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Glenn's Show Prep

Do Hollywood Elites Look Better in HD or 4K Ultra HD?

January 09, 2017
Staff

WRITER

What could cause a tough and seasoned radio commentator to watch a bunch of Hollywood elites rubbing elbows, patting backs and sharing their politic views during acceptance speeches? One thing and one thing only: a new 4K Ultra HD TV.

"Now we find out the real reason why Pat watched the Golden Globes," Glenn said Monday on radio.

Pat Gray, co-host of The Glenn Beck Program, received a very nice TV from his wife for Christmas.

"Anything that's in 4K, I'm there. So when the Globes came on, I thought, Oh, look at that, it seems to be ultra HD 4K. But I lasted about 10 minutes," Pat said.

Luckily, that 10 minutes did not include Meryl Streep's diatribe on the persecution of Hollywood actors.

Listen to this segment from The Glenn Beck Program:

Below is a rush transcript of this segment, it might contain errors:

GLENN: Four millennials pick up this handicap kid and beat on him. I'm having a hard time with the CBS story because it doesn't sound like the same story that we all saw last week. We'll give that to you here in just a second. Also, did anybody watch the Golden Globes? I mean, I didn't. Did anybody turn them on. Believe it or not, Pat --

PAT: I tried to. I tried to watch for a minute.

GLENN: Why? Why?

PAT: I just wanted to see what movies were going to get awards.

GLENN: The ones you haven't seen.

PAT: Eh, it turns out that way. Pretty much.

GLENN: It turns out that way every time. And lo and behold, some of the speeches given --

PAT: Oh, agonizing.

GLENN: Of course. That's why we didn't watch it, Pat. We didn't watch it. We begin there, right now.

(music)

GLENN: Wow. Pat watched it. Now we find out the real reason why patched watched the Golden Globes. His wife gave him -- I mean --

PAT: A nice TV for Christmas.

GLENN: I don't know where this came from. She gave him a big 4K TV.

PAT: Uh-huh.

GLENN: And so you're just watching anything in 4K.

PAT: Anything that's in 4K, I'm there. So when the Globes came on, I thought, "Oh, look at that, it seems to be --

JEFFY: Oh, Jennifer Lawrence, 4K.

PAT: -- ultra HD 4K. But I lasted about ten minutes.

GLENN: Did they look different in 4K?

PAT: Yeah, you can see everything. It's like x-ray vision. You can see their underwear. It's amazing.

GLENN: No, seriously. No, seriously.

PAT: I mean, everything is so much clearer. It's just that much more vivid. You know how blurry regular TV, standard television looks now when you have HD?

GLENN: Yes, yes, yes.

PAT: It's the same from HD to 4K.

JEFFY: Tell us how -- tell us how blurry it is, Pat.

PAT: That dramatic?

PAT: It's pretty dramatic.

So it's really blurry. Yeah.

GLENN: So do they look better, worse, or about the same?

PAT: They look worse. They look better now than they did -- well, it depends on who you're looking at, obviously, like always. Like always.

JEFFY: Yeah.

STU: It's amazing though because I remember when HD came out. I remember thinking I was going to beat the system. And I don't care about the stupid HD. So what it looks a little bit better. Now I can save a lot of money on the standard definition ones. You can pay nothing for them. And thinking it was the smartest thing in the world. And it's amazing. It comes to the point that you have on your cable system 1,000 channels, 18 of them are in HD, and those are the only channels I would watch.

PAT: Only ones I watch.

STU: And when that transition happened -- now probably the same thing with 4K. I haven't even seen it yet. I haven't even seen the quality.

GLENN: I've seen it displayed. I haven't received an invite yet from Pat Gray.

PAT: You have an open invitation to come over any time.

GLENN: Yeah.

But it's dramatic. It's dramatic.

STU: Really? Because it just doesn't like --

GLENN: Yeah. But I'm not going to buy one until it's like $800. I've done that train before.

STU: Yes.

GLENN: I'm not being fooled again.

PAT: And the thing is, not that much is broadcast right now in 4K. So...

STU: Except the Golden Globes. You'll get the Oscars. You'll get the Super Bowl. A lot of the big events.

PAT: And some stuff on Netflix. Their new stuff is generally 4K.

STU: Really? Through the freaking internet?

PAT: I think The Crown is in 4K.

GLENN: Is it?

