Mercury Confidential: Meet the woman who has kept Glenn's TV show on the air every day since CNN

By Meg Storm

Ever wonder what goes on behind the scenes at Mercury Radio Arts? Just how do all of Glenn’s crazy ideas get done? Does anyone ever get a chance to sleep? Well, over the next few months we are going to take you inside MRA, giving you the inside scoop on everything from publishing to special events, 1791 to Markdown to GBTV. We will be interviewing members of our New York, Columbus, and Dallas staff, bringing you all the info, so you can know what it’s really like to work for Glenn. Part 1 (Kevin Balfe – Publishing)Part 2 (Liz Julis – GBTV/Special Events)Part 3 (Joel Cheatwood: CCO & President of TheBlaze)Part 4 (Eric Pearce: VP, TV Operation of TheBlaze)Part 5 (Michelle Vanderhoff Network Operations Manager at TheBlaze)

Imagine leaving your job at CNN to get a call a few days later asking you to return and help launch a show for a radio personality who had virtually no television experience. Imagine then being the only person to leave your job at CNN and follow the now budding cable news star to Fox News, where you work your way up to senior producer in a matter of months. Finally, imagine leaving the comforts of working as an executive producer at a major cable news channel to join a fledgling online streaming network. Well, that just about sums up the remarkable career of Tiffany Siegel, V.P. and Executive Producer of Glenn Beck Programming

Siegel's journey is proof that with risk comes reward, and it is her work ethic and unfailing ability to translate Glenn's mile-a-minute ideas into a broadcast ready reality that took her from producing "all of the entertainment fluff segments" to the person calling the shots.

Life as an executive producer for Glenn can mean a long and stressful day, with Siegel getting into the office each morning in time for the 6:30AM meeting during which Glenn and his team figure out the content for the day and not leaving until after the Glenn's show is off the air each night, but she doesn't mind. After all, she is living her dream.

"Its pretty obvious - for this job at least - I went to Syracuse University, and I studied broadcast journalism," Siegel explained. "This was a lifelong thing for me."

She interned for CNN throughout college, and then took a job there after graduation. "I started in financial news, which was not that exciting. But at the time, it was during the Dot Com bubble, so we were launching all kinds of business programs. It was actually a good place to get your feet wet," she said.

Siegel ended up leaving CNN to work for CBS News, but it wasn't long before she got a call that would ultimately prove to be the opportunity of a lifetime. A producer at CNN, Conway Cliff (now a program consultant at TheBlaze), was launching a new daily show with a man named Glenn Beck, and he thought Siegel would be a good addition to the team.

"I was only at CBS for a few months because I left CNN and then Conway pulled me right back into CNN when Glenn's show came on because it just seemed like something so different then anything that network had done before," she recalled. "So I came in for an interview. I didn't meet Glenn, but I interviewed with Chris and Kevin Balfe. And then I met Glenn about two weeks before we were going to launch."

It was an exciting opportunity for Siegel that came at a very special time in her life. "I actually got married the week before we launched - the day Cheyenne [Glenn's daughter] was born - and then I came back from my honeymoon, and I think we launched the next day," she said with a laugh.

As far as Glenn is concerned, Siegel started at the bottom of totem pole. "I started as a segment producer doing, as Glenn tells the story, all of the entertainment fluff segments," she said. "When he tells a story about how you can make it big in his company he always says: Look at Tiffany, she started doing stupid, idiotic reality TV show segments for me."

"I did start doing a little bit of the lighter stuff," she continued. "I worked my way up - did a lot of field producing, and I guess that is when I really got to know Glenn. I did some stuff in the field, like when we went to Los Angles for a week, which enabled me some time with him working on different packages."

That trip to Los Angeles was actually one of the first chances Siegel got to really make an impression on Glenn, and it is safe to say things didn't quite go as planned.

"I didn't know Glenn that well, and I really wanted to show him that I wasn't just the fluffy reality TV show girl," she recalled. "So we were going to broadcast from the roof of the CNN building, which was pretty cool. I guess Glenn had just had these fancy suits made for his new TV career, and he had on his brand new L.A. suit that day."

"I took him up to the roof to show him this amazing vantage point, and the whole suit rips right before air. It just ripped," she said shaking her head. "I think they ended up putting masking tape on the back of it. And I was just like, 'Ok - this is the worst impression I could be making on this man.' He has these really nice fancy suits and it was ruined... that kind of sucked."

The incident was definitely an icebreaker, and it clearly didn't affect her chances for success. In fact, in retrospect it proved to be the beginning of an incredible partnership.

One of Siegel's fondest moments of her time at CNN came when a segment she produced made Glenn cry on television... for the first time.

"I think I made him cry for the very first time on set - at CNN anyway - we all know he has cried many, many times," she said sarcastically. It was a segment about a woman who had lost her son in Afghanistan, and she set up a foundation in his honor that would send packages to soldiers overseas. The woman was brought to the studio to talk about her story with Glenn.

"We had done a profile on her and her story, and she was on the set," Siegel explained. "So she watched the package with Glenn, and we came back from the piece, and he was just - you know Glenn - so hysterical that he could barely compose himself."

Considering how many tears Glenn has shed on the air, it is no small feat to say a story you produced caused him to cry for the first time. Siegel is one of the few people who have had the chance to work with Glenn since day one of his television career, and she has witnessed his evolution from novice to expert.

"Glenn, in the beginning, did not understand TV at all. He would say, lets get an expert on X, Y, and Z, and then they would be on the set that night, and he would be like, 'How did this happen?' He couldn't fathom how it worked," she said. "Now he is like, get me an elephant, two wild turkeys, and a monkey at five o'clock. And he expects it to be done. He has caught onto TV, the lingo, all of it. And now he is an expert on all of these things."

