‘As you wish’ - Glenn interviews Princess Bride star Cary Elwes

We'll never survive.

Nonsense. You're only saying that because no one ever has.  - The Princess Bride, 1987

If you have been listening to Glenn for awhile, you are very well aware that 'The Princess Bride' is one of his favorite movies. He loves it so much he declared the film a "right of passage" in his family. Glenn was honored to have actor Cary Elwes on radio today to talk about his new book As You Wish, which takes readers behind-the-scenes on the making of 'The Princess Bride'. The book includes photographs, exclusive interviews and never before told stories.

That's a lot of content! Why it's..."INCONCEIVABLE!"

During the interview, Glenn took the opportunity (as any proper fan would) to ask Elwes some of the stories during the making of the film. The story about the Rodents of Unusual Size (better known as R.O.U.S') is definitely one that is worth a listen.

So don your black mask and "prepare to die" of laughter as you listen to this great interview.

GLENN: We are thrilled to have somebody on today that has a new book on called As You Wish. You know that phrase if you're our kind of people. And when I say that, I don't care how you vote. Where you're from in the world. If you know the word as you wish, and it brings back fond memories, you're my kind of people. We've used this -- I have used, do you like the Princess Bride when I was dating. If they said no, we're not going to get along.

[laughter]

We've done this with friends, with writers, with everybody we know. This is perhaps the Wizard of Oz of our time. This is a magical movie that will last for generations and has become such a part of our culture. And Cary Elwes is the guy who played Wesley, who said, as you wish. Twenty-fifth anniversary of the movie came and went, and he decided, I have to write some of the stories down. And he put out a new book called As You Wish. And Cary is with us now.

Hello, Cary, how are you?

CARY: I'm well, Glenn. How are you, sir?

GLENN: I'm really good. I will tell you, I feel a little for you today because you must be sitting in your hotel room, wherever you are, thinking to yourself, good God, is my career over? I'm on the Glenn Beck Program. I can't go any lower than this.

CARY: No. Not at all, sir. I'm happy to be on your show. Thank you.

GLENN: So, Cary, first of all, thank you for the joy that you have given me, my family, my children. Just recently we watched the Princess Bride. Again, that was a magical movie, and I would imagine one that people would look to make their entire life and don't usually get to make. But more importantly, thank you for appreciating the fact that you were in that and you're not shunning it and saying, I'm above that now.

CARY: No. I'm beyond grateful to be apart of it. I think I can speak for everyone on the film when we say we feel blessed to be a part of it. It's the film that gave me my career and gave me the life I lead today. So I'm eternally grateful.

GLENN: I've wondered this about the movie Moulin Rouge. I don't know if you saw that.

CARY: Sure.

GLENN: But Baz Luhrmann is a genius. And Rob Reiner is a genius. And I think those are probably the only two that could make actors stand in a room and say, okay, have you way out of a -- you'll be dancing in an elephant in Moulin Rouge or you'll be wrestling with rodents of unusual size, and feel comfortable.

CARY: Yes.

GLENN: Was there any time on the set that you thought, this is either going to be magic or a disaster?

CARY: There was one moment. When the little fellow who was playing the rodent of unusual size I was put to wrestle with didn't show up to work. And Rob decided that the only alternative available to us, because we were going to lose the set that day, was to have me wrestle a rubber rat. And that -- I had some -- I had some moments there while Rob was directing me on how to make the rubber rat seem more realistic. I was definitely going to myself, hmm, I wonder if this is going to sell.

[laughter]

We didn't have the money for CGI or anything back then, you know.

GLENN: And the guy actually had been arrested the night before.

CARY: Correct. That is correct. He was driving 5 miles an hour in a 25-mile per hour zone. And I think he had had a couple of drinks. And he was -- had to spend the night in jail. Poor guy.

GLENN: Right.

CARY: He did eventually arrive and saved me from having to wrestle the latex foam rodent of unusual size.

GLENN: The scene, you describe that whole fire swam in great detail. There were a lot of problems in that scene. I mean, the dress really didn't catch fire over and over again.

CARY: Yes. Well, the dress was made -- had a flame retardant liquid that had been -- it had been dipped in. And one area had, I believe, some, I guess, it was alcohol or some kind of area where the flame was supposed to catch the dress on fire, yeah. But Bill Goldman, the author and playwright, showed up in the middle of the first take and had no idea what we were shooting that day. And saw Robin catch fire and screamed out loud, she's on fire. Robin Wright is on fire, at the top of his lungs.

