Something special about this new Broadway show compels people to stand

August 20, 2015

WRITER

Glenn doesn't often go around praising Broadway shows - not since Spider-Man came out anyway. After recently attending a special pre-showing for Amazing Grace, Glenn had more than a little praise for the new musical.

"I don't promote things and really stand on them if it's just because, hey, this is a message and we should support this message. No, the message needs to be done right," Glenn said.

Glenn described Amazing Grace as a story about slavery in colonial times, told accurately, in a really entertaining and compelling way, and how one man was changed and then began to change the world. It's also about God, Glenn added.

Chuck Cooper as Thomas & Josh Young as John Newton in Amazing Grace. Photo by Joan Marcus (Broadway.com).

After watching it a month and a half ago, Glenn predicted the show would be criticized harshly by the press, and sure enough, that's what's happening.

"They actually had a little hope that that wouldn't happen. Because before it went to Broadway, it was in Chicago, and it got great reviews. Well, The New York Times and Variety and everybody else came out and just slaughtered this show."

Despite the harsh reviews, Glenn said he couldn't recommend the show highly enough.

"There is something special about this," Glenn said. "While the song was going on - it was the finale, but it wasn't like the point you clap - everybody stood up. We all just felt compelled to stand. There's something happening with this show."

He went on.

"If every American could see this show, you wouldn't be having people say black lives matter. And you can't dare say white lives don't -- or, white lives do. You know, all lives matter."

If you're anywhere near New York City and would like to attend Amazing Grace, tickets are available here.

Listen to the segment below.

Below is a rush transcript of this segment, it might contain errors.

GLENN: I want to tell you that if you are anywhere in the New York area or planning to go to New York in the next six months, you need to see a show called Amazing Grace. We saw it in rehearsals before it opened up on Broadway. And, Pat, you thought it was really good.

PAT: Oh, yeah. Oh, yeah.

GLENN: I saw it in a preview, before it opened up. I saw it finished. And I'm telling you, it is Les Miserables quality. The story is Les Miserables quality. The singing and acting is off the charts. These guys are top, top people. And what's amazing about this is, this is the story of how the song Amazing Grace was written. If you know the story, it is so compelling to see it actually on Broadway. You can't believe you're sitting in a Broadway -- New York City Broadway theater. Because you go to Broadway, and you can see all kinds of stuff that is degenerate. It is anything that is -- just about anything that you see on Broadway today is tearing our culture, our traditional culture apart.

Now, here's what's happened. Because this is so unbelievably -- it's the story of slavery. It is the story of how one man was changed and then began to change the world. And it -- so it's slavery, black and white. And it's about God. I said before when it was -- before I even saw any of it, I said, you know you're going to get panned by the New York Times and everyone else. No matter how good it is, you're going to get slaughtered in the press. And they actually had a little hope that that wouldn't happen. Because before it went to Broadway, it was in Chicago, and it got great reviews. Well, the New York Times and Variety and everybody else came out and just slaughtered this show. I left the show -- and this is about a month and a half ago. And I wrote a review of it. I can't recommend this highly enough.

When I heard -- and Pat was there, we saw them do in rehearsal, we saw them do Amazing Grace, they just sat at the edge of the stage and sang it. I saw the full two and a half hour show, and the finale is Amazing Grace. And I heard that when it was in Chicago, people started just standing up during Amazing Grace. The whole audience just stood up. I will tell you that I was there, yeah, yeah, I'm sure. I was there, it compels you to stand up. When they begin to sing it, about halfway that song, the entire audience is in tears, and they're all just standing. It's not -- it's not an applause thing. It's just like, I have to stand.

It's truly remarkable. Truly remarkable. We have the guy who actually wrote it and wrote the music, Chris Smith is with us on the phone now. And I want to tell you something special because there's a clause in the contract that they're doing that is -- that has put this show in even more jeopardy than just the New York Times trashing it.

Chris, are you there?

CHRIS: Hello. How are you doing, guys?

