this show. I left the show -- and this is about a month and a half ago. And I wrote a review of it. I can't recommend this highly enough.

When I heard -- and Pat was there, we saw them do in rehearsal, we saw them do Amazing Grace, they just sat at the edge of the stage and sang it. I saw the full two and a half hour show, and the finale is Amazing Grace. And I heard that when it was in Chicago, people started just standing up during Amazing Grace. The whole audience just stood up. I will tell you that I was there, yeah, yeah, I'm sure. I was there, it compels you to stand up. When they begin to sing it, about halfway that song, the entire audience is in tears, and they're all just standing. It's not -- it's not an applause thing. It's just like, I have to stand.

It's truly remarkable. Truly remarkable. We have the guy who actually wrote it and wrote the music, Chris Smith is with us on the phone now. And I want to tell you something special because there's a clause in the contract that they're doing that is -- that has put this show in even more jeopardy than just the New York Times trashing it.

Chris, are you there?

CHRIS: Hello. How are you doing, guys?

GLENN: Very good.

So tell me, Chris, what's in the contract that can get you guys shut down?

CHRIS: Well, it's not that anybody is looking to shut us down right now. But what happens, in any theater, you have to make it through a certain amount of tickets to get through the next month or week or whatever it is. So basically what we have to do is we have to get out there and people really have to demand this kind of entertainment having a place on Broadway.

GLENN: Okay. Hang on just a second. Because it's not a problem -- I was there, it was sold out. It's not a problem with selling tickets. You have to sell them this week and next week to make it to Christmas, right?

CHRIS: We have to do this week and next week to make it to anywhere. But that's always been the case. I mean, that's every show. The problem is that August is so tough because nobody is around. You just have to get the word out. And, you know, that's why I appreciate you having me on because we just really need to let people know that now is the time to come and say, this is what we want. This is what we want to see on Broadway. And bring a friend. Bring a relative. Bring a stranger.

GLENN: You will not believe -- there were people in the crowd that I -- I saw it -- probably like a Harlem church or something was there, and it's me and my family. And I'm telling you, we walked out, and all of us were hugging at the end. That doesn't happen in New York. There is something special about this show that you will not feel. And you will not see this in any other show on Broadway. You just won't.

So can you -- go ahead.

CHRIS: Sorry. Go ahead.

No, every night somebody comes up to me and they say, you know, I've gone to the theater for however many decades. And I've never seen an audience connect with a cast like in this. So there's something going on at the Nederlander Theatre that really can't be explained. And just as you said, it's just an amazing thing.

GLENN: As you -- if you're a regular listener of mine, you know that I don't like -- I don't promote things and really stand on them if it's just because, hey, this is a message and we should support this message. No, the message needs to be done right. And I'll support the message when the message is done right. I'm not going to support something that is just crap, even if the message is good. This is an unbelievable message. This is -- there is something magical that happens in this theater every night. And on top of it, this is a tremendous production. Just really, really good.

You want to tell the story real quick?

CHRIS: Well, basically it's the story of John Newton who was a slave trader in the 1700s. He was an atheist. And he was just a miserable person. Man of the world. And he, in the midst of being a slave trader, actually was enslaved himself. And actually got just a little taste of what he was actually doing to other human beings. And on a voyage back from Africa, he was caught in a hurricane and had a really -- he had to really come face-to-face what he had done and eternity. And it changed him. And not only did it change him and his relationships and his choices, but it actually influenced our world down to today. Because he was instrumental in blowing the lid off the slave trade. He did it from the inside. He was one of the world's first whistle-blowers. And he said, this is what we're really doing. This is what this empire really is. I was a part of it. We have to stop this. So it really does affect history.

GLENN: Yeah, and it's not politically correct at all. I mean, at one point -- he is captured as a slave by the black African queen.

CHRIS: And that's true. That actually happened.

GLENN: Yeah. It shows black and whites were both in on this. And blacks and whites were both enslaved. And it's the ugly truth all the way. And one of the reasons I think why people are panning this is because it doesn't -- it just says what it is. It just says this was evil. And it doesn't play into anybody's agenda except the truth. And it is something that I saw with the kids and my 9-year-old daughter at the very beginning was a little afraid. But she walked out absolutely loving it. My son loved it. My older kids loved it. We loved it as a family. I cannot recommend this highly enough.