When Glenn decided to make the move to Fox News in late 2008, Siegel jumped at the chance to continue working with him. Of the entire production staff at CNN, she was the only one to follow Glenn. "I was the only one who took the risk at the time," she said. "That was scary, but exciting. And I knew that if Glenn was behind it, it was going to be fine. I knew him at that point, and I was comfortable with what he was doing."

With her days as the "fluff producer" long behind her, Siegel moved to Fox News as the second in command. "I was not running the show at first, but they had a senior producer that didn't work out," she explained. "So after about six months they put me in the driver's seat, and I was so excited. At that time we were the number two show in all of cable news, and I couldn't believe that I was running it!"

As executive producer, Siegel's job is to oversee the production and content of the show, providing Glenn with as many ideas as possible and keeping things organized - responsibilities that are much easier said than done when it comes to working with Glenn.

"I guess the thing with Glenn - what is that saying? The only thing consistent is change. That's Glenn. It is legitimately different everyday," she said. "He is not someone that likes to plan ahead, and even if he does plan ahead he will pretend that he didn't plan ahead. He'll be like, 'What are you talking about? I never said I would do that.'"

"For Glenn, I just like to come up with as many different story ideas with as many different topics as possible - so a ton of research, creative ways that he can tell stories," she continued. "We build that rundown from scratch everyday. We come in at 6:30 in the morning, and we meet with him and give him ideas. And then he marinates them in his head and comes out with that day's monologue, which has become the signature of the show."

There is no question that the opening monologue has become the hallmark of Glenn's program - lasting upwards of 20 minutes and packed full of thoroughly researched material that sets the tone for the rest of the show. "When we started with Glenn he was doing maybe four or five minute monologues, and people said that was too long, and you can't keep that up," Siegel explained. "And then we expanded them to twenty minutes, and now they can be up to an hour long. He is the only one on TV that I think can pull that off everyday."

Working with Glenn is also unique in that he generates so many of his own ideas. Siegel describes Glenn as "an idea factory," a quality that makes her job exponentially easier and more difficult at the same time.

"He is so not the typical TV host," she said. "He changes everyday. His ideas get bigger. No one works harder than Glenn, so just trying to - I don't want to say keep up with that - but I love the fact that he is absolutely the hardest working man in this building. To surround yourself with that just pushes you to do more."

"He is absolutely one of a kind, and completely unique. I have worked with a lot of other anchors and they are nothing like Glenn," she continued. "Glenn's vision is all his own."

Siegel has learned that a sense of humor is often necessary to ensure she keeps her sanity. "And then there is the silly factor of Glenn," she said with a laugh. "Like when the Supreme Court health care decision came down, he said that morning, let's have a circus on set. Let's have an elephant and horses and clowns. And he is dead serious! I have to be the magic fairy that makes that happen. It's a challenge, but fun... really fun."

It is running joke around the office that certain people have learned to 'speak Glenn,' and Siegel is one of those people. Her ability to anticipate his needs and understand the big picture is what makes their relationship work so well.

"I think from listening to him and working so closely with him, I do feel like I can often finish his sentences," Siegel admitted. "And I have a good memory, so if we did a show in 2009 where there is a certain sound bite that Glenn recalls, I can recall that too."

It also helps that in the six plus years Glenn has been on television, Siegel has only missed a handful of shows. "The only time I have ever missed a show was when I gave birth - and I only missed four shows," she said. "So people definitely think I am nuts, but just literally being on every show he has done on TV, allows you to remember all that stuff."

It also helps that Siegel has surrounded herself with a fantastic group of writers, producers, and directors. It is a team effort through and through. "Our team is unbelievable," she said without hesitation. "This team is all in it. Go big or go home."

When Glenn made the decision to leave Fox News and start his own online streaming network, Siegel was once again ready for the challenge. "Exposure wise it is obviously harder because you go from being part of the mainstream to being sort of under the radar," she said in regards to GBTV (now TheBlazeTV). "On a positive note, there is nothing we can't do. At the networks - at Fox or at CNN - we always had to get approval. If Glenn wanted to do a stunt or say something or do a show on location, we had to go to the 'second floor' - that's what they call it at Fox - or run it through executives."

The freedom to do whatever he wants, whenever he wants is something that Glenn was particularly excited about when he started GBTV. The freedom for Glenn to do whatever he wants, whenever he wants is something that can pose a bit of challenge for Siegel. "Now, we have no limitations, which is a blessing and a curse because sometimes if Glenn wants to do something nuts, we used to be able to say, 'Oh the second floor said no,'" she said with a laugh. "I'll say to Joel [Cheatwood, President/Chief Content Officer at TheBlaze] sometimes, 'We are the second floor. Help!' We can't say no now. It's just us. If Glenn wants to ride a horse into the studio, well, okay, make sure you are wearing your cowboy hat."

Despite all of the television wonders she has seen and produced over the years, one of Siegel's most memorable moments working for Glenn actually had nothing to do with TV.

"We were at Fox, and it was probably a Tuesday," she recalled. "Glenn decided it was his 10 year anniversary, and how could he let that go by without splurging on a last minute trip to Rome with Tania [his wife]."

Considering Glenn's show stars Glenn and Glenn only, taking the rest of the week off was going to be a little tricky. "So we had not been on Fox that long. We didn't have the liberty like we do now to just get a guest host," Siegel explained. "The only way to make this work was to tape like two or three shows back to back at one o'clock in the afternoon, and then he was going to get on the plane with Tania and go."