PAT: Yeah. And some of the other shows.

GLENN: So you might watch The Crown?

PAT: So I'm thinking about watching The Crown now.

GLENN: It's really good.

PAT: It won the Golden Globe last night. Right? It's highly acclaimed. I know that.

GLENN: So is there anything last night that we should know about?

STU: The big news is the Meryl Streep thing, I guess. The political --

PAT: Oh, jeez. This speech was agonizing. I mean, listen to this.

MERYL: So Hollywood is crawling with outsiders and foreigners. And if we kick them all out --

PAT: May I first say: There is no A in the word "foreigners." So can we just start there? Foreigners. It's not "foar." It's "for." Foreigners.

GLENN: Okay. All right.

MERYL: You'll have nothing to watch, but football and Mixed Martial Arts, which are not the arts.

GLENN: Whoa, whoa, whoa.

JEFFY: And a lot of people seriously disagreed with that.

PAT: Yeah.

GLENN: Whoa. I didn't know that. I had already called the Trump administration. I'm trying to be part of the National Endowment for the Arts. I was hoping we could give all of the money to the MMA. I thought that was it.

STU: And, by the way, I don't know if Meryl has seen this, but if she's seen the TV ratings, they already are only watching football.

JEFFY: Thank you.

STU: I don't know if you've noticed this, but like the top five of the top six shows every single week are the NFL.

PAT: No kidding. No kidding.

GLENN: And honestly, do you care that some of the best shows on television now are made in England or made in Vancouver, BC?

STU: No.

PAT: No.

GLENN: Do you care?

PAT: No.

STU: I don't care. And also I've noticed a few -- and, Pat, maybe you can back me up on this, a few people of color and foreigners in sports. Noticed a few of them.

PAT: Yes.

STU: Noticed a few of them.

JEFFY: What?

STU: It's weird. I've noticed in the NFL, it's not all white people. Not all white people. In fact -- and we still seem to love watching it. It's almost as if her point is completely inane. Completely --

GLENN: Almost. I've missed you, Stu. I've missed you.

STU: Okay. I missed you too.

PAT: And also, Trump didn't even say that. Trump's not talking about kicking out all foreigners.

STU: Trump is Hollywood. All he talks about is ratings.

JEFFY: Right.

PAT: Yeah.

STU: There's never been -- outside of Reagan probably, a president that was more closely aligned with Hollywood than Donald Trump.

JEFFY: Yeah.

GLENN: Next to Reagan.

STU: Right.

PAT: That's so agonizing.

GLENN: You brought it on yourself, brother.

PAT: I know. Well, that was the last straw for me. I turned the channel immediately. I couldn't take it.

I mean, she made me in love with Donald Trump. I wanted to go back in time and vote for him, not just once, but multiple times, just because I'm so sick of these people.

STU: And I will say --

PAT: It's agonizing.

STU: I 100 percent agree with Donald Trump on what he took today, which is a much more difficult stand than saying Meryl Streep's an idiot when she makes a political speech. That's an easy stance to take.

JEFFY: Which she is.

STU: The tough one and the true one is that Meryl Streep sucks as an actress.

JEFFY: Amen.

STU: Not as a speaker. Not as a political theorist. As an actress, she's terrible --

PAT: Never been more with you than I am right now.

STU: Thank you, Pat.

JEFFY: And she's so overrated.

STU: She stinks. She's overrated. Trump tweeted it today. I've been saying it on this show for how many freaking years.

GLENN: He did not say she's overrated.

PAT: Did he say she's overrated?

STU: She's the most overrated actress.

GLENN: Oh, my gosh. He says that about everybody.

STU: But he's right on this one. Give him credit when he's right. He's 100 percent right. She stinks. And history will hopefully correctly recognize that she's terrible. Terrible.

PAT: I mean, they made her out to be the queen last night.

STU: Of course, they always do. They just give her the awards before she even does the movies. But she's terrible. And it's finally -- we have a president that can recognize that. Because I don't even know, would Reagan have done it? I don't know if he'd have the guts.

GLENN: No. No.

STU: Luckily, Trump is out there with the guts to say Meryl Streep sucks, and --

JEFFY: Meryl Streep, one of the most overrated actresses in Hollywood. Doesn't know me, but attacked last night at the Golden Globes. She's a Hillary flunky who lost big.

