Glenn interviews Marco Rubio and Josh Mandel

You’ve heard of Marco Rubio and you know he’s the type of guy America needs in Congress - Josh Mandel is running in a tight race in Ohio and he is another guy this country desperately needs. He’s a military veteran and a tea party style conservative - and he’s only 35 years old. Glenn interviewed them both on radio this morning while they were campaigning in Ohio.

Transcript of interview is below:

GLENN: All right. We're going to be in Ohio. You know, I think they are ‑‑ we are on the verge of miracles, quite honestly. I don't know how else to describe it. It is ‑‑ you're going to see on Tuesday I believe Chick‑fil‑A. Remember there was no big ‑‑ nobody was bussing people in. Just, everybody just came.

PAT: So Tuesday we're going to see a lot of chicken sandwiches?

GLENN: Yes, we're going to see a lot of chicken sandwiches.

PAT: Wow, I can't wait.

GLENN: And people will be standing in line to vote and they are going to be like, where's the chicken sandwich? But remember ‑‑ and it went on for a couple of days.

PAT: Yeah.

GLENN: That's what's going to happen. They are running out of "I voted" stickers in Texas. In Texas. I mean, Texas is like it doesn't ‑‑ I'm not going to really count in the presidential election. But they are running out of "I voted" stickers here. That's fantastic. In Ohio things are dicey. I personally think if it's not stolen, you are going to see an amazing upset in almost all of these states. We have one of the guys who's running, he's state treasurer now, he is running for Senate against Sherrod Brown. I'll let Josh tell the difference. We have Josh on the phone. Also Marco Rubio is on. Is he on the same line?

STU: Yeah, they're separate ‑‑ I think they are sharing the phone there, with each other.

GLENN: Is this a party line? Is that what's going on?

MANDEL: Hey, Glenn, how are you doing?

GLENN: Good. How are you. Is this Josh?

MANDEL: Yeah, this is Josh on the party line in Cleveland, Ohio.

GLENN: Marco, where are you.

MANDEL: He's coming. He's out in the diner shaking hands with some folks.

GLENN: Okay. So Josh, first of all, what's the difference between you and Sherrod Brown?

MANDEL: Well, he was named the most liberal senator in the United States of America, he's never seen a regulation he didn't like or a tax he didn't hike, and I'm a proud full spectrum conservative. While I am a Republican, I'm a conservative first and I'm a constitutional conservative and in Washington some of the Republicans are oftentimes just as much a problem as some of the Democrats and we need to elect more senators like Senator Rubio and others who will stand proudly as conservatives to do the right thing for our country.

GLENN: Small government conservatives?

MANDEL: Small government conservative. I believe the private select ‑‑ private sector is the solution to our problems. When it comes to a lot of our social woes, I think we should look to religious organizations and nonprofit organizations oftentimes before we look to government. And I also believe that while so many politicians, my opponent and others think that the federal government is the answer, I think Washington's the problem. Is the more we can get Washington out of the way, the stronger our economy and our country will be.

GLENN: So you're the treasurer in Ohio State and ‑‑ which is fantastic, because you obviously are a numbers cruncher. The financial cliff that is coming our way and all the trouble we're having. If we don't change the course now, how long do you think we have?

MANDEL: Not very long. It's ‑‑ we are running 100 miles per hour down the tracks and it's I believe soon going to be off the rails if we don't get some new leaders in Washington, $16 trillion debt, over a trillion dollars to China, Social Security, Medicare, bankruptcy.

GLENN: How are you ‑‑ how would you suggest that we stop the money printing and the QE infinity and pull ourselves back up without ‑‑ I mean because the first thing that will happen is interest rates will go up. How do we ‑‑

MANDEL: Sure.

GLENN: How do we not collapse ourselves by trying to heal ourselves?

