Stu and Pat spend 15 minutes trying to explain why they were so bad at Restoring Love

Glenn loved every moment of Restoring Love - well, almost every moment. He went on the air today and absolutely blasted Stu and Pat for their brief 5 minutes on stage. What did they do that was so bad? Stu and Pat spent the better part of the 4th Hour trying to make excuses for their failure.

Read the confrontation from radio below:

GLENN: You sucked.

PAT: Because we were genius.

STU: First of all, you gave us the worst part of the show by far.

PAT: He's like, I don't want to do this. Why don't you guys do this.

STU: Exactly what happened.

PAT: It's the most boring part of the show!

STU: Where you were saying, "Hey, Bill in Tennessee, he weaved a basket for Jim who was homeless" or something.

PAT: Serving others.

GLENN: It really was. It was three minutes of ‑‑

PAT: Excruciating.

GLENN: "Isn't that right, Pat?"

PAT: "That sure is, Stu.

STU: But in addition to that, first of all, we never actually got to practice it. So we didn't know what was going to happen.

PAT: Yeah.

STU: And beyond that ‑‑

PAT: Which was very difficult because first of all, we're at the rehearsal on Saturday afternoon we're told, "Yeah, oh, you're in the TelePrompTer. Don't worry about it." Then we're told, "I'm not sure it's in the TelePrompTer. I'm going to have to check on that." "Would you check on that?" "Yeah, I'm pretty sure it's in there." Uhhh... we're about to go up on stage. It's not in the TelePrompTer.

STU: Right. So we're doing it off our iPhones.

PAT: Off our iPhones with the script.

GLENN: No, you weren't. That was in the rehearsal;

STU: Right.

PAT: Yes, in the rehearsal. And then at night we finally get it in, it goes into the TelePrompTer. I say, "Are we going to get a chance to look at it? Because those monitors are a really long way." I don't have great eyes to begin with and I'm ‑‑

GLENN: I'm the one going blind and you're the ‑‑

PAT: Yeah. You know I have been blind my whole life.

STU: Right.

GLENN: You have corrective lenses.

PAT: But they don't correct it to 20/20.

GLENN: Excuse me. I'm a doctor.

STU: I know, Doctor. I understand you're a doctor, Doctor.

GLENN: Thank you.

PAT: And Doctor, Doctor, you know that I've got vision problems.

GLENN: I do.

PAT: And I always have.

GLENN: I do.

PAT: He's got the prompters a hundred yards from the stage! I'm like, Stu, Pat ‑‑ no, that's Stu.

STU: At one point I almost ‑‑

PAT: Bill and Bob is it? Is it Bob, Bill?

GLENN: You guys were so awkward.

PAT: I could not see it.

STU: Well, because we were told to stick to the script which was like very basic.

GLENN: Stick to the script.

STU: And then what happened was ‑‑

PAT: Horrifyingly bad.

STU: When Pat said, "Hey, I can't see the TelePrompTer."

PAT: Yeah.

STU: They said, okay, we'll make the font larger.

PAT: Really big.

STU: Which is fine until you realize they do that, you can only see two and a half words at a time.

GLENN: I know.

STU: So ‑‑

GLENN: That's why I had the font adjusted to the size I did.

STU: Well, look. They didn't tell us that. We didn't get to practice it. So we're just standing up there and it's like, "Bill in..."

PAT: And that's all you see!

STU: Scroll! Scroll!

PAT: Scroll!

STU: Tennessee was ‑‑

PAT: So we're making stuff up. It's like, but I have and Sylvia Snodmakington drove all the way from Rangers park at Arlington to Cowboys Stadium, which is nearly a block! They sat in the parking lot and realized it was too busy and they didn't want to bother with it. So they went home! Serving others.

STU: (Laughing.)

GLENN: You want to see how bad their part was? Check it out on GBTV.

On the radio program Monday, Glenn Beck, Pat Gray, and Stu Burguiere reacted to a recent Washington Post op-ed in which the author, Ron Charles, suggests that "as Confederate statues finally tumble across America, [and] television networks are marching through their catalogues looking to take down racially offensive content," perhaps the next items that should be up on the cancel-culture chopping block are "problematic books."

"Monuments celebrating racist traitors, which were erected to fabricate history and terrify black Americans, are not works of art that deserve our respect or preservation. Similarly, scenes of modern-day white comedians reenacting minstrel-show caricatures are not ironical interrogations of racism that we have to stomach any longer. But complex works of literature are large, they contain multitudes," Charles wrote.

