Haters Beware! The New Hate Speech Requires a Special Decoder

October 07, 2016

Writer

Do you treat people the same way, based on the content of their character? Well, stop it, because you're a hater.

"That indicates that you're not respecting their cultural differences, if you treat everyone the same. I mean, what an amazing journey from Martin Luther King and, you know, take people on the content of their character," Co-host Stu Burguiere said Friday on The Glenn Beck Program.

But if you think you can comment about cultural differences, think again. That's hate speech, too.

What's the solution? Get your special decoder or sit down and shut up. Or, here's a whacky thought: Treat everyone as uniquely wonderful and respectfully exercise your First Amendment rights.

Read below or listen to the full segment for answers to these First Amendment-protected questions:

• What is hate speech?

• If a hater hates in the woods is it still hate?

• Why is it hateful to treat people the same?

• If your ancestors were white abolitionists, are you still white privileged?

• What country are you from? (Oops, that's hate speech, sorry)

Listen to this segment from The Glenn Beck Program:

Below is a rush transcript of this segment, it might contain errors:

PAT: I treat all people the same.

STU: That's called -- that's basically hate speech. You're not supposed to say that.

PAT: Yeah.

STU: Because that indicates -- we tried to figure some of these out. I don't even know. That indicates that you're not respecting their cultural differences, if you treat everyone the same. I mean, what a -- what an amazing journey from Martin Luther King and, you know, take people on the content of their character and not --

PAT: Where are you originally from? You can't ask somebody that. If they have a pronounced accent, you can't say, "Oh, hey, it's great to have you. Where you originally from?" No, that's offensive. Because you're making them feel like I guess they're other than American. Well, they are, right? They might be citizens now. But that's not where they originated. Is that -- how can that be wrong? I wouldn't care if someone said, "Where's your ancestry?" I would be okay telling them it's mostly Ireland. I'd be all right with that. That doesn't bother me.

STU: If someone asks you -- came up to you today and said, Pat, "Where are you originally from," you would say --

PAT: Montana.

STU: Montana. Right? There's an answer to that question. If it's a foreign country, fine. Or I would say New York. Jeffy would say hell.

PAT: Yeah, or south hell --

STU: Or Michigan. I know it was Michigan. Was it hell?

PAT: South hell?

STU: Southern hell.

PAT: Right.

JEFFY: That's fine.

STU: The point being, that's an honest question. It doesn't indicate any hatred toward --

PAT: Here's another thing you're not supposed to say: The same thing happens to me too.

JEFFY: Oh, boy.

STU: No. All of our experiences are different, Pat.

PAT: They're totally unique. That's never happened to anyone. All of my experiences are uniquely mine. I guess that's the issue there.

I know exactly how you feel.

STU: No, you don't. My experiences are my own!

PAT: Some of my best friends are white, black, Hispanic. None of those are acceptable.

STU: See that indicates that you're trying to excuse your own racial intolerance by just claiming you have non-descript friends of another race.

JEFFY: I don't see color. I'm colorblind.

STU: I mean, think about that. That is on the list. I'm colorblind. I don't see color.

PAT: Isn't that what Martin Luther King said?

STU: The plea of the biggest civil rights hero in the last 100 years is the thing you're not allowed to say at James Madison University.

PAT: You are so articulate.

STU: Now, that is obviously bad --

PAT: That is -- wow, you might as well have said the N-word.

(laughter)

STU: Now, again, that is not okay to say, unless you're Joe Biden, who said it about Barack Obama. Said, oh, he's the first articulate black candidate ever. It's a storybook, man. Clean.

PAT: Clean.

STU: Like he was shocked the man was clean.

PAT: Yeah.

STU: You're shocked a black man took a shower and the guy is vice president of the United States. But yet, freshmen at James Madison can't say it.

PAT: Here's one we tried to figure out the other day on Pat & Stu, saying to somebody who is in the LGBTQ community, what you do in the privacy of your own bedroom, that's your business.