MANDEL: Well, I think we need to make aggressive cuts in our federal government quickly and, you know, there's a lot of Republicans who disagree with some of the things I stand for. For instance, many Republicans will say, you know, we can't touch defense spending as well. I actually believe we need to do a top/bottom review of all of our bases throughout the world and, for instance, in Europe we're not fighting the Nazis anymore, we're not fighting the Cold War anymore. We could probably trim down or shut down some of our installations and ‑‑

GLENN: So how aggressive are you talking? You know, when Calvin cool age came in, he and Harding, they put the spending by 50%.

MANDEL: Right.

GLENN: How aggressive, how aggressive do you think we should be?

MANDEL: We have to be very aggressive. We need to do a top/bottom review of the federal government and for every agency administration bureaucracy that is not called for in the United States Constitution, we have to really ask the question what is its purpose, how many people work there, how much does it cost the taxpayers and what is the value to our society.

GLENN: I love you.

MANDEL: And one of the first acts, Glenn, of ‑‑

GLENN: If we wouldn't be sued by Barry White, I would play Barry White right now and turn the lights down.

MANDEL: Hey, Glenn, I have someone here who wants to say hello.

GLENN: Oh, wait, wait.

MANDEL: Go ahead.

GLENN: Wait, I just want to thank you for your service, first of all, especially for everything that's going on in Benghazi. You were a Marine for eight years and you know we don't leave men behind. And thank ‑‑

MANDEL: I do know that.

GLENN: And thank you for your service. And I can't wait until you get to Washington and start pulling the bodies out.

MANDEL: I appreciate that. You know, it was my honor to do my small part and do a couple of tours in Iraq and it sickens me to see when our Americans are killed overseas and abroad and I ‑‑ this is just disgraceful how this is playing out with Benghazi. And I'll tell you something else, just while you're on this topic. I didn't like those comments the president of the United States made to Governor Romney at the debate about bayonets and horses. When I went through Marine boot camp in Paris Island, South Carolina, we actually did have bayonets that we trained with. And as a Marine if Iraq, I actually did have a bayonet that I wore on my flak jacket and I just think the commander‑in‑chief of our military needs to be more respectful of our men and women when he's making comments about our military and he should really understand who it is out there carrying a weapon and protecting our country every day.

GLENN: And I know I have Marco Rubio waiting but I mean, you're an official in Ohio. How concerned are you on the stealing of the election in Ohio?

MANDEL: Ballot integrity is definitely a big issue here. I mean, I was down by the board of elections the other day and there's just vans and vans and vans of people being dropped off there to vote and obviously the default is giving ‑‑ is believing the people are following the law and doing everything legally within the bounds, and I'm ‑‑ I hope and assume that's happening. But at the same time with such a volume of people voting early here in Ohio, we need poll watchers and we need folks keeping eyeballs on every ballot site. But I think it's also important, Glenn, that those poll watchers are Americans. I don't know if you caught this.

GLENN: Oh, yeah.

MANDEL: Crazy idea about the UN observers wanting to come into America ‑‑

GLENN: I don't know how Ohio handled it but Texas said, go to hell, we'll arrest you if you come in.

MANDEL: Yeah. Over my dead body.

GLENN: Exactly right. Thank you very much, Josh.

MANDEL: So if any of your listeners want to help us out here in the last week, our website's pretty simple. It's JoshMandel.com.

GLENN: Thanks, Josh. JoshMandel.com.

MANDEL: Let me pass out the phone. We've got Senator Marco Rubio here. We're calling you from Joe's Diner in Ohio.

GLENN: Oh, really? Is Joe Biden there because ‑‑

MANDEL: Joe Biden's not here but Marco sure is. Hang on one second.

GLENN: Thanks a lot.

RUBIO: Glenn, good to talk to you.

GLENN: Hey, senator, how are you?

RUBIO: I think people understand the choice of this election is not just between two people. It's between two very different views of our government's role and our future and what America should be, what America should remain. And, you know, I think you're starting to sense that from people as you talk to them.

GLENN: Oh, I tell you I think you're going to see a miracle on Tuesday. I really do. I mean, a miracle as far as the distance between the two. I think America is wide awake. They've just had enough. They're quiet about it. It's like my grandparents. My grandparents didn't have to say anything. They would just go do it. And I think that's what's going to ‑‑ that's what's going to happen.