Buy your tickets now. Go to AmazingGraceMusical.com. That's AmazingGraceMusical.com. Buy a ticket from their portal at that website.

Can they buy a ticket -- do they have to buy it for the next two weeks, or can they buy it for upcoming?

CHRIS: No. You can buy for -- the only reason we're pushing the next two weeks is just because August is so important. Every ticket that's sold in the next two weeks really speaks -- it speaks for the industry. It speaks for the cast and to us, and we really appreciate it.

GLENN: Thank you very much, Chris. I really appreciate it. God bless.

CHRIS: Thank you, Glenn.

GLENN: You bet. You bet.

PAT: Good luck. I haven't heard you stand on a musical since Spider-Man probably.

GLENN: And I see musicals all the time. I see Broadway shows all the time.

PAT: Did you like this better than Spider-Man?

GLENN: Yeah.

PAT: Better than Spider-Man?

GLENN: Spider-Man I really liked because as you guys know, I said the show had problems, but for what they were doing, they broke all kinds of ground. You know what I mean?

PAT: Uh-huh.

GLENN: So I liked it for the bravery. Not only for the bravery, but also for the show itself. But I really liked it and respected it because they had balls. These guys do as well.

I mean, when you read the reviews, it's like, how can white people possibly tell the story of slavery? It's that kind of review that they're getting. And it's sickening. One of the guys who plays the -- the older father's personal slave who is enslaved with John Newton. This guy is -- he'll remind you of James Earl Jones. And I heard that from the audience -- somebody said, I thought that was James Earl Jones when he was came out. He's like a young James Earl Jones. This is just top quality all the way along, American history -- well, colonial history. Told accurately, in a really entertaining and compelling way. And I will tell you, I have -- there is something special about this. I have never felt like -- I've never -- I've never been like this. While the song was going on -- it was the finale. But it wasn't like the point you clap, everybody stood up. We all just felt compelled to stand. There's something happening with this -- with this show. I mean, if every American could see this show, you would -- you wouldn't be having people say black lives matter. And you can't dare say white lives don't -- or, white lives do. You know, all lives matter. You don't dare say all lives matter. It's black lives matter. We would have an end to that conversation. Literally.

I was crying. The woman sitting right behind me on the aisle was crying. And as I walked out, she looked at me, I don't have any idea if she knows who I was, but she just looked at me and she just opened up her arms at me. And I walked and she hugged me and I hugged her. I mean, it's that powerful. It's that powerful.

STU: Can you opt out of the hugs with random people in the audience? Is that possible?

GLENN: You can. No one will threaten you with a hug.

STU: Okay. Good. I'm in.

GLENN: You and Pat. That would make you wildly uncomfortable, wouldn't it?

PAT: Possibly.

GLENN: I just think I scream huggable. I think the ladies know: huggable.

PAT: That's it.

STU: Oh, my gosh, the entire media noticed it. MSNBC is talking about it.

GLENN: They're like, Glenn Beck, there's one thing about him, huggable. Huggable.

PAT: How many times have we seen that? Too many.

STU: Oh, gosh.

GLENN: I think people hug me because they're like, it doesn't look like he has any bones in that body. I think he's like Flubber. I think he's like Jell-O. I think -- just, he's the Pillsbury Doughboy.

STU: I will say, when we're in New York, I hear a lot of people yelling, hug you, at you. And I was like, why are they doing that? That's weird.

GLENN: Is that what they're saying? That makes me feel better.

STU: I think so.

JEFFY: Are you sure that's hug?

STU: Pretty sure. It sounds like it.

What do clay pots have to do with to preserving American history?

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Editor's note: This article was originally published on TheBlaze.com.