As if preparing for and taping three shows in one day was not complicated enough, Glenn added another piece to the puzzle when he decided the trip was going to be a surprise. "This was a really big ordeal, and it was like, no one tell, no one tell, no one say anything. This is the biggest surprise, and everyone managed to keep their mouth shut."

During the taping/broadcast of his show, Glenn can hear Siegel through an earpiece he wears, and when he speaks, she can hear what he is saying as well. Just as they were about to begin taping the first show, Glenn had a request. "We are right about to go on the air to tape the show," she said. "And I am in his earpiece, and he is like, 'Tiffany, I need you to do me a favor. I need you to ask my wife - (who is now waiting in the Green Room with no idea what is going on - she thinks she is here for this early show) - I need you to get her pocketbook and take her passport out because they need it so she can get on the plane.'"

"And I am like, you know, we can get you your circus elephants, but why would Tania give me her purse. Like I am supposed to take her pocketbook? She didn't really even know me at the time," she said.

As usual, however, she figured out a way to get it done. "But we somehow managed to sneak her passport out of her bag so she wouldn't know, and she was still surprised when she got to Rome. Its just so Glenn - go steal my wife's pocketbook, and steal her passport, and she won't notice."

It may sound nuts, but it is just another day at the office for Siegel, and she wouldn't have it any other way. "It sums up my job," she said with a smile. "I am responsible for everything from making sure the show gets on the air to making sure he has a Coke Zero at all times."

Ryan: Kanye West and the Great Society

Graphic by Alexander Somoskey.

Donald Trump has been name-dropped by nearly every major rapper of the last 30 years, starting with a reference by Beastie Boys on their iconic album Paul's Boutique, the Sgt. Pepper of hip-hop.

He's been mentioned by Jay Z. Ludacris. Young Thug. Nelly. Kendrick Lamar. Juicy J. Rick Ross. Eminem. Big Sean. A Tribe Called Quest. Scarface. Lil Wayne. The Coup. Master P. Ice Cube. Mos Def. Raekwon, Ol' Dirty Bastard, and various other Wu-Tang Clan affiliates. R. Kelly. Pete Rock. Nas. E-40.

And don't forget this surreal moment in our nation's history.

Then-candidate Trump on SNL ... dancing to a Drake parody.(Screenshot from YouTube)

When Bun B referred to Trump on the Chopped-n-Screwed anthem "Pocket Full of Stones," he was keeping with a tradition of rappers admiring Trump. This only changed a few years ago.

But then there's Kanye West, who proudly donned the red MAGA hat after discovering Candace Owens and being called "a jackass" by our nation's first black President. Then Kanye was hugging President Trump in the Oval Office? While wearing a Make America Great Again hat, supposed symbol of white supremacy, Nazism, hate, evil?

(Screenshot from YouTube)

People flipped. Everyone did. Longtime critics suddenly — and bizarrely — embraced Kanye as an ally, while longtime defenders disowned him, abandoned him like nail clippings, often mocking his struggles with mental illness and labeling him, if you can believe it, a white supremacist.

Then, in a moment that changed music history, Kanye released the single "Ye vs. the People."

Ye vs. the People (starring TI as the People) www.youtube.com

In it, he challenges what he sees as the unspoken rule that black Americans have to vote Democrat. He had hinted at the idea on his track "Black Skinhead," from the hauntingly gorgeous album Yeezus, but now he was addressing it head-on, with the passion of a man going to Confession for the first time in a decade.

Why should black folks have to abide by any set of cultural or political or artistic guidelines to begin with? And, he argues, the pressure to adhere to this longheld framework is itself undergirded by a subtle and cleverly masked racism, imposed by a group of people who portray themselves as the champions of race and enemies of white supremacy and destroyers of dumb yokel rednecks with their Rebel flags and monster trucks and fully-automatic AR-15 assault weapons. All of which, it turns out, is some next-level projection.

Kanye also confronts the presence of these expectations and stereotypes in hip-hop. The idea that rappers must invoke a negative persona in order to succeed. And the moment they deviate from that image they are rebuked or ignored, even though the persona is damaging to the black community as a whole. Which is especially ironic given that the people who voice the most outrage tend to be highly privileged, supposedly progressive white folks who love to rant about white privilege and black oppression.

Is it better if I rap about crack? 'Cause it's cultural?
Or how about I'ma shoot you? or f**k your b***h?
Or how about all this Gucci, 'cause I'm f****n' rich?

Best of all, Kanye has answers. And they differ from the erudite solutions offered by, say, A Tribe Called Quest, who, like Kanye, have modeled a healthy, positive image of blackness for the black community.

A central theme within "Ye vs. The People" is empathy as power, rebellion, freedom.

Make America Great Again had a negative perception
I took it, wore it, rocked it, gave it a new direction
Added empathy, care and love and affection
And y'all simply questionin' my methods.

This concept is an extension of the powerful devotion to positive energy that Kanye adopted around that time, a purview he has cultivated into a wild new form of electronic gospel.

But his personal transformation was tough.

That [MAGA] hat stayed in my closet like 'bout a year and a half
Then one day I was like, "F**k it, I'ma do me"
I was in the sunken place and then I found the new me.

This is a struggle that many Americans undergo. Researchers call it the spiral of silence. The idea that the news media and social media present biased opinions as though they are fact, and when the message conflicts with a person's opinions or values, they feel isolated, alone.

Kanye and T.I. during the making of "Ye vs. the People"(Screenshot from YouTube)

As Kanye raps in "Ye vs. the People"

A lot of people agree with me but they're too scared to speak up.