RUBIO: Yeah, I think that as well.

GLENN: Is ‑‑ how do you think things are going to fare for Romney in Ohio and Florida? How close?

RUBIO: Let me start with Florida, yeah, because that's ‑‑ obviously live there and spend a lot of time there. I feel great about Florida. The analogy I always use is I know people who voted for Barack Obama in 2008 that are going to vote for Mitt Romney. I don't know anyone who voted for John McCain that's going to vote for Barack Obama this time. I know that's anecdotal but I think that's the feeling people have. There's a lot of disappointment. Some people just kind of bought into the 2008 notion that, you know, he's ‑‑ let's try something different, he's going to unify our country, he's going to bring us together. And it's just been a disaster. I mean economically, politically, all the way around. And people are just ready to walk away from that and kind of go back to the free enterprise system which made us the most prosperous people that have ever walked the Earth.

GLENN: I am really concerned about what's happening in Benghazi.

RUBIO: Yeah.

GLENN: And even when Mitt Romney wins on Tuesday, on Wednesday I will still be pushing for ‑‑

RUBIO: Yeah.

GLENN: ‑‑ serious investigations because we are ‑‑ what we have is a president that let guys die and a lot of people watched them die in realtime. There's a massive coverup on this. And beyond that, you've got at least ‑‑ you've got anywhere from 25 to 500 people who know and are now having a hard time sleeping at night. And if those guys are allowed to let that just cook in their soul, man, we go really dark. It's not good. We've never been that way as Americans, to leave just people die.

RUBIO: Yeah. Two things are happening. On the one hand I think there's a very serious concern that I have and I think it's a legitimate question to ask and that is, is the reason why they spent two weeks telling us that this was the result of a spontaneous uprising, is the reason why they're saying that because it went counter to their narrative that Al‑Qaeda had been defeated, Bin Laden was dead and the world was safer. And then they bragged about this for months. It was a key part of their convention. Obviously we're very happy Bin Laden is dead, but Al‑Qaeda unfortunately has reconstituted itself in North Africa including Libya. So that's the first element of it. The second is that there's clearly something going on here in terms of our different agencies to be able to interact and coordinate and make the right decisions in a timely fashion to save lives. So we're going to have what they call classified hearings. But I'm going to push for open hearings as well. And by the way, these hearings should have happened a long time ago.

GLENN: Oh, yeah.

RUBIO: They shouldn't be happening after the election. And there's a lot of information out there that's going to be classified that shouldn't be classified. There's no reason to keep it that way. The American people have the right to hold their government accountable for its failures, A, so that the people who did it can be held accountable and, B, so that it never, ever happens again.

GLENN: Thank you very much, Senator. You and you keep going and we wish you luck that I think the real hard work for America begins on Wednesday.

RUBIO: Well, thanks for what you've been doing for years all the way back to the 9/12 movement and your involvement in that years ago. It really began in '09 right after the election when folks like you raised your voice and began to educate the American people about what was going on. That led to the big wave in 2010 that allowed me to get elected and the wave in 2012 that's going to give us a new president and is going to give us Josh Mandel.

GLENN: Well, just don't ‑‑ don't let us down. One quick question. How worried are you about the lame duck session?

RUBIO: I'm worried. I mean, a lot of bad things happen in lame duck sessions. You have folks who are never going to run again who don't feel like they're accountable. You have a lot of ‑‑ you know, they will package a couple of good ideas with ten bad ones and tell you that's the way business is done, that's the only way to get things done. So I am concerned about some pretty bad policy happening in the lame duck. You know, we got that START treaty with the Russians and a couple of other things that were not good for our country as well.

GLENN: Thank you very much, Senator, appreciate it.

RUBIO: Thank you.

GLENN: We'll talk again soon.

STU: They're both great.

PAT: I liked Josh Mandel, too. Liked him.

GLENN: He knows ‑‑

PAT: He knows what he's talking about.

GLENN: He knows what he's talking about. He's a Jewish American, strong on Israel. I mean, he gets it.

