‘As you wish’ - Glenn interviews Princess Bride star Cary Elwes

We'll never survive.

Nonsense. You're only saying that because no one ever has.  - The Princess Bride, 1987

If you have been listening to Glenn for awhile, you are very well aware that 'The Princess Bride' is one of his favorite movies. He loves it so much he declared the film a "right of passage" in his family. Glenn was honored to have actor Cary Elwes on radio today to talk about his new book As You Wish, which takes readers behind-the-scenes on the making of 'The Princess Bride'. The book includes photographs, exclusive interviews and never before told stories.

That's a lot of content! Why it's..."INCONCEIVABLE!"

During the interview, Glenn took the opportunity (as any proper fan would) to ask Elwes some of the stories during the making of the film. The story about the Rodents of Unusual Size (better known as R.O.U.S') is definitely one that is worth a listen.

So don your black mask and "prepare to die" of laughter as you listen to this great interview.

GLENN: We are thrilled to have somebody on today that has a new book on called As You Wish. You know that phrase if you're our kind of people. And when I say that, I don't care how you vote. Where you're from in the world. If you know the word as you wish, and it brings back fond memories, you're my kind of people. We've used this -- I have used, do you like the Princess Bride when I was dating. If they said no, we're not going to get along.

[laughter]

We've done this with friends, with writers, with everybody we know. This is perhaps the Wizard of Oz of our time. This is a magical movie that will last for generations and has become such a part of our culture. And Cary Elwes is the guy who played Wesley, who said, as you wish. Twenty-fifth anniversary of the movie came and went, and he decided, I have to write some of the stories down. And he put out a new book called As You Wish. And Cary is with us now.

Hello, Cary, how are you?

CARY: I'm well, Glenn. How are you, sir?

GLENN: I'm really good. I will tell you, I feel a little for you today because you must be sitting in your hotel room, wherever you are, thinking to yourself, good God, is my career over? I'm on the Glenn Beck Program. I can't go any lower than this.

CARY: No. Not at all, sir. I'm happy to be on your show. Thank you.

GLENN: So, Cary, first of all, thank you for the joy that you have given me, my family, my children. Just recently we watched the Princess Bride. Again, that was a magical movie, and I would imagine one that people would look to make their entire life and don't usually get to make. But more importantly, thank you for appreciating the fact that you were in that and you're not shunning it and saying, I'm above that now.

CARY: No. I'm beyond grateful to be apart of it. I think I can speak for everyone on the film when we say we feel blessed to be a part of it. It's the film that gave me my career and gave me the life I lead today. So I'm eternally grateful.

GLENN: I've wondered this about the movie Moulin Rouge. I don't know if you saw that.

CARY: Sure.

GLENN: But Baz Luhrmann is a genius. And Rob Reiner is a genius. And I think those are probably the only two that could make actors stand in a room and say, okay, have you way out of a -- you'll be dancing in an elephant in Moulin Rouge or you'll be wrestling with rodents of unusual size, and feel comfortable.

CARY: Yes.

GLENN: Was there any time on the set that you thought, this is either going to be magic or a disaster?

CARY: There was one moment. When the little fellow who was playing the rodent of unusual size I was put to wrestle with didn't show up to work. And Rob decided that the only alternative available to us, because we were going to lose the set that day, was to have me wrestle a rubber rat. And that -- I had some -- I had some moments there while Rob was directing me on how to make the rubber rat seem more realistic. I was definitely going to myself, hmm, I wonder if this is going to sell.

[laughter]

We didn't have the money for CGI or anything back then, you know.

GLENN: And the guy actually had been arrested the night before.

CARY: Correct. That is correct. He was driving 5 miles an hour in a 25-mile per hour zone. And I think he had had a couple of drinks. And he was -- had to spend the night in jail. Poor guy.

GLENN: Right.

CARY: He did eventually arrive and saved me from having to wrestle the latex foam rodent of unusual size.

GLENN: The scene, you describe that whole fire swam in great detail. There were a lot of problems in that scene. I mean, the dress really didn't catch fire over and over again.

