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Glenn's Show Prep

Glenn speaks to Brandon Stewart of the Millennial Choir

August 23, 2013
Wilson

Writer

Earlier this year, Glenn, Pat, and their families attended a performance of the Millennial Choir and Orchestra led by Brett and Brandon Stewart and were absolutely blown away by what they saw.

“This is the most amazing thing I've heard. They are better than the Mormon Tabernacle Choir. We were riveted the entire night,” Glenn said of the group on radio this morning. “Now, here's the amazing thing. This was an entirely volunteer orchestra and choir, and it starts ages 4 and up. It is the best experience you've ever heard… They're from California and Arizona. I'm thinking all the way through, I'm thinking, oh, my gosh. If they lived in Dallas, if they worked in Dallas, I'd do quarterly shows with them. My mind is just racing. And I'm thinking, I've got to go backstage and beg these guys to move to Dallas. Well, at the end of the concert they say, ‘And we have an announcement. We're going to be starting a new choir in Dallas.’ You've got to be kidding.”

Glenn got a chance to go backstage and meet the brothers, who are both Julliard graduates, after the show, and with the organization now expanding to Dallas, it sounds like we can expect to see some pretty exciting collaborations in the future. Auditions for the Dallas area will be held in the coming weeks and all information can be found at Millennial.org.

This morning, Glenn spoke to the Millennial Choir's conductor Brandon Stewart about the history of the choir and orchestra, the standards he and his brother seek to maintain, and the process of composing a new American classic.

Read a transcript of the interview below:

GLENN: And I wanted to bring Brandon, Brandon Stewart. He is the conductor of the Millennial choir. It is all faiths, all ages, and it is volunteer and they are having tryouts in four different states, Brandon; is that right? They start next week?

BRANDON STEWART: Yeah, that's right.

GLENN: Okay. Happening next week near Los Angeles, California; in Phoenix; in Provo, Utah; and Dallas, Texas. And you can bring your whole family. I was just meeting with a guy and he was watching last night. This morning, Robert, he was there, his whole family, and he's wildly talented. And he said, man, he said, I know my daughter, she's too young, but she wants to. And I said, Robert, your whole family ‑‑ first of all, she's not too young, and your whole family could join and you could make this a family kind of thing. But let me just ask you, Brandon. You have standards, and they are different than the world's traditional standards for volunteers. For instance, give me ‑‑ go in your code of conduct. What is that?

BRANDON STEWART: The code of conduct for our singers, it sounds kind of scary that it's called code of conduct, but really it's just a way for us to encourage our participants to have upstanding values and to represent themselves in decent ways ‑‑ in a decent way as they represent Millennial choirs and orchestras. We want this to be something that is a positive impact in the community and so we ask them to be decent people. And then in addition to that, our code of conduct requires that they are committing to the rehearsals and they are going to work hard and basically do what we encourage them to do musically so that we can be, you know, one cohesive unit as a musical organization.

GLENN: Brandon, how do you do ‑‑ because I went and I saw you in Phoenix because you're actually working on Man in the Moon 2, and I want to talk a little bit about that if we ‑‑ if we have time. How do you ‑‑ how do you get teenagers? Because I watched you rehearse teenagers, and they were on the edge of the seat as they are rehearsing. There wasn't any fooling around, there wasn't any ‑‑ I mean, it was discipline city and it was amazing to watch. I don't mean it was discipline city like it was a, you know, torture chamber. You didn't have to discipline. They self‑disciplined. How do you ‑‑

BRANDON STEWART: That's right. That's right. They ‑‑ these kids, first of all, are just awesome. The teenagers are one of the most fun groups that we have to work with. I think that the formula there is that we have a mutual respect for one another, and we have a lot of fun when it's time to have fun. And when it's time to really work and crank down, we do that. I think that they love the music because we hand‑select music for all of our choirs and orchestras that is exciting, that's motivating, that's challenging and ‑‑

GLENN: Really challenging.

BRANDON STEWART: That praises God. They have a reverence for what they're singing about, which I think is unique, especially today.

