The Jimmy Stewart You Never Knew: World War II Squadron Commander

In March 1941, Jimmy Stewart, America’s boy next door and recent Academy Award winner, left fame and fortune behind and joined the United States Army Air Corps to fulfill his family mission and serve his country. He rose from private to colonel and participated in 20 often-brutal World War II combat missions over Germany and France. In mere months, the war took away his boyish looks as he faced near-death experiences and the loss of men under his command. The war finally won, he returned home with millions of other veterans to face an uncertain future, suffering what we now know as PTSD. For the next half century, Stewart refused to discuss his combat experiences and took the story of his service to the grave.

RELATED: Why War Veteran and Quadruple Amputee Travis Mills Is Thankful and ‘Tough as They Come’

In Mission: Jimmy Stewart and the Fight for Europe, author Robert Matzen presents the first in-depth look at Stewart’s life as a Squadron Commander in the skies over Germany, and, his return to Hollywood the changed man who embarked on production of America’s most beloved holiday classic, It's a Wonderful Life. Matzen sifted through thousands of Air Force combat reports and the Stewart personnel files; interviewed surviving aviators who flew with Stewart; visited the James Stewart Papers at Brigham Young University; flew in the cockpits of the B-17 Flying Fortress and B-24 Liberator; and walked the earth of air bases in England used by Stewart in his combat missions from 1943-45. What emerges is the story of a Jimmy Stewart you never knew, a story more fantastic than any he brought to the screen.

Matzen joined Glenn on radio Thursday to talk about Mission and the life of one of America's most beloved and iconic cinema stars.

Read below or listen to the full segment for answers to these questions:

• Did Matzen reveal any skeletons that ruined Glenn's view of Stewart?

• Which relatives of Stewart's fought in the Civil War?

• Were the snowy scenes in It's a Wonderful Life shot in the Mojave Desert?

• How did the war change Stewart as a man?

• How many missions did Stewart fly and which one cracked his plane in half?

Listen to this segment from The Glenn Beck Program:

Below is a rush transcript of this segment, it might contain errors:

GLENN: Hello, and welcome -- welcome to the program. I was reading an article about Jimmy Stewart. This new book out that's called Mission. And I learned some stuff about Jimmy Stewart that I really wasn't aware of and especially what was happening with him when he came back to film --

PAT: Glenn, don't you know me?

GLENN: Yeah. Okay.

PAT: Don't you know me, Glenn?

GLENN: So when he was filming that, he and Frank Capra were going through PTSD, which nobody talked about back then.

PAT: Uh-uh.

GLENN: And Jimmy Stewart was quite an amazing guy. Robert Matzen is the author of Mission: Jimmy Stewart and the Fight for Europe. And we wanted to get him on.

Robert, welcome to the program. How are you?

ROBERT: I'm great. Thanks for having me on.

GLENN: You bet.

So tell me what we don't know about Jimmy Stewart.

ROBERT: Well, in the context of It's a Wonderful Life, he had just come back from the most horrific combat experiences over the skies of Europe that you could imagine.

GLENN: Now, he was not -- he was not -- you know, as a celebrity, he could have gone and done anything over in World War II. But he didn't. He really signed up and was like, "No, I really want to fight."

ROBERT: Yeah. He -- the war department and Hollywood both wanted to keep him stateside, of course, because nothing good could come of a Hollywood star being shot down over Germany.

PAT: That's for sure.

ROBERT: So he had to buck those headwinds to get overseas, and he managed to do it. It took him two years.

PAT: And so what -- what exactly was his job when he was over there? What did he do? You said in the skies over Europe. He wasn't a pilot, was he?

ROBERT: He was a pilot. He was a bomber pilot.

PAT: He was a pilot. Wow.

ROBERT: He had been a private pilot in his Hollywood years. That was the first thing he did when he earned a Hollywood paycheck, was learn to fly, and then he bought his own plane. And so he was ready. He wanted to serve. And he wanted to serve as an Army pilot, and that's exactly what he did.

And at first, he was training other pilots stateside that was eating him alive. He wanted to go fight. And finally he did get a combat assignment as a squadron commander in a heavy bomb group that went over to England in 1943.

PAT: This guy was almost too good to be true, wasn't he? An American patriot. American hero. A tremendous actor. Married to the same woman virtually his whole life. Right? No major scandals that we know of. Am I --

GLENN: And if we do, we don't necessarily want to know about them.

PAT: Right.

GLENN: I mean, this is a book -- I want to read it over the Christmas holiday. Because I love Jimmy Stewart. Is this -- are you going to wreck him for me?