Because we have an incredible ability to sense public opinion. So when we suspect that we hold a belief that rails against acceptable thought, we tend to keep quiet about it. That silence makes the opinion seem even more taboo, resulting in a more widespread silence.

In reality, many of these supposedly taboo opinions are not only popular, they are normal and practical and logical. Healthy, even. And the real danger is in demonizing them. But too many people are afraid they'll be ostracized for expressing their beliefs.

Like how — despite what we've been led to believe — most Americans cannot stand political correctness.

But the small minority of people who champion it are powerful and loud. They're like that cardboard city in North Korea, just visible enough from the border to make it seem like a thriving community. They're the Wicked Witch of the West, or Iago from Othello, or Plankton from Spongebob Squarepants.

So far, they have been successful. Although "success" by their metric is anarchic and primal, all destruction and loudness and people nervous to speak their mind. And the cost of rebellion can be devastating.

By the time Kanye West wrote "Yay versus the People," he had gotten sick of this power dynamic. So he broke the spiral of silence."

*

In the words of German philosopher Hans-Georg Gadamer, "Whoever has language has the world."

Humans alone have it.

But in order for us to know freedom in our world, our language has to be public, shared, active. Because each of us thrives constantly with language, a stream of it always in our mind. Aristotle defined "thought" as the infinite dialogue between the soul and itself. Conversation is the exchange of thought between people. When we converse, we simultaneously release our infinite dialogue and accept the other person's. By speaking, we shape the world and free ourselves.

*

Another way to say it is that Donald Trump might have inspired the song that could very well signify the end of Hip-Hop, which is not only the most popular genre of our zeitgeist, it's the most popular, and successful, form of music in American history, which is the most important era of musical history.

If the Beatles were bigger than Jesus, and Drake literally outpaces the Beatles, then, well, you get the point God forgive me. And Kanye is bigger than Drake. So who better to have the final word on the capacities of Hip-Hop than Kanye West?

Nobody.

Every genre must come to a close. There's a reason why people aren't eagerly awaiting the next great disco album, or flocking to arenas to hear the newest bluegrass superstar, or asking to get their hair done like the latest syringe-armed guitarist of Guns N Roses.

(Screenshot from Instagram)

The great era of Rock 'N' Roll ended roughly about the time Radiohead traded their guitars and drums for synthesizers and sequencers, not long after Kurt Cobain took an insane amount of heroin and cradled a shotgun in his guesthouse, only to be discovered several days later by an electrician. Even worse, Nickelback soiled Cobain's legacy with godawful anthems, and who have their own weird and contradictory and hilarious connection to President Trump.

These days, Rock N' Roll lives mostly via nostalgia, as evinced by the explosion of cover bands. Notice how you don't see any hip-hop cover bands. You will, someday. But, for now, Hip-Hop reigns supreme. And Kanye is the King.

The brilliant Nina Simone once told a reporter that "An artist's duty, as far as I'm concerned, is to reflect the times."

Because music accords itself to the gravity and creative truth of the era. And currently we entrust hip-hop with this complicated maneuver.

But the past year, Kanye has been crafting a new sound through his Sunday services, weekly jam sessions with acoustic musicians and a choir and everyone dressed in white, praying through song, herding us into a better place, looking above for guidance. If it's anything like his track "Ultralight Beam," it will bring calm to our divided culture.

Mark my words: The resultant album will usher in an entirely new era, a magical flash in human history.

So far, hip-hop has been the defiant child of R&B and Electronica, the grandchild of Spoken Word and Steve Reich Minimalism, with tinges of Punk. Not for much longer. Kanye will see to that. And, weirdly, President Trump has helped inspire this transformation.

Meaning, Donald Trump will have had a hand in reinventing music as a whole, in spreading a movement of positive reformation. Love him or hate him, it does not matter. What other politician can make that claim?

There's an optimism to this that Dave Chappelle captured in his now-infamous Saturday Night Live monologue, just days after Trump was elected, asking Americans to at least give the man a chance. And again in his special "Equanimity," when he said

I swear no matter how bad it gets, you're my countrymen, and I know for a fact that I'm determined to work shit out with y'all.

In a moment of now-tired irony, the usual suspects heaped a barrage of hate at Chappelle for these remarks. But their outrage does not matter, in the grand scheme of things. Because it is an incredible time to be alive. It's beautiful. We should never forget that, no matter how petty or outrageous daily life gets.

At the moment, we are a country that is — everywhere, secretly — hurting. But we are Americans. Together. This is America. And, every day, God delights in our greatness and our empathy and our endless gift for love. So open your heart and listen. Say what you need to say.

New installments of this series come out every Monday and Thursday. Check out my Twitter or email me at kryan@mercurystudios.com

Ryan: Michael Bennet, Little League

Photo by Sean Ryan

Every day, life getting shorter. Every day, life going faster. Every day, like a roller coaster. These were the kinds of things that Michael Bennet was saying.

Michael Bennet, God bless him, he seemed like a decent lad. All week he had his family there. He said his campaign was their family vacation. He had had prostate cancer but would you believe he survived?

"Life is getting shorter," he said. "Every day."

Photo by Sean Ryan

He was well spoken. Dry. Talked with an air of consultation. Like you were in his office, and he had things to tell you.

Like a Little League coach who could actually be a coach someday.

*

I would encounter Bennet again the next day, at the Iowa State Fair.

Having just seen Sen. Kamala Harris (D-Calif.) at a small Baptist church, we ventured to the fair to see Bernie Sanders' riot of a Sunday speech. Bennet was on before him, so I got there early, and I paced off to get a restroom break. The media center is in the basement of the administration building, right by the Political Soapbox stage.

