Don't Miss 'The Christmas ISIScicle' THIS Friday on 'The Wonderful World of Stu'

December 12, 2016

Writer

Glenn will make a cameo appearance in an extremely low budget film airing this Friday on TheBlaze. Tentatively titled The Christmas ISIScicle, the ~~after school special~~ Christmas spectacular follows the world renowned low budget film, The Christmas Twist, in which a lovely blond baker meets Jeffy the plumber and they both meet an untimely death. But there are baked goods, so all ends well.

Be sure to set your DVRs or, alternatively, watch it again and again on the season finale of The Wonderful World of Stu, airing this Friday on TheBlaze.

Read below or watch the clip for answers to these questions:

• What color beard will Glenn wear?

• Is Stu colorblind?

• Did the plot of The Christmas Twist get ripped off?

• Will there be baked goods in The Christmas ISIScicle?

• Does Jeffy play a human shield?

Below is a rush transcript of this segment, it might contain errors:

GLENN: So I'm going into shoot a movie, which I've never been in before. Today. This afternoon.

STU: Yeah. Pretty important stuff. You know, the Christmas holiday is here.

GLENN: Yeah.

STU: And this Friday, the season finale of the Wonderful World of Stu. We will try to lighten -- you know, lift people's spirits with a new Christmas movie. And you might say, "Wait a minute. It's a Christmas movie. How can you be shooting parts for it on the Monday of the week it airs?" That's a really good question --

GLENN: Right.

STU: -- that we're not going to --

GLENN: Well, I was going to ask that question.

STU: Yeah, I don't think it's important. Are you being critical of --

GLENN: Well, what I was wondering of was the quality of a movie that shoots on Monday for an airdate on Friday.

STU: To be fair, most of it was shot last week. So it is pretty high quality.

GLENN: Oh, okay. So double the time.

STU: Yeah, it's double the time.

GLENN: Now, the first movie in air quotes that you made was called The Christmas Twist.

STU: Oh, yeah. Huge hit.

JEFFY: Classic.

GLENN: Which I may say I do believe has been ripped off from this network.

STU: Yes.

PAT: For real.

JEFFY: Absolutely.

PAT: And it's on a Hallmark --

GLENN: This is the real deal. It's a Hallmark movie.

PAT: It's called The Christmas Cookie. Christmas Cookies. It's the same thing.

JEFFY: Yes.

STU: It's the exact same plot almost.

PAT: It's unbelievable.

STU: It's got to be the first time someone paid a real movie out of a parody. It's like the exact reverse of how it's normally done.

PAT: I mean, we're glad they did it. It's fine.

STU: Oh, thrilled.

PAT: We're not threatening lawsuits.

STU: Oh, no.

PAT: We just want them to fess up. That's all we want. That's all we want.

STU: Mostly, to give them a hug. I love the idea that they did it.

GLENN: Right. Okay. So what The Christmas Twist was, was a cookie -- a girl makes this cookie. She's got her own cookie store. It's not going anywhere. The boyfriend is this big business guy.

STU: Oh, yeah.

GLENN: And just railroads --

STU: Wants her to sell the store. She doesn't want to because it's her dream. It plays out like how every Hallmark movie plays out.

GLENN: Right. They're mocking the Hallmark movies. And somebody went and took the Lifetime movie deal and said, "We're going to make this less jokey about how bad these movies are and make a bad movie based on Stu's bad movie."

STU: I swear it happened.

GLENN: Yeah.

[break]

So today we're not filming The Christmas Twist, which is The Christmas Cookie. This is your follow-up movie.

STU: Yeah, it's unrelated. You know, being a sequel out of such a holiday classic as The Christmas Twist, I think, is problematic in many ways, at least until we need the money.

GLENN: Right.

STU: So this is a different movie. It's Christmas-themed obviously.

GLENN: Sure, it is. It's a heart-warming Christmas. Now, it was original scheduled for me to shoot this on the stages --

STU: Yeah, last Tuesday -- it was last Monday or Tuesday. When was Nightline here? It was initially scheduled for you to shoot on the day that Nightline was here. And I said, "You might want to move that." And they said, "Well, what about the next day?" And I said, "Oh, when Samantha Bee is here? No, he's not taping on either of those days."