GLENN: Give me the qualifications and if anybody is interested in any of those cities. Give me the qualifications of what you're looking for and what they ‑‑ should they expect at a tryout.

BRANDON STEWART: Absolutely. First of all, our motto is all ages, all faiths, one voice. And you mentioned that earlier. But we welcome people of all different walks of life from the community and pretty much all ages. I mean, it starts at age 4 and goes up.

GLENN: Hang on. You have atheists in the orchestra, if I'm not mistaken, right? You have people who don't believe in God?

BRANDON STEWART: We do. We have all kinds.

GLENN: So ‑‑

BRANDON STEWART: All different types. So...

GLENN: You don't have to go to a church or anything like that. You can ‑‑

PAT: But you ostracize them, right? You ostracize the atheists?

GLENN: Well, they were sitting in the atheist section, yeah.

PAT: They're shunned.

GLENN: Yeah.

BRANDON STEWART: I mean ‑‑

GLENN: They're forced to ‑‑

BRANDON STEWART: You know, we'll sing about God and so if it's an atheist who's comfortable singing about God, then they are more than welcome to come. So...

GLENN: Right. Right.

BRANDON STEWART: But the auditions are for the adults only. The children and youth do not have to audition. They just register online at millennial.org. And the adults need to have some sort of musical experience or musical background or at least be able to sing.

GLENN: Okay. So Brandon, I sang all through high school, but I haven't ‑‑ I haven't sung except at church since. That's enough?

BRANDON STEWART: Yeah, I think you'd be surprised at how many people fit that description that are in our choirs already.

GLENN: And so what do they have to ‑‑ do they have to prepare something for you, or what are you going to do when you get there?

BRANDON STEWART: Yeah, all the information is online and we have auditions coordinators that help them prepare. And really it's one of the shortest auditions of their life. And they will come in and sing a little bit or play a little bit and we'll ask them to play some things and prepare some excerpts from some music or just a hymn or whatever and then they will sing, we'll get to know them briefly and then we let them know. So it's very simple.

PAT: I can play Mary Had a Little Lamb on a touchtone phone. Is that something you're interested in?

GLENN: Don't take Pat. Don't take Pat.

PAT: Because I think I can bring that to the table for your choir.

GLENN: Don't take Pat. Brandon, why did you ‑‑ why did you guys start this?

BRANDON STEWART: It initially was not our plan to do this. We felt inspired to do it and we didn't quite know why other than the fact that we knew that something like this was needed in the area that we were at in California and so we started it. And then it just kind of went from there. There were people in different areas in the nation, and there still are people all over who are requesting this type of thing in their community. And I think that the reason it's so needed is because, like you said earlier, it's including all families and people of all different faiths and walks of life. And music speaks the universal language. It's unifying the community, and it's such a positive experience for these people.

GLENN: I will tell you that I ‑‑ and I've told you this, Brandon, but let me tell the audience. That I was sitting in that crowd and I listened, and as you played songs, I had so many feelings, but one of them was this needs to go all over the country. These have to pop up all over the country because of the bright, bright light that, it's an explosion of light. And I couldn't believe when you guys said that was exactly what you guys were trying to do. I just couldn't believe it. I know it to be true, and I know it to be right. The Stewart brothers came with me to New York a few weeks ago because they had been ‑‑ you had been trying to talk to your brother ‑‑ or talk your brother into writing something about America, a new American piece.

BRANDON STEWART: Yes.

GLENN: And for about at the same time as I had been walking around going, "There's got to be a new American piece," and the way you guys described it is exactly the way, what I was describing of what to avoid and that is "The Constitution is great! We the people..." and it would just be awful.

BRANDON STEWART: (Laughing.)

GLENN: And so I brought these guys into the library and started telling them stories about America and they are now setting a story for Man in the Moon called The Journey. They are setting this to music. And if you've ever wanted to be a part of some of the things that we do, and I think this one will be one for the history books. If you've ever wanted to be a part of this creative process, this is the way to do it because it will be this orchestra and this choir that helps us put this new piece, this American piece of music and the American story to music in the coming year. And we have only one piece of music that is if I understand, and it is phenomenal, just phenomenal. And I am proud to even know these guys. But if you want to ‑‑ if you want to try out and audition, again it's in Los Angeles, Phoenix, Provo, Dallas. It's Millennial ‑‑ is it just millennial.org?