Why should we preserve our nation’s history? If you listen to my radio program and podcast, or read my columns and books, you know I’ve dedicated a large part of my life and finances to sourcing and preserving priceless artifacts that tell America’s story. I’ve tried to make these artifacts as available as possible through the American Journey Experience Museum, just across from the studios where I do my daily radio broadcast. Thousands of you have come through the museum and have been able to see and experience these artifacts that are a part of your legacy as an American.

The destruction of American texts has already begun.

But why should people like you and me be concerned about preserving these things from our nation's history? Isn’t that what the “big guys” like the National Archives are for?

I first felt a prompting to preserve our nation's history back in 2008, and it all started with clay pots and the Dead Sea Scrolls. In 1946, a Bedouin shepherd in what is now the West Bank threw a rock into a cave nestled into the side of a cliff near the Dead Sea. Instead of hearing an echo, he heard the curious sound of a clay pot shattering. He discovered more than 15,000 Masoretic texts from the third century B.C. to the first century A.D.

These texts weren’t just a priceless historical discovery. They were virtually perfect copies of the same Jewish texts that continue to be translated today. Consider the significance of that discovery. Since the third century B.C. when these texts were first written, the Jewish people have endured a continued onslaught of diasporas, persecutions, pressures to conform to their occupying power, the destruction of their temple, and so much more. They had to fight for their identity as a people for centuries, and finally, a year after the end of the Holocaust and a year before the founding of the nation of Israel, these texts were discovered, confirming the preservation and endurance of their heritage since ancient times — all due to someone putting these clay pots in a desert cave more than 2,000 years ago.

I first felt a prompting to preserve our nation's history back in 2008, and it all started with clay pots and the Dead Sea Scrolls.

So, what do these clay pots have to do with the calling to preserve American history? I didn’t understand that prompting myself until the horrible thought dawned on me that the people we are fighting against may very well take our sacred American scriptures, our Declaration of Independence, and our Bill of Rights. What if they are successful, and 1,000 years from now, we have no texts preserved to confirm our national identity? What kind of new history would be written over the truth?

The destruction of American texts has already begun. The National Archives has labeled some of our critical documents, like our Declaration of Independence, Constitution, and Bill of Rights, as “triggering” or “containing harmful language.” In a public statement, the National Archives said that the labels help prepare readers to view potentially distressing content:

The Catalog and web pages contain some content that may be harmful or difficult to view. NARA’s records span the history of the United States, and it is our charge to preserve and make available these historical records. As a result, some of the materials presented here may reflect outdated, biased, offensive, and possibly violent views and opinions. In addition, some of the materials may relate to violent or graphic events and are preserved for their historical significance.

According to this statement, our founding documents are either “outdated, biased, offensive,” “possibly violent,” or a combination of these scathing descriptions. I’m sorry, the Declaration of Independence is not “triggering.” Our Constitution is not “outdated and biased,” and our Bill of Rights certainly is not “offensive and possibly violent.” They are glorious documents. They should be celebrated, not qualified by such derogatory, absurd language. Shame on them.

These are only the beginning stages of rewriting our history. What if they start banning these “triggering” documents from public view because they might offend somebody? Haven’t we torn down “triggering” statues before? What if we are no longer able to see, read, and study the actual words of our nation's founding documents because they are “harmful” or “possibly violent”? A thousand years from now, will there be any remnant to piece together the true spirit behind the nation that our founders envisioned?

The Declaration of Independence is not “triggering.”

That is why in 2008, I was prompted to preserve what I could. Now, the American Journey Experience Museum includes more than 160,000 artifacts, from founding-era documents to the original Roe v. Wade court papers. We need to preserve the totality of our nation’s heritage, the good, the bad, and the ugly. We need to preserve our history in our own clay pots.

I ask you to join with me on this mission. Start buying books that are important to preserve. Buy some acid-free paper and start printing some of the founding documents, the reports that go against the mainstream narrative, the studies that prove what is true as we are continually being fed lies. Start preserving our daily history as well as our history because it is being rewritten and digitized.

Somebody must have a copy of what is happening now and what has happened in the past. I hope things don’t get really bad. But if they do, we need to preserve our heritage. Perhaps, someone 1,000 years from now will discover our clay pots and, Lord willing, be able to have a glimpse of America as it truly was.