PAT: And clearly Rubio is ‑‑

STU: Fantastic.

PAT: There's hardly anybody better.

STU: I will say I maintain ‑‑ a lot of people said they liked the Clint Eastwood thing and whatever, you liked it or you didn't like it. One of the worst things that happened in that convention was that Clint Eastwood thing took all the attention from Marco Rubio's speech which was one of the best speeches by a Republican that, I mean, I can remember.

PAT: And it got no attention at all.

STU: Yeah.

PAT: None.

STU: I mean, here's a guy who's really smart, different. Obviously the optics are good on politically and demographically. It's just one of those things that Marco Rubio needs to be heard.

GLENN: Every time I ‑‑ every time he speaks, gives a major speech, like ten of my friends write to me and says, "My gosh, did you see this guy?"

STU: Yeah, he's great.

GLENN: He's really, really effective.

STU: Josh Mandel was great, too. That's the first time I heard him in an extended area. He's great.

GLENN: I talked to him in Ohio last time. I met him backstage and we spent about ten minutes together. He's really sharp. He's really sharp.

STU: That's great.

GLENN: Come on, Ohio, come on.

STU: Come on, Ohio.

GLENN: Come on, Ohio. Remember how pissed you were at Florida?

STU: Yeah.

GLENN: Yeah. That's the way we're going to be with you.

STU: Yeah.

GLENN: Yeah.

PAT: You don't want none of this.

GLENN: No, you don't. We'll come up there and give you such a hit.

Former White House press secretary Sarah Huckabee Sanders joined Glenn Beck on this week's podcast to share her unique perspective as a trusted adviser and confidante to President Donald Trump for two and a half years, which she also details in her new book, "Speaking for Myself: Faith, Freedom, and the Fight of Our Lives Inside the Trump White House."

Sarah described the unprecedented levels of corruption she saw firsthand during the Russia probe and shocking lengths to which Democratic leaders and the mainstream media would go to "take the president down."

Sarah said she often saw sides of Donald Trump that the media never covered. Recently, she went on the record denying the Atlantic's claims that the president mocked our military during a 2018 trip to France. She was on that trip, she told Glenn, and her account of what really happened paints a very different picture.

"The people who are making this outrageous charge are such cowards for doing so in an anonymous way. If you really believed this, and believed it was wrong, one, why did it take you so long? And, two, put your name on it the way the rest of us have," Sarah said.

"He didn't say those things. Not only was I there that day, Glenn, I spent two and a half years traveling all over the world with the president, watching him interact with men and women of our armed forces almost every single day during that two-and-a-half year period," she added.

"This is a person who loves America and loves the people who allow the rest of us to live in America, free, and have prosperity. And I got to see that a lot. I think it is shameful that people are trying to distort who he is and what he has done, particularly when it comes to the men and women in the military."

Watch a clip from the full interview with Sarah Huckabee Sanders below:

Find the full podcast below, on Glenn's YouTube channel or on Blaze Media's podcast network.


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The Daily Beast recently reported on a group of 50-plus leading progressive organizations that calls itself the Fight Back Table or FBT, who are planning for a "post-Election Day political apocalypse scenario."

The FBT held a meeting on Zoom to launch an initiative they dubbed the "Democracy Defense Nerve Center." Meeting participants prepared for expected threats to a fair election in November, such as "armed right-wing militia dudes show[ing] up in polling places," or poll locations that "mysteriously close" on Election Day. They also predicted that President Donald Trump would claim victory regardless of November's election results, which would lead to inevitable "mass public unrest."

"It is very obvious that Trump is laying the groundwork for claiming victory no matter what ... we will fight to protect [our democracy] from what we truly see as a president who has gone off the rails and taking this country down an authoritarian fascist path," said MoveOn Executive Director Rahna Epting.

On the "Glenn Beck Radio Program," Glenn argued that the left is using large-scale mail-in voting — which unlike absentee ballots does not require voters to submit an application ahead of the election — to set the stage for chaos, revolution, and ultimately cause civil war to destroy our nation.