JEFFY: Oh, my gosh.

PAT: Why is -- what? How?

STU: How is that hateful?

PAT: I don't know. Or offensive in any way.

STU: And I guess the -- to try formulate the outrage -- because this is the issue here. None of us are offended by this, and the audience isn't offended by these things because we don't wake up every day searching for life meaning in outrage. We don't sit here and say, "Oh, gosh, please, let me today discover something that will make me so upset, I can try to ruin somebody's business over it." That's not how we run our lives.

JEFFY: Right. But by saying that, you're saying that you disagree with what they do in their bedroom.

PAT: How? When you're saying, I don't care what you do.

JEFFY: Exactly.

STU: Exactly. You should care, and you should honor it and respect it.

PAT: Yes. Is that what I'm supposed -- I love what you do.

Hey, dude, I love what you do in your bedroom with your partner. I love that. That is awesome.

STU: And, of course, any --

PAT: May I participate?

STU: Yeah.

PAT: May I --

JEFFY: I don't think you have to go that far.

PAT: May I join the two of you? Because that seems like a great -- a really wonderful experience. Is that what it has to be now?

JEFFY: You have such a pretty face.

PAT: Oh, you can't say that either, Jeffy, as you know. Because you know, you can't say that --

STU: If you were gay and someone came up to you and said, "Hey, by the way, I really love what you guys are doing in your bedroom," wouldn't you be like -- that would be the weirdest thing in the world. Get out of my space, man.

(laughter)

JEFFY: Make you put the camera away. How do you know what I'm doing in my bedroom?

STU: Right. How do you know?

PAT: Why are you even talking about that?

STU: Why would you bring that up? That's so weird.

PAT: Now, some of these you can kind of figure out. You're not supposed to say to anybody, "I never owned slaves." Well, that's because it doesn't matter if you owned slaves or not. The problem universal, anyway, right? Isn't that what they're kind of saying with that one?

JEFFY: Yes.

PAT: That that's not the issue whether you specifically owned slaves or whether your ancestors did. The problem exists whether you were part of it or not. And by your whiteness, you are part of it because of white privilege.

And I think you're denying white privilege if you say something like this. Is that right?

JEFFY: Okay. Okay.

STU: I guess. I guess.

JEFFY: Okay.

STU: I do not have my decoder --

PAT: Holy cow. It's unbelievable.

Featured Image: No Hate Speech movement logo

How Melania Trump is inspiring the next generation of fashion

Aaron P. Bernstein / Stringer | Getty Images

First Lady Melania Trump’s impeccable style has long captivated admirers across the globe, but for one young woman, it sparked a creative revolution.

Lorelai, a young Glenn Beck fan who requested a degree of anonymity, first met Glenn while attending America Fest 2024 in Phoenix, Arizona with her grandmother. An aspiring fashion designer and illustrator, Lorelai shared with Glenn some of her sketches of characters from Glenn’s latest book, Chasing Embers. She also explained how Melania Trump became the cornerstone of her artistic journey, inspiring her to craft modest yet beautiful clothing that redefines modern fashion.

Melania Trump’s elegance—stunning, powerful, and undeniably feminine—first captured Lorelai’s attention during the First Lady’s time in the White House. Unlike the casual, often immodest trends dominating her peers’ wardrobes, Melania’s wardrobe exuded grace and sophistication. From tailored coats to flowing gowns, her choices were a masterclass in balancing boldness with dignity, a philosophy that resonated deeply with Lorelai. This admiration grew into inspiration as Lorelai began designing apparel specifically with Melania in mind, aspiring to design pieces that could match the First Lady’s grace. She strove to reflect Melania’s breathtaking style in her sketches in an effort to demonstrate how modesty can be beautiful.

The First Lady’s poised and graceful presence has redefined modesty for the modern era. To Lorelai, the First Lady’s style proves that more fabric offers boundless room for imagination, allowing personality to shine without sacrificing dignity. Melania embodies this perfectly—her fashion commands attention with stunning, memorable elegance. Inspired by this, Lorelai’s mission is to craft clothing for her generation that mirrors Melania’s influence, blending contemporary flair with classic beauty.