GLENN: But it's a Christmas theme. What is the name of this?

STU: The name of the movie?

GLENN: Yeah.

STU: It's got Christmas in the title.

GLENN: What is the Christmas --

STU: People will know right away.

GLENN: The Christmas House? The Christmas Box? The Christmas Present?

STU: The Christmas --

GLENN: The, what?

STU: The Christmas Icicle.

GLENN: The Christmas Icicle?

STU: Eh, close. Yeah, it's close to that feel.

GLENN: The Christmas --

STU: The working title. I mean, obviously, the whole thing isn't even shot yet. The Christmas ISISicile.

PAT: ISISicile? Did you just misspell icicle?

STU: Uh-huh.

PAT: Is that what happened?

GLENN: What exactly is the -- what am I getting myself into for this movie of the week?

STU: Well, I mean, first of all, it's going to last for generations.

GLENN: It is.

STU: But it's about a young man entrepreneurial looking for employment in the industry -- looking for some seasonal employment.

GLENN: Sure. Sure.

STU: And gets interviewed at a -- at a place that makes reindeer car antlers. You know the reindeer car antlers that they make. You see them on cars from time to time.

GLENN: Yes. Oh, did you shoot that actually at the factory?

STU: It was a set. It's the theater of the mind.

GLENN: Yeah, okay.

STU: Except you're seeing it.

GLENN: Right.

STU: He may have worked for a company that -- called ISIS, his previous job.

GLENN: Okay. So is it the ISIS --

STU: So ISIS -- that's the name of the company: ISISicile. It kind of fits in with the Christmas theme. Because there's icicles at Christmas time because it's cold. When water goes below 32 degrees, it freezes --

GLENN: Yeah. I got the icicle part. I'm looking for the ISIS part.

STU: Oh, okay. You're asking about that.

Yeah, he has different goals than some of the other employees that work there.

GLENN: Right. Okay. All right.

STU: And he tries to work those goals. It's an interesting way of how different cultures come together around Christmas.

GLENN: Right. Huh.

STU: To unite --

GLENN: Now, it usually is like there's a bad guy, and then there's a sweet girl that has been, you know, crushed with the -- or a kid that has been crushed by the Christmas dream being crushed. Miraculous ending. And that's usually what happens.

STU: I think there's a miraculous ending. First of all, I would say, definitely there's definitely a miraculous ending. Would that miraculous ending involve at all me continuing to have a job after letting this air on the network?

STU: Well, look, I can't predict the future, obviously.

GLENN: Uh-huh. Uh-huh.

STU: You know, if this -- but, I mean, look, if you can't get behind a story about different cultures coming together around the most -- the most holy of holidays, I don't see how -- and for both sides of this -- they both are chasing what they believe Christmas should be all about. And that's both sides of the equation. And I think that's what's really important around this holiday.

GLENN: So you're selling this to me as a we can all get behind this?

STU: Look --

GLENN: Would it be safer for me to say, "We can all get behind this, and some should get behind something big and sturdy?"

STU: It might be -- if you were thinking about getting some personal protection, now might be the time.

GLENN: Right. It might be the time. All right. Okay. And that airs this Friday?

STU: Yes. Assuming you actually shoot your part today.

GLENN: May I ask, do I have to wear a beard?

STU: Would you like to wear a beard?

GLENN: No, I'm just asking. And would it be a white beard, or would it definitely not be a white beard?

STU: Look --

JEFFY: We haven't even decided if you're going to wear a beard yet.

GLENN: I'm just wondering if the part I'm playing -- because I haven't even read the part yet.

STU: No, you don't need to read it. It will be on the prompter when you get on set.

GLENN: Right. So when I see it and I get into makeup, am I going to be -- am I a jolly old elf? Or am I -- am I a bearded man for an entirely different reason?

STU: Well, first of all, when it comes to the color of the beard, I don't see color. I mean, that's how I am.

GLENN: Okay. All right.

STU: I'm not that kind of person.

GLENN: Okay.

STU: But -- I mean --

GLENN: Okay. We're going to leave it at that. We'll see it on Friday.

STU: Yes.

GLENN: Christmas ISISicile.

STU: ISISicile. Uh-huh. Pat is in it. Joined by Pat Gray. A very important part. Jeff Fisher also appears.