(laughter)

PAT: I love that. You got to love --

GLENN: Why? Why?

STU: Hillary lost big. Because Meryl won the award. Right? Meryl didn't lose big in the particular award. But who cares. I'm 100 percent with him on this point, and I'm happy to celebrate it.

GLENN: They don't even -- they don't even -- they don't even recognize the rot in their own state. They don't even recognize --

PAT: Oh, no.

GLENN: Why are you not paying, you know, the people in California to do your food catering, to pick you up? Why do you have to fly to someplace else? Your house is in California. Why do you have to fly someplace else to do it?

Why is Duck Dynasty done in Louisiana? Do you even know how they found Duck Dynasty? You know how that came to be?

JEFFY: Yeah, from the tax incentives from the state.

GLENN: Tax incentives.

JEFFY: Which I believe they pulled out of.

GLENN: Louisiana said, "We're going to make this the most -- the easiest place to do movies and television. You film anything here, we're going to give you a huge tax break." Okay.

So they do.

The producers don't say, "Hey, there's these guys in Louisiana that are great."

JEFFY: Yeah.

GLENN: The producers say, "Go to Louisiana and find a story that might be a show."

STU: Yeah, and this has happened throughout history. Rocky was -- if I remember the story right -- was initially a New York story. You know, it's so associated with Philadelphia.

GLENN: Right.

STU: But it was kind of a New York story. It was supposed to be filmed large portions of it in New York. But because of unions, they went to Philadelphia.

GLENN: The unions were better in Philadelphia than --

STU: They found a more willing environment. And they had to -- a lot of it, they still had to -- like, one of the reasons they developed the Steadicam and used the Steadicam a lot for that was because -- by their telling at least because they basically had to run around and hide from people where they weren't supposed to be shooting the movie, which is kind of a funny thing.

GLENN: Really?

PAT: That's great.

STU: But these things do lead to innovations. And you see this. This is Hollywood at its most out of touch. And everyone was tweeting and Facebooking about how this is why Trump won because they see people like Meryl Streep with these attitudes and treating everyone out there, half the country, in this way.

And it's so annoying. Even when they don't like Donald Trump, they'll vote for him. Because they're just so sick of that.

GLENN: It's so elitist. It is this understanding that everyone in this room is right. Even though everyone in that room are not in lockstep. But they've silenced those people. So everyone in this room is right. And we're now being broadcast across the country, so now we're going to tell the little people --

JEFFY: Yeah.

GLENN: I mean, it is Norma Desmond: All you little people out there in the dark.

They just -- they believe we're stupid. And so there's no way we're ever going to listen to one of your points, while you're telling us we're stupid.

STU: I've got great examples of this too.

GLENN: Okay.

JEFFY: Well, we don't think you're stupid. Just watch football and MMA.

GLENN: And that's not the arts.

I mean, I think that was written as a funny line. But she delivered it, maybe because he's a bad actress --

STU: Yes!

GLENN: But she delivered it as a slam in everybody's face, like we don't know that's not art.

And now, this: Told you last week, threw my back out. And one of the reasons why is because I was away from my Casper mattress

PAT: Plus, you moved in your chair. You were in a chair, and you moved.

JEFFY: You moved. You've made another chair to sit in.

PAT: We tried to tell you -- we warned you, I don't know, how many times, don't move because you've got to be careful. Don't move. And you moved.

GLENN: I know this makes you guys feel good some way. I'm just not sure how it makes you feel good.

How America’s elites fell for the same lie that fueled Auschwitz

Anadolu / Contributor | Getty Images

The drone footage out of Gaza isn’t just war propaganda — it’s a glimpse of the same darkness that once convinced men they were righteous for killing innocents.

Evil introduces itself subtly. It doesn’t announce, “Hi, I’m here to destroy you.” It whispers. It flatters. It borrows the language of justice, empathy, and freedom, twisting them until hatred sounds righteous and violence sounds brave.

We are watching that same deception unfold again — in the streets, on college campuses, and in the rhetoric of people who should know better. It’s the oldest story in the world, retold with new slogans.

Evil wins when good people mirror its rage.

A drone video surfaced this week showing Hamas terrorists staging the “discovery” of a hostage’s body. They pushed a corpse out of a window, dragged it into a hole, buried it, and then called in aid workers to “find” what they themselves had planted. It was theater — evil, disguised as victimhood. And it was caught entirely on camera.

