Glenn speaks to Brandon Stewart of the Millennial Choir

Earlier this year, Glenn, Pat, and their families attended a performance of the Millennial Choir and Orchestra led by Brett and Brandon Stewart and were absolutely blown away by what they saw.

“This is the most amazing thing I've heard. They are better than the Mormon Tabernacle Choir. We were riveted the entire night,” Glenn said of the group on radio this morning. “Now, here's the amazing thing. This was an entirely volunteer orchestra and choir, and it starts ages 4 and up. It is the best experience you've ever heard… They're from California and Arizona. I'm thinking all the way through, I'm thinking, oh, my gosh. If they lived in Dallas, if they worked in Dallas, I'd do quarterly shows with them. My mind is just racing. And I'm thinking, I've got to go backstage and beg these guys to move to Dallas. Well, at the end of the concert they say, ‘And we have an announcement. We're going to be starting a new choir in Dallas.’ You've got to be kidding.”

Glenn got a chance to go backstage and meet the brothers, who are both Julliard graduates, after the show, and with the organization now expanding to Dallas, it sounds like we can expect to see some pretty exciting collaborations in the future. Auditions for the Dallas area will be held in the coming weeks and all information can be found at Millennial.org.

This morning, Glenn spoke to the Millennial Choir's conductor Brandon Stewart about the history of the choir and orchestra, the standards he and his brother seek to maintain, and the process of composing a new American classic.

Read a transcript of the interview below:

GLENN: And I wanted to bring Brandon, Brandon Stewart. He is the conductor of the Millennial choir. It is all faiths, all ages, and it is volunteer and they are having tryouts in four different states, Brandon; is that right? They start next week?

BRANDON STEWART: Yeah, that's right.

GLENN: Okay. Happening next week near Los Angeles, California; in Phoenix; in Provo, Utah; and Dallas, Texas. And you can bring your whole family. I was just meeting with a guy and he was watching last night. This morning, Robert, he was there, his whole family, and he's wildly talented. And he said, man, he said, I know my daughter, she's too young, but she wants to. And I said, Robert, your whole family ‑‑ first of all, she's not too young, and your whole family could join and you could make this a family kind of thing. But let me just ask you, Brandon. You have standards, and they are different than the world's traditional standards for volunteers. For instance, give me ‑‑ go in your code of conduct. What is that?

BRANDON STEWART: The code of conduct for our singers, it sounds kind of scary that it's called code of conduct, but really it's just a way for us to encourage our participants to have upstanding values and to represent themselves in decent ways ‑‑ in a decent way as they represent Millennial choirs and orchestras. We want this to be something that is a positive impact in the community and so we ask them to be decent people. And then in addition to that, our code of conduct requires that they are committing to the rehearsals and they are going to work hard and basically do what we encourage them to do musically so that we can be, you know, one cohesive unit as a musical organization.

GLENN: Brandon, how do you do ‑‑ because I went and I saw you in Phoenix because you're actually working on Man in the Moon 2, and I want to talk a little bit about that if we ‑‑ if we have time. How do you ‑‑ how do you get teenagers? Because I watched you rehearse teenagers, and they were on the edge of the seat as they are rehearsing. There wasn't any fooling around, there wasn't any ‑‑ I mean, it was discipline city and it was amazing to watch. I don't mean it was discipline city like it was a, you know, torture chamber. You didn't have to discipline. They self‑disciplined. How do you ‑‑

BRANDON STEWART: That's right. That's right. They ‑‑ these kids, first of all, are just awesome. The teenagers are one of the most fun groups that we have to work with. I think that the formula there is that we have a mutual respect for one another, and we have a lot of fun when it's time to have fun. And when it's time to really work and crank down, we do that. I think that they love the music because we hand‑select music for all of our choirs and orchestras that is exciting, that's motivating, that's challenging and ‑‑

GLENN: Really challenging.

BRANDON STEWART: That praises God. They have a reverence for what they're singing about, which I think is unique, especially today.

GLENN: Give me the qualifications and if anybody is interested in any of those cities. Give me the qualifications of what you're looking for and what they ‑‑ should they expect at a tryout.

BRANDON STEWART: Absolutely. First of all, our motto is all ages, all faiths, one voice. And you mentioned that earlier. But we welcome people of all different walks of life from the community and pretty much all ages. I mean, it starts at age 4 and goes up.

GLENN: Hang on. You have atheists in the orchestra, if I'm not mistaken, right? You have people who don't believe in God?