And Rob Reiner yelled, cut, and turned to him and went, Bill, she's supposed to catch fire. That's part of the script. You've written it in the last eight drafts.

And he was mortified, the poor guy. But he had no idea. Imagine anyone walking on the set and seeing Robin Wright on fire. If you had no idea what the context was, you'd probably do the same thing.

GLENN: Right. I would say pretty much anybody on fire. But Robin Wright -- and Robin Wright, let's be honest, is typically on fire, if you know what I mean.

CARY: Very good. Very good.

GLENN: I will tell you, when I saw in the book, that you did the -- the, you know, most passionate kiss ever, and it took you like seven or eight takes, I didn't feel badly for you.

CARY: No. Well, it had to do with the fact that we were giggling so much. Robin and I became very good friends. Still are good friends. And, you know, it's weird kissing your best friend. It's -- so Rob got a little frustrated with us because obviously Wesley and Buttercup were not supposed to be giggling while they were engaging in the passionate embrace. But we got it in the end.

GLENN: Right. Can you tell me about the -- and I'm trying to remember the name of the actor. He's a great actor. So I apologize. The inconceivable guy.

CARY: Wallace Shawn, yeah.

GLENN: So I love that guy.

CARY: Oh, he's great.

GLENN: He's brilliant, and just brilliant in it. Even reading the book, The Princess Bride, which if you haven't read the book, it's just brilliant. It reads just like the movie.

But he played that role so perfectly, but you say he broke out in hives because he was so convinced he was going to be cut.

CARY: Not just cut, but replaced. His agent had told him before he got on the plane to fly to England that, in fact, he was not the first choice to play that scene. The filmmakers wanted Danny DeVito. And he was convinced that he was merely standing in, waiting for Mr. DeVito to become available.

And I only had the one scene with him. The battle of wits scene. And he showed up to work. Here's the guy, always the smallest guy in the room. Fulbright scholar. Lectures at Oxford and Cambridge. Here he is sweating at this little scene. I didn't know what it was about.

But I found out from writing this book that he had actually -- he was convinced that his ticket had already been booked, and when you look at his performance now, it's inconceivable to think of anybody else playing that role, other than him. I mean, he's just perfect in that.

GLENN: When you are -- you're in the fight scene at the top of the cliffs of insanity. And you have to sword fight.

CARY: Yeah.

GLENN: I've always found it amazing that it was clearly you guys sword fighting.

In the book --

CARY: Yes.

GLENN: -- you say we should perhaps even be more amazed because of your foot and because of changes at the last minute.

CARY: Yes. So by the -- first of all, I broke my toe fooling around on Andre the Giant's all-terrain vehicle, which I had no business being on. But he kept taunting me to try it. Eventually -- you know, when a giant says you should try his toy --

GLENN: You do.

CARY: -- several times a day, at some point, you need to relent.

GLENN: Wait. Wait. Wait. Before you get to the sword fight scene. Just talk -- I have to verify, he never actually was riding -- I love the way -- I love the way you say that you walked on the set, and you saw him on the top of the horse and you realized, this is the craziest job in the world.

CARY: In the world.

GLENN: He never actually road the horse.

CARY: No. He was always on wires. Never touched -- the horse would never allow -- the horses are very smart. The horse took one look at Andre, all 460 pounds, 7'5" of him and said, there's no -- this was a Clydesdale. The kind you see on the Budweiser commercial. The biggest horse ever. It just refused. So they had to blindfold it and then lower Andre down on a wire, not actually touching the horse.

GLENN: Is that crazy?

CARY: Huh?

GLENN: That's crazy.

CARY: Crazy. Anyway, so I broke my toe fooling around on his all-terrain vehicle. Luckily, it was fairly reasonably well-healed by the time -- it was three weeks later we shot the sword fight.

But when we came to show it to Rob Reiner, Manny and I had become so fast at the routine that it clocked in at about a minute. And Rob turned to us and went, guys, you got to go back and add another two minutes. You know, look at this set I built for you. This beautiful set. You can't be in here for just a minute.

So we had literally four or five days to go. We had to go back and add another two minutes to the fight, which we did. And we added the whole acrobatic piece, where we had this gymnast do this wonderful flip on the bars. And it was fun.