GLENN: Very good.

So tell me, Chris, what's in the contract that can get you guys shut down?

CHRIS: Well, it's not that anybody is looking to shut us down right now. But what happens, in any theater, you have to make it through a certain amount of tickets to get through the next month or week or whatever it is. So basically what we have to do is we have to get out there and people really have to demand this kind of entertainment having a place on Broadway.

GLENN: Okay. Hang on just a second. Because it's not a problem -- I was there, it was sold out. It's not a problem with selling tickets. You have to sell them this week and next week to make it to Christmas, right?

CHRIS: We have to do this week and next week to make it to anywhere. But that's always been the case. I mean, that's every show. The problem is that August is so tough because nobody is around. You just have to get the word out. And, you know, that's why I appreciate you having me on because we just really need to let people know that now is the time to come and say, this is what we want. This is what we want to see on Broadway. And bring a friend. Bring a relative. Bring a stranger.

GLENN: You will not believe -- there were people in the crowd that I -- I saw it -- probably like a Harlem church or something was there, and it's me and my family. And I'm telling you, we walked out, and all of us were hugging at the end. That doesn't happen in New York. There is something special about this show that you will not feel. And you will not see this in any other show on Broadway. You just won't.

So can you -- go ahead.

CHRIS: Sorry. Go ahead.

No, every night somebody comes up to me and they say, you know, I've gone to the theater for however many decades. And I've never seen an audience connect with a cast like in this. So there's something going on at the Nederlander Theatre that really can't be explained. And just as you said, it's just an amazing thing.

GLENN: As you -- if you're a regular listener of mine, you know that I don't like -- I don't promote things and really stand on them if it's just because, hey, this is a message and we should support this message. No, the message needs to be done right. And I'll support the message when the message is done right. I'm not going to support something that is just crap, even if the message is good. This is an unbelievable message. This is -- there is something magical that happens in this theater every night. And on top of it, this is a tremendous production. Just really, really good.

You want to tell the story real quick?

CHRIS: Well, basically it's the story of John Newton who was a slave trader in the 1700s. He was an atheist. And he was just a miserable person. Man of the world. And he, in the midst of being a slave trader, actually was enslaved himself. And actually got just a little taste of what he was actually doing to other human beings. And on a voyage back from Africa, he was caught in a hurricane and had a really -- he had to really come face-to-face what he had done and eternity. And it changed him. And not only did it change him and his relationships and his choices, but it actually influenced our world down to today. Because he was instrumental in blowing the lid off the slave trade. He did it from the inside. He was one of the world's first whistle-blowers. And he said, this is what we're really doing. This is what this empire really is. I was a part of it. We have to stop this. So it really does affect history.

GLENN: Yeah, and it's not politically correct at all. I mean, at one point -- he is captured as a slave by the black African queen.

CHRIS: And that's true. That actually happened.

GLENN: Yeah. It shows black and whites were both in on this. And blacks and whites were both enslaved. And it's the ugly truth all the way. And one of the reasons I think why people are panning this is because it doesn't -- it just says what it is. It just says this was evil. And it doesn't play into anybody's agenda except the truth. And it is something that I saw with the kids and my 9-year-old daughter at the very beginning was a little afraid. But she walked out absolutely loving it. My son loved it. My older kids loved it. We loved it as a family. I cannot recommend this highly enough.

Buy your tickets now. Go to AmazingGraceMusical.com. That's AmazingGraceMusical.com. Buy a ticket from their portal at that website.

Can they buy a ticket -- do they have to buy it for the next two weeks, or can they buy it for upcoming?

CHRIS: No. You can buy for -- the only reason we're pushing the next two weeks is just because August is so important. Every ticket that's sold in the next two weeks really speaks -- it speaks for the industry. It speaks for the cast and to us, and we really appreciate it.

GLENN: Thank you very much, Chris. I really appreciate it. God bless.

CHRIS: Thank you, Glenn.

GLENN: You bet. You bet.