CARY: Yes. Well, the dress was made -- had a flame retardant liquid that had been -- it had been dipped in. And one area had, I believe, some, I guess, it was alcohol or some kind of area where the flame was supposed to catch the dress on fire, yeah. But Bill Goldman, the author and playwright, showed up in the middle of the first take and had no idea what we were shooting that day. And saw Robin catch fire and screamed out loud, she's on fire. Robin Wright is on fire, at the top of his lungs.

And Rob Reiner yelled, cut, and turned to him and went, Bill, she's supposed to catch fire. That's part of the script. You've written it in the last eight drafts.

And he was mortified, the poor guy. But he had no idea. Imagine anyone walking on the set and seeing Robin Wright on fire. If you had no idea what the context was, you'd probably do the same thing.

GLENN: Right. I would say pretty much anybody on fire. But Robin Wright -- and Robin Wright, let's be honest, is typically on fire, if you know what I mean.

CARY: Very good. Very good.

GLENN: I will tell you, when I saw in the book, that you did the -- the, you know, most passionate kiss ever, and it took you like seven or eight takes, I didn't feel badly for you.

CARY: No. Well, it had to do with the fact that we were giggling so much. Robin and I became very good friends. Still are good friends. And, you know, it's weird kissing your best friend. It's -- so Rob got a little frustrated with us because obviously Wesley and Buttercup were not supposed to be giggling while they were engaging in the passionate embrace. But we got it in the end.

GLENN: Right. Can you tell me about the -- and I'm trying to remember the name of the actor. He's a great actor. So I apologize. The inconceivable guy.

CARY: Wallace Shawn, yeah.

GLENN: So I love that guy.

CARY: Oh, he's great.

GLENN: He's brilliant, and just brilliant in it. Even reading the book, The Princess Bride, which if you haven't read the book, it's just brilliant. It reads just like the movie.

But he played that role so perfectly, but you say he broke out in hives because he was so convinced he was going to be cut.

CARY: Not just cut, but replaced. His agent had told him before he got on the plane to fly to England that, in fact, he was not the first choice to play that scene. The filmmakers wanted Danny DeVito. And he was convinced that he was merely standing in, waiting for Mr. DeVito to become available.

And I only had the one scene with him. The battle of wits scene. And he showed up to work. Here's the guy, always the smallest guy in the room. Fulbright scholar. Lectures at Oxford and Cambridge. Here he is sweating at this little scene. I didn't know what it was about.

But I found out from writing this book that he had actually -- he was convinced that his ticket had already been booked, and when you look at his performance now, it's inconceivable to think of anybody else playing that role, other than him. I mean, he's just perfect in that.

GLENN: When you are -- you're in the fight scene at the top of the cliffs of insanity. And you have to sword fight.

CARY: Yeah.

GLENN: I've always found it amazing that it was clearly you guys sword fighting.

In the book --

CARY: Yes.

GLENN: -- you say we should perhaps even be more amazed because of your foot and because of changes at the last minute.

CARY: Yes. So by the -- first of all, I broke my toe fooling around on Andre the Giant's all-terrain vehicle, which I had no business being on. But he kept taunting me to try it. Eventually -- you know, when a giant says you should try his toy --

GLENN: You do.

CARY: -- several times a day, at some point, you need to relent.

GLENN: Wait. Wait. Wait. Before you get to the sword fight scene. Just talk -- I have to verify, he never actually was riding -- I love the way -- I love the way you say that you walked on the set, and you saw him on the top of the horse and you realized, this is the craziest job in the world.

CARY: In the world.

GLENN: He never actually road the horse.

CARY: No. He was always on wires. Never touched -- the horse would never allow -- the horses are very smart. The horse took one look at Andre, all 460 pounds, 7'5" of him and said, there's no -- this was a Clydesdale. The kind you see on the Budweiser commercial. The biggest horse ever. It just refused. So they had to blindfold it and then lower Andre down on a wire, not actually touching the horse.

GLENN: Is that crazy?

CARY: Huh?

GLENN: That's crazy.