That’s how evil operates. It never comes in through the front door. It sneaks in, often through manipulative pity. The same spirit animates the moral rot spreading through our institutions — from the halls of universities to the chambers of government.

Take Zohran Mamdani, a New York assemblyman who has praised jihadists and defended pro-Hamas agitators. His father, a Columbia University professor, wrote that America and al-Qaeda are morally equivalent — that suicide bombings shouldn’t be viewed as barbaric. Imagine thinking that way after watching 3,000 Americans die on 9/11. That’s not intellectualism. That’s indoctrination.

Often, that indoctrination comes from hostile foreign actors, peddled by complicit pawns on our own soil. The pro-Hamas protests that erupted across campuses last year, for example, were funded by Iran — a regime that murders its own citizens for speaking freely.

Ancient evil, new clothes

But the deeper danger isn’t foreign money. It’s the spiritual blindness that lets good people believe resentment is justice and envy is discernment. Scripture talks about the spirit of Amalek — the eternal enemy of God’s people, who attacks the weak from behind while the strong look away. Amalek never dies; it just changes its vocabulary and form with the times.

Today, Amalek tweets. He speaks through professors who defend terrorism as “anti-colonial resistance.” He preaches from pulpits that call violence “solidarity.” And he recruits through algorithms, whispering that the Jews control everything, that America had it coming, that chaos is freedom. Those are ancient lies wearing new clothes.

When nations embrace those lies, it’s not the Jews who perish first. It’s the nations themselves. The soul dies long before the body. The ovens of Auschwitz didn’t start with smoke; they started with silence and slogans.

Andrew Harnik / Staff | Getty Images

A time for choosing

So what do we do? We speak truth — calmly, firmly, without venom. Because hatred can’t kill hatred; it only feeds it. Truth, compassion, and courage starve it to death.

Evil wins when good people mirror its rage. That’s how Amalek survives — by making you fight him with his own weapons. The only victory that lasts is moral clarity without malice, courage without cruelty.

The war we’re fighting isn’t new. It’s the same battle between remembrance and amnesia, covenant and chaos, humility and pride. The same spirit that whispered to Pharaoh, to Hitler, and to every mob that thought hatred could heal the world is whispering again now — on your screens, in your classrooms, in your churches.

Will you join it, or will you stand against it?

This article originally appeared on TheBlaze.com.

Bill Gates ends climate fear campaign, declares AI the future ruler

Bloomberg / Contributor | Getty Images

The Big Tech billionaire once said humanity must change or perish. Now he claims we’ll survive — just as elites prepare total surveillance.

For decades, Americans have been told that climate change is an imminent apocalypse — the existential threat that justifies every intrusion into our lives, from banning gas stoves to rationing energy to tracking personal “carbon scores.”

Microsoft co-founder Bill Gates helped lead that charge. He warned repeatedly that the “climate disaster” would be the greatest crisis humanity would ever face. He invested billions in green technology and demanded the world reach net-zero emissions by 2050 “to avoid catastrophe.”

The global contest is no longer over barrels and pipelines — it is over who gets to flip the digital switch.

Now, suddenly, he wants everyone to relax: Climate change “will not lead to humanity’s demise” after all.

Gates was making less of a scientific statement and more of a strategic pivot. When elites retire a crisis, it’s never because the threat is gone — it’s because a better one has replaced it. And something else has indeed arrived — something the ruling class finds more useful than fear of the weather.The same day Gates downshifted the doomsday rhetoric, Amazon announced it would pay warehouse workers $30 an hour — while laying off 30,000 people because artificial intelligence will soon do their jobs.

Climate panic was the warm-up. AI control is the main event.

The new currency of power

The world once revolved around oil and gas. Today, it revolves around the electricity demanded by server farms, the chips that power machine learning, and the data that can be used to manipulate or silence entire populations. The global contest is no longer over barrels and pipelines — it is over who gets to flip the digital switch. Whoever controls energy now controls information. And whoever controls information controls civilization.

Climate alarmism gave elites a pretext to centralize power over energy. Artificial intelligence gives them a mechanism to centralize power over people. The future battles will not be about carbon — they will be about control.

Two futures — both ending in tyranny

Americans are already being pushed into what look like two opposing movements, but both leave the individual powerless.