GLENN: Does he play the thing that I should crawl behind? A shield of sort?

STU: It could be a human shield. He could be a human shield.

GLENN: Okay. All right. Good. That sounds like something --

PAT: This will be probably even more classic than The Christmas Twist was, right? Which is already on Hallmark.

GLENN: Which I would like evidence tomorrow because you both are convinced -- I have not seen the Hallmark movie or the Lifetime movie.

PAT: The Christmas Movie.

GLENN: I'd like to see --

JEFFY: Oh, that's unbelievable.

PAT: Pretty unbelievable.

JEFFY: Oh, my gosh.

GLENN: Everybody who has seen it and has seen The Christmas Twist say it is the same story.

PAT: It's the same plot. It's really the same plot. I mean, it's exactly the same, just done in a serious way when we were playing it for comedy. That's all it is. I just want them to admit it. Of course, there's also another one at Hallmark I just saw over the weekend. And I've never seen this in its entirety. But it's another one where the girl owns a shop, only it's not a cookie shop. It's an antique. I think it's been in her family for years.

GLENN: For generations. Yeah.

PAT: It was handed down from her father -- from her grandfather to her father I think and then from her father to her. And it means so much to her.

GLENN: And she's struggling. Right. She's going to lose it.

PAT: And she's struggling. Of course, she's struggling. Well, and there's a guy who is trying to buy the entire strip mall.

STU: I bet he's good-looking.

GLENN: Oh, my gosh.

PAT: He -- I don't know what he looks like. But her boyfriend is the one who is trying to negotiate the sale for her.

GLENN: Oh.

STU: Okay.

PAT: Okay. The rich boyfriend -- anyway, she's going --

GLENN: So if he's a rich boyfriend, why doesn't he just save the shop and say, "Don't worry about struggling?"

PAT: You know, that's unclear to me. I think he wants her to have something of hers.

GLENN: Right. Okay.

PAT: I don't think he wants to completely take care -- he just wants to do the deal for her. And then it's really her deal. You know.

JEFFY: But, see, he's a little on the greedy side.

PAT: A little on the greedy side.

JEFFY: Sometimes -- he's losing sight of maybe the holidays.

GLENN: Really?

PAT: A little on the snarky side. He's not the warm, fuzzy boyfriend you'd maybe like --

GLENN: He's not like the -- and I don't mean to talk down to these movies, like the stereotypical kind of Scrooge character, is he?

PAT: I don't think he's along the lines of Scrooge, he's just less Christmassy than maybe you would like for her.

GLENN: Oh, okay.

JEFFY: Yeah.

JEFFY: Sometimes you lose sight.

PAT: So, anyway, he sends her to his hometown to his family which she's never met before. And at the airport, her luggage gets lost.

STU: Oh, no.

GLENN: Oh, boy.

PAT: And then as she's looking for her luggage, she miraculously runs into --

GLENN: An old boyfriend.

PAT: No. Her future brother-in-law. Her fiance's brother is there to pick her up at the airport. He brings her home.

GLENN: Is he a nice guy?

PAT: They spend several days together.

GLENN: And he's like really fatherly.

PAT: Oh, he's a wonderful guy.

No, this is a really good -- a handsome guy. This guy is really into Christmas. He's got a family super into Christmas.

GLENN: Oh, boy. Oh, yeah. I bet.

PAT: Finally, the fiancÈ comes home, uh-oh, it's not her fiance. It was a different family with the same exact name as the family as she was hoping to be with for Christmas.

JEFFY: What!

GLENN: Wait a minute.

JEFFY: What!

GLENN: Hold on just a second. In this small town.

PAT: In this small town. Two families with the same names.

GLENN: Same names.

PAT: Apparently the brothers had the same names.

GLENN: And they were both getting married at the same time.

PAT: Apparently both fiancÈs were coming to the house.

GLENN: Oh, my gosh. What happened to the other fiancÈ? Is she still at the --

PAT: When the -- when the brother comes home and she realizes, I don't know who this guy is -- well, then obviously she calls the fiancÈ and he's on his way. And so she leaves the house.

STU: I --

PAT: And she goes -- I mean, it's only a couple blocks away to the other house.

STU: I did see this one.