After her meeting with Glenn at America Fest, Lorelai’s passion and resolve have only deepened. Through fashion and art, Lorelai hopes to inspire others with the same grace that Melania Trump exemplifies. Below are some of Lorelai's sketches she was eager to share with Glenn.

Melania Trump: First Lady

I really adore First Lady Melania Trump’s grace and timeless beauty. She is extremely intelligent and brave but also strong and poised. Her fashion style displays these traits. I was inspired to create these outfits for our First Lady in hopes that she would see these drawings. -Lorelai

Melania Trump: Lady Liberty

We, as a country, will be celebrating next year our 250th anniversary of independence. The designs that inspired this patriotic gown came from Lady Liberty and Lady Columbia art. I also love our American flag, and this design is a combination of all three. -Lorelai

Chasing Embers Character Art (Ember)

I chose to draw the characters Sky, Azaz and Ember from Glenn Beck and Mikayla G. Hedrick’s Chasing Embers series. -Lorelai

Chasing Embers Concept Art (Ember)

I was inspired to draw a younger and teen version for Sky and Ember. -Lorelai

Chasing Embers Character Art (Sky)

Chasing Embers Concept Art (Azaz)

I also gave multiple outfits designs for Sky and Azaz. I loved that their personalities and character development meant in my mind a wardrobe development too. -Lorelai

Glenn: Government workers bought luxury cars with YOUR tax dollars

Andrew Harnik / Staff | Getty Images

The deep state isn’t a conspiracy theory — it’s a reality. And the corrupt, free-spending Federal Mediation and Conciliation Service is just one example of how Washington insiders enrich themselves.

A little-known agency in Washington perfectly encapsulates everything wrong with our bloated, corrupt government: the Federal Mediation and Conciliation Service. It should be the poster child of everything that Elon Musk is exposing.

The agency was established in 1947 under the Labor Management Relations Act to serve as an independent agency mediating disputes between unions and businesses — a noble mission, perhaps. But like so many government institutions, it has rotted into something far removed from its original purpose.

The FMCS goes beyond mismanagement into blatant corruption and theft.

What was once a mechanism for labor stability has morphed into an unchecked slush fund — an exclusive playground for bureaucrats living high on taxpayer dollars.

The FMCS is a textbook case of government waste, an agency that no one was watching, where employees didn’t even bother showing up for work — some hadn’t for years. And yet they still collected paychecks and spent government money — our money — on their personal luxuries.

Luxury cars and cell phone bills

The Department of Government Efficiency discovered how FMCS employees used government credit cards — intended for official business — to lease luxury cars, cover personal cell phone bills, and even subscribe to USA Today. The agency’s information technology director, James Donnan, apparently billed taxpayers his wife’s cell phone bill, cable TV subscriptions in multiple homes, and personal subscriptions.

FMCS officials commissioned portraits of themselves and hung them in their offices, and you footed the bill. They took exotic vacations and hired their friends and relatives to keep the gravy train rolling.

The FMCS goes beyond mismanagement into blatant corruption and theft — and it went on for decades, unnoticed and unchallenged.

President Donald Trump signed an executive order to abolish the FMCS — a necessary and long-overdue move. But the FMCS is just one of many agencies within the federal government burning through billions of taxpayer dollars. How many more slush funds exist in the shadows, funneling money into the pockets of bureaucrats who produce nothing? How many government-funded NGOs operate in direct opposition to American interests?

Perhaps the most disturbing question is why Americans tolerate such corruption. Why do so many Americans tolerate this? Why is the left — supposedly the party of the people — defending the very institutions that rob working-class Americans blind?