CARY: Crazy. Anyway, so I broke my toe fooling around on his all-terrain vehicle. Luckily, it was fairly reasonably well-healed by the time -- it was three weeks later we shot the sword fight.

But when we came to show it to Rob Reiner, Manny and I had become so fast at the routine that it clocked in at about a minute. And Rob turned to us and went, guys, you got to go back and add another two minutes. You know, look at this set I built for you. This beautiful set. You can't be in here for just a minute.

So we had literally four or five days to go. We had to go back and add another two minutes to the fight, which we did. And we added the whole acrobatic piece, where we had this gymnast do this wonderful flip on the bars. And it was fun.

GLENN: I was going to say, Cary is obviously a great storyteller. He just butchered that. It's great in the book. It's great in the book.

So, Cary, you are -- and I let you decide or want to leave it for the reader to discover. But when you get to the end of the book, you talk about Peter Falk and the touching scene between a grandfather and his grandson.

CARY: Yes.

GLENN: And how that became real. Do you care to go into that at all?

CARY: Sure. I lost my own grandfather during the making of the film. And my grandfather was the hero in my life. He was a real-life World War II veteran. He had been sort of a commando. He worked for special operations executives, SOE, and their job was to fly behind enemy lines and create a fit column (phonetic) to fight the Germans and the Italians in Albania and in many other places.

Anyway, he died of complications related to diabetes. And he was the kind of guy who used to tell tales to me as a kid, much like Peter Falk did with Fred Savage.

And when I went to the hospital after I wrapped the movie, I started to share with him -- because he was unable to come to the set, he was too sick. I shared with him the whole story of my experience making the film. And he was under a lot of medication at the time. I don't know how much he really could understand what I was saying. But I wanted to share it with him anyway. And I realized while I was sharing the whole making of the film with him that I was having my own as-you-wish moment with him. So it was very moving for me. And, yeah, it was -- it was very sad. Very touching.

GLENN: Cary, we were talking before you came on about the movie Galaxy Quest with Tim Allen. Okay. You know that. So I can't remember the guy or the character he plays. But he plays basically the Spock character.

CARY: Right.

GLENN: And he is -- he's pissed that he's been in this movie and that's all people -- he's like, yeah, I got it. I got it. There has to be times that even if you love -- and, I mean, that character he didn't love it. He was really pissed that's what he turned into be. You've done so much. You've been in really critically acclaimed movies. You're a great actor.

CARY: Thank you.

GLENN: But there has to be times that you run into fans where you're like, okay, it's a movie, dude. It's a movie.

CARY: I got to share with you this. Here's how I look at it, Glenn. I think as an actor you are blessed to have anyone resonate with your work. Some actors go through life and don't have a single movie that anyone has even cared to watch or have -- you know, feels anything about.

And I look at it like, how blessed am I that I have a film that has touched so many people. I call this the gift that keeps on giving. This is like a generational film. I meet families who have passed down their VHS copies from grandparents to grandkids. It's just incredible.

GLENN: It's a rite of passage. It really is. We shared it with our kids. I have kids in their 20s and an 8-year-old. And it is a rite of passage that we're watching this movie.

So, Cary, I thank you very much for being on the program.

CARY: Thank you, sir.

GLENN: I've never done this before. But I would like to ask if we could send you a few copies of your book and you could sign them so we could give some away.

CARY: Absolutely.

GLENN: Thank you for being so cool. I appreciate it.

CARY: Happy Holidays to you and all your listeners. And thank you for having me on your show.

GLENN: God bless you. Thank you very much.

CARY: God bless you too.

GLENN: Name of the book is As You Wish: The Inconceivable Tales From the Making of the Princess Bride.

STU: He was great.

GLENN: I have to tell you, after my experience with B.B. King, where my wife fell asleep at a B.B. King concert, and I am a huge B.B. King fan. And we went backstage to meet him, and he couldn't give a flying crap about me.

STU: He was hitting on Tania, wasn't he?

GLENN: He was hitting on my wife the whole time. And I wanted to say to him, she fell asleep. She hates you. She's like, stop with B.B. King all the time.