PAT: You did see this one? A classic.

GLENN: This sounds really good. Really good.

JEFFY: They're all good.

GLENN: We've got to do one -- we've got to really --

PAT: Yeah, we have to do a serious -- a full length --

GLENN: Even if we have to shut down, I don't know, the entire TV division and just spend a year on that.

PAT: I mean, how hard can it be? These are so preposterous.

GLENN: Whoa, whoa.

PAT: I mean, so good. So good. And they put you in the spirit.

GLENN: Right.

PAT: So she goes to the other family who she's supposed to be with. And, of course, none of them are into the holiday.

STU: It's the exact opposite.

PAT: It's the exact opposite. They're busy are work.

JEFFY: We have our lives to do.

PAT: They don't even spend time together in the same room necessarily they're off doing their own thing. She finally brings them together for a game, where they tell each other what they like about each other. But the things they like about one another is so superficial, she can't abide it. She can't abide it.

And then the last straw is when the fiancÈ boyfriend says, "I got a surprise for you. You're a millionaire." And then he goes and explains it to her privately in the room. He has worked the deal out to sell her shop to the guy who wants to buy her strip mall for three and a half million dollars.

JEFFY: Now she's set for life.

PAT: How dare he! She doesn't want that deal.

GLENN: She doesn't want that. Right. She wants the other guy and the other family.

PAT: It's not about money. That's right.

GLENN: Now, the other guy and the other family, what would be really special is if their fiancÈ, his fiancÈ had met the other family and kind of fell in love. Maybe this is the sequel with the other guy.

PAT: That would be kind of cool.

GLENN: And she fell in love, so it was like a Christmas wife swap.

(laughter)

STU: I think that's one of Jeffy's movies.

GLENN: That would probably be a bad name for it.

PAT: That probably would be. Christmas Wife Swap doesn't sound Christmassy.

JEFFY: You'll get a lot of good stuff.

GLENN: Or The Christmas Twist. Just saying. All right.

Featured Image: Icicles pictured in front of a picture window. (Photo Credit: Marc Müller/AFP/Getty Images)

POLL: Was Malaysia Flight 370 taken by a WORMHOLE?

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It's hard to know what's real and what's fake anymore.

With the insanity that seems to grow every day, it is becoming more and more difficult to tell what's true and what's not, what to believe, and what to reject. Anything seems possible.

That's why Glenn had Ashton Forbes on his show, to explore the fringe what most people would consider impossible. Forbes brought Glenn a fascinating but far-out theory that explains the decade-old disappearance of Malaysia Airlines Flight 370 along with riveting footage that supposedly corroborates his story. Like something out of a sci-fi novel, Forbes made the startling claim that Flight 370 was TELEPORTED via a U.S. military-made wormhole! As crazy as that sounds, the video footage along with Forbes' scientific research made an interesting, if not compelling case.

But what do you think? Do you believe that the U.S. Government can create wormholes? Did they use one to abduct Flight 370? Is the government hiding futuristic tech from the rest of the world? Let us know in the poll below:

Does the military have the capability to create wormholes?

Is the U.S. military somehow responsible for what happened to Malaysia Flight 370?

Is the military in possession of technology beyond what we believe to be possible?

Do you think American military tech is ahead of the other superpowers?

Do you think there would be negative consequences if secret government technology was leaked?

5 videos that reveal the WOKE GARBAGE being taught to our kids

School today is not like it used to be...

Glenn recently covered how our medical schools have been taken over by gender-affirming, anti-racist, woke garbage, and unfortunately, it doesn't stop there. Education at all levels has been compromised by progressive ideology. From high-level university academics to grade school, American children are constantly being bombarded by the latest backward propaganda from the left. Luckily, in the age of Zoom classes and smartphones, it's harder for teachers to get away their agenda in secret. Here are five videos that show just how corrupt schools really are:

Woke teacher vandalizes pro-life display

Professor Shellyne Rodriguez, an art professor at Hunter College in New York, was caught on camera having a violent argument with a group of pro-life students who were tabling on campus. Rodriguez was later fired from her position after threatening a reporter from the New York Post, who was looking into this incident, with a machete.