PAT: Good luck. I haven't heard you stand on a musical since Spider-Man probably.

GLENN: And I see musicals all the time. I see Broadway shows all the time.

PAT: Did you like this better than Spider-Man?

GLENN: Yeah.

PAT: Better than Spider-Man?

GLENN: Spider-Man I really liked because as you guys know, I said the show had problems, but for what they were doing, they broke all kinds of ground. You know what I mean?

PAT: Uh-huh.

GLENN: So I liked it for the bravery. Not only for the bravery, but also for the show itself. But I really liked it and respected it because they had balls. These guys do as well.

I mean, when you read the reviews, it's like, how can white people possibly tell the story of slavery? It's that kind of review that they're getting. And it's sickening. One of the guys who plays the -- the older father's personal slave who is enslaved with John Newton. This guy is -- he'll remind you of James Earl Jones. And I heard that from the audience -- somebody said, I thought that was James Earl Jones when he was came out. He's like a young James Earl Jones. This is just top quality all the way along, American history -- well, colonial history. Told accurately, in a really entertaining and compelling way. And I will tell you, I have -- there is something special about this. I have never felt like -- I've never -- I've never been like this. While the song was going on -- it was the finale. But it wasn't like the point you clap, everybody stood up. We all just felt compelled to stand. There's something happening with this -- with this show. I mean, if every American could see this show, you would -- you wouldn't be having people say black lives matter. And you can't dare say white lives don't -- or, white lives do. You know, all lives matter. You don't dare say all lives matter. It's black lives matter. We would have an end to that conversation. Literally.

I was crying. The woman sitting right behind me on the aisle was crying. And as I walked out, she looked at me, I don't have any idea if she knows who I was, but she just looked at me and she just opened up her arms at me. And I walked and she hugged me and I hugged her. I mean, it's that powerful. It's that powerful.

STU: Can you opt out of the hugs with random people in the audience? Is that possible?

GLENN: You can. No one will threaten you with a hug.

STU: Okay. Good. I'm in.

GLENN: You and Pat. That would make you wildly uncomfortable, wouldn't it?

PAT: Possibly.

GLENN: I just think I scream huggable. I think the ladies know: huggable.

PAT: That's it.

STU: Oh, my gosh, the entire media noticed it. MSNBC is talking about it.

GLENN: They're like, Glenn Beck, there's one thing about him, huggable. Huggable.

PAT: How many times have we seen that? Too many.

STU: Oh, gosh.

GLENN: I think people hug me because they're like, it doesn't look like he has any bones in that body. I think he's like Flubber. I think he's like Jell-O. I think -- just, he's the Pillsbury Doughboy.

STU: I will say, when we're in New York, I hear a lot of people yelling, hug you, at you. And I was like, why are they doing that? That's weird.

GLENN: Is that what they're saying? That makes me feel better.

STU: I think so.

JEFFY: Are you sure that's hug?

STU: Pretty sure. It sounds like it.

EXPOSED: Why the left’s trans agenda just CRASHED at SCOTUS

Anna Moneymaker / Staff | Getty Images

You never know what you’re going to get with the U.S. Supreme Court these days.

For all of the Left’s insane panic over having six supposedly conservative justices on the court, the decisions have been much more of a mixed bag. But thank God – sincerely – there was a seismic win for common sense at the Supreme Court on Wednesday. It’s a win for American children, parents, and for truth itself.

In a 6-3 decision, the Supreme Court upheld Tennessee’s state ban on irreversible transgender procedures for minors.

The mostly conservative justices stood tall in this case, while Sotomayor, Kagan, and Jackson predictably dissented. This isn’t just Tennessee’s victory – 20 other red states that have similar bans can now breathe easier, knowing they can protect vulnerable children from these sick, experimental, life-altering procedures.