And after that, and then an experience with Billy Joel and Elton John right in the same summer, I swore off meeting anyone that I liked. If I liked your music, I liked your work. I don't want to meet you. It's going to be disappointing. That was a cool interview. Really, really gracious guy. Really great.

STU: Yeah. I must remind you that I brought that to the table. So there's one for the last ten or 15 years.

[laughter]

GLENN: As You Wish the name of the book. The inconceivable tales of the making of the Princess Bride.

Glenn Beck: Adam Schiff is a LIAR — and we have the proof

Image source: Glenn Beck Program on BlazeTV

On the radio program Wednesday, Glenn Beck didn't hold back when discussing the latest in a long list of lies issued by House Intelligence Committee Chairman Adam Schiff (D-Calif.) during the Democrats' ongoing endeavor to remove President Donald Trump from office.

"I'm going to just come out and say, Adam Schiff is a liar. And he intentionally lied. And we have the proof. The media being his little lapdog, but I'll explain what's really going on, and call the man a liar to his face," Glenn asserted. "No, I'm not suggesting he's a liar. No, I'm telling you, he's a liar. ... Adam Schiff is a lying dirtbag."

A recent report in Politico claimed Schiff "mischaracterized" the content of a document sent to House Judiciary Chairman Jerry Nadler (D-N.Y.) as evidence against President Trump in the Senate impeachment trial. Read more on this here.

"Let me translate [for Politico]," Glenn said. "House Intelligence Chairman Adam Schiff lied about a text message exchange between two players in the Ukrainian saga. And we know it, because of the documents that were obtained by Politico."

A few of the other lies on Schiff's list include his repeated false claims that there was "significant evidence of collusion" between the Trump campaign and Russia leading up to the 2016 presidential election, his phony version of President Trump's phone call with the president of Ukraine, and his retracted claim that neither he nor his committee ever had contact with the Trump-Ukraine whistleblower. And the list just keeps getting longer.

Watch the video below for more details:

Use code BECK to save $10 on one year of BlazeTV.

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On the radio program Tuesday, Glenn Beck and Stu Burguiere discussed recent reports that former Vice President Joe Biden's son, Hunter, wasn't the only family member to capitalize on his connections to land an unbelievably lucrative job even though he lacked qualifications or experience.

According to Peter Schweizer's new book, "Profiles in Corruption: Abuse of Power by America's Progressive Elite," Joe Biden's younger brother, Frank, enjoyed the benefit of $54 million in taxpayer loans during the Obama administration to try his hand at an international development venture.

A lawyer by training, Frank Biden teamed up with a developer named Craig Williamson to build a sprawling luxury resort in Costa Rica, which claimed to be on a mission to preserve the country's forests but actually resulted in the decimation of thousands of acres of wilderness.

The then-vice president's brother also reportedly earned hundreds of thousands of dollars as the front man of a for-profit charter school company called Mavericks in Education.

The charter schools, which focused on helping at-risk teens, eventually failed after allegations of mismanagement and a series of lawsuits derailed the dubious business venture.

Watch the video below to get Glenn's take on these latest revelations in the Biden family corruption saga:

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To enjoy more of Glenn's masterful storytelling, thought-provoking analysis and uncanny ability to make sense of the chaos, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution and live the American dream.

Ryan: Bernie at the disco

Photo by Sean Ryan

Saturday at El Malecón, we waited for the Democratic socialist. He had the wild white hair like a monk and the thick glasses and the booming voice full of hacks and no niceties.

Photo by Sean Ryan

The venue had been redecorated since we visited a few nights before when we chatted with Castro. It didn't even feel like the same place. No bouncy castle this time.

Photo by Sean Ryan

A black curtain blocked the stage, giving the room a much-needed depth.

Behind the podium, two rows of mostly young people, all holding Bernie signs, all so diverse and picturesque and strategic.

Photo by Sean Ryan

Lots of empty seats. Poor showing of Bernie fans for a Saturday afternoon. At one point, someone from Bernie's staff offered us seats in the audience, as if eager to fill up those seats however possible.