BRANDON STEWART: We do. We have all kinds.

GLENN: So ‑‑

BRANDON STEWART: All different types. So...

GLENN: You don't have to go to a church or anything like that. You can ‑‑

PAT: But you ostracize them, right? You ostracize the atheists?

GLENN: Well, they were sitting in the atheist section, yeah.

PAT: They're shunned.

GLENN: Yeah.

BRANDON STEWART: I mean ‑‑

GLENN: They're forced to ‑‑

BRANDON STEWART: You know, we'll sing about God and so if it's an atheist who's comfortable singing about God, then they are more than welcome to come. So...

GLENN: Right. Right.

BRANDON STEWART: But the auditions are for the adults only. The children and youth do not have to audition. They just register online at millennial.org. And the adults need to have some sort of musical experience or musical background or at least be able to sing.

GLENN: Okay. So Brandon, I sang all through high school, but I haven't ‑‑ I haven't sung except at church since. That's enough?

BRANDON STEWART: Yeah, I think you'd be surprised at how many people fit that description that are in our choirs already.

GLENN: And so what do they have to ‑‑ do they have to prepare something for you, or what are you going to do when you get there?

BRANDON STEWART: Yeah, all the information is online and we have auditions coordinators that help them prepare. And really it's one of the shortest auditions of their life. And they will come in and sing a little bit or play a little bit and we'll ask them to play some things and prepare some excerpts from some music or just a hymn or whatever and then they will sing, we'll get to know them briefly and then we let them know. So it's very simple.

PAT: I can play Mary Had a Little Lamb on a touchtone phone. Is that something you're interested in?

GLENN: Don't take Pat. Don't take Pat.

PAT: Because I think I can bring that to the table for your choir.

GLENN: Don't take Pat. Brandon, why did you ‑‑ why did you guys start this?

BRANDON STEWART: It initially was not our plan to do this. We felt inspired to do it and we didn't quite know why other than the fact that we knew that something like this was needed in the area that we were at in California and so we started it. And then it just kind of went from there. There were people in different areas in the nation, and there still are people all over who are requesting this type of thing in their community. And I think that the reason it's so needed is because, like you said earlier, it's including all families and people of all different faiths and walks of life. And music speaks the universal language. It's unifying the community, and it's such a positive experience for these people.

GLENN: I will tell you that I ‑‑ and I've told you this, Brandon, but let me tell the audience. That I was sitting in that crowd and I listened, and as you played songs, I had so many feelings, but one of them was this needs to go all over the country. These have to pop up all over the country because of the bright, bright light that, it's an explosion of light. And I couldn't believe when you guys said that was exactly what you guys were trying to do. I just couldn't believe it. I know it to be true, and I know it to be right. The Stewart brothers came with me to New York a few weeks ago because they had been ‑‑ you had been trying to talk to your brother ‑‑ or talk your brother into writing something about America, a new American piece.

BRANDON STEWART: Yes.

GLENN: And for about at the same time as I had been walking around going, "There's got to be a new American piece," and the way you guys described it is exactly the way, what I was describing of what to avoid and that is "The Constitution is great! We the people..." and it would just be awful.

BRANDON STEWART: (Laughing.)

GLENN: And so I brought these guys into the library and started telling them stories about America and they are now setting a story for Man in the Moon called The Journey. They are setting this to music. And if you've ever wanted to be a part of some of the things that we do, and I think this one will be one for the history books. If you've ever wanted to be a part of this creative process, this is the way to do it because it will be this orchestra and this choir that helps us put this new piece, this American piece of music and the American story to music in the coming year. And we have only one piece of music that is if I understand, and it is phenomenal, just phenomenal. And I am proud to even know these guys. But if you want to ‑‑ if you want to try out and audition, again it's in Los Angeles, Phoenix, Provo, Dallas. It's Millennial ‑‑ is it just millennial.org?

BRANDON STEWART: Millennial.org, that's right.

GLENN: Millennial, so you also have to be a speller. You can't ‑‑ millennial.org. And when do they start? When do the tryouts start?

BRANDON STEWART: They start next week and in all four locations. All the dates are online on the calendar.

GLENN: Okay. Millennial.org. You will not be disappointed. And I ‑‑ we hope to be doing some ‑‑ many more things on television with the orchestra and we're working on something now called the performance that I think you're going to ‑‑ you'll just be ‑‑ you'll just love and want to be a part of. So please, if you have any talent, an instrument or music and your family, you can go as a single or you can go as a family and try out. Millennial.org. And I would recommend highly that if you're looking for some standards, some quality, and something that will uplift and do tremendous good that you can't even understand until you sit and listen to this choir, go there and be a part of this. Millennial.org. Brandon, thank you. We'll see you soon.