BRANDON STEWART: Millennial.org, that's right.

GLENN: Millennial, so you also have to be a speller. You can't ‑‑ millennial.org. And when do they start? When do the tryouts start?

BRANDON STEWART: They start next week and in all four locations. All the dates are online on the calendar.

GLENN: Okay. Millennial.org. You will not be disappointed. And I ‑‑ we hope to be doing some ‑‑ many more things on television with the orchestra and we're working on something now called the performance that I think you're going to ‑‑ you'll just be ‑‑ you'll just love and want to be a part of. So please, if you have any talent, an instrument or music and your family, you can go as a single or you can go as a family and try out. Millennial.org. And I would recommend highly that if you're looking for some standards, some quality, and something that will uplift and do tremendous good that you can't even understand until you sit and listen to this choir, go there and be a part of this. Millennial.org. Brandon, thank you. We'll see you soon.

BRANDON STEWART: Thank you.

GLENN: You bet. Bye‑bye. Tremendous, tremendous people.

Civics isn’t optional—America's survival depends on it

JEFF KOWALSKY / Contributor | Getty Images

Every vote, jury duty, and act of engagement is civics in action, not theory. The republic survives only when citizens embrace responsibility.

I slept through high school civics class. I memorized the three branches of government, promptly forgot them, and never thought of that word again. Civics seemed abstract, disconnected from real life. And yet, it is critical to maintaining our republic.

Civics is not a class. It is a responsibility. A set of habits, disciplines, and values that make a country possible. Without it, no country survives.

We assume America will survive automatically, but every generation must learn to carry the weight of freedom.

Civics happens every time you speak freely, worship openly, question your government, serve on a jury, or cast a ballot. It’s not a theory or just another entry in a textbook. It’s action — the acts we perform every day to be a positive force in society.

Many of us recoil at “civic responsibility.” “I pay my taxes. I follow the law. I do my civic duty.” That’s not civics. That’s a scam, in my opinion.

Taking up the torch

The founders knew a republic could never run on autopilot. And yet, that’s exactly what we do now. We assume it will work, then complain when it doesn’t. Meanwhile, the people steering the country are driving it straight into a mountain — and they know it.

Our founders gave us tools: separation of powers, checks and balances, federalism, elections. But they also warned us: It won’t work unless we are educated, engaged, and moral.

Are we educated, engaged, and moral? Most Americans cannot even define a republic, never mind “keep one,” as Benjamin Franklin urged us to do after the Constitutional Convention.

We fought and died for the republic. Gaining it was the easy part. Keeping it is hard. And keeping it is done through civics.

Start small and local

In our homes, civics means teaching our children the Constitution, our history, and that liberty is not license — it is the space to do what is right. In our communities, civics means volunteering, showing up, knowing your sheriff, attending school board meetings, and understanding the laws you live under. When necessary, it means challenging them.

How involved are you in your local community? Most people would admit: not really.

Civics is learned in practice. And it starts small. Be honest in your business dealings. Speak respectfully in disagreement. Vote in every election, not just the presidential ones. Model citizenship for your children. Liberty is passed down by teaching and example.

Samuel Corum / Stringer | Getty Images

We assume America will survive automatically, but every generation must learn to carry the weight of freedom.

Start with yourself. Study the Constitution, the Bill of Rights, and state laws. Study, act, serve, question, and teach. Only then can we hope to save the republic. The next election will not fix us. The nation will rise or fall based on how each of us lives civics every day.

Civics isn’t a class. It’s the way we protect freedom, empower our communities, and pass down liberty to the next generation.

This article originally appeared on TheBlaze.com.

'Rage against the dying of the light': Charlie Kirk lived that mandate

PHILL MAGAKOE / Contributor | Getty Images

Kirk’s tragic death challenges us to rise above fear and anger, to rebuild bridges where others build walls, and to fight for the America he believed in.