For whatever reason, the first-floor men's restroom has giant windows along the wall, and you can see right out onto the walkway that wraps around the building. I did not realize that this was the path that the candidates take to get to the stage.

Photo by Sean Ryan

And, this far into the 2020 presidential election, they never went many places alone. They had a press swarm and their wives and maybe an old friend who relocated here when the hurricane sank his house.

I was rushing. Panicking, really. Because I heard all the commotion. But nature abides by its own pace. And as I shuffled to the sink to wash my hands, my pants fell all the way down. I was exposed. Out in the open and in such desperation, you clobber yourself outside of time. It was all slo-mo with the Chopped-n-screwed voices as I scrambled to lift my trousers and audibly gasped the words, "Well just no." At that exact moment, that "accidental Renaissance" painting occurred as I locked eyes with Michael Bennet, slowly maneuvering the walkway.

These sorts of things happened, didn't they? There you were in a restroom, at an NFL game or a concert or maybe a bar, and you see someone you work with, or someone from church or school, and you lock eyes for a moment in confusion then revert to cave talk and shrug and get on with what you were doing. But it's weird when only one of you is actively part of the etiquette and allowances of a restroom and one of you is held to a higher standard, for the sake of common decency. Now let's say that you, the restroom occupant, happen to be credentialed press, and the outsider, Michael Bennet, happens to be a candidate for president of America.

Once the herd passed by behind him, I laughed a bit, quietly, because life could be very funny.

*

Onstage, Bennet, a senator from Colorado, gave the performance of a cake falling into a pool. Like he had been ghost-busted. Like he had spent the last two months learning the Fortnite dance moves and now that he had mastered them, suddenly Fortnite was for losers, and Fortnite dances, well, they were even worse.

The Political Soapbox is great because every candidate has 20 minutes. Those 20 minutes were theirs. Most of the time, they got romantic like a Backstreet Boy singing up toward an open window. Occasionally, they lost it. Bennet did neither. He belly-flopped into hay bales.

Photo by Sean Ryan

Remember that the growing crowd had the dangerous feel of a natural disaster. And it was gaspingly warm that day. So neither the crowd nor the environment were ready to give Bennet a freebie.

He gave a ravishing speech, full of neat invective. Then looked up and realized he still had 14 minutes on the clock. Oof. That was most of it, and he'd already done the Floss and the Robot and the Electro Shuffle, and honestly his shoulder was a little stiff from all that dance practice. So he opened the floor for questions.

Now, that was not the greatest idea. For one, this was not the type of place for such a thing. They called it a soapbox because you were meant to live out the phrase "on a soapbox" by ranting and fist-pounding and all other theatrics.

The Bernie Sanders supporters hadn't arrived en masse yet, so most of the people around the stage were clad in Trump gear. And they all had their hands up ready to ask him questions. Well, firebombs, really, masked as interrogative statements. Bennet shouted without breathing, then said, "I want to find a non-male person who has a question."

This did not sit well with the males who did not like the trend of personalizing all things, cautious gendering, and the sudden change of direction so that now they had to just listen.

Most people did not care.

"I do not support Bernie's plan," Bennet shouted. But would you believe the Bernie supporters had literally just arrived, you could smell their hair dye.

They jeered, then acted exactly — and I mean exactly — like the Trump supporters.

"I would rather support free pre-school than free college," he shouted. "Many people talk about... " but the jeering was too powerful. And the Bernie supporters had likely just had quinoa açaí bowls at their pre-Bernie brunch, so they were unstoppable. Well God bless the man for scratching "Give Presidency a Try" off his bucket list. Because at least he had a bucket list.

What did they have? Student debt and a restraining order? They being the growing factions of Bernie and Trump supporters in the audience. You could not see any pavement. It was just people and faces like the Mediterranean in the evening, all the way to the towering walls of the Grandstand.

Looking out at all that chaos, all that latent disaster, Bennet must have felt a deep stirring.

The night before, Slipknot headlined at the Grand Stand, a sold-out show. Rollicking and bursting and howling. How many drumbeats could drummer Jay Weinberg get per minute? At one point, vocalist Corey Taylor unleashed a demonic bellow, then adjusted his mask and looked out to all those people, those devoted fans, because many of them had Slipknot tattoos, and maybe he, like Bennet, indulged a moment for himself, a personalization of the grand setting, then shrieked, then persuaded the audience to lift their hands into the air, maybe toward a constellation of their choosing, and extend their middle finger like it was an egg landing on a pillow, which symbolizes the human condition.




New installments to this series come out every Monday and Thursday morning. For live updates, check out my Twitter or email me at kryan@mercurystudios.com

President Trump couldn't personally make it to Houston for the 3rd Democratic Debate, so he paid $7,500 for a single-engine Cessna to fly in circles over Texas Southern University campus while pulling a banner that said, "Socialism will kill Houston's economy! Vote Trump 2020!"

For four hours, it chugged around up there. You could hear it everywhere. It was the soundtrack of the night.

You can just imagine Trump's face as he had the banner-plane idea. You can hear him putting in the order. You can see his list of demands. And at the very top, "I WANT THE LOUDEST PLANE YOU CAN FIND!!!"

*

Was that Bret Baier in the aisle, adjusting his reading glasses and thumbing at the strap of his comically small backpack as he crossed the blue-carpeted gymnasium? He looked like the human version of Wisconsin. He was saying something but all you could hear was the plane overhead.

Photo by Kevin Ryan

Bret Baier, the stoic host of "Special Report with Bret Baier" on Fox News and the network's chief political anchor. He's underrated, if you ask me. Legacy. Old-school. He just delivers the news, which is what most people want. He talks the way anchors used to talk, with the American accent unique to news anchors even though he was born in New Jersey and raised in Georgia.

