Actor Jon Voight describes when 'things turned upside down' in Hollywood

October 12, 2015

Editor

Glenn invited "one of the most genuine and nicest guys" and Oscar winning actor Jon Voight onto his radio program Monday, to talk about his participation in the new movie, Woodlawn, and a variety of issues in our society.

"When I see the wanton attacks on Christians throughout the world, it's deeply disheartening and disturbing and angering and all these things," Voight said.

Something he said gives him hope is being able to act in a film like Woodlawn, which tells the true story of a Birmingham high school football team that was going to be closed because of racial tensions in the '70s. When the team decided they would stand for God, stand for good, do the right thing and unite, they ended up in a state championship - the biggest football game in Birmingham history.

"It's a very heartwarming story. So I thought it was the perfect time for it. And I was very grateful for it," Voight said.

Later in the conversation, Glenn asked Voight about some of the changes he's seen in the film industry that have turned our values upside down, and what brought them about.

Watch the segment or read the transcript below.

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Below is a rush transcript of this segment, it might contain errors.

GLENN: A man I admire for many, many reasons. Talent, being least of which. And you can admire him on talent and career. Jon Voight joins us again.

We're just looking at your list of movies that you've made in your life, Jon. Phenomenal. Absolutely phenomenal. Is there something in all the movies that you've made, is there one thing that you're saying, "That's when I had it? I had it at that moment. That scene or that -- I wish I could be that good all the time?"

JON: Well, I've had a lot of — I've had a lot of success in a variety of films. And they're a little like part of a family. You don't distinguish one from the other in a certain way.

GLENN: Yeah.

JON: But, no, I've been fortunate to work with very, very good directors. The director is the fellow who has the final say in most of this, you know. And the people who — you know, he supervises — not only the shooting of the film, but the editing and the music and the final, you know, mixing of the piece. So I've been very, very fortunate to work with very great directors.

I started out with -- in Midnight Cowboy, I worked with John Boorman on Deliverance. I won an Academy Award for Coming Home. I worked with a great Russian director Andrei Konchalovsky for Runaway Train. And then since then, I've done a lot of interesting films in which I wasn't quite the lead, but I was -- I certainly had an impact. And, you know, I -- I've done very, very well. But always attentive to the directors.

GLENN: Would you remember a time in Hollywood — and I want to get to Israel here in a second. But just one last question on this. Do you remember a time — you know, because 1969, you win your first Oscar. You were living in a time when — when Henry Fonda and John Wayne and Jimmy Stewart were still the men.

JON: Uh-huh.

GLENN: Do you — did you feel a change in Hollywood when those guys passed on?

JON: Well, I did feel a change — and the — the change had happened in the '60s when the values of this country were turned upside down. It was a very disturbing period of time, and it started out, I feel, with the assassination of our president, John Kennedy. And we were in trauma for a number of years. And the left moved in. What I mean, when I say the left, I mean Marxism moved in. And a lot of those people that were in the streets, you know, were being manipulated by communists. I mean, the big marches of the '60s, aside from the civil rights marches, those marches against the war were all orchestrated by communists. People don't realize that, you know. SDS, Students for Democratic Society, which is a big left movement, had a meeting in Cuba with Castro. Anyway, a lot of things happened in the '60s. And I think that's where things turned upside down.

GLENN: I wonder if we're in the same kind of period now, that we recover or don't. Because the same people now in their 60s, are really behind a lot of the things that have turned our values upside down. We have — I've never seen anything like it, Jon. I'm shocked that it happened. And I'm also shocked that there weren't 30,000 pastors, alone, standing in front of the capitol building, standing up against this embrace of Iran over Israel. It's crazy.

JON: Absolutely. I agree with you. People have been kind of stunned by this administration's lawlessness. They don't know what to do. I mean, look what's happening with Boehner leaving. I mean, they think he's finally a part of this recognition that we don't know what to do with this guy, you know. So I'm going to step down. Maybe somebody else stronger can come and replace me and maybe we can do something. Because on a daily basis, we're losing pieces of America.

GLENN: Big time.

Legal warfare strikes France's conservative hope

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An all-too-familiar story unfolded in France this week: the is law being weaponized against a "far-right" candidate. Does that ring a bell?