There were about 75 people in the dancehall, a place built for reunions and weddings and all those other festivities. But for a few hours on Saturday, August 10, 2019, it turned serious and wild for "Unidos Con Bernie."

Photo by Sean Ryan

People had been murmuring about Sanders' speech from the night before at Wing Ding. By all appearances, he had developed a raving lust to overthrow Trump. He had even promised, with his wife just out of view, that, were he elected, he'd end white nationalism in America. For good.

El Malecón lacked its previous air of celebration. It had undertaken a brooding yet defiant spirit. Media were sparse. Four cameras faced the podium. Three photographers, one of whom had been at nearly all the same events as us. A few of the staffers frowned at an empty row of chairs, because there weren't that many chairs to begin with.

At the entrance, Bernie staff handed out headsets that translated English to Spanish or Spanish to English, depending on who the speaker was. The translators stood behind the bar, 20 feet from the podium, and spoke into a lip-ribbon microphone.

Bernie's staff was probably the coolest, by far. As in, they looked cool and acted stylishly. Jeans. Sandals. Careworn blazers. Tattoos. One lad had a black Levi's shirt with lush crimson roses even though he wasn't a cowboy or a ranch-hand. Mustaches. Quirky hats. A plain green sundress. Some of them wore glasses, big clunking frames.

Photo by Sean Ryan

The outfits were distinctly Bernie. As Bernie as the tie-dyed "BERNIE" shirts for sale outside the club. Or later, at the Hilton, like a Grateful Dead cassette stand.

Immigration was the theme, and everyone in the audience bore some proof of a journey. Because America offers life, freedom, and hope.

Sanders' own father emigrated from Poland to America at 17, a high school dropout who could barely speak English. As a Jew, he'd faced religious persecution.

Within one generation, Bernie Sanders' father contributed to the highest stratum of American society. In one generation, near hopelessness had transformed into Democracy, his son a congressman with a serious chance at the presidency.

Photo by Sean Ryan

That's the beauty of America. Come here broken and empty and gutted and voiceless. And, within your lifetime, you can mend yourself then become a pillar of society. Then, your son can become the President of the United States of America!

Four people gave speeches before Sanders. They took their time, excited and nervous. They putzed. Because how often do you get to introduce a presidential frontrunner?

All the native English speakers jammed their earpieces when the woman with the kind and dark energy took the stage.

Photo by Sean Ryan

She mumbled in Spanish and did not look up and said that, when her parents died, she couldn't go home for the funeral. She fought back tears. She swallowed hard to shock herself calm. And the room engulfed each silence between every word.

It felt more like a therapy session than a political rally. A grueling therapy session at that. Was that what drew people to Bernie Sanders, that deep anguish? That brisk hope? Or, rather, the cessation of it, through Sanders? And, of course, the resultant freedom? Was it what gave Sanders a saintlike ability to lead people into the realm of the confessional? Did he have enough strength to lead a revolution?

Photo by Sean Ryan

While other frontrunners hocked out money for appearances, like the studio lights, Sanders spent money on translators and ear-pieces. The impression I got was that he would gladly speak anywhere. To anyone. He had the transitory energy you can capture in the writings of Gandhi.

Photo by Sean Ryan

I'm not saying he's right or wrong — I will never make that claim, about any of the candidates, because that's not the point of this, not the point of journalism, amen — what I'm saying is he has the brutal energy of someone who can take the subway after a soiree or rant about life by a tractor or chuck it up with Sarah Silverman, surrounded wherever he goes.

Without the slightest fanfare, Sanders emerged from behind the black curtain. The woman at the podium gasped a little. The room suctioned forward when he entered. In part because he was so nonchalant. And, again. That magnetism to a room when a famous or powerful or charming person enters. Not many people have it. Not many can keep it. Even fewer know how to brace it, to cull it on demand. But several of the candidates did. One or two even had something greater.

Photo by Sean Ryan

I'll only say that Bernie had it with a bohemian fervor, like he was a monk stranded in a big city that he slowly brings to God.