ROBERT: No, I'm not going to wreck him for you. I went into this project neutral on the guy. I mean, not a fan, per se. Everybody loves It's a Wonderful Life. Well, almost everybody.

But I grew to admire him tremendously, through learning about the 20 combat missions that he went through and what he was like when he came back. You know, refusing to talk about what it was like over there.

GLENN: So when he was on the set -- because Frank Capra -- what was Frank Capra doing the war?

ROBERT: And Frank Capra was making patriotic films. Films to let Americans know what was going on overseas. Who the enemy was. What our boys were doing over there.

So his experience wasn't like Jim's. But Frank was away for four years from Hollywood, and Jim was away for five. I mean, Jim slammed the door on Hollywood and left it behind.

And so he's coming back as, really, a middle-aged man. There's a photo in the book that's a before shot in 1942 of this fresh-faced Jimmy Stewart. Just got his wings. Second lieutenant.

Two years later, he looks like a haggard old man. By then, it looks like 14 combat missions in three months. So when -- by the time they reached the set of its a wonderful life, they were both feeling, "This is make or break for me." If I don't make this work, my career is over. They were both thinking that.

And so the set was extremely tense. It was nothing like you would think it would be.

GLENN: So it was shot in California. The snowy scene is happening in California in the middle of June. Right?

ROBERT: In the Mojave Desert. At 90 degrees. That's right.

GLENN: In the desert.

PAT: Jeez. Wow.

ROBERT: Yeah.

GLENN: And I got the impression from what the story -- I don't even remember where I read this, but it was about your book. And I got the impression that that was -- it was just rife with problems.

ROBERT: Well, that particular scene was shot at the RKO ranch in Encino. And they had to really invent a new type of snow that could withstand the heat and could still be slushy, could still look and feel like snow. So, yeah, I mean, it was a tough shoot.

But the whole movie -- if you look at the movie, it's an extravagant picture with a tremendous number of setups. They re-created that whole main street of Bedford Falls. A lot of interior shots -- everything that was -- all the bridge sequences where Clarence jumps in the water and Jim jumps in, those were all done in the studio. And that took weeks to get it right. Capra was a perfectionist. A lot went into that movie.

GLENN: And did they have any idea -- did Jimmy Stewart have any idea of what that movie was going to be at the end of it?

ROBERT: No. He was disappointed in how it turned out. He was always a populist in the sense that if the public liked his picture, he liked his picture. If the public didn't react like he wanted, then he didn't like the picture.

And It's a Wonderful Life was made right at the end of the war. You know, a war-weary America I don't think was ready for this particular picture, and it took another ten years before it was embraced. And that was by television. And that's when Jim started to warm up to it, when everybody else did.

GLENN: How did he change -- how did the war change him overall as a man?

ROBERT: Before the war, I spent a fair amount of time talking about his romantic adventures with A-List Hollywood actresses. And he went through all of them.

GLENN: He was a player? Jimmy Stewart was a player?

ROBERT: He was a player. Big-time.

JEFFY: He told you he wasn't going to ruin him for you.

(laughter)

GLENN: Wow. I had no idea.

ROBERT: Yeah.

GLENN: Player. Okay.

ROBERT: Because here he is -- he's 6-4 and 140 pounds.

PAT: Jeez.

ROBERT: And he thought he was just this gangly guy that no one would find attractive. So he had to prove to himself that he was attractive. That was his pre-war thing.

But when he came back, he realized how superficial that was. He didn't need to prove that to himself anymore. He had also proved the other thing that he needed to prove, which was that he was brave enough to represent the Stewart family. And that's what Mission is really all about, is his family mission to serve their country. And he proved that to himself.

So he came back as a mature person who had been seasoned by all this death and devastation. And that's why he was ready to settle down. And he did it beautifully. And he also carved this career that emphasized the darker side of him that had come out of the war. This hardened, tough man came out of the war. And he started to play tough roles.

GLENN: What do you mean his family -- his family had a long history of war --

ROBERT: Oh, yeah.

GLENN: -- heroes?

ROBERT: Both of his grandfathers were in the Civil War. One of them was a hero of the second day of Gettysburg, at Little Round Top. And the other one served with Custer in the Shenandoah Valley. And so -- and that grandfather also named James M. Stewart lived into the 1930s. And Jim learned all about war from someone who saw Lee surrender to Grant at Appomattox.

PAT: Wow.

GLENN: Do these kind of guys exist anymore?

ROBERT: You know, I've been asked that.