Glenn was taken aback earlier this week when he learned that Marine Le Pen, a popular French conservative, had been banned from the 2027 election following a controversial conviction. The ruling shocked French conservatives and foreign politicians alike, many of whom saw Le Pen as France’s best conservative hope. President Trump called it a "very big deal," a view shared by French commentators who fear this marks the end of Le Pen’s political career.

But this isn’t just about France—it’s a symptom of a larger threat looming over the West.

A double standard?

Fmr. President Sarkozy (left) and Fmr. Prime Minister Fillon (right)

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As of Sunday, March 30, 2025, Marine Le Pen led the polls with a commanding edge over her rivals, offering French conservatives their strongest shot at the presidency in years. Hours later, that hope crumbled. Found guilty of embezzling EU funds, Le Pen was sentenced to two years of house arrest, fined €100,000 ($108,200), and banned from public office for five years, effective immediately.

Glenn quickly highlighted an apparent double standard. Former President Nicolas Sarkozy and former Prime Minister François Fillon faced similar—or worse—corruption charges, yet neither was barred from office during their political runs. So why Le Pen, and why now? Similar to Trump’s "hush money" trial, legal troubles this late in the election cycle reek of interference. The decision should belong to voters—France’s largest jury—not a courtroom. This appears to be a grave injustice to the French electorate and another crack in democracy’s foundation.

This is NOT about France

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This pattern stretches far beyond France; it’s a tactic we’ve seen before.

In early 2025, Bucharest’s streets erupted in protest after Romania’s Constitutional Court annulled the first round of its presidential election. Călin Georgescu, a rising conservative, had clinched an unexpected victory, only to have it stripped away amid baseless claims of Russian interference. His supporters raged against the decision, seeing it as a theft of their voice.

Both Georgescu and Le Pen echo the legal barrage President Trump endured before his 2024 win. The Left hurled every weapon imaginable at him, unleashing unprecedented lawfare. In America, the Constitution held, and the people’s will prevailed.

Now, with Tesla vandalism targeting Elon Musk’s free-speech stance, a coordinated pushback against freedom is clear—spanning France, Romania, the U.S., and beyond.

The war on free will

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Trump’s 2024 victory doesn’t mean lawfare is dead; Europe shows it’s thriving.

France and Romania prove its effectiveness, sidelining candidates through courts rather than ballots. Glenn warned us about this years ago—when the powerful can’t win at the polls, they turn to the gavel. It’s a chilling trend of stripping voters of their choice and silencing dissent, all the while pawning it off as justice. The playbook is polished and ready, and America’s turn could come sooner than we think.

How Melania Trump is inspiring the next generation of fashion

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First Lady Melania Trump’s impeccable style has long captivated admirers across the globe, but for one young woman, it sparked a creative revolution.

Lorelai, a young Glenn Beck fan who requested a degree of anonymity, first met Glenn while attending America Fest 2024 in Phoenix, Arizona with her grandmother. An aspiring fashion designer and illustrator, Lorelai shared with Glenn some of her sketches of characters from Glenn’s latest book, Chasing Embers. She also explained how Melania Trump became the cornerstone of her artistic journey, inspiring her to craft modest yet beautiful clothing that redefines modern fashion.

Melania Trump’s elegance—stunning, powerful, and undeniably feminine—first captured Lorelai’s attention during the First Lady’s time in the White House. Unlike the casual, often immodest trends dominating her peers’ wardrobes, Melania’s wardrobe exuded grace and sophistication. From tailored coats to flowing gowns, her choices were a masterclass in balancing boldness with dignity, a philosophy that resonated deeply with Lorelai. This admiration grew into inspiration as Lorelai began designing apparel specifically with Melania in mind, aspiring to design pieces that could match the First Lady’s grace. She strove to reflect Melania’s breathtaking style in her sketches in an effort to demonstrate how modesty can be beautiful.

The First Lady’s poised and graceful presence has redefined modesty for the modern era. To Lorelai, the First Lady’s style proves that more fabric offers boundless room for imagination, allowing personality to shine without sacrificing dignity. Melania embodies this perfectly—her fashion commands attention with stunning, memorable elegance. Inspired by this, Lorelai’s mission is to craft clothing for her generation that mirrors Melania’s influence, blending contemporary flair with classic beauty.

After her meeting with Glenn at America Fest, Lorelai’s passion and resolve have only deepened. Through fashion and art, Lorelai hopes to inspire others with the same grace that Melania Trump exemplifies. Below are some of Lorelai's sketches she was eager to share with Glenn.