GLENN: I was going to say, Cary is obviously a great storyteller. He just butchered that. It's great in the book. It's great in the book.

So, Cary, you are -- and I let you decide or want to leave it for the reader to discover. But when you get to the end of the book, you talk about Peter Falk and the touching scene between a grandfather and his grandson.

CARY: Yes.

GLENN: And how that became real. Do you care to go into that at all?

CARY: Sure. I lost my own grandfather during the making of the film. And my grandfather was the hero in my life. He was a real-life World War II veteran. He had been sort of a commando. He worked for special operations executives, SOE, and their job was to fly behind enemy lines and create a fit column (phonetic) to fight the Germans and the Italians in Albania and in many other places.

Anyway, he died of complications related to diabetes. And he was the kind of guy who used to tell tales to me as a kid, much like Peter Falk did with Fred Savage.

And when I went to the hospital after I wrapped the movie, I started to share with him -- because he was unable to come to the set, he was too sick. I shared with him the whole story of my experience making the film. And he was under a lot of medication at the time. I don't know how much he really could understand what I was saying. But I wanted to share it with him anyway. And I realized while I was sharing the whole making of the film with him that I was having my own as-you-wish moment with him. So it was very moving for me. And, yeah, it was -- it was very sad. Very touching.

GLENN: Cary, we were talking before you came on about the movie Galaxy Quest with Tim Allen. Okay. You know that. So I can't remember the guy or the character he plays. But he plays basically the Spock character.

CARY: Right.

GLENN: And he is -- he's pissed that he's been in this movie and that's all people -- he's like, yeah, I got it. I got it. There has to be times that even if you love -- and, I mean, that character he didn't love it. He was really pissed that's what he turned into be. You've done so much. You've been in really critically acclaimed movies. You're a great actor.

CARY: Thank you.

GLENN: But there has to be times that you run into fans where you're like, okay, it's a movie, dude. It's a movie.

CARY: I got to share with you this. Here's how I look at it, Glenn. I think as an actor you are blessed to have anyone resonate with your work. Some actors go through life and don't have a single movie that anyone has even cared to watch or have -- you know, feels anything about.

And I look at it like, how blessed am I that I have a film that has touched so many people. I call this the gift that keeps on giving. This is like a generational film. I meet families who have passed down their VHS copies from grandparents to grandkids. It's just incredible.

GLENN: It's a rite of passage. It really is. We shared it with our kids. I have kids in their 20s and an 8-year-old. And it is a rite of passage that we're watching this movie.

So, Cary, I thank you very much for being on the program.

CARY: Thank you, sir.

GLENN: I've never done this before. But I would like to ask if we could send you a few copies of your book and you could sign them so we could give some away.

CARY: Absolutely.

GLENN: Thank you for being so cool. I appreciate it.

CARY: Happy Holidays to you and all your listeners. And thank you for having me on your show.

GLENN: God bless you. Thank you very much.

CARY: God bless you too.

GLENN: Name of the book is As You Wish: The Inconceivable Tales From the Making of the Princess Bride.

STU: He was great.

GLENN: I have to tell you, after my experience with B.B. King, where my wife fell asleep at a B.B. King concert, and I am a huge B.B. King fan. And we went backstage to meet him, and he couldn't give a flying crap about me.

STU: He was hitting on Tania, wasn't he?

GLENN: He was hitting on my wife the whole time. And I wanted to say to him, she fell asleep. She hates you. She's like, stop with B.B. King all the time.

And after that, and then an experience with Billy Joel and Elton John right in the same summer, I swore off meeting anyone that I liked. If I liked your music, I liked your work. I don't want to meet you. It's going to be disappointing. That was a cool interview. Really, really gracious guy. Really great.

STU: Yeah. I must remind you that I brought that to the table. So there's one for the last ten or 15 years.

[laughter]

GLENN: As You Wish the name of the book. The inconceivable tales of the making of the Princess Bride.

From the moment the 33-year-old Thomas Jefferson arrived at the Continental Congress in Philadelphia in 1776, he was on the radical side. That caused John Adams to like him immediately. Then the Congress stuck Jefferson and Adams together on the five-man committee to write a formal statement justifying a break with Great Britain, and their mutual admiration society began.