And Pat Tillman comes to mind, you know. Someone who just walked away from a very successful public career to serve. But they are few and far between. But even in Jim's time, they were few and far between.

GLENN: Because most people, they just -- they would do their rounds, and they would be seen in the uniform. They would raise money. Raise awareness. And not actually go in and fight.

Was it -- was he a believer in what he was fighting against or just a believer of what he was fighting for?

ROBERT: Boy, that's a great question.

Both. I think both. He was a tremendous believer in the cause. And it was the happiest time in his life, he said that often. He said he was never happier than doing this righteous thing for this righteous cause.

GLENN: That was -- I mean, being a pilot in World War II, it was quite surprising that he lived, honestly. I mean, how many missions did he fly?

ROBERT: He flew 20 exactly. And at one point, on one of his missions, on February 25th, 1944, an anti-aircraft shell hit the flight deck of his B-24 Liberator and blew a hole between his feet, two feet across. And his map case fell out the hole and went down to Germany. And that was one mission too many. When he landed that plane, it cracked in half.

I mean, that's just -- that was his closest brush with death. But he had more than that. And that's what people just don't know. That's the guy -- that's his backstory, when you watch It's a Wonderful Life. He had just been there. And he had just done that.

GLENN: Hmm. Robert Matzen, thank you for the time that you spent on looking at this man's life and telling us the truth about who he really was. Mission: Jimmy Stewart and the Fight for Europe by Robert Matzen. Great gift for anybody like me who just loves Jimmy Stewart and loves a good story of history that you've never heard before. Robert Matzen. Mission is the name of the book.

Thank you so much. Appreciate it.

ROBERT: Thanks, Glenn.

GLENN: You bet. God bless.

Featured Image: Lt. Gen. Valin, Chief of Staff, French Air Force, awarding Croix De Guerre with palm to Col. James Stewart (Photo: US Air Force).

On the radio program Tuesday, Glenn Beck and Stu Burguiere discussed recent reports that former Vice President Joe Biden's son, Hunter, wasn't the only family member to capitalize on his connections to land an unbelievably lucrative job even though he lacked qualifications or experience.

According to Peter Schweizer's new book, "Profiles in Corruption: Abuse of Power by America's Progressive Elite," Joe Biden's younger brother, Frank, enjoyed the benefit of $54 million in taxpayer loans during the Obama administration to try his hand at an international development venture.

A lawyer by training, Frank Biden teamed up with a developer named Craig Williamson to build a sprawling luxury resort in Costa Rica, which claimed to be on a mission to preserve the country's forests but actually resulted in the decimation of thousands of acres of wilderness.

The then-vice president's brother also reportedly earned hundreds of thousands of dollars as the front man of a for-profit charter school company called Mavericks in Education.

The charter schools, which focused on helping at-risk teens, eventually failed after allegations of mismanagement and a series of lawsuits derailed the dubious business venture.

Watch the video below to get Glenn's take on these latest revelations in the Biden family corruption saga:

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Ryan: Bernie at the disco

Photo by Sean Ryan

Saturday at El Malecón, we waited for the Democratic socialist. He had the wild white hair like a monk and the thick glasses and the booming voice full of hacks and no niceties.

Photo by Sean Ryan

The venue had been redecorated since we visited a few nights before when we chatted with Castro. It didn't even feel like the same place. No bouncy castle this time.

Photo by Sean Ryan

A black curtain blocked the stage, giving the room a much-needed depth.

Behind the podium, two rows of mostly young people, all holding Bernie signs, all so diverse and picturesque and strategic.

Photo by Sean Ryan

Lots of empty seats. Poor showing of Bernie fans for a Saturday afternoon. At one point, someone from Bernie's staff offered us seats in the audience, as if eager to fill up those seats however possible.

There were about 75 people in the dancehall, a place built for reunions and weddings and all those other festivities. But for a few hours on Saturday, August 10, 2019, it turned serious and wild for "Unidos Con Bernie."

Photo by Sean Ryan

People had been murmuring about Sanders' speech from the night before at Wing Ding. By all appearances, he had developed a raving lust to overthrow Trump. He had even promised, with his wife just out of view, that, were he elected, he'd end white nationalism in America. For good.

El Malecón lacked its previous air of celebration. It had undertaken a brooding yet defiant spirit. Media were sparse. Four cameras faced the podium. Three photographers, one of whom had been at nearly all the same events as us. A few of the staffers frowned at an empty row of chairs, because there weren't that many chairs to begin with.