Melania Trump: First Lady

I really adore First Lady Melania Trump’s grace and timeless beauty. She is extremely intelligent and brave but also strong and poised. Her fashion style displays these traits. I was inspired to create these outfits for our First Lady in hopes that she would see these drawings. -Lorelai

Melania Trump: Lady Liberty

We, as a country, will be celebrating next year our 250th anniversary of independence. The designs that inspired this patriotic gown came from Lady Liberty and Lady Columbia art. I also love our American flag, and this design is a combination of all three. -Lorelai

Chasing Embers Character Art (Ember)

I chose to draw the characters Sky, Azaz and Ember from Glenn Beck and Mikayla G. Hedrick’s Chasing Embers series. -Lorelai

Chasing Embers Concept Art (Ember)

I was inspired to draw a younger and teen version for Sky and Ember. -Lorelai

Chasing Embers Character Art (Sky)

Chasing Embers Concept Art (Azaz)

I also gave multiple outfits designs for Sky and Azaz. I loved that their personalities and character development meant in my mind a wardrobe development too. -Lorelai

Glenn: Government workers bought luxury cars with YOUR tax dollars

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The deep state isn’t a conspiracy theory — it’s a reality. And the corrupt, free-spending Federal Mediation and Conciliation Service is just one example of how Washington insiders enrich themselves.

A little-known agency in Washington perfectly encapsulates everything wrong with our bloated, corrupt government: the Federal Mediation and Conciliation Service. It should be the poster child of everything that Elon Musk is exposing.

The agency was established in 1947 under the Labor Management Relations Act to serve as an independent agency mediating disputes between unions and businesses — a noble mission, perhaps. But like so many government institutions, it has rotted into something far removed from its original purpose.

The FMCS goes beyond mismanagement into blatant corruption and theft.

What was once a mechanism for labor stability has morphed into an unchecked slush fund — an exclusive playground for bureaucrats living high on taxpayer dollars.

The FMCS is a textbook case of government waste, an agency that no one was watching, where employees didn’t even bother showing up for work — some hadn’t for years. And yet they still collected paychecks and spent government money — our money — on their personal luxuries.

Luxury cars and cell phone bills

The Department of Government Efficiency discovered how FMCS employees used government credit cards — intended for official business — to lease luxury cars, cover personal cell phone bills, and even subscribe to USA Today. The agency’s information technology director, James Donnan, apparently billed taxpayers his wife’s cell phone bill, cable TV subscriptions in multiple homes, and personal subscriptions.

FMCS officials commissioned portraits of themselves and hung them in their offices, and you footed the bill. They took exotic vacations and hired their friends and relatives to keep the gravy train rolling.

The FMCS goes beyond mismanagement into blatant corruption and theft — and it went on for decades, unnoticed and unchallenged.

President Donald Trump signed an executive order to abolish the FMCS — a necessary and long-overdue move. But the FMCS is just one of many agencies within the federal government burning through billions of taxpayer dollars. How many more slush funds exist in the shadows, funneling money into the pockets of bureaucrats who produce nothing? How many government-funded NGOs operate in direct opposition to American interests?

Perhaps the most disturbing question is why Americans tolerate such corruption. Why do so many Americans tolerate this? Why is the left — supposedly the party of the people — defending the very institutions that rob working-class Americans blind?

Corruption beyond bureaucracy

The recent rallies led by Sen. Bernie Sanders (I-Vt.), Rep. Alexandria Ocasio-Cortez (D-N.Y.), and their socialist acolytes claim to be a grassroots uprising against corruption and greed. But GPS data from these rallies tells a different story. The majority of attendees aren’t ordinary citizens fed up with the status quo. They’re professional activists — serial agitators who bounce from protest to protest.

Roughly 84% of devices tracked at these rallies were present at multiple Kamala Harris events. A staggering 31% appeared at over 20 separate demonstrations, tied to Antifa, Black Lives Matter, and pro-Palestinian causes.

Many of these organizations receive federal grant money — our tax dollars — and they’re using those funds to protest the very policies that threaten to cut off their financial lifeline.

This isn’t democracy in action. This is political theater — astroturfing perfected. And the American taxpayer is funding it.