I had spent the last year-and-a-half on a series of in-depth profiles on some of the major countercultural figures of our time. People like Jordan Peterson, Dave Rubin, and Carol Swain. So my first impulse was to rush over to Baier and profile the guy. Nobody else would, after all. The New Yorker, The Atlantic, Harper's. But they ought to. The man has a hell of a story.
He joined Fox News a year-and-a-half after it was founded, as the southeast correspondent in Atlanta. A few years later, on a Tuesday in September, nineteen terrorists hijacked four passenger airliners and crashed into America.

When the first plane hit, Fox producers told Baier to just get in his car and drive to New York City. They needed back-up reporters for the next day. When the second plane crashed into the south tower of the World Trade Center at 9:03 a.m., they said, "Step on it, Baier."

He and his producer were an hour outside Atlanta when American Airlines Flight 77 slammed into the Pentagon. Still a good 8 hours away, but closer to D.C. than to New York City. So they re-routed to Arlington, Virginia, as fast as they could. Past a blur of fields full of indifferent cows. Past houses full of people who could hardly talk, people who couldn't describe what they were seeing and hearing, all the smoke and the blood and the office-supply confetti. Past towns that barely moved, gas stations with nobody in them, people sunken into a far-away stare.

Yet there was the sun, with only a few bangles of cloud every so often. America had been paralyzed but the earth kept trucking along, quiet and unbothered. It must have felt strange for Baier, to speed down empty highways — toward literal death and chaos — under a perfect sky, below cascading light and color.

Nature doesn't care if we make it out alive.

*

That day, Baier reported live from a Citgo station across the street from the Pentagon, rubble in heaps of flame behind him. It was like he'd fallen onto a different planet and was reporting back to home.

The next day arrived and it was so quiet everywhere. Nobody knew a damn thing. We could not believe our eyes. We all turned to reporters and anchors for answers. Most often, they blurted out whatever they could.

Something about Bret Baier gave audiences a much-needed boost. Reliable, sturdy. Like he said what had to be said and not a word extra.

Fox kept him in D.C., indefinitely. A friend helped him find an apartment. He never went back to Atlanta. Two weeks later, Fox News appointed him Pentagon correspondent, a position that saw him travel the world, including 13 trips to Afghanistan and 12 to Iraq.

Halfway through George W. Bush's second term, Baier became Fox News' White House correspondent.

Then, a year before he would earn his current position as anchor, Baier became a father. His son was born with holes in his heart — five congenital heart defects. Twelve days later, the boy underwent open-heart surgery. Baier and his wife waited in tiled rooms drenched with flowers and ESPN and drab ultraviolet light, surrounded by machines full of beeps and whirring and beeps and whirring.

Baier's son has since undergone two additional open-heart surgeries, nine angioplasties, and one stomach operation. In an interview with Parents Magazine, Baier said that his son's health problems have "given me perspective about my job, going through policy and politics in Washington, D.C., to see the bigger picture."

*Part of the reason I couldn't tell whether or not it was Baier is he's usually up on the main stage. For the 2012 election, he moderated five Republican debates, and co-anchored FNC's America's Election HQ alongside Megyn Kelly.

The 2016 election would propel him into a much larger role. He anchored three Republican debates, but this time he had to handle Donald Trump.

Baier knew Trump personally, from before the election. They'd played golf together. He described Trump as "a nice guy outside of his TV persona" and never thought Trump would actually make a run for the Presidency. Onstage, Trump was much different. And Baier had been tasked with maintaining control.

A devout Roman Catholic, he appreciates a nice glass of wine and a fine cut of steak. He likes a good joke, too. In January, 2019, Baier signed a multi-year deal with Fox News to continue "Special Report." A few weeks later, he and his family went to Montana for a ski trip. The weekend was wonderful. But they had to get back to New York because Baier was scheduled to appear on "The Late Show with Stephen Colbert" that Tuesday.

Imagine him, again in a car hurtling toward a fateful destination. How he squinted through the frost-pocked windshield and gripped the steering wheel. As he guided the white SUV along the two-lane road to the airport. The land looked haunted, barren, lifeless. Everywhere, the world was frozen white. Snow and ice blanketing the fields, gauze over the sky.

At some anonymous intersection, Baier pumped the brakes, but the tires hit an ice patch, and the SUV spun loose. An oncoming car slammed into the driver's side, launching the vehicle into an embankment, wedged on its side. A man named Zach stopped his pickup truck and helped the family crawl free, and the Montana Highway Patrol rushed them to the hospital.

"Don't take anything for granted," Baier tweeted later. "Every day is a blessing and family is everything. It's always good to remind yourself of that before something does it for you."

Before every debate that he moderates, Baier spends 10 minutes alone, praying.

*

A Freedom of Information Act request in 2011 revealed that Fox News was actually right. That the Obama Administration really did hate them. And had intentionally excluded them from a press pool two years earlier. Then laughed about it.

The documents unearthed snarky emails between various high-ranking aides in the Obama Administration. In one, the Deputy White House communications director bemoaned Baier's reporting on the bias. "I'm putting some dead fish in the [Fox News] cubby — just cause Bret Baier is a lunatic." That same day, deputy press secretary Josh Earnest bragged in an email that "we've demonstrated our willingness and ability to exclude Fox News from significant interviews."