Top 10 WORST items in the new $1.2 TRILLION spending bill

Kevin Dietsch / Staff | Getty Images

Biden just signed the newest spending bill into law, and Glenn is furious.

Under Speaker Johnson's leadership, the whopping $1.2 TRILLION package will use your taxpayer dollars to fund the government through September. Of course, the bill is loaded with earmarks and pork that diverts money to fund all sorts of absurd side projects.

Here is the list of the ten WORST uses of taxpayer money in the recently passed spending bill:

Funding venues to host drag shows, including ones that target children

David McNew / Contributor | Getty Images

Money for transgender underwear for kids

Funding for proms for 12 to 18 year old kids

Bethany Clarke / Stringer | Getty Images

Border security funding... for Jordan and Egypt

Another $300 million for Ukraine

Anadolu / Contributor | Getty Images

$3.5 million for Detroit's annual Thanksgiving Day parade

Icon Sportswire / Contributor | Getty Images

$2.5 million for a new kayaking facility in Franklin, New Hampshire

Acey Harper / Contributor | Getty Images

$2.7 million for a bike park in White Sulfur Springs, West Virginia, a town with a population of less than 2,300 people

$5 million for a new trail at Coastal Carolina University

$4 million the "Alaska King Crab Enhancement Project" (whatever that means)

FRED TANNEAU / Stringer | Getty Images

There is no doubt about it—we are entering dark times.

The November presidential election is only a few months away, and following the chaos of the 2020 election, the American people are bracing for what is likely to be another tumultuous election year. The left's anti-Trump rhetoric is reaching an all-time high with the most recent "Bloodbath" debacle proving how far the media will go to smear the former president. That's not to mention the Democrats' nearly four-year-long authoritarian attempt to jail President Trump or stop his re-election by any means necessary, even if it flies in the face of the Constitution.

Meanwhile, Biden is doing worse than ever. He reportedly threw a tantrum recently after being informed that his polls have reached an all-time low. After Special Counsel Robert Hur's report expressed concerns over Biden's obviously failing mental agility, it's getting harder for the Democrats to defend him. Yet he is still the Democratic nominee for November, promising another 4 years of catastrophic policies, from the border to heavy-handed taxation, should he be reelected.

The rest of the world isn't doing much better. The war in Ukraine has no clear end in sight, drawing NATO and Russia closer and closer to conflict. The war in Gaza is showing no sign of slowing down, and as Glenn revealed recently, its continuation may be a sign that the end times are near.

One thing is clear: we are living in uncertain times. If you and your family haven't prepared for the worst, now is the time. You can start by downloading "Glenn's Ultimate Guide to Getting Prepared." Be sure to print off a copy or two. If the recent cell outage proved anything, it's that technology is unreliable in survival situations. You can check your list of supplies against our "Ultimate Prepper Checklist for Beginners," which you can find below:

Food

  • Canned food/non-perishable foods
  • Food preparation tools
  • Go to the next level: garden/livestock/food production

Water

  • Non-perishable water store
  • Water purification
  • Independent water source

Shelter

  • Fireplace with a wood supply
  • Tent
  • Generator with fuel supply
  • Go to the next level: fallout shelter

Money

  • Emergency cash savings
  • Precious metals

Medicine

  • Extra blankets
  • Basic first aid
  • Extra prescriptions
  • Extra glasses
  • Toiletries store
  • Trauma kit
  • Antibiotics
  • Basic surgery supplies
  • Potassium Iodate tablets

Transportation

  • Bicycle
  • Car
  • Extra fuel

Information

  • Birth certificates
  • Insurance cards
  • Marriage license
  • Immunization records
  • Mortgage paperwork
  • Car title and registration
  • House keys, car keys
  • Passports
  • Family emergency plan
  • Prepping/survival/repair manuals
  • Go to the next level: copy of the Bible, the U.S. Constitution, and other important books/sources

Skills

  • Cooking
  • Gardening
  • Sewing
  • First Aid
  • Basic maintenance skills
  • Go to the next level: farming/ranching
  • Self-defense training

Communication

  • Family contact information and addresses
  • HAM radio

Miscellaneous

  • Flashlights and batteries
  • Lamps and fuel
  • Hardware (tools, nails, lumber, etc)
  • Extra clothes
  • Extreme weather clothes and gear
  • Gas masks and filters
  • Spare parts for any machinery/equipment

Is Trump's prosecution NORMAL?  This COMPLETE list of ALL Western leaders who served jail time proves otherwise.