"No one will believe the [election] outcome because they're changing the way we're electing a president this time. And people don't understand the difference ... this is Democratic states just printing ballots and mass mailing them," Glenn said.

"They've been war-gaming this forever," he continued. "And the media is trying to make it look as if the right is the one that is violent. We're not planning anything to happen on Election Day, except to go and vote. The chaos that's coming, I think is remarkable. And if the DOJ doesn't get involved and find out who these groups are and what they have planned, you are going to have intimidation and chaos the week of the voting, and for weeks [afterward] until we go into civil war. This is not hyperbole. This is what the left is now saying."

Watch the video below to hear more from Glenn:

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Netflix film 'Cuties' is darker than you thought

'Cuties'/Netflix

Plague. Recession. Riots. Looting. Fires. Murder Hornets. And now, as we round the third base toward the home stretch, 2020 gives us Cuties, a delightful French coming-of-age film by Maïmouna Doucouré that's half Stand by Me and half Coyote Ugly – if you were to combine both films into an anthropomorphic entity and then forcefully dip its toe into the perilous waters of pedophilia.

Cuties begins by showing us an 11-year-old Senegalese girl named Amy, whose fundamentalist Muslim family has recently moved to France. We learn that Amy's father has gone back to Senegal to bring home the woman who is to become his second wife. The mother's struggle is very clear to Amy, who begins right then and there to develop a hatred for her father. She starts looking for ways to rebel, and soon lands in the company of a group of ne'er-do-well girls, who fancy themselves dancers and have adopted the group name "Cuties". Their primary goal in life at the moment – and the thing that drives the film's narrative – is to participate in and win the big dance competition coming up soon. The ring-leader – a dark-haired bespectacled girl who resembles Alexandria Ocasio-Cortez to such an eerie extent that it can't have been on accident – lives in Amy's building, and the two form a kind of delicate friendship throughout the film.

Here is where the movie most resembles a female version of Stand by Me, and it's also where I began to understand that this is a remarkably beautiful film at times. It's well-shot, well-scored, and well-acted. In fact, Fathia Youssouf Abdillahi (the actress who portrays Amy) is quite possibly the most talented child actor I've ever seen.

I began to understand that this is a remarkably beautiful film at times.

The portrayal of this group of girls wending their way through the thick tangles of childhood and constantly grasping at what they perceive to be higher concepts of adulthood is somehow both charming and bothersome at the same time. Knowing virtually nothing of the real world of sexuality, they engage in a kind of whimsical speculation as to how sex works that almost comically mirrors the aforementioned Oscar-winning film (and a ton of other coming-of-age movies as well). Some of this is fine. There's a particularly funny-turns-emotional moment when one of the girls, upon finding a used condom lying around in the woods, blows it up like a balloon and begins playing around with it. The other girls – who at least know enough to know that one doesn't touch such things for fear of disease – immediately recoil from her, tell her that she's going to catch AIDS, and so embarrass and frighten her that she begins to cry. The scene is, again, beautifully shot, and I found myself sympathizing with the character as she feels an overwhelming moment of ostracization-through-misadventure. In the following scene, we are treated to a montage of the girls washing her mouth out with soap, and it breaks the tension.

All of that to say that not only does this movie have plenty of redeemable moments that are on the beat film-wise, but also that it will pull you in headlong whether you want it to or not – which is what a good film is supposed to do.

But, alas, there's more. And I'm not so much talking about the risqué dancing that's done throughout the film. Here's why: as if the plot structure of every coming-of-age story didn't lay it out clearly enough for us, kids strive to be adults. The results are often hilarious, sometimes disturbing, but it's their nature. Kids want to be more like adults. And in a world – such as the one depicted in this movie – where children either can't or won't seize on the example of adulthood provided by their own parents, a vacuum is created. And nothing fills the vacuum of responsible parenting better than social media.

For the girls, it is the well from which they draw their inspiration, acceptance and love. "Likes" are the currency of the realm, and if you don't think this is true in your own kids' world today, you need to wake up and smell the Zuckerberg.