The Trump administration pulled a similar stunt in July, 2018 by banning a CNN reporter from the press pool. Trump and Fox News had developed a beneficial relationship by then. And CNN was a lifelong competitor, a public enemy.
That night, Baier delivered an official statement, "This decision to bar a member of the press is retaliatory in nature and not indicative of an open and free press. We demand better. As a member of the White House press pool, Fox stands firmly with CNN on this issue of access."

Fox News rebuked Trump in solidarity with CNN. It was a heartening gesture between two seeming enemies. Fox News were standing up for truth, defending journalism, rejecting tyranny even though the ban would have benefitted them as a company.

Who knows how many books and dissertations and articles have been written about Fox News, usually in relation to bias, usually with a scathing tone. The conclusions differ wildly, yet each one claims certitude.

Generally, academics and journalists have taken a doomsday tone when talking about Fox News. Accusations of evil, fear-mongering, bigotry, hatred, misinformation, propaganda, racism, homophobia, and so on.

Despite these outcries, Fox News has consistently held its spot as the most-watched network in the country. Imagine how that makes its critics feel.

In an August 3, 2018 appearance on Jimmy Kimmel Live, Baier said, "the biggest problem is that the people who are most critical of Fox are usually people who have not watched Fox News."

Fox News is composed of two distinct departments. Punditry and straight news. Or "opinion news" and "descriptive news." Consistently, surveys of the public rate Fox News as both the least- and most-biased news network.
Last year, a survey found Fox News to be the second most-trusted television news brand in the country, after the BBC.

In a separate study, Democrats rated its bias score at (negative) -87, while Republicans placed it at (positive) +3. Which is like if, at a football game, one referee said "Touchdown," while the other referee said "Turnover, leading to Touchdown for the Defense." It can't be both, can it?

Public opinion may not be the best metric for understanding Fox News, especially in 2019.

Quantitative studies have offered clearer conclusions. In 2016, a content analysis used crowdsourcing and machine learning to examine over 800,000 news stories published over a year by 15 major outlets, from the New York Times to Fox News. They wanted to chart media bias.

What they discovered is that news outlets are far more similar than we believe. Much of the perceived bias is a matter of separating "opinion news" from "descriptive news." For conservatives, it's punditry. For those on the left, it's op-eds and long form investigative pieces, although the left tends to insist that they're not biased, that they are instead just more apt to tell the truth, even though research has disproven this belief.

The researchers found a much larger bias-divide in opinion news, whereas descriptive news was practically neutral. One of the researchers described Fox News' descriptive news as "guided by similar news values as more traditional, legacy media."

University of California Berkeley sociologist Arlie Russell Hochschild wrote that "Fox News stands next to industry, state government, church, and the regular media as an extra pillar of political culture all its own."

Say what you want about Fox News, they play a crucial role in the so-called mainstream media. And, despite what Fox News will lead you to believe, they are definitely part of the mainstream. And they are by no means the innocent victim. And certainly not powerless. And they have all kinds of problems that I will not defend. But we'll talk about that in a later installment, the one about Kamala Harris at a gun control rally, advocating for propaganda.

*

After two months of political events, I suspected that different news networks have their own signifiers, like the distinct stripes and markings on various spiders.

Wall Street Journal reporters tended to carry old-timey notepads and interview any bystander they could find. Breitbart usually only sent one person, and he wandered around with his iPhone, recording every single thing. Politico, prim-suited men who could just as easily work on the stock market.

Most of the reporters dressed like that, in stagey business attire. Prim for a high school job fair. Meanwhile, the photographers, mostly men, looked like professional paintball players. The camera crews and technical staff were the only ones decked in tattoos and wearing sandals and generally not caring about the chaos all around them. On-camera talent were covered in makeup and shrink-wrapped into dresses or suits with chip-clips along the spine.

The Washington Post sent the classiest and most bored-looking people I have ever encountered. They never looked at their laptops as their fingers chopped at the keys, and you assumed they were pretending until you read their stories online. You could spot ABC because their camera crew wore faded red ABC hats. Associated Press looked like they had just come back from a battlefield assignment in Syria, and never donned the same press credentials as everyone else, preferring a tattered AP lanyard. And you always knew when someone was with the New York Times because they announced it to the entire room.

And Fox News? At democratic events, they usually hid. But not that day, in Houston, as Bret Baier walked up the aisle to a table a couple rows in front of me.

Most people arrived in the Media Filing Center several hours before the debate. Fox News got there just slightly after that, as everyone was wiggling in their seats and connecting their laptops to a shared outlet.

There were seven or so in the pack of Fox News, all grinning. They all had white to-go sacks from Chick-fil-A. And the room got quieter, so Trump's plane got louder. It was a double trolling event.

As host of the debate, ABC would be providing dinner. This information was included in the credentials email that all of us had received. So nobody else had brought food with them. No need.

Even better, I was familiar enough with that part of Houston to know that there was not a Chick-fil-A anywhere close to us. Who knew where they'd gotten that Chick-fil-A, but odds are it wasn't warm. Who knew if there was even any food in the bags.

They had brought Chick-fil-A into a building full of national media during the third Democratic Presidential debate. The 2020 election was already full of outrage about plenty of things, and one of them was Chick-fil-A. To some folks, the red chicken logo might as well have been a swastika. That very week LGBT activists had vehemently — cartoonishly — protested the opening of several Chick-fil-A's throughout North America. Chicken sandwiches had become yet another flag on the tug-of-war rope in the Culture War of our country.

To be clear, the political left was anti-Chicken and the political right was pro-Chicken. The media tended to lean anti-Chicken, and frequently wrote about anti-Chicken causes, often scolding pro-Chicken voices, or ignoring the struggles of the pro-Chicken community only to deny any opinion on Chicken at all. That was the cowardly part, of you ask me, the pretending like they weren't activists.