Woke professor argues with student after he called police heroes

An unnamed professor from Cypress College was captured having a heated discussion with a student over Zoom. The professor verbally attacked the student, who had given a presentation on "cancel culture" and his support of law enforcement. The university later confirmed that the professor was put on leave after the incident.

Professor goes on Anti-Trump rant

Professor Olga Perez Stable Cox was filmed by a student going on an anti-Trump rant during her human-sexuality class at Orange Coast College. This rant included Professor Cox describing Trump's election as "an act of terrorism”. The student who filmed this outburst was suspended for an entire semester along with several other punishments, including a three-page apology essay to Professor Cox explaining his actions. Orange Coast College continues to defend Professor Cox, citing the student code of conduct.

Unhinged teacher caught on video going on left-wing political rant

Lehi High School teacher Leah Kinyon was filmed amid a wild, left-wing rant during a chemistry class. Kinyon made several politically charged remarks, which included encouraging students to get vaccinated and calling President Trump a "literal moron." Despite her claims that the school admins "don't give a crap" about her delusional ramblings, a statement from Lehi High School reveals that she "is no longer an employee of Alpine School District."

Far-left Berkeley law professor melts down when a Senator asks her if men can get pregnant

During a Senate Judiciary Committee hearing, Berkeley Law Professor Khiara M. Bridges was asked by Missouri Senator Josh Hawley to clarify earlier statements involving "people with a capacity for pregnancy." The senator's line of questioning is met with a long-winded, frantic rant accusing the senator of being transphobic. When Sen. Hawley tries to clarify further, Professor Bridges makes the outrageous claim that such a line of questioning somehow leads to trans suicides.

Woke ideology trumps medicine in America's top 5 medical schools

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Progressive ideology has infected our most prestigious medical schools and is seeping into our medical system.

As Glenn covered in his latest TV special, "diversity, equity and inclusion" (DEI), and leftist rhetoric have overtaken science and medicine as the focus of medical schools across the nation. The next generation of doctors and nurses is being force-fed DEI and "anti-racist" nonsense at the expense of slipping standards. This has led to a decline in people's trust in the medical industry and for good reason. Woke ideology has already been the driving force behind at least one medical malpractice case, and more are undoubtedly on the way.

All of this is being spearheaded by universities, which have integrated DEI practices into the fabric of their programs. Our top medical schools now require students and staff to participate in mandatory DEI and "anti-racist" classes and training and are adjusting the standards to reflect this new shift in focus. Here are 5 statements from the top American medical schools that show that medicine is no longer their primary focus:

Harvard Medical School

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Taken from the Harvard University "Unconscious bias" resource page:

“As members of HMS, we each have a responsibility to create an inclusive community that values all individuals. Barriers to inclusion may include assumptions we make about others that guide our interactions. Recognizing our Unconscious Bias is a critical step in developing a culture of equity and inclusion within HMS and in our partnerships with other communities.”

The Johns Hopkins University School of Medicine

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Pulled from the JHM Office of Diversity, Inclusion and Health Equity blog:

“One-hour live, virtual unconscious bias training ... [w]ill be required at all Johns Hopkins Health System (JHHS) entities for managers and above; hospital nurse leaders; credentialed providers (such as physician assistants and nurse practitioners); and for school of medicine faculty and trainees (including residents, fellows, medical and graduate students, and research postdocs), as well as those at a manager level or above.”

Stanford University School of Medicine

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Found on the Stanford Medicine Commission on Justice and Equity page:

“The Commission on Justice and Equity—composed of external and internal leaders, experts, and advocates—represents an institution-wide, collaborative effort to dismantle systemic racism and discrimination within our own community and beyond.”

Perelman School of Medicine at the University of Pennsylvania

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Taken from the Penn Medicine Commitment to Inclusion, Equity, and Antiracism site:

“We openly acknowledge the role of structural forces of oppression as primary drivers of the disparate health outcomes. We believe that working to reverse the underrepresentation of historically excluded groups is critical in achieving equitable health outcomes. While this is an ongoing journey for our program, here are some of the tangible steps we have taken to achieve an inclusive culture”

Columbia University Vagelos College of Physicians and Surgeons

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Pulled from the Vagelos College of Physicians and Surgeons Diversity, Equity, Inclusivity, Justice, and Anti-Racism page:

"Courses are being revised to be more inclusive and informed by the key principle of race as a social construct and a social determinant of health. We are training faculty that Anti-Racism is not an add-on to a course. Anti-Racism is a pedagogy - a manner of teaching, designing courses, and measuring learning outcomes. We make sure that the classroom environment is inclusive by holding space for respectful conversation and ensuring that we address any “classroom ruptures”– a disorienting dilemma or situation when a bias or microaggression that may occur, providing real time opportunities for professional development, learning, and growth. Racist actions and remarks are never tolerated at Columbia University and will be dealt with following established protocols."