I’ve only felt this weight once before. It was 2001, just as my radio show was about to begin. The World Trade Center fell, and I was called to speak immediately. I spent the day and night by my bedside, praying for words that could meet the moment.

Yesterday, I found myself in the same position. September 11, 2025. The assassination of Charlie Kirk. A friend. A warrior for truth.

Out of this tragedy, the tyrant dies, but the martyr’s influence begins.

Moments like this make words feel inadequate. Yet sometimes, words from another time speak directly to our own. In 1947, Dylan Thomas, watching his father slip toward death, penned lines that now resonate far beyond his own grief:

Do not go gentle into that good night. / Rage, rage against the dying of the light.

Thomas was pleading for his father to resist the impending darkness of death. But those words have become a mandate for all of us: Do not surrender. Do not bow to shadows. Even when the battle feels unwinnable.

Charlie Kirk lived that mandate. He knew the cost of speaking unpopular truths. He knew the fury of those who sought to silence him. And yet he pressed on. In his life, he embodied a defiance rooted not in anger, but in principle.

Picking up his torch

Washington, Jefferson, Adams — our history was started by men who raged against an empire, knowing the gallows might await. Lincoln raged against slavery. Martin Luther King Jr. raged against segregation. Every generation faces a call to resist surrender.

It is our turn. Charlie’s violent death feels like a knockout punch. Yet if his life meant anything, it means this: Silence in the face of darkness is not an option.

He did not go gently. He spoke. He challenged. He stood. And now, the mantle falls to us. To me. To you. To every American.

We cannot drift into the shadows. We cannot sit quietly while freedom fades. This is our moment to rage — not with hatred, not with vengeance, but with courage. Rage against lies, against apathy, against the despair that tells us to do nothing. Because there is always something you can do.

Even small acts — defiance, faith, kindness — are light in the darkness. Reaching out to those who mourn. Speaking truth in a world drowning in deceit. These are the flames that hold back the night. Charlie carried that torch. He laid it down yesterday. It is ours to pick up.

The light may dim, but it always does before dawn. Commit today: I will not sleep as freedom fades. I will not retreat as darkness encroaches. I will not be silent as evil forces claim dominion. I have no king but Christ. And I know whom I serve, as did Charlie.

Two turning points, decades apart

On Wednesday, the world changed again. Two tragedies, separated by decades, bound by the same question: Who are we? Is this worth saving? What kind of people will we choose to be?

Imagine a world where more of us choose to be peacemakers. Not passive, not silent, but builders of bridges where others erect walls. Respect and listening transform even the bitterest of foes. Charlie Kirk embodied this principle.

He did not strike the weak; he challenged the powerful. He reached across divides of politics, culture, and faith. He changed hearts. He sparked healing. And healing is what our nation needs.

At the center of all this is one truth: Every person is a child of God, deserving of dignity. Change will not happen in Washington or on social media. It begins at home, where loneliness and isolation threaten our souls. Family is the antidote. Imperfect, yes — but still the strongest source of stability and meaning.

Mark Wilson / Staff | Getty Images

Forgiveness, fidelity, faithfulness, and honor are not dusty words. They are the foundation of civilization. Strong families produce strong citizens. And today, Charlie’s family mourns. They must become our family too. We must stand as guardians of his legacy, shining examples of the courage he lived by.

A time for courage

I knew Charlie. I know how he would want us to respond: Multiply his courage. Out of this tragedy, the tyrant dies, but the martyr’s influence begins. Out of darkness, great and glorious things will sprout — but we must be worthy of them.

Charlie Kirk lived defiantly. He stood in truth. He changed the world. And now, his torch is in our hands. Rage, not in violence, but in unwavering pursuit of truth and goodness. Rage against the dying of the light.

This article originally appeared on TheBlaze.com.

Glenn Beck resurrects the 9-12 Project to support Charlie Kirk's family

Glenn Beck is once again calling on his loyal listeners and viewers to come together and channel the same unity and purpose that defined the historic 9-12 Project. That movement, born in the wake of national challenges, brought millions together to revive core values of faith, hope, and charity.