The Democratic candidates definitely leaned anti-Chicken. Sometimes they took it so far that it upset moderate anti-Chicken advocates. Because was it really so bad to eat Chicken? Couldn't you be anti-Chicken but also enjoy Chicken occasionally? Why did everything have to be either "all Chicken all the time unless you hate freedom" or "no chicken ever unless you support hate"?

The fight had spread everywhere. Airports, stadiums, malls, campuses. All had served as battlegrounds for the anti-Chicken versus the pro-Chicken.

The previous President was anti-Chicken. In fact, he may well have enflamed the entire movement. During his tenure, there were nationwide protests that saw pro-Chicken advocates angrily and proudly eating Chicken while anti-Chicken advocates protested outside and occasionally engaged in homosexual affection, which was being threatened by Chicken, according to them.

Every time the pro-Chicken folks bit into a Chicken sandwich, it was like they were gnawing away at the anti-Chicken people themselves. Degrading their identity. Because, for them, it was about the identity.

But the current President, unabashedly proud of his pro-Chicken stance, once served Chicken at the White House to some winning sports team, and the anti-Chicken activists saw it as proof that Chicken and hate go together. And maybe Chicken would even lead to the impeachment of the President they hate, which would mean the Vice President would become the President, but he's one of the most pro-Chicken people in America, so they'd have to impeach him, too. And the Supreme Court, it was overrun with pro-Chicken types.

This election, the Democratic front-runners competed for the bolder plan. They would end Chicken in America once and for all. They would obliterate our evil President and his Chicken Supremacy. Their stump speeches relied on harsh criticisms of pro-Chicken voters, who pretended to find the whole anti-Chicken movement amusing but were secretly enraged by it. In fact, they were certain that the anti-Chicken movement had been systematically silencing them for years, and that they had to fight for their Chicken in order to keep everything that they valued, even all the not-Chicken.

The media and the democrats and Hollywood and academia — all hated the Chicken, because they hated the pro-Chicken people. If they had their way, no more Chicken, ever again. And no more pro-Chicken deplorables. And tonight the anti-Chicken politico-culture complex would prove it, with long rants which get confirmed by glowing articles, calculated takedowns about the merits of anti-Chicken and the evils of pro-Chicken.

Yet here was Fox News, with actual Chicken. And they were smiling. Maybe in part because the police who were guarding us all tended to be pro-Chicken. And this was Texas, after all, an incredibly pro-Chicken state. But there were 49 other states and 14 territories, and all of them were fighting for or against Chicken.

Some experts even said we were on the cusp of a Civil War.


New installments to this series come out every Monday and Thursday morning. For live updates, check out my Twitter or email me at kryan@mercurystudios.com

We've heard the catchphrase "follow the money" so often that it's nearly a joke. It gained added attention in the 1976 movie All the President's Men, which follows the story of the two journalists who uncovered Watergate. "Follow the money," their source told them, "and you'll find corruption."

Problem is, corrupters hide their bad behavior remarkably well. They are masters of disguise. But if you look closely enough, you can spot the seams splitting in their choreographed routine.

One technique that magicians use for psychological misdirection is called the false solution. The goal is to distract the audience, to make them believe that they know what's really happening. All the while, the machinations of the actual trick are happening right in front of them, because "implanting an unlikely and unfamiliar idea in the mind can prevent participants from finding a more obvious one."

Billions of dollars. Lost. Gone.

I want to tell you a story of tremendous corruption, masked cleverly, using many of the same techniques that magicians have used for centuries. Only it's not a rabbit disappearing into a hat or a coin vanishing behind an ear. It's billions of dollars. Lost. Gone.

And the people responsible are the same people who have been so monstrously worked up about Trump's impeachment. The same people screaming about Trump's malfeasance with Ukraine are actually the ones misbehaving in Ukraine.

It's essentially an elevated, highly organized form of projection. Only instead of one person lashing out at the world, it's an entire political party, right up to the top. The very top. Barack Obama. It's right there on video.

Or how about the audio recording we uncovered, with Artem Sytnyk, Director of the National Anti-corruption Bureau of Ukraine, openly admitting a connection between the DNC and Ukraine?

So far, the story told by the Democrats and the media has been about Trump and Ukraine. Every so often, you hear mention of Joe Biden's dubious history with the war-torn country.

We were the first to talk about Joe Biden's connections to Ukraine back in April, with our candidate profile on Biden.

It turns out, the whole debacle was much worse than we thought. It stretched further than Uncle Joe. What we found out is that the DNC was working with the Ukrainian government.

This isn't a conspiracy theory. And we have the documents to prove it.

Read on to discover everything you need for a 30-second elevator pitch that you can give to your friend and say, "Look, here's what you need to know. Here's what's really going on."

If anyone is guilty, they should go to jail.

Last night, in Ukraine: The Democrats' Russia I revealed the elaborate misdirection taking place.

I said it last night and I'll say it again: If Trump is guilty, he should go to jail. If anyone is guilty, they should go to jail. Because this is too important to the Republic.

Watch the hands, follow the money.

Here are the documents, video, and audio that we found in our reporting. This is the hard evidence that will help you explain this unbelievable situation to other people.



  • June 2016 State Department memos detailing contacts between George Soros' office and Assistant Secretary of State Victoria Nuland.




As you can see, we did a lot of research on this, and we've done our best to condense it for you. It still requires you to do your own homework, but there's a tremendous freedom to that.

You are seeking the truth.

You are bucking the mainstream media. You are rejecting them. And you are seeking truth. Because they abandoned truth a long time ago and they certainly aren't interested in recovering it now.