The first is the technocratic empire being constructed in the name of innovation. In its vision, human work will be replaced by machines, and digital permissions will subsume personal autonomy.

Government and corporations merge into a single authority. Your identity, finances, medical decisions, and speech rights become access points monitored by biometric scanners and enforced by automated gatekeepers. Every step, purchase, and opinion is tracked under the noble banner of “efficiency.”

The second is the green de-growth utopia being marketed as “compassion.” In this vision, prosperity itself becomes immoral. You will own less because “the planet” requires it. Elites will redesign cities so life cannot extend beyond a 15-minute walking radius, restrict movement to save the Earth, and ration resources to curb “excess.” It promises community and simplicity, but ultimately delivers enforced scarcity. Freedom withers when surviving becomes a collective permission rather than an individual right.

Both futures demand that citizens become manageable — either automated out of society or tightly regulated within it. The ruling class will embrace whichever version gives them the most leverage in any given moment.

Climate panic was losing its grip. AI dependency — and the obedience it creates — is far more potent.

The forgotten way

A third path exists, but it is the one today’s elites fear most: the path laid out in our Constitution. The founders built a system that assumes human beings are not subjects to be monitored or managed, but moral agents equipped by God with rights no government — and no algorithm — can override.

Hesham Elsherif / Stringer | Getty Images

That idea remains the most “disruptive technology” in history. It shattered the belief that people need kings or experts or global committees telling them how to live. No wonder elites want it erased.

Soon, you will be told you must choose: Live in a world run by machines or in a world stripped down for planetary salvation. Digital tyranny or rationed equality. Innovation without liberty or simplicity without dignity.

Both are traps.

The only way

The only future worth choosing is the one grounded in ordered liberty — where prosperity and progress exist alongside moral responsibility and personal freedom and human beings are treated as image-bearers of God — not climate liabilities, not data profiles, not replaceable hardware components.

Bill Gates can change his tune. The media can change the script. But the agenda remains the same.

They no longer want to save the planet. They want to run it, and they expect you to obey.

This article originally appeared on TheBlaze.com.

Why the White House restoration sent the left Into panic mode

Bloomberg / Contributor | Getty Images

Presidents have altered the White House for decades, yet only Donald Trump is treated as a vandal for privately funding the East Wing’s restoration.

Every time a president so much as changes the color of the White House drapes, the press clutches its pearls. Unless the name on the stationery is Barack Obama’s, even routine restoration becomes a national outrage.

President Donald Trump’s decision to privately fund upgrades to the White House — including a new state ballroom — has been met with the usual chorus of gasps and sneers. You’d think he bulldozed Monticello.

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s ‘visionary.’

The irony is that presidents have altered and expanded the White House for more than a century. President Franklin D. Roosevelt added the East and West Wings in the middle of the Great Depression. Newspapers accused him of building a palace while Americans stood in breadlines. History now calls it “vision.”

First lady Nancy Reagan faced the same hysteria. Headlines accused her of spending taxpayer money on new china “while Americans starved.” In truth, she raised private funds after learning that the White House didn’t have enough matching plates for state dinners. She took the ridicule and refused to pass blame.

“I’m a big girl,” she told her staff. “This comes with the job.” That was dignity — something the press no longer recognizes.

A restoration, not a renovation

Trump’s project is different in every way that should matter. It costs taxpayers nothing. Not a cent. The president and a few friends privately fund the work. There’s no private pool or tennis court, no personal perks. The additions won’t even be completed until after he leaves office.

What’s being built is not indulgence — it’s stewardship. A restoration of aging rooms, worn fixtures, and century-old bathrooms that no longer function properly in the people’s house. Trump has paid for cast brass doorknobs engraved with the presidential seal, restored the carpets and moldings, and ensured that the architecture remains faithful to history.

The media’s response was mockery and accusations of vanity. They call it “grotesque excess,” while celebrating billion-dollar “climate art” projects and funneling hundreds of millions into activist causes like the No Kings movement. They lecture America on restraint while living off the largesse of billionaires.

The selective guardians of history

Where was this sudden reverence for history when rioters torched St. John’s Church — the same church where every president since James Madison has worshipped? The press called it an “expression of grief.”

Where was that reverence when mobs toppled statues of Washington, Jefferson, and Grant? Or when first lady Melania Trump replaced the Rose Garden’s lawn with a patio but otherwise followed Jackie Kennedy’s original 1962 plans in the garden’s restoration? They called that “desecration.”