He goes on to argue that "calibrating our Racism Detector to spot only a few obvious sins" is but an insidious source of self-satisfaction when compared to the process of critical debate on the values and intentions of history's literary legends.

"If cancel culture has a weakness, it's that it risks short-circuiting the process of critical engagement that leads to our enlightenment," Charles wrote. "Scanning videos for blackface or searching text files for the n-word is so much easier than contending with, say, the systemic tokenism of TV rom-coms or the unbearable whiteness of Jane Austen."

Could cancel culture really spiral all the way down to book burning? In the clip below, Glenn, Pat, and Stu agreed that this radical progressive movement is really about erasing America's history and overturning the foundation of our country. The fundamental transformation of America is happening now.

Watch the video below to catch more of the conversation:


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To enjoy more of Glenn's masterful storytelling, thought-provoking analysis and uncanny ability to make sense of the chaos, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution and live the American dream.

It's been a tough year, America. Our news media is inundating us with images of destruction, violence, and division in attempts not only to desecrate our nation, but to make us turn our backs on it. That's why now, more than ever, we need to take an up-close look at America's history to remember what it is we're fighting for and how to fight for it with practical action.

Join Glenn Beck, broadcasting from Standing Rock Ranch, as he takes us to Plymouth, Gettysburg, and Federal Hall on an important journey through America's remarkable history to inspire a brighter future. Glenn asks the hard questions of every American. Is this system worth saving? Is there a better way? Where do we go from here, and how do we answer those questions?

Featuring performances from the Millennial Choirs and Orchestras, David Osmond, a very special children's choir, and guests Bob Woodson, Tim Ballard, David Barton, Burgess Owens, Kathy Barnette, Anna Paulina Luna, and Tim Barton.

Watch the full special presentation below:


Want more from Glenn Beck?

To enjoy more of Glenn's masterful storytelling, thought-provoking analysis and uncanny ability to make sense of the chaos, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution and live the American dream.

"Restoring Hope" has been a labor of love for Glenn and his team and tonight is the night! "Restoring the Covenant" was supposed to take place in Boston, New York, Philadelphia, Gettysburg and Washington D.C. but thanks to COVID-19, that plan had to be scrapped. "Restoring Hope" is what was left after having to scrap nearly two years of planning. The Herald Journal in Idaho detailed what the event was supposed to be and what it turned into. Check out the article below to get all the details.

Glenn Beck discusses patriotic, religious program filmed at Idaho ranch

On July 2, commentator Glenn Beck and his partners will issue a challenge from Beck's corner of Franklin County to anyone who will listen: "Learn the truth, commit to the truth, then act on the truth."

Over the last few weeks, he has brought about 1,000 people to his ranch to record different portions of the program that accompanies the challenge. On June 19, about 400 members of the Millennial Choir and Orchestra met at West Side High School before boarding WSSD buses to travel to a still spring-green section of Beck's ranch to record their portion of the program.

Read the whole article HERE

The current riots and movement to erase America's history are exactly in line with the New York Times' "1619 Project," which argues that America was rotten at its beginning, and that slavery and systemic racism are the roots of everything from capitalism to our lack of universal health care.

On this week's Wednesday night special, Glenn Beck exposed the true intent of the "1619 Project" and its creator, who justifies remaking America into a Marxist society. This clever lie is disguised as history, and it has already infiltrated our schools.

"The '1619 Project' desperately wants to pass itself off as legitimate history, but it totally kneecaps itself by ignoring so much of the American story. There's no mention of any black Americans who succeeded in spite of slavery, due to the free market capitalist system. In the 1619 Project's effort to take down America, black success stories are not allowed. Because they don't fit with the narrative. The role of white Americans in abolishing slavery doesn't fit the narrative either," Glenn said.

"The agenda is not ultimately about history," he added. "It's just yet another vehicle in the fleet now driven by elites in America toward socialism."

Watch a preview of the full episode below:


Watch the full episode only on BlazeTV. Not a subscriber? Use promo code GLENN to get $10 off your BlazeTV subscription or start your 30-day free trial today.

Want more from Glenn Beck?

To enjoy more of Glenn's masterful storytelling, thought-provoking analysis and uncanny ability to make sense of the chaos, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution and live the American dream.