Jefferson thought Adams should write the Declaration. But Adams protested, saying, “It can't come from me because I'm obnoxious and disliked." Adams reasoned that Jefferson was not obnoxious or disliked, therefore he should write it. Plus, he flattered Jefferson, by telling him he was a great writer. It was a master class in passing the buck.

So, over the next 17 days, Jefferson holed up in his room, applying his lawyer skills to the ideas of the Enlightenment. He borrowed freely from existing documents like the Virginia Declaration of Rights. He later wrote that “he was not striving for originality of principle or sentiment." Instead, he hoped his words served as “an expression of the American mind."

It's safe to say he achieved his goal.

The five-man committee changed about 25 percent of Jefferson's first draft of the Declaration before submitting it to Congress. Then, Congress altered about one-fifth of that draft. But most of the final Declaration's words are Jefferson's, including the most famous passage — the Preamble — which Congress left intact. The result is nothing less than America's mission statement, the words that ultimately bind the nation together. And words that we desperately need to rediscover because of our boiling partisan rage.

The Declaration is brilliant in structure and purpose. It was designed for multiple audiences: the King of Great Britain, the colonists, and the world. And it was designed for multiple purposes: rallying the troops, gaining foreign allies, and announcing the creation of a new country.

The Declaration is structured in five sections: the Introduction, Preamble, the Body composed of two parts, and the Conclusion. It's basically the most genius breakup letter ever written.

In the Introduction, step 1 is the notificationI think we need to break up. And to be fair, I feel I owe you an explanation...

When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another…

The Continental Congress felt they were entitled by “the Laws of Nature and of Nature's God" to “dissolve the political bands," but they needed to prove the legitimacy of their cause. They were defying the world's most powerful nation and needed to motivate foreign allies to join the effort. So, they set their struggle within the entire “Course of human events." They're saying, this is no petty political spat — this is a major event in world history.

Step 2 is declaring what you believe in, your standardsHere's what I'm looking for in a healthy relationship...

This is the most famous part of the Declaration; the part school children recite — the Preamble:

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.

That's as much as many Americans know of the Declaration. But the Preamble is the DNA of our nation, and it really needs to be taken as a whole:

That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.

The Preamble takes us through a logical progression: All men are created equal; God gives all humans certain inherent rights that cannot be denied; these include the rights to life, liberty, and the pursuit of happiness; to protect those rights, we have governments set up; but when a government fails to protect our inherent rights, people have the right to change or replace it.

Government is only there to protect the rights of mankind. They don't have any power unless we give it to them. That was an extraordinarily radical concept then and we're drifting away from it now.

The Preamble is the justification for revolution. But note how they don't mention Great Britain yet. And again, note how they frame it within a universal context. These are fundamental principles, not just squabbling between neighbors. These are the principles that make the Declaration just as relevant today. It's not just a dusty parchment that applied in 1776.

Step 3 is laying out your caseHere's why things didn't work out between us. It's not me, it's you...

This is Part 1 of the Body of the Declaration. It's the section where Jefferson gets to flex his lawyer muscles by listing 27 grievances against the British crown. This is the specific proof of their right to rebellion:

He has obstructed the administration of justice...

For imposing taxes on us without our consent...

For suspending our own legislatures...

For quartering large bodies of armed troops among us...

Again, Congress presented these “causes which impel them to separation" in universal terms to appeal to an international audience. It's like they were saying, by joining our fight you'll be joining mankind's overall fight against tyranny.

Step 4 is demonstrating the actions you took I really tried to make this relationship work, and here's how...

This is Part 2 of the Body. It explains how the colonists attempted to plead their case directly to the British people, only to have the door slammed in their face:

In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury...

They too have been deaf to the voice of justice... We must, therefore... hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.

This basically wrapped up America's argument for independence — we haven't been treated justly, we tried to talk to you about it, but since you refuse to listen and things are only getting worse, we're done here.

Step 5 is stating your intent — So, I think it's best if we go our separate ways. And my decision is final...

This is the powerful Conclusion. If people know any part of the Declaration besides the Preamble, this is it:

...that all political connection between them and the State of Great Britain, is and ought to be totally dissolved...

They left no room for doubt. The relationship was over, and America was going to reboot, on its own, with all the rights of an independent nation.

And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.

The message was clear — this was no pitchfork mob. These were serious men who had carefully thought through the issues before taking action. They were putting everything on the line for this cause.