Corruption beyond bureaucracy

The recent rallies led by Sen. Bernie Sanders (I-Vt.), Rep. Alexandria Ocasio-Cortez (D-N.Y.), and their socialist acolytes claim to be a grassroots uprising against corruption and greed. But GPS data from these rallies tells a different story. The majority of attendees aren’t ordinary citizens fed up with the status quo. They’re professional activists — serial agitators who bounce from protest to protest.

Roughly 84% of devices tracked at these rallies were present at multiple Kamala Harris events. A staggering 31% appeared at over 20 separate demonstrations, tied to Antifa, Black Lives Matter, and pro-Palestinian causes.

Many of these organizations receive federal grant money — our tax dollars — and they’re using those funds to protest the very policies that threaten to cut off their financial lifeline.

This isn’t democracy in action. This is political theater — astroturfing perfected. And the American taxpayer is funding it.

Rooting out corruption

Trump was a battering ram against this corrupt system. Elon Musk is a surgeon, meticulously exposing the infection that has festered for decades — and that’s why the leftists hate him even more than they hate Trump. Musk threatens to dismantle the financial web that sustains their entire operation.

When we allow the government to grow unchecked and our leaders to prioritize their own wealth and power over the good of the nation, figures like Trump and Musk are necessary. Rome didn’t fall because of an external invasion but rather due to internal decay that looked an awful lot like what we see today.

We must demand better. We must refuse to tolerate this corruption any longer. The FMCS may be gone, but the fight to root out this deep-seated corruption is far from over.

Editor's Note: This article was originally published on TheBlaze.com.

Did the CIA hide the real truth behind JFK's assassination?

Bettmann / Contributor, NurPhoto / Contributor | Getty Images

Many were disappointed by the recent release of the JFK files, frustrated by the apparent lack of answers to decades-old questions. The problem? They’re asking the wrong question.

Everyone wants a "who"—a smoking gun, someone to blame. It’s understandable; Americans crave justice for a slain president, to hold the culprits of one of the 20th century’s greatest crimes accountable. But the real answer isn’t a "who"—it’s a "what." That "what" is the CIA and proof of their nefarious dealings since the 1960s.

In his most recent TV special, Glenn delves into the JFK files, where he found the crucial information that everyone else seemed to miss. Be sure to watch the TV special here.

The CIA's Dirty Fingerprints

Did Oswald act alone? I tested the Warren Commission's "lone gunman" narrative and discovered something SHOCKING.

Watch the full experiment TONIGHT at 9PM ET only on https://t.co/Ki1CX633fq pic.twitter.com/DwNSUFXJ1r
— Glenn Beck (@glennbeck) March 26, 2025

While the recent JFK files don’t explicitly pin the assassination on the CIA, the evidence between the lines is compelling.

If you follow Glenn on X, you’ve seen his newest artifact: an exact replica of Lee Harvey Oswald’s rifle. Glenn tested it at the range, attempting to replicate the notoriously difficult shot Oswald allegedly made that fateful day in Dallas. While Glenn shares more takeaways in his TV special, one thing stood out immediately: the rifle’s abysmal quality, its shoddy scope, and the odd caliber of ammunition it uses.

Oswald’s rifle, a Mannlicher-Carcano, is chambered in 6.5mm—an unusual caliber. Much like today, the average gun store in the ‘60s didn’t stock 6.5mm rounds. The largest known supply was owned by the CIA, who had shipped the ammo from Greece after World War II. Suspiciously, there’s no record of where Oswald got his ammunition, but the JFK files confirm that the gun store where he bought the Mannlicher-Carcano had CIA connections.

It’s well-known that Oswald defected to the USSR and lived there before returning to the U.S. The JFK files reveal that from the moment he touched down stateside, the CIA tracked him like a hawk. They followed him across the country and even to Mexico City—but, conveniently, seemed to lose him in Dallas just as President Kennedy arrived. What a coincidence.

Whether by design or gross incompetence, the CIA greased Oswald’s path, letting him slip unhindered into that sixth-floor Book Depository window.

The Cover-Up

SAUL LOEB / Staff | Getty Images

If the JFK files aren’t the smoking gun many hoped for, why did the CIA fight so hard to keep them buried?