PhotoQuest / Contributor, The Washington Post / Contributor, Win McNamee / Staff | Getty Images

Mainstream media is on a crusade to normalize Donald Trump's indictments as if it's on par with the electoral course. Glenn asked his team to research every instance of a Western leader who was jailed during their political career over the past 200 years—except extreme political turmoil like the French Revolution, Napoleonic Wars, Irish Revolution, etc.—and what we discovered was quite the opposite.

Imprisoning a leader or major political opponent is not normal, neither in the U.S. nor in the Western world. Within the last 200 years, there are only a handful of examples of leaders in the West serving jail time, and these men were not imprisoned under normal conditions. All of these men were jailed under extreme circumstances during times of great peril such as the Civil War, World War II, and the Cold War.

What does this mean for America? Are Trump's indictments evidence that we are re-entering times of great peril? Below is a list of Western leaders who were imprisoned within the last 200 years. Take a look and decide for yourself:

Late 1800s

The Washington Post / Contributor | Getty Images

Jefferson Davis: The nearest occurrence to a U.S. President to serve jail time was in the case of Jefferson Davis, the first and only president of the Confederate States of America. Jefferson was captured in Georgia by Northern Soldiers in 1865 and locked up in Fort Monroe, Virginia for two years. He was offered a presidential pardon but refused out of his loyalty to the confederacy.

Early 1900s

PhotoQuest / Contributor | Getty Images

Eugene V. Debs: Debbs, a Midwestern socialist leader, became the first person to run for president in prison. He was locked up at a federal penitentiary in Atlanta having been convicted under the federal Sedition Act for giving an antiwar speech a few months before Armistice Day, the end of World War I. Many of his supporters believed his imprisonment to be unjust. Debs received 897,704 votes and was a distant third-part candidate behind Warren G. Harding, the Republican winner, and James M. Cox, the second-place Democrat. Harding ordered Debs’s release from prison toward the end of 1921.

Nazi sympathizers and collaborators: After the end of World War II in 1945, several European leaders who had "led" their countries during the Nazi occupation faced trial and imprisonment for treason. This list included Chief of the French State Philippe Pétain, French Prime Minister Pierre Laval, and Minister-President of Norway Vidkun Quisling. The latter two were also executed after their imprisonment. President of Finland Risto Ryti and Prime Minister of Finland Johan Wilhelm Rangell were also tried and jailed for collaborating with the Nazis against the Allied Powers.

Late 1900s

The Washington Post / Contributor | Getty Images

The end of the Cold War: The fall of the Berlin Wall in 1989 was one of the pivotal moments that brought the Cold War to a close and marked the end of Communist East Germany. With the fall of the wall and the collapse of the German Democratic Republic (East Germany), the former leaders were brought to trial to answer for the crimes committed by the GDR. General Secretary Erich Honecker and General Secretary Egon Krenz were both put on trial for abuse of power and the deaths of those who were shot trying to flee into West Germany. Honecker was charged with jail time but was released from custody due to severe illness and lived out the rest of his life as an exile in Chile. Krenz served 4 years in jail before his release in 2001. He is one of the last surviving leaders of the Eastern Bloc.

Lyndon LaRouche: Larouche was a Trotsky evangelist, public antisemite, and founder of a nationwide Marxist political movement, became the second person in U.S. history to run for President in a prison cell. Granted, he ran in every election from 1976 to 2004 as a long-shot third-party candidate. When he tried to gain the Democratic presidential nomination, he received 5 percent of the total nationwide vote. Even though in 2000 he received enough primary votes to qualify for delegates in a few states, the Democratic National Committee refused to seat his delegates and barred LaRouche from attending the Democratic National Convention.