"We have a President who, for the first time in my lifetime, who is a President who is a racist," he shouted. "Who is a xenophobe and anti-immigrant. Who is a sexist. Who is a religious bigot. And who, is a homophobe. And, what is very disappointing is that, when we have a President, we do not necessarily expect to agree with him, or her, on every issue. But we do believe that one of the obligations is to bring people to-geth-ah. As Americans."

Photo by Sean Ryan

After listening silently for several minutes, the audience clapped. Their sweet response felt cultish. But, then again, what doesn't feel cultish these days? So this was cultish like memes are cultish, in a striving-to-understand kind of way.

"The essence of our campaign is in fact to bring people together," he said. "Whether they're black, or white, or latino, or Native American, or Asian-American. We understand that we are Americans."

At times, this meant sharing a common humanity. Others, it had a slightly more disruptive feel. Which worked. Sometimes all we want is revolution. To be wild without recourse. To overthrow. To pass through the constraints of each day. To survive. The kind of rowdy stuff that makes for good poetry but destroys credit lines. Sanders radiated with this intensity, like a reclusive philosopher returning to society, from his cave to homes and beds and fences and maybe electricity.

Photo by Sean Ryan

But, as he says, his revolution would involve healthcare and wages and tuition, not beheadings and purges and starvation.

Seeing the Presidential candidates improvise was amazing. They did it constantly. They would turn any of their beliefs into a universal statement. And Sanders did this without trying. So he avoided doing the unbearably arrogant thing of pretending to speak like a native Guatemalan, and he looked at the group of people, and he mumbled in his cloudy accent:

"My Spanish — is not so good."

Photo by Sean Ryan

This is the same and the opposite of President Trump's Everyman way of speaking English like an American. Of speaking American.

Often, you know what Sanders will say next. You can feel it. And, anytime this happened, it brought comfort to the room.

Like, it surprised no one when he said that he would reinstate DACA on his first day in office. It still drew applause.

But other times, he expressed wild ideas with poetic clarity. And his conclusions arrived at unusual junctures. Not just in comparison to Republicans. To all of them. Bernie was the Tupac of the 2020 election. And, to him, President Trump was Suge Knight, the evil force behind it all.

"Donald Trump is an idiot," he shouted.

Photo by Sean Ryan

Everybody loved that. Everybody clapped and whooped and some even whistled like they were outside and not in a linoleum-floor dancehall.

"Go get 'em, Bernie," someone in the back shouted.

This was the only Sanders appearance with no protestors.

"Let me say this about the border," he shouted. And everybody listened to every thunking syllable. He probably could have spoken without a mic. Booming voice. Loud and clear. Huddling into that heavy Vermont slug accent.

They'll say many many things about Bernie. One being, you never had to lean forward to hear him. In person, even more so. He's less frail. More dynamic.

Photo by Sean Ryan

Despite the shoddiness of the venue, there was a sign language interpreter. Most of the rallies had a designated interpreter.

"If you work 40 hours a week you shouldn't be living in poverty," he shouted, provoking chants and applause from the audience, as if he were talking about them. Maybe he was.

An anecdote about the people at an emergency food shelf blended into the livable wage of $15 an hour. He shifted into his spiel about tuition-free college and pointed at the audience, "You're not doing well," then at the kids behind him, "they are." He craned his head sideways and back. "Do your homework," he told said.

Laughter.

Half of the kids looked like they hadn't eaten in days. Maybe it was their unusual situation, a few feet from Bernie Sanders at a stucco community center.

Before the room could settle, Sanders wove through a plan for how to cancel debt.

Did he have a solution?

Tax Wall Street, he shouted.

Photo by Sean Ryan

And he made it sound easy. "Uno dos trey," he said. "That's my Spanish for today."

A serious man, he shoved through his speech like a tank hurtling into dense jungle. He avoided many of the typical politician gimmicks. Proof that he did not practice every expression in front of a mirror. That he did not hide his accent. That he did not preen his hair. That he did not smile for a precise amount of time, depending on the audience. That he did not pretend to laugh.