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s “visionary.”

The real desecration

The people shrieking about “historic preservation” care nothing for history. They hate the idea that something lasting and beautiful might be built by hands they despise. They mock craftsmanship because it exposes their own cultural decay.

The White House ballroom is not a scandal — it’s a mirror. And what it reflects is the media’s own pettiness. The ruling class that ridicules restoration is the same class that cheered as America’s monuments fell. Its members sneer at permanence because permanence condemns them.

Julia Beverly / Contributor | Getty Images

Trump’s improvements are an act of faith — in the nation’s symbols, its endurance, and its worth. The outrage over a privately funded renovation says less about him than it does about the journalists who mistake destruction for progress.

The real desecration isn’t happening in the East Wing. It’s happening in the newsrooms that long ago tore up their own foundation — truth — and never bothered to rebuild it.

This article originally appeared on TheBlaze.com.

Trump’s secret war in the Caribbean EXPOSED — It’s not about drugs

Bloomberg / Contributor | Getty Images

The president’s moves in Venezuela, Guyana, and Colombia aren’t about drugs. They’re about re-establishing America’s sovereignty across the Western Hemisphere.

For decades, we’ve been told America’s wars are about drugs, democracy, or “defending freedom.” But look closer at what’s unfolding off the coast of Venezuela, and you’ll see something far more strategic taking shape. Donald Trump’s so-called drug war isn’t about fentanyl or cocaine. It’s about control — and a rebirth of American sovereignty.

The aim of Trump’s ‘drug war’ is to keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

The president understands something the foreign policy class forgot long ago: The world doesn’t respect apologies. It respects strength.

While the global elites in Davos tout the Great Reset, Trump is building something entirely different — a new architecture of power based on regional independence, not global dependence. His quiet campaign in the Western Hemisphere may one day be remembered as the second Monroe Doctrine.

Venezuela sits at the center of it all. It holds the world’s largest crude oil reserves — oil perfectly suited for America’s Gulf refineries. For years, China and Russia have treated Venezuela like a pawn on their chessboard, offering predatory loans in exchange for control of those resources. The result has been a corrupt, communist state sitting in our own back yard. For too long, Washington shrugged. Not any more.The naval exercises in the Caribbean, the sanctions, the patrols — they’re not about drug smugglers. They’re about evicting China from our hemisphere.

Trump is using the old “drug war” playbook to wage a new kind of war — an economic and strategic one — without firing a shot at our actual enemies. The goal is simple: Keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

Beyond Venezuela

Just east of Venezuela lies Guyana, a country most Americans couldn’t find on a map a year ago. Then ExxonMobil struck oil, and suddenly Guyana became the newest front in a quiet geopolitical contest. Washington is helping defend those offshore platforms, build radar systems, and secure undersea cables — not for charity, but for strategy. Control energy, data, and shipping lanes, and you control the future.

Moreover, Colombia — a country once defined by cartels — is now positioned as the hinge between two oceans and two continents. It guards the Panama Canal and sits atop rare-earth minerals every modern economy needs. Decades of American presence there weren’t just about cocaine interdiction; they were about maintaining leverage over the arteries of global trade. Trump sees that clearly.

PEDRO MATTEY / Contributor | Getty Images

All of these recent news items — from the military drills in the Caribbean to the trade negotiations — reflect a new vision of American power. Not global policing. Not endless nation-building. It’s about strategic sovereignty.

It’s the same philosophy driving Trump’s approach to NATO, the Middle East, and Asia. We’ll stand with you — but you’ll stand on your own two feet. The days of American taxpayers funding global security while our own borders collapse are over.

Trump’s Monroe Doctrine

Critics will call it “isolationism.” It isn’t. It’s realism. It’s recognizing that America’s strength comes not from fighting other people’s wars but from securing our own energy, our own supply lines, our own hemisphere. The first Monroe Doctrine warned foreign powers to stay out of the Americas. The second one — Trump’s — says we’ll defend them, but we’ll no longer be their bank or their babysitter.

Historians may one day mark this moment as the start of a new era — when America stopped apologizing for its own interests and started rebuilding its sovereignty, one barrel, one chip, and one border at a time.

This article originally appeared on TheBlaze.com.