BRANDON STEWART: Thank you.

GLENN: You bet. Bye‑bye. Tremendous, tremendous people.

Why the White House restoration sent the left Into panic mode

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Presidents have altered the White House for decades, yet only Donald Trump is treated as a vandal for privately funding the East Wing’s restoration.

Every time a president so much as changes the color of the White House drapes, the press clutches its pearls. Unless the name on the stationery is Barack Obama’s, even routine restoration becomes a national outrage.

President Donald Trump’s decision to privately fund upgrades to the White House — including a new state ballroom — has been met with the usual chorus of gasps and sneers. You’d think he bulldozed Monticello.

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s ‘visionary.’

The irony is that presidents have altered and expanded the White House for more than a century. President Franklin D. Roosevelt added the East and West Wings in the middle of the Great Depression. Newspapers accused him of building a palace while Americans stood in breadlines. History now calls it “vision.”

First lady Nancy Reagan faced the same hysteria. Headlines accused her of spending taxpayer money on new china “while Americans starved.” In truth, she raised private funds after learning that the White House didn’t have enough matching plates for state dinners. She took the ridicule and refused to pass blame.

“I’m a big girl,” she told her staff. “This comes with the job.” That was dignity — something the press no longer recognizes.

A restoration, not a renovation

Trump’s project is different in every way that should matter. It costs taxpayers nothing. Not a cent. The president and a few friends privately fund the work. There’s no private pool or tennis court, no personal perks. The additions won’t even be completed until after he leaves office.

What’s being built is not indulgence — it’s stewardship. A restoration of aging rooms, worn fixtures, and century-old bathrooms that no longer function properly in the people’s house. Trump has paid for cast brass doorknobs engraved with the presidential seal, restored the carpets and moldings, and ensured that the architecture remains faithful to history.

The media’s response was mockery and accusations of vanity. They call it “grotesque excess,” while celebrating billion-dollar “climate art” projects and funneling hundreds of millions into activist causes like the No Kings movement. They lecture America on restraint while living off the largesse of billionaires.

The selective guardians of history

Where was this sudden reverence for history when rioters torched St. John’s Church — the same church where every president since James Madison has worshipped? The press called it an “expression of grief.”

Where was that reverence when mobs toppled statues of Washington, Jefferson, and Grant? Or when first lady Melania Trump replaced the Rose Garden’s lawn with a patio but otherwise followed Jackie Kennedy’s original 1962 plans in the garden’s restoration? They called that “desecration.”

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s “visionary.”

The real desecration

The people shrieking about “historic preservation” care nothing for history. They hate the idea that something lasting and beautiful might be built by hands they despise. They mock craftsmanship because it exposes their own cultural decay.

The White House ballroom is not a scandal — it’s a mirror. And what it reflects is the media’s own pettiness. The ruling class that ridicules restoration is the same class that cheered as America’s monuments fell. Its members sneer at permanence because permanence condemns them.

Julia Beverly / Contributor | Getty Images

Trump’s improvements are an act of faith — in the nation’s symbols, its endurance, and its worth. The outrage over a privately funded renovation says less about him than it does about the journalists who mistake destruction for progress.

The real desecration isn’t happening in the East Wing. It’s happening in the newsrooms that long ago tore up their own foundation — truth — and never bothered to rebuild it.

This article originally appeared on TheBlaze.com.

A new Monroe Doctrine? Trump quietly redraws the Western map

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The president’s moves in Venezuela, Guyana, and Colombia aren’t about drugs. They’re about re-establishing America’s sovereignty across the Western Hemisphere.

For decades, we’ve been told America’s wars are about drugs, democracy, or “defending freedom.” But look closer at what’s unfolding off the coast of Venezuela, and you’ll see something far more strategic taking shape. Donald Trump’s so-called drug war isn’t about fentanyl or cocaine. It’s about control — and a rebirth of American sovereignty.

The aim of Trump’s ‘drug war’ is to keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

The president understands something the foreign policy class forgot long ago: The world doesn’t respect apologies. It respects strength.

While the global elites in Davos tout the Great Reset, Trump is building something entirely different — a new architecture of power based on regional independence, not global dependence. His quiet campaign in the Western Hemisphere may one day be remembered as the second Monroe Doctrine.