The answer is trust. Hard as it may be to imagine today, Americans in the ‘60s trusted their government—at least more than they do now. This cover-up preserved that trust longer than it might have lasted, allowing the CIA to pull off more scandals before the public caught on. From Benghaziand 9/11 to COVID-19 and January 6, the same dirty marks found in the JFK files stain these events. It’s about saving face. The files make the CIA look incompetent at best, complicit at worst.

This might feel like common knowledge today—especially to Glenn’s audience—but 40 or 50 years ago, saying such things could land you in the loony bin. It’s taken 60 years of growing suspicion to reach this point. Imagine if the JFK files had been available back then. Could we have stopped six decades of CIA shenanigans in their tracks?

The thought is chilling.

What Now?

Fotosearch / Stringer | Getty Images

The files don’t name a mastermind or explicitly confirm the darkest JFK assassination conspiracies that have swirled for decades—but they’re far from empty. They expose a disturbing truth: the CIA’s unchecked power in the ‘60s echoes into today.

In one of his most exciting TV specials yet, Glenn delves deep into the files, proving why we can’t ignore these revelations. Stop chasing a "who" and start demanding accountability for the "what." Only by confronting this can we hope to rein in the agency that’s dodged scrutiny for too long.

Glenn: The magazine they don't want you to read

Blaze Media

Frontier isn’t just another magazine — it’s a handcrafted, premium publication featuring bold, thought-provoking stories you won’t find anywhere else.

Frontier isn’t just another flimsy, kitschy magazine like the ones lining the checkout aisle of your local grocery store. It is a premium, handcrafted publication, telling you stories that actually matter — about people blazing new trails in technology, reviving forgotten architectural wonders, and forging new pathways for meaningful cultural change, just to name a few highlights from past and upcoming issues. Every page is curated with intention, offering a level of depth and substance that’s increasingly rare in today’s media landscape.

For the second issue, I welcomed Frontier’s team to my Idaho ranch for its feature, “The Architecture of Memory and Meaning.” My ranch is more than a home — it’s a testament to faith, family, and legacy. Every detail was designed with intention, and every artifact inside has a purpose. This piece shows how you too can turn your home into a space for legacy, beauty, and a testimony to things that really matter to you.

Frontier will set you apart from everyone else who doomscrolls through the same routine stories in the mainstream news cycle.

Frontier’s team also sat down with Michael Malice for an in-depth profile, “The Miseducation of Michael Malice.” Whether you love him, hate him, or are just trying to figure him out, Malice is one of the most fascinating voices in our culture today. This piece goes beyond the snark and the tweets, diving deep into what makes Malice tick.

For the late-night radio junkies, “Live From the High Desert” is a must-read. This piece is a tribute to Art Bell and the millions of late-night listeners who faithfully tuned in to his masterful storytelling as he unraveled the mysteries of the universe, inspiring an entire generation of truth-seekers. From government conspiracies and UFOs to the unexplained, Bell’s legacy is alive and well in these pages.

Readers of Frontier’s first issue are already familiar with the magazine’s caliber and quality. If you haven’t grabbed your copy, it’s not too late. The first 500 subscribers to Frontier’s second issue will also get a copy of the premiere issue.

Frontier is only available through Blaze Unlimited, which, in addition to Frontier’s trailblazing stories, includes VIP access to exclusive events, exclusive member-only content, and top-tier customer support. This membership will set you apart from everyone else who doomscrolls through the same routine stories in the mainstream news cycle. Blaze Unlimited gives you access to the stories that matter most — and the people and events who will challenge you to think bigger, probe deeper, and push the limits into new frontiers. Using promo code GLENN500 will give you $40 off your new Blaze Unlimited membership.

This isn’t just about reading Frontier — it’s about living it. Don’t miss your chance to be part of it.

Editor's note: This article originally appeared on TheBlaze.com.

Glenn's Show Prep