Anna Moneymaker / Staff | Getty Images

Chief Justice John Roberts wrote the majority opinion, saying Tennessee’s law does not violate the Equal Protection Clause. It’s rooted in a very simple truth that common sense Americans get: kids cannot consent to permanent damage. The science backs this up – Norway, Finland, and the UK have all sounded alarms about the lack of evidence for so-called “gender-affirming care.” The Trump administration’s recent HHS report shredded the activist claims that these treatments help kids’ mental health. Nothing about this is “healthcare.” It is absolute harm.

The Left, the ACLU, and the Biden DOJ screamed “discrimination” and tried to twist the Constitution to force this radical ideology on our kids.

Fortunately, the Supreme Court saw through it this time. In her concurring opinion, Justice Amy Coney Barrett nailed it: gender identity is not some fixed, immutable trait like race or sex. Detransitioners are speaking out, regretting the surgeries and hormones they were rushed into as teens. WPATH – the World Professional Association for Transgender Health, the supposed experts on this, knew that kids cannot fully grasp this decision, and their own leaked documents prove that they knew it. But they pushed operations and treatments on kids anyway.

This decision is about protecting the innocent from a dangerous ideology that denies biology and reality. Tennessee’s Attorney General calls this a “landmark victory in defense of America’s children.” He’s right. This time at least, the Supreme Court refused to let judicial activism steal our kids’ futures. Now every state needs to follow Tennessee’s lead on this, and maybe the tide will continue to turn.

99% see THROUGH media’s L.A. riot cover-up

Barbara Davidson / Contributor | Getty Images

Glenn asked for YOUR take on the Los Angeles anti-ICE riots, and YOU responded with a thunderous verdict. Your answers to our recent Glennbeck.com poll cut through the establishment’s haze, revealing a profound skepticism of their narrative.

The results are undeniable: 98% of you believe taxpayer-funded NGOs are bankrolling these riots, a bold rejection of the claim that these are grassroots protests. Meanwhile, 99% dismiss the mainstream media’s coverage as woefully inadequate—can the official story survive such resounding doubt? And 99% of you view the involvement of socialist and Islamist groups as a growing threat to national security, signaling alarm at what Glenn calls a coordinated “Color Revolution” lurking beneath the surface.

You also stand firmly with decisive action: 99% support President Trump’s deployment of the National Guard to quell the chaos. These numbers defy the elite’s tired excuses and reflect a demand for truth and accountability. Are your tax dollars being weaponized to destabilize America? You’ve answered with conviction.

Your voice sends a powerful message to those who dismiss the unrest as mere “protests.” You spoke, and Glenn listened. Keep shaping the conversation at Glennbeck.com.

Want to make your voice heard? Check out more polls HERE.

EXPOSED: Your tax dollars FUND Marxist riots in LA

Anadolu / Contributor | Getty Images

Protesters wore Che shirts, waved foreign flags, and chanted Marxist slogans — but corporate media still peddles the ‘spontaneous outrage’ narrative.

I sat in front of the television this weekend, watching the glittering spectacle of corporate media do what it does best: tell me not to believe my lying eyes.

According to the polished news anchors, what I was witnessing in Los Angeles was “mostly peaceful protests.” They said it with all the earnest gravitas of someone reading a bedtime story, while behind them the streets looked like a deleted scene from “Mad Max.” Federal agents dodged concrete slabs as if it were an Olympic sport. A man in a Che Guevara crop top tried to set a police car on fire. Dumpster fires lit the night sky like some sort of postapocalyptic luau.

If you suggest that violent criminals should be deported or imprisoned, you’re painted as the extremist.

But sure, it was peaceful. Tear gas clouds and Molotov cocktails are apparently the incense and candles of this new civic religion.

The media expects us to play along — to nod solemnly while cities burn and to call it “activism.”

Let’s call this what it is: delusion.

Another ‘peaceful’ riot

If the Titanic “mostly floated” and the Hindenburg “mostly flew,” then yes, the latest L.A. riots are “mostly peaceful.” But history tends to care about those tiny details at the end — like icebergs and explosions.