Glenn created the original 9-12 Project in early 2009 to bring Americans back to where they were in the wake of the 9/11 attacks. In those moments, we weren't Democrats and Republicans, conservative or liberal, Red States or Blue States, we were united as one, as America. The original 9-12 Project aimed to root America back in the founding principles of this country that united us during those darkest of days.

This new initiative draws directly from that legacy, focusing on supporting the family of Charlie Kirk in these dark days following his tragic murder.

The revival of the 9-12 Project aims to secure the long-term well-being of Charlie Kirk's wife and children. All donations will go straight to meeting their immediate and future needs. If the family deems the funds surplus to their requirements, Charlie's wife has the option to redirect them toward the vital work of Turning Point USA.

This campaign is more than just financial support—it's a profound gesture of appreciation for Kirk's tireless dedication to the cause of liberty. It embodies the unbreakable bond of our community, proving that when we stand united, we can make a real difference.
Glenn Beck invites you to join this effort. Show your solidarity by donating today and honoring Charlie Kirk and his family in this meaningful way.

You can learn more about the 9-12 Project and donate HERE

The critical difference: Rights from the Creator, not the state

Bloomberg / Contributor | Getty Images

When politicians claim that rights flow from the state, they pave the way for tyranny.

Sen. Tim Kaine (D-Va.) recently delivered a lecture that should alarm every American. During a Senate Foreign Relations Committee hearing, he argued that believing rights come from a Creator rather than government is the same belief held by Iran’s theocratic regime.

Kaine claimed that the principles underpinning Iran’s dictatorship — the same regime that persecutes Sunnis, Jews, Christians, and other minorities — are also the principles enshrined in our Declaration of Independence.

In America, rights belong to the individual. In Iran, rights serve the state.

That claim exposes either a profound misunderstanding or a reckless indifference to America’s founding. Rights do not come from government. They never did. They come from the Creator, as the Declaration of Independence proclaims without qualification. Jefferson didn’t hedge. Rights are unalienable — built into every human being.

This foundation stands worlds apart from Iran. Its leaders invoke God but grant rights only through clerical interpretation. Freedom of speech, property, religion, and even life itself depend on obedience to the ruling clerics. Step outside their dictates, and those so-called rights vanish.

This is not a trivial difference. It is the essence of liberty versus tyranny. In America, rights belong to the individual. The government’s role is to secure them, not define them. In Iran, rights serve the state. They empower rulers, not the people.

From Muhammad to Marx

The same confusion applies to Marxist regimes. The Soviet Union’s constitutions promised citizens rights — work, health care, education, freedom of speech — but always with fine print. If you spoke out against the party, those rights evaporated. If you practiced religion openly, you were charged with treason. Property and voting were allowed as long as they were filtered and controlled by the state — and could be revoked at any moment. Rights were conditional, granted through obedience.

Kaine seems to be advocating a similar approach — whether consciously or not. By claiming that natural rights are somehow comparable to sharia law, he ignores the critical distinction between inherent rights and conditional privileges. He dismisses the very principle that made America a beacon of freedom.

Jefferson and the founders understood this clearly. “We are endowed by our Creator with certain unalienable rights,” they wrote. No government, no cleric, no king can revoke them. They exist by virtue of humanity itself. The government exists to protect them, not ration them.

This is not a theological quibble. It is the entire basis of our government. Confuse the source of rights, and tyranny hides behind piety or ideology. The people are disempowered. Clerics, bureaucrats, or politicians become arbiters of what rights citizens may enjoy.

John Greim / Contributor | Getty Images

Gifts from God, not the state

Kaine’s statement reflects either a profound ignorance of this principle or an ideological bias that favors state power over individual liberty. Either way, Americans must recognize the danger. Understanding the origin of rights is not academic — it is the difference between freedom and submission, between the American experiment and theocratic or totalitarian rule.

Rights are not gifts from the state. They are gifts from God, secured by reason, protected by law, and defended by the people. Every American must understand this. Because when rights come from government instead of the Creator, freedom disappears.

This article originally appeared on TheBlaze.com.