Venezuela sits at the center of it all. It holds the world’s largest crude oil reserves — oil perfectly suited for America’s Gulf refineries. For years, China and Russia have treated Venezuela like a pawn on their chessboard, offering predatory loans in exchange for control of those resources. The result has been a corrupt, communist state sitting in our own back yard. For too long, Washington shrugged. Not any more.The naval exercises in the Caribbean, the sanctions, the patrols — they’re not about drug smugglers. They’re about evicting China from our hemisphere.

Trump is using the old “drug war” playbook to wage a new kind of war — an economic and strategic one — without firing a shot at our actual enemies. The goal is simple: Keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

Beyond Venezuela

Just east of Venezuela lies Guyana, a country most Americans couldn’t find on a map a year ago. Then ExxonMobil struck oil, and suddenly Guyana became the newest front in a quiet geopolitical contest. Washington is helping defend those offshore platforms, build radar systems, and secure undersea cables — not for charity, but for strategy. Control energy, data, and shipping lanes, and you control the future.

Moreover, Colombia — a country once defined by cartels — is now positioned as the hinge between two oceans and two continents. It guards the Panama Canal and sits atop rare-earth minerals every modern economy needs. Decades of American presence there weren’t just about cocaine interdiction; they were about maintaining leverage over the arteries of global trade. Trump sees that clearly.

PEDRO MATTEY / Contributor | Getty Images

All of these recent news items — from the military drills in the Caribbean to the trade negotiations — reflect a new vision of American power. Not global policing. Not endless nation-building. It’s about strategic sovereignty.

It’s the same philosophy driving Trump’s approach to NATO, the Middle East, and Asia. We’ll stand with you — but you’ll stand on your own two feet. The days of American taxpayers funding global security while our own borders collapse are over.

Trump’s Monroe Doctrine

Critics will call it “isolationism.” It isn’t. It’s realism. It’s recognizing that America’s strength comes not from fighting other people’s wars but from securing our own energy, our own supply lines, our own hemisphere. The first Monroe Doctrine warned foreign powers to stay out of the Americas. The second one — Trump’s — says we’ll defend them, but we’ll no longer be their bank or their babysitter.

Historians may one day mark this moment as the start of a new era — when America stopped apologizing for its own interests and started rebuilding its sovereignty, one barrel, one chip, and one border at a time.

This article originally appeared on TheBlaze.com.

Antifa isn’t “leaderless” — It’s an organized machine of violence

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The mob rises where men of courage fall silent. The lesson from Portland, Chicago, and other blue cities is simple: Appeasing radicals doesn’t buy peace — it only rents humiliation.

Parts of America, like Portland and Chicago, now resemble occupied territory. Progressive city governments have surrendered control to street militias, leaving citizens, journalists, and even federal officers to face violent anarchists without protection.

Take Portland, where Antifa has terrorized the city for more than 100 consecutive nights. Federal officers trying to keep order face nightly assaults while local officials do nothing. Independent journalists, such as Nick Sortor, have even been arrested for documenting the chaos. Sortor and Blaze News reporter Julio Rosas later testified at the White House about Antifa’s violence — testimony that corporate media outlets buried.

Antifa is organized, funded, and emboldened.

Chicago offers the same grim picture. Federal agents have been stalked, ambushed, and denied backup from local police while under siege from mobs. Calls for help went unanswered, putting lives in danger. This is more than disorder; it is open defiance of federal authority and a violation of the Constitution’s Supremacy Clause.

A history of violence

For years, the legacy media and left-wing think tanks have portrayed Antifa as “decentralized” and “leaderless.” The opposite is true. Antifa is organized, disciplined, and well-funded. Groups like Rose City Antifa in Oregon, the Elm Fork John Brown Gun Club in Texas, and Jane’s Revenge operate as coordinated street militias. Legal fronts such as the National Lawyers Guild provide protection, while crowdfunding networks and international supporters funnel money directly to the movement.

The claim that Antifa lacks structure is a convenient myth — one that’s cost Americans dearly.

History reminds us what happens when mobs go unchecked. The French Revolution, Weimar Germany, Mao’s Red Guards — every one began with chaos on the streets. But it wasn’t random. Today’s radicals follow the same playbook: Exploit disorder, intimidate opponents, and seize moral power while the state looks away.

Dismember the dragon

The Trump administration’s decision to designate Antifa a domestic terrorist organization was long overdue. The label finally acknowledged what citizens already knew: Antifa functions as a militant enterprise, recruiting and radicalizing youth for coordinated violence nationwide.