Thus, it is no surprise that these young dancing girls are modeling their very existence after what they see in online videos, and regurgitating the same back at the soulless machine. That they would be twerking and gyrating in a manner that falsely suggests they do know a thing or two about sex is normal when you consider that they're dining daily on visual and musical junk food – art perhaps not entirely without merit, but certainly without taste. And if there's one thing about the movie that phone-it-in parents might do well to see, it is perhaps the juxtaposition of budding childhood and the laissez faire morality adhered to by the demigods of popular culture. In short: these girls are just trying to be like the only set of role models afforded to them.

Here's what should (in my opinion, anyway) not be okay, though.

Aside from the moments of dancing, this film is filled with the cinematography of sexuality. When you watch any film in which there is a femme fatale character (or in some cases several of them), the way in which they are shot by the camera is extremely suggestive of overt sexuality. To quote one of my favorite online film critics: "You may not have noticed, but your brain did." Tracking shots over women's bodies, particularly up their backside or across a heaving bosom all decorated in cleavage, are a stock in trade for many filmmakers (and the only one for some of them). It's so common in the making of movies that it's often lampooned as a trope.

I'm reticent to accuse the woman who made this film of directly catering to the desires of pedophiles – but... I can't completely dismiss the idea, either.

We'll save the discussion about whether or not this is offensive when actresses in their twenties and thirties do it for another time. What I would hope we could all agree on is that you don't – in good conscience – use those same tracking shots over the bodies of a group of 11-year-old girls, even to make a point. And you certainly don't do it over and over and over throughout the course of a movie. The unstated purpose of such shots in a regular film is to give the viewer a taste of the voyeur. You wouldn't be allowed, in polite society, to walk up to a woman and stare at her from inches away, scanning down her body as if you were about to fax her someplace. But with the movie camera, you get a little taste of that. Dopamine rushes to your brain, and you're instantly glad you shelled out the twenty bucks to see the movie.

And while it's theoretically possible that the unstated purpose on behalf of the filmmaker changes when the subject is a little girl, it can't be denied or even overlooked that, for a certain subset of the viewing population, the effect does not. I'm reticent to accuse the woman who made this film of directly catering to the desires of pedophiles – but after having sat through an hour and a half of shot after shot of this very overt technique, I can't completely dismiss the idea, either.

As Amy progresses down the path that her (barely) world-wise friends have chosen, she becomes far more steeped in it, because she has no sense of the unseen boundaries which exist even in a hedonistic postmodern society such as present-day France. She spirals out of control very quickly, trying to outdo her friends in overt displays of sexuality and even violent aggressiveness. If there is a redeeming quality to the message of the movie, it is that we are fairly explicitly told through what we see her go through that this is not the best life for her. That escaping from the oppressive Muslim traditions of her family is a thing she should seek, but that this is not the way to go about it. All throughout her journey, we are subjected to close-up images of her body (and the bodies of the other girls). At one point, Amy's mother and aunt seem to be performing a kind of exorcism on her to drive out the evil rebellious spirits they believe have taken over, and Amy vibrates in the middle of the room on her knees in a paroxysm of movement which is half-dance, half-apparent-demonic possession, and all sex. I don't mean to be graphic here, but she may as well have been doing a full-on sex scene, for all the heavy breathing and gyration and rank passion that's going on. As an adult – and particularly as a parent – it made me literally feel ill to watch.

It's a beautiful final scene... but it fails to pull the film from the mire into which it's dipped.

And, if you believe the film's director, that's what you're supposed to feel. She claims that the whole intent of the movie is to get people to feel uncomfortable as they realize the hyper-sexualized nature of children in our modern world, and how it's driven by the nanny state that is social media in our modern era. Part of me wants to applaud the effort – it certainly worked on me. I walked away from my television with a feeling of nausea and a renewal of the commitment in my head toward doing anything and everything I can to make sure that my own children never watch this film. The fact that the movie ends with Amy making a choice to reclaim her childhood – that she walks away both from the more oppressive elements of her Muslim upbringing (insofar as she will be able – we are never told) and from trying to become an adult too soon (insofar as she will be able – we are also never told) and embraces just being an 11-year-old girl – that fact doesn't change what's transpired. It's a beautiful final scene – it really is – but it fails to pull the film from the mire into which it's dipped.