The Declaration of Independence is a landmark in the history of democracy because it was the first formal statement of a people announcing their right to choose their own government. That seems so obvious to us now, but in 1776 it was radical and unprecedented.

In 1825, Jefferson wrote that the purpose of the Declaration was “not to find out new principles, or new arguments, never before thought of… but to place before mankind the common sense of the subject, in terms so plain and firm… to justify ourselves in the independent stand we are compelled to take."

You're not going to do better than the Declaration of Independence. Sure, it worked as a means of breaking away from Great Britain, but its genius is that its principles of equality, inherent rights, and self-government work for all time — as long as we actually know and pursue those principles.

On June 7, 1776, the Second Continental Congress met in Philadelphia at the Pennsylvania State House, better known today as Independence Hall. Virginia delegate Richard Henry Lee introduced a motion calling for the colonies' independence. The “Lee Resolution" was short and sweet:

Resolved, That these United Colonies are, and of right ought to be, free and independent States, that they are absolved from all allegiance to the British Crown, and that all political connection between them and the State of Great Britain is, and ought to be, totally dissolved.

Intense debate followed, and the Congress voted 7 to 5 (with New York abstaining) to postpone a vote on Lee's Resolution. They called a recess for three weeks. In the meantime, the delegates felt they needed to explain what they were doing in writing. So, before the recess, they appointed a five-man committee to come up with a formal statement justifying a break with Great Britain. They appointed two men from New England — Roger Sherman and John Adams; two from the middle colonies — Robert Livingston and Benjamin Franklin; and one Southerner — Thomas Jefferson. The responsibility for writing what would become the Declaration of Independence fell to Jefferson.

In the rotunda of the National Archives building in Washington, D.C., there are three original documents on permanent display: the Constitution, the Bill of Rights, and the Declaration of Independence. These are the three pillars of the United States, yet America barely seems to know them anymore. We need to get reacquainted — quickly.

In a letter to his friend John Adams in 1816, Jefferson wrote: “I like the dreams of the future, better than the history of the past."

America used to be a forward-looking nation of dreamers. We still are in spots, but the national attitude that we hear broadcast loudest across media is not looking toward the future with optimism and hope. In late 2017, a national poll found 59% of Americans think we are currently at the “lowest point in our nation's history that they can remember."

America spends far too much time looking to the past for blame and excuse. And let's be honest, even the Right is often more concerned with “owning the left" than helping point anyone toward the practical principles of the Declaration of Independence. America has clearly lost touch with who we are as a nation. We have a national identity crisis.

The Declaration of Independence is America's thesis statement, and without it America doesn't exist.

It is urgent that we get reacquainted with the Declaration of Independence because postmodernism would have us believe that we've evolved beyond the America of our founding documents, and thus they're irrelevant to the present and the future. But the Declaration of Independence is America's thesis statement, and without it America doesn't exist.

Today, much of the nation is so addicted to partisan indignation that "day-to-day" indignation isn't enough to feed the addiction. So, we're reaching into America's past to help us get our fix. In 2016, Democrats in the Louisiana state legislature tabled a bill that would have required fourth through sixth graders to recite the opening lines of the Declaration. They didn't table it because they thought it would be too difficult or too patriotic. They tabled it because the requirement would include the phrase “all men are created equal" and the progressives in the Louisiana legislature didn't want the children to have to recite a lie. Representative Barbara Norton said, “One thing that I do know is, all men are not created equal. When I think back in 1776, July the fourth, African Americans were slaves. And for you to bring a bill to request that our children will recite the Declaration, I think it's a little bit unfair to us. To ask our children to recite something that's not the truth. And for you to ask those children to repeat the Declaration stating that all men's are free. I think that's unfair."

Remarkable — an elected representative saying it wouldn't be fair for students to have to recite the Declaration because “all men are not created equal." Another Louisiana Democrat explained that the government born out of the Declaration “was used against races of people." I guess they missed that part in school where they might have learned that the same government later made slavery illegal and amended the Constitution to guarantee all men equal protection under the law. The 13th, 14th, and 15th Amendments were an admission of guilt by the nation regarding slavery, and an effort to right the wrongs.