Critical theory destroys truth and justice

Editor's note: This article was originally published on TheBlaze.com.

Critical theory once stood out as the absurd progressive notion that it is. Now, its maxims are becoming an integral part of ordinary political discourse. The more you repeat a lie, the more you will believe it, and this is the very dangerous place in which we find ourselves today.

Take this critical theory maxim as an example: If we desire justice, we must sometimes champion what may appear superficially as injustice. It's a necessary evil, if you will, the necessity of “controlled injustice.”

By using truth through fabrication and controlled injustice for justice, we’ll save the republic. We’ll be acting in a noble way.

This definition of justice is defined by the “oppressed,” not the “oppressor.” It is the greatest happiness for the greatest number. To achieve this justice, however, we need to endorse acts on occasion that, while seemingly unjust, serve a higher purpose. It will ensure the stability and the unity of our republic, and this may manifest in ways that seem contradictory to our values. But these are the necessary shadows to cast light on “true justice.”

And isn’t that what we are all after, anyway?

Here’s another critical theory maxim: Sometimes we find the truth through fabrication. Our pursuit of truth sometimes requires a strategic use of falsehoods. The truth is a construct that has been shaped and tailored to promote the well-being of the collective.

We sometimes need to accept and propagate lies designed by "the system” — not the old system, but the system that we’re now using to replace the old to get more justice through injustice and more truth through fabrication.

We’re engaging in a higher form of honesty. When we fabricate, it’s for the right reason. We are reaching up to the heavens fighting for a higher sort of honesty. To fortify the truth, we occasionally must weave a tapestry of lies. Each thread, essential for the greater picture, will ultimately define our understanding and ensure our unity under this infallible wisdom.

The election is coming up. Does this maxim sound familiar? Many think it is imperative that we secure our republic through election control to maintain our republic. Sometimes, we might need to take actions that by traditional standards might be questionable.

The act of securing elections requires cheating. It's not mere deception. It is a noble act of safeguarding our way of life. We're on the verge of losing this democracy, and without deception, we will lose it.

To ensure it doesn't fall into the hands of those we know will destroy it, we may have to make a few fabrications. We're fabricating stories to be able to control or secure the republic through our elections. By using truth through fabrication and controlled injustice for justice, we'll save the republic. Therefore, we'll be acting in a noble way. Stealing an election from those who wish to harm our society is truly an act of valor and an essential measure to protect our values and ensure the continuation of our just society.

If we desire justice, we must sometimes champion what may appear superficially as injustice.

I know it's a paradox of honor through dishonor. But in this context, by embracing the dishonor, we achieve the highest form of honor, ensuring the stability and the continuation of our great republic.

Let this be heard, far and wide, as a great call to patriotic action. As we advance, let each of us, citizens of this great and honorable republic, consider these principles. Not as abstract or paradoxical but as practical guides to daily life. Embrace the necessity of controlled injustice, the utility of lies, the duty to secure our electoral process, and the honor and apparent dishonor. These are not merely strategies for survival. They are prerequisites for our prosperity.

We all have to remember that justice is what our leaders define, that truth is what our party tells us. Our republic stands strong on the values of injustice for justice, honor through dishonor, and the fabrication of truths. To deviate from this path is to jeopardize the very fabric of our society. Strength through unity; unity through strength.

We've heard this nonsense for so long. But now, this nonsense is becoming an instituted reality, and we are entering perilous times. Don't be fooled by the narratives you will hear during the march to November. Never let someone convince you that the ends justify the means, that a little bit of injustice is needed to achieve a broader, collective vision of justice, that truth sometimes requires fabricated lies and narratives. If we do, justice will cease to be justice, truth will cease to be truth, and our republic will be lost.