At the entrance, Bernie staff handed out headsets that translated English to Spanish or Spanish to English, depending on who the speaker was. The translators stood behind the bar, 20 feet from the podium, and spoke into a lip-ribbon microphone.

Bernie's staff was probably the coolest, by far. As in, they looked cool and acted stylishly. Jeans. Sandals. Careworn blazers. Tattoos. One lad had a black Levi's shirt with lush crimson roses even though he wasn't a cowboy or a ranch-hand. Mustaches. Quirky hats. A plain green sundress. Some of them wore glasses, big clunking frames.

Photo by Sean Ryan

The outfits were distinctly Bernie. As Bernie as the tie-dyed "BERNIE" shirts for sale outside the club. Or later, at the Hilton, like a Grateful Dead cassette stand.

Immigration was the theme, and everyone in the audience bore some proof of a journey. Because America offers life, freedom, and hope.

Sanders' own father emigrated from Poland to America at 17, a high school dropout who could barely speak English. As a Jew, he'd faced religious persecution.

Within one generation, Bernie Sanders' father contributed to the highest stratum of American society. In one generation, near hopelessness had transformed into Democracy, his son a congressman with a serious chance at the presidency.

Photo by Sean Ryan

That's the beauty of America. Come here broken and empty and gutted and voiceless. And, within your lifetime, you can mend yourself then become a pillar of society. Then, your son can become the President of the United States of America!

Four people gave speeches before Sanders. They took their time, excited and nervous. They putzed. Because how often do you get to introduce a presidential frontrunner?

All the native English speakers jammed their earpieces when the woman with the kind and dark energy took the stage.

Photo by Sean Ryan

She mumbled in Spanish and did not look up and said that, when her parents died, she couldn't go home for the funeral. She fought back tears. She swallowed hard to shock herself calm. And the room engulfed each silence between every word.

It felt more like a therapy session than a political rally. A grueling therapy session at that. Was that what drew people to Bernie Sanders, that deep anguish? That brisk hope? Or, rather, the cessation of it, through Sanders? And, of course, the resultant freedom? Was it what gave Sanders a saintlike ability to lead people into the realm of the confessional? Did he have enough strength to lead a revolution?

Photo by Sean Ryan

While other frontrunners hocked out money for appearances, like the studio lights, Sanders spent money on translators and ear-pieces. The impression I got was that he would gladly speak anywhere. To anyone. He had the transitory energy you can capture in the writings of Gandhi.

Photo by Sean Ryan

I'm not saying he's right or wrong — I will never make that claim, about any of the candidates, because that's not the point of this, not the point of journalism, amen — what I'm saying is he has the brutal energy of someone who can take the subway after a soiree or rant about life by a tractor or chuck it up with Sarah Silverman, surrounded wherever he goes.

Without the slightest fanfare, Sanders emerged from behind the black curtain. The woman at the podium gasped a little. The room suctioned forward when he entered. In part because he was so nonchalant. And, again. That magnetism to a room when a famous or powerful or charming person enters. Not many people have it. Not many can keep it. Even fewer know how to brace it, to cull it on demand. But several of the candidates did. One or two even had something greater.

Photo by Sean Ryan

I'll only say that Bernie had it with a bohemian fervor, like he was a monk stranded in a big city that he slowly brings to God.

"We have a President who, for the first time in my lifetime, who is a President who is a racist," he shouted. "Who is a xenophobe and anti-immigrant. Who is a sexist. Who is a religious bigot. And who, is a homophobe. And, what is very disappointing is that, when we have a President, we do not necessarily expect to agree with him, or her, on every issue. But we do believe that one of the obligations is to bring people to-geth-ah. As Americans."

Photo by Sean Ryan

After listening silently for several minutes, the audience clapped. Their sweet response felt cultish. But, then again, what doesn't feel cultish these days? So this was cultish like memes are cultish, in a striving-to-understand kind of way.

"The essence of our campaign is in fact to bring people together," he said. "Whether they're black, or white, or latino, or Native American, or Asian-American. We understand that we are Americans."

At times, this meant sharing a common humanity. Others, it had a slightly more disruptive feel. Which worked. Sometimes all we want is revolution. To be wild without recourse. To overthrow. To pass through the constraints of each day. To survive. The kind of rowdy stuff that makes for good poetry but destroys credit lines. Sanders radiated with this intensity, like a reclusive philosopher returning to society, from his cave to homes and beds and fences and maybe electricity.

Photo by Sean Ryan

But, as he says, his revolution would involve healthcare and wages and tuition, not beheadings and purges and starvation.