Yet, the progressive logic goes something like this: many of the men who signed the Declaration of Independence, including Thomas Jefferson who wrote it, owned slaves; slavery is evil; therefore, the Declaration of Independence is not valid because it was created by evil slave owners.

It's a sad reality that the left has a very hard time appreciating the universal merits of the Declaration of Independence because they're so hung up on the long-dead issue of slavery. And just to be clear — because people love to take things out of context — of course slavery was horrible. Yes, it is a total stain on our history. But defending the Declaration of Independence is not an effort to excuse any aspect of slavery.

Okay then, people might say, how could the Founders approve the phrase “All men are created equal," when many of them owned slaves? How did they miss that?

They didn't miss it. In fact, Thomas Jefferson included an anti-slavery passage in his first draft of the Declaration. The paragraph blasted King George for condoning slavery and preventing the American Colonies from passing legislation to ban slavery:

He has waged cruel war against human nature itself, violating its most sacred rights to life and liberty in the persons of a distant people who never offended him, captivating and carrying them into slavery in another hemisphere... Determined to keep open a market where men should be bought and sold, he has prostituted his negative for suppressing every legislative attempt to prohibit or to restrain this execrable commerce.

We don't say “execrable" that much anymore. It means, utterly detestable, abominable, abhorrent — basically very bad.

Jefferson was upset when Georgia and North Carolina threw up the biggest resistance to that paragraph. Ultimately, those two states twisted Congress' arm to delete the paragraph.

Still, how could a man calling the slave trade “execrable" be a slaveowner himself? No doubt about it, Jefferson was a flawed human being. He even had slaves from his estate in Virginia attending him while he was in Philadelphia, in the very apartment where he was writing the Declaration.

Many of the Southern Founders deeply believed in the principles of the Declaration yet couldn't bring themselves to upend the basis of their livelihood. By 1806, Virginia law made it more difficult for slave owners to free their slaves, especially if the owner had significant debts as Jefferson did.

At the same time, the Founders were not idiots. They understood the ramifications of signing on to the principles described so eloquently in the Declaration. They understood that logically, slavery would eventually have to be abolished in America because it was unjust, and the words they were committing to paper said as much. Remember, John Adams was on the committee of five that worked on the Declaration and he later said that the Revolution would never be complete until the slaves were free.

Also, the same generation that signed the Declaration started the process of abolition by banning the importation of slaves in 1807. Jefferson was President at the time and he urged Congress to pass the law.

America has an obvious road map that, as a nation, we're not consulting often enough.

The Declaration took a major step toward crippling the institution of slavery. It made the argument for the first time about the fundamental rights of all humans which completely undermined slavery. Planting the seeds to end slavery is not nearly commendable enough for leftist critics, but you can't discount the fact that the seeds were planted. It's like they started an expiration clock for slavery by approving the Declaration. Everything that happened almost a century later to end slavery, and then a century after that with the Civil Rights movement, flowed from the principles voiced in the Declaration.

Ironically for a movement that calls itself progressive, it is obsessed with retrying and judging the past over and over. Progressives consider this a better use of time than actually putting past abuses in the rearview and striving not to be defined by ancestral failures.

It can be very constructive to look to the past, but not when it's used to flog each other in the present. Examining history is useful in providing a road map for the future. And America has an obvious road map that, as a nation, we're not consulting often enough. But it's right there, the original, under glass. The ink is fading, but the words won't die — as long as we continue to discuss them.

'Good Morning Texas' gives exclusive preview of Mercury One museum

Screen shot from Good Morning Texas

Mercury One is holding a special exhibition over the 4th of July weekend, using hundreds of artifacts, documents and augmented reality experiences to showcase the history of slavery — including slavery today — and a path forward. Good Morning Texas reporter Paige McCoy Smith went through the exhibit for an exclusive preview with Mercury One's chief operating officer Michael Little on Tuesday.

Watch the video below to see the full preview.

Click here to purchase tickets to the museum (running from July 4 - 7).

Over the weekend, journalist Andy Ngo and several other apparent right-leaning people were brutally beaten by masked-gangs of Antifa protesters in Portland, Oregon. Short for "antifascist," Antifa claims to be fighting for social justice and tolerance — by forcibly and violently silencing anyone with opposing opinions. Ngo, who was kicked, punched, and sprayed with an unknown substance, is currently still in the hospital with a "brain bleed" as a result of the savage attack. Watch the video to get the details from Glenn.