In summary, I can't really put any sort of seal of approval on this film, despite part of me wanting to. I generally subscribe to the idea that showing us a thing is far better than telling us a thing – but there are limits, and I think Cuties crosses them. As much as I want to believe that the director's motives are pure as the driven snow, it's not lost upon me that – as I mentioned before – one of the main characters (with whom we are meant to be sympathetic multiple times throughout the film) is very obviously meant to be the prototypical girl-who-wants-to-be-AOC. This film is at war with its own supposed message – it seeks to convey the horrors of oversexualized youth while laying out on for open display an entire smorgasbord of pedophilic fantasies. The game simply isn't worth the candle.

Osama bin Laden's niece, Noor bin Ladin (Noor's family has always spelled their name differently than her uncle) wrote an open letter to America, praising our country as "a beacon of democracy and hope for all subjugated peoples" across the world, and warning: "America, you are at the very edge of the precipice. Please wake up! Take hold! Fight for your country, and be proud of your roots! Uphold your values. Stand for your flag and your anthem. Defend your history. Don't relent in the face of those who seek to re-write it to serve their narrative and justify the destruction of your nation. You have much to cherish and protect for your sake, and ours."

Noor never stood with or supported her uncle. In fact, she grew up with an American flag proudly displayed in her childhood bedroom. Now a resident of Switzerland, she describes the chaos and destruction she's seen spread across America over the last several months.

"Watching the gratuitous violence, streets burn, buildings and statues being defaced in America over these past months, I am heartbroken to see how an entire generation was successfully brainwashed into hating the very nation that has yielded the most freedom, justice and equality anywhere in the world.

"I am also highly distressed by the blatant erosion at various levels of your most basic individual rights and freedoms as guaranteed by your Bill of Rights, from arbitrary censorship of speech to unlawful, politically motivated abuses of justice," she wrote.

Noor warned America that if we don't stand up, defend our history, and cherish the principles which make our country great, than those who have sought to undermine our country for decades will divide and destroy us from within.

"The truth is that the undoing of America has been decades in the making. The globalists, Deep State, swamp, whichever name you call them, have been hard at work to weaken America's sovereignty and standing as world leader. Intent on erecting a new system of world governance where they would be in total control, they are seeking to undermine the fundamental principle of your country, "a government for the people by the people", replacing it instead with a world order of international institutions ultimately puppeteered by a caste of technocrats, oligarchs and international bankers.

"Though your Constitution stands firmly in their way, it never deterred them. Like a trojan horse, they infiltrated governmental and intelligence agencies, and all realms of society - education, media, entertainment, culture. At their disposal, tools of mass population influence: propaganda, fake news and censorship. By pushing their marxist-socialist progressive agenda for years, they set out to destroy your fundamental values and divide you. They negated God, dissolved the family unit and dissevered us from moral objectivity, effectively leaving a vacuum of degeneracy, cognitive dissonance and absurdity in its wake," she added.

Read the full letter here.

On the radio program Friday, Glenn Beck shared several highlights from Noor's letter as well as her first-ever interview with the New York Post.

"A letter was written to America this week. I want you to listen to the words," said Glenn. "'America, you are at the very edge of the precipice. Please wake up! Take hold! Fight for your country, and be proud of your roots! Uphold your values. Stand for your flag and your anthem. Defend your history. Don't relent in the face of those who seek to re-write it to serve their narrative and justify the destruction of your nation. You have much to cherish and protect for your sake, and ours.' [...] The woman who wrote that, the woman who is an American at heart, who is warning us, is Osama bin Laden's [niece]."

Watch the video below to hear more from Glenn:

*Note: Glenn mistakenly referred to Noor Bin Ladin as Osama bin Laden's sister. She is his niece.


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