The coverage was full of phrases like “spontaneous,” “grassroots,” and “organic,” as if these protests materialized from thin air. But many of the signs and banners looked like they’d been run off at ComradesKinkos.com — crisp print jobs with slogans promoting socialism, communism, and various anti-American regimes. Palestinian flags waved beside banners from Mexico, Venezuela, Cuba, and El Salvador. It was like someone looted a United Nations souvenir shop and turned it into a revolution starter pack.

And guess who funded it? You did.

According to at least one report, much of this so-called spontaneous rage fest was paid for with your tax dollars. Tens of millions of dollars from the Biden administration ensured your paycheck funded Trotsky cosplayers chucking firebombs at local coffee shops.

The same aging radicals from the 1970s — now armed with tenure, pensions, and book deals — are cheering from the sidelines, waxing poetic about how burning a squad car is “liberation.” These are the same folks who once wore tie-dye and flew to help guerrilla fighters and now applaud chaos under the banner of “progress.”

This is not progress. It is not protest. It’s certainly not justice or peace.

It’s an attempt to dismantle the American system — and if you dare say that out loud, you’re labeled a bigot, a fascist, or, worst of all, someone who notices reality.

And what sparked this taxpayer-funded riot? Enforcement against illegal immigrants — many of whom, according to official arrest records, are repeat violent offenders. These are not the “dreamers” or the huddled masses yearning to breathe free. These are criminals with long, violent rap sheets — allowed to remain free by a broken system that prioritizes ideology over public safety.

Photo by Kyle Grillot/Bloomberg | Getty Images

This is what people are rioting over — not the mistreatment of the innocent, but the arrest of the guilty. And in California, that’s apparently a cause for outrage.

The average American, according to Los Angeles Mayor Karen Bass, is supposed to worry they’ll be next. But unless you’re in the habit of assaulting people, smuggling, or firing guns into people’s homes, you probably don’t have much to fear.

Still, if you suggest that violent criminals should be deported or imprisoned, you’re painted as the extremist.

The left has lost it

This is what happens when a culture loses its grip on reality. We begin to call arson “art,” lawlessness “liberation,” and criminals “community members.” We burn the good and excuse the evil — all while the media insists it’s just “vibes.”

But it’s not just vibes. It’s violence, paid for by you, endorsed by your elected officials, and whitewashed by newsrooms with more concern for hair and lighting than for truth.

This isn’t activism. This is anarchism. And Democratic politicians are fueling the flame.

This article originally appeared on TheBlaze.com.

Glenn Beck's 'No King but Christ' merch: Will faith STOP the chaos?

On Saturday, June 14, 2025 (President Trump's 79th birthday), the "No Kings" protest—a noisy spectacle orchestrated by progressive heavyweights like Randi Weingarten and her union cronies—will take place in Washington, D.C.

Thousands will chant "no thrones, no crowns, no king," claiming to fend off authoritarianism and corruption.

But let’s cut through the noise. The protesters' grievances—rigged courts, deported citizens, slashed services—are a house of cards. Zero Americans have been deported, Federal services are still bloated, and if anyone is rigging the courts, it's the Left. So why rally now, especially with riots already flaring in L.A.?

Chaos isn’t a side effect here—it’s the plan.

This is not about liberty; it's a power grab dressed up as resistance. The "No Kings" crowd wants you to buy their script: government’s the enemy—unless they’re the ones running it. It's the identical script from 2020: same groups, same tactics, same goal, different name.

But Glenn is flipping the script. He's dropping a new "No Kings but Christ" merch line, just in time for the protest. Merch that proclaims one truth: no earthly ruler owns us; only Christ does. It’s a bold, faith-rooted rejection of this secular circus.

Why should you care? Because this won’t just be a rally—it’ll be a symptom. Distrust in institutions is sky-high, and rightly so, but the "No Kings" answer is a hollow shout into the void. Glenn’s merch begs the question: if you’re ditching kings, who’s really in charge? Get yours and wear the answer proudly.

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