But naming the threat isn’t enough. The movement’s financiers, organizers, and enablers must also face justice. Every dollar that funds Antifa’s destruction should be traced, seized, and exposed.

AFP Contributor / Contributor | Getty Images

This fight transcends party lines. It’s not about left versus right; it’s about civilization versus anarchy. When politicians and judges excuse or ignore mob violence, they imperil the republic itself. Americans must reject silence and cowardice while street militias operate with impunity.

Antifa is organized, funded, and emboldened. The violence in Portland and Chicago is deliberate, not spontaneous. If America fails to confront it decisively, the price won’t just be broken cities — it will be the erosion of the republic itself.

This article originally appeared on TheBlaze.com.

URGENT: Supreme Court case could redefine religious liberty

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The state is effectively silencing professionals who dare speak truths about gender and sexuality, redefining faith-guided speech as illegal.

This week, free speech is once again on the line before the U.S. Supreme Court. At stake is whether Americans still have the right to talk about faith, morality, and truth in their private practice without the government’s permission.

The case comes out of Colorado, where lawmakers in 2019 passed a ban on what they call “conversion therapy.” The law prohibits licensed counselors from trying to change a minor’s gender identity or sexual orientation, including their behaviors or gender expression. The law specifically targets Christian counselors who serve clients attempting to overcome gender dysphoria and not fall prey to the transgender ideology.

The root of this case isn’t about therapy. It’s about erasing a worldview.

The law does include one convenient exception. Counselors are free to “assist” a person who wants to transition genders but not someone who wants to affirm their biological sex. In other words, you can help a child move in one direction — one that is in line with the state’s progressive ideology — but not the other.

Think about that for a moment. The state is saying that a counselor can’t even discuss changing behavior with a client. Isn’t that the whole point of counseling?

One‑sided freedom

Kaley Chiles, a licensed professional counselor in Colorado Springs, has been one of the victims of this blatant attack on the First Amendment. Chiles has dedicated her practice to helping clients dealing with addiction, trauma, sexuality struggles, and gender dysphoria. She’s also a Christian who serves patients seeking guidance rooted in biblical teaching.

Before 2019, she could counsel minors according to her faith. She could talk about biblical morality, identity, and the path to wholeness. When the state outlawed that speech, she stopped. She followed the law — and then she sued.

Her case, Chiles v. Salazar, is now before the Supreme Court. Justices heard oral arguments on Tuesday. The question: Is counseling a form of speech or merely a government‑regulated service?

If the court rules the wrong way, it won’t just silence therapists. It could muzzle pastors, teachers, parents — anyone who believes in truth grounded in something higher than the state.

Censored belief

I believe marriage between a man and a woman is ordained by God. I believe that family — mother, father, child — is central to His design for humanity.

I believe that men and women are created in God’s image, with divine purpose and eternal worth. Gender isn’t an accessory; it’s part of who we are.

I believe the command to “be fruitful and multiply” still stands, that the power to create life is sacred, and that it belongs within marriage between a man and a woman.

And I believe that when we abandon these principles — when we treat sex as recreation, when we dissolve families, when we forget our vows — society fractures.

Are those statements controversial now? Maybe. But if this case goes against Chiles, those statements and others could soon be illegal to say aloud in public.

Faith on trial

In Colorado today, a counselor cannot sit down with a 15‑year‑old who’s struggling with gender identity and say, “You were made in God’s image, and He does not make mistakes.” That is now considered hate speech.

That’s the “freedom” the modern left is offering — freedom to affirm, but never to question. Freedom to comply, but never to dissent. The same movement that claims to champion tolerance now demands silence from anyone who disagrees. The root of this case isn’t about therapy. It’s about erasing a worldview.

The real test

No matter what happens at the Supreme Court, we cannot stop speaking the truth. These beliefs aren’t political slogans. For me, they are the product of years of wrestling, searching, and learning through pain and grace what actually leads to peace. For us, they are the fundamental principles that lead to a flourishing life. We cannot balk at standing for truth.

Maybe that’s why God allows these moments — moments when believers are pushed to the wall. They force us to ask hard questions: What is true? What is worth standing for? What is worth dying for — and living for?

If we answer those questions honestly, we’ll find not just truth, but freedom.

The state doesn’t grant real freedom — and it certainly isn’t defined by Colorado legislators. Real freedom comes from God. And the day we forget that, the First Amendment will mean nothing at all.

This article originally appeared on TheBlaze.com.