Rooting out corruption

Trump was a battering ram against this corrupt system. Elon Musk is a surgeon, meticulously exposing the infection that has festered for decades — and that’s why the leftists hate him even more than they hate Trump. Musk threatens to dismantle the financial web that sustains their entire operation.

When we allow the government to grow unchecked and our leaders to prioritize their own wealth and power over the good of the nation, figures like Trump and Musk are necessary. Rome didn’t fall because of an external invasion but rather due to internal decay that looked an awful lot like what we see today.

We must demand better. We must refuse to tolerate this corruption any longer. The FMCS may be gone, but the fight to root out this deep-seated corruption is far from over.

Editor's Note: This article was originally published on TheBlaze.com.

Did the CIA hide the real truth behind JFK's assassination?

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Many were disappointed by the recent release of the JFK files, frustrated by the apparent lack of answers to decades-old questions. The problem? They’re asking the wrong question.

Everyone wants a "who"—a smoking gun, someone to blame. It’s understandable; Americans crave justice for a slain president, to hold the culprits of one of the 20th century’s greatest crimes accountable. But the real answer isn’t a "who"—it’s a "what." That "what" is the CIA and proof of their nefarious dealings since the 1960s.

In his most recent TV special, Glenn delves into the JFK files, where he found the crucial information that everyone else seemed to miss. Be sure to watch the TV special here.

The CIA's Dirty Fingerprints

Did Oswald act alone? I tested the Warren Commission's "lone gunman" narrative and discovered something SHOCKING.

Watch the full experiment TONIGHT at 9PM ET only on https://t.co/Ki1CX633fq pic.twitter.com/DwNSUFXJ1r
— Glenn Beck (@glennbeck) March 26, 2025

While the recent JFK files don’t explicitly pin the assassination on the CIA, the evidence between the lines is compelling.

If you follow Glenn on X, you’ve seen his newest artifact: an exact replica of Lee Harvey Oswald’s rifle. Glenn tested it at the range, attempting to replicate the notoriously difficult shot Oswald allegedly made that fateful day in Dallas. While Glenn shares more takeaways in his TV special, one thing stood out immediately: the rifle’s abysmal quality, its shoddy scope, and the odd caliber of ammunition it uses.

Oswald’s rifle, a Mannlicher-Carcano, is chambered in 6.5mm—an unusual caliber. Much like today, the average gun store in the ‘60s didn’t stock 6.5mm rounds. The largest known supply was owned by the CIA, who had shipped the ammo from Greece after World War II. Suspiciously, there’s no record of where Oswald got his ammunition, but the JFK files confirm that the gun store where he bought the Mannlicher-Carcano had CIA connections.

It’s well-known that Oswald defected to the USSR and lived there before returning to the U.S. The JFK files reveal that from the moment he touched down stateside, the CIA tracked him like a hawk. They followed him across the country and even to Mexico City—but, conveniently, seemed to lose him in Dallas just as President Kennedy arrived. What a coincidence.

Whether by design or gross incompetence, the CIA greased Oswald’s path, letting him slip unhindered into that sixth-floor Book Depository window.

The Cover-Up

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If the JFK files aren’t the smoking gun many hoped for, why did the CIA fight so hard to keep them buried?

The answer is trust. Hard as it may be to imagine today, Americans in the ‘60s trusted their government—at least more than they do now. This cover-up preserved that trust longer than it might have lasted, allowing the CIA to pull off more scandals before the public caught on. From Benghaziand 9/11 to COVID-19 and January 6, the same dirty marks found in the JFK files stain these events. It’s about saving face. The files make the CIA look incompetent at best, complicit at worst.

This might feel like common knowledge today—especially to Glenn’s audience—but 40 or 50 years ago, saying such things could land you in the loony bin. It’s taken 60 years of growing suspicion to reach this point. Imagine if the JFK files had been available back then. Could we have stopped six decades of CIA shenanigans in their tracks?

The thought is chilling.

What Now?

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The files don’t name a mastermind or explicitly confirm the darkest JFK assassination conspiracies that have swirled for decades—but they’re far from empty. They expose a disturbing truth: the CIA’s unchecked power in the ‘60s echoes into today.

In one of his most exciting TV specials yet, Glenn delves deep into the files, proving why we can’t ignore these revelations. Stop chasing a "who" and start demanding accountability for the "what." Only by confronting this can we hope to rein in the agency that’s dodged scrutiny for too long.

Glenn's Show Prep