Photo by Sean Ryan

He laughed when humor overtook him. But it was genuine. With none of the throaty recoil you hear in forced laughter.

"I want everyone to take a deep breath," he said. And a palpable lightness spread through the room, because a deep breath can solve a lot of problems.

Photo by Sean Ryan

Then he roused some more. "Healthcare is a human right," he shouted. "A human privilege," he shouted. He told them that he lives 50 miles from the Canadian border in Burlington, Vermont, and healthcare works better up north.

Each candidate had a bad word, and Sanders' was "corporate."

Photo by Sean Ryan

At every speech, he mentioned "corporate media" with the same distrust and unpleasantness that conservatives derive from the term "mainstream media." Another would be "fake news," as popularized by Sanders' sworn enemy. Either way it's the same media. Just different motivations that irk different people.

But the discrepancies varied. Meaning two opposing political movements disliked the same thing, but for opposite reasons.
It sounded odd, Sanders' accusation that the media were against him. The media love Bernie. I can confirm this both anecdotally and judiciously. Yes, okay, in 2016, the media appeared to have sided with Hillary Clinton. As a result, Sanders was publicly humiliated. Because Clinton took a mafioso approach to dealing with opponents, and Sanders was her only roadblock.

Imagine if a major political organization devoted part of each day to agitating your downfall. And then you fail. And who's fault is it?

Sanders wanted to know: those negative ads targeting him, who paid for them?

Photo by Sean Ryan

Corporations, of course. Corporations that hated radicals like him. And really was he so radical? He listed off the possibilities: Big pharma, insurance companies, oil companies.

Because he had become a revolutionary, to them. To many.

He said it with certainty, although he often didn't have to say it at all. This spirit of rebellion had become his brand. He would lead the wild Americans into a utopia.

But just as quickly, he would attack. Trump, as always, was the target.

He called Trump the worst president in American history.

"The fates are Yuge," he shouted.

The speech ended as informally as it had begun. And Sanders' trance over the audience evaporated, replaced by that suction energy. Everyone rushed closer and closer to the man as Neil Young's "Keep on Rockin in the Free World" blared. Sanders leaned into the podium and said, "If anyone wants to form a line, we can do some selfies."

Photo by Sean Ryan

It was like meeting Jesus for some of the people.

There he was, at El Malecón. No stage lights, no makeup, no stylist behind the curtain. Just him and his ideas and his erratic hand commotion.

Then a man holding a baby leaned in for a photo. He and Sanders chatted. And, I kid you not, the whole time the baby is staring at Bernie Sanders like he's the image of God, looking right up at him, with this glow, this understanding.

Bernie, if you're reading this, I'd like to suggest that — if this election doesn't work for you — you could be the next Pope.

New installments come Mondays and Thursdays. Check out my Twitter. Email me at kryan@blazemedia.com

On the "Glenn Beck Radio Program" Monday, Harvard Law professor and lawyer on President Donald Trump's impeachment defense team Alan Dershowitz explains the history of impeachment and its process, why the framers did not include abuse of power as criteria for a Constitutional impeachment, why the Democrats are framing their case the way they are, and what to look for in the upcoming Senate trial.

Dershowitz argued that "abuse of power" -- one of two articles of impeachment against Trump approved by House Democrats last month -- is not an impeachable act.

"There are two articles of impeachment. The second is 'obstruction of Congress.' That's just a false accusation," said Dershowitz. "But they also charge him, in the Ukraine matter, with abuse of power. But abuse of power was discussed by the framers (of the U.S. Constitution) ... the framers refused to include abuse of power because it was too broad, too open-ended.

"In the words of James Madison, the father of our Constitution, it would lead presidents to serve at the will of Congress. And that's exactly what the framers didn't want, which is why they were very specific and said a president can be impeached only for treason, bribery, or other high crimes and misdemeanors," he added.

"What's alleged against President Trump is not criminal," added Dershowitz. "If they had criminal issues to allege, you can be sure they would have done it. If they could establish bribery or treason, they would have done it already. But they didn't do it. They instead used this concept of abuse of power, which is so broad and general ... any president could be charged with it."

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