Seeing the Presidential candidates improvise was amazing. They did it constantly. They would turn any of their beliefs into a universal statement. And Sanders did this without trying. So he avoided doing the unbearably arrogant thing of pretending to speak like a native Guatemalan, and he looked at the group of people, and he mumbled in his cloudy accent:

"My Spanish — is not so good."

Photo by Sean Ryan

This is the same and the opposite of President Trump's Everyman way of speaking English like an American. Of speaking American.

Often, you know what Sanders will say next. You can feel it. And, anytime this happened, it brought comfort to the room.

Like, it surprised no one when he said that he would reinstate DACA on his first day in office. It still drew applause.

But other times, he expressed wild ideas with poetic clarity. And his conclusions arrived at unusual junctures. Not just in comparison to Republicans. To all of them. Bernie was the Tupac of the 2020 election. And, to him, President Trump was Suge Knight, the evil force behind it all.

"Donald Trump is an idiot," he shouted.

Photo by Sean Ryan

Everybody loved that. Everybody clapped and whooped and some even whistled like they were outside and not in a linoleum-floor dancehall.

"Go get 'em, Bernie," someone in the back shouted.

This was the only Sanders appearance with no protestors.

"Let me say this about the border," he shouted. And everybody listened to every thunking syllable. He probably could have spoken without a mic. Booming voice. Loud and clear. Huddling into that heavy Vermont slug accent.

They'll say many many things about Bernie. One being, you never had to lean forward to hear him. In person, even more so. He's less frail. More dynamic.

Photo by Sean Ryan

Despite the shoddiness of the venue, there was a sign language interpreter. Most of the rallies had a designated interpreter.

"If you work 40 hours a week you shouldn't be living in poverty," he shouted, provoking chants and applause from the audience, as if he were talking about them. Maybe he was.

An anecdote about the people at an emergency food shelf blended into the livable wage of $15 an hour. He shifted into his spiel about tuition-free college and pointed at the audience, "You're not doing well," then at the kids behind him, "they are." He craned his head sideways and back. "Do your homework," he told said.

Laughter.

Half of the kids looked like they hadn't eaten in days. Maybe it was their unusual situation, a few feet from Bernie Sanders at a stucco community center.

Before the room could settle, Sanders wove through a plan for how to cancel debt.

Did he have a solution?

Tax Wall Street, he shouted.

Photo by Sean Ryan

And he made it sound easy. "Uno dos trey," he said. "That's my Spanish for today."

A serious man, he shoved through his speech like a tank hurtling into dense jungle. He avoided many of the typical politician gimmicks. Proof that he did not practice every expression in front of a mirror. That he did not hide his accent. That he did not preen his hair. That he did not smile for a precise amount of time, depending on the audience. That he did not pretend to laugh.

Photo by Sean Ryan

He laughed when humor overtook him. But it was genuine. With none of the throaty recoil you hear in forced laughter.

"I want everyone to take a deep breath," he said. And a palpable lightness spread through the room, because a deep breath can solve a lot of problems.

Photo by Sean Ryan

Then he roused some more. "Healthcare is a human right," he shouted. "A human privilege," he shouted. He told them that he lives 50 miles from the Canadian border in Burlington, Vermont, and healthcare works better up north.

Each candidate had a bad word, and Sanders' was "corporate."

Photo by Sean Ryan

At every speech, he mentioned "corporate media" with the same distrust and unpleasantness that conservatives derive from the term "mainstream media." Another would be "fake news," as popularized by Sanders' sworn enemy. Either way it's the same media. Just different motivations that irk different people.

But the discrepancies varied. Meaning two opposing political movements disliked the same thing, but for opposite reasons.
It sounded odd, Sanders' accusation that the media were against him. The media love Bernie. I can confirm this both anecdotally and judiciously. Yes, okay, in 2016, the media appeared to have sided with Hillary Clinton. As a result, Sanders was publicly humiliated. Because Clinton took a mafioso approach to dealing with opponents, and Sanders was her only roadblock.

Imagine if a major political organization devoted part of each day to agitating your downfall. And then you fail. And who's fault is it?

Sanders wanted to know: those negative ads targeting him, who paid for them?

Photo by Sean Ryan

Corporations, of course. Corporations that hated radicals like him. And really was he so radical? He listed off the possibilities: Big pharma, insurance companies, oil companies.

Because he had become a revolutionary, to them. To many.

He said it with certainty, although he often didn't have to say it at all. This spirit of rebellion had become his brand. He would lead the wild Americans into a utopia.

But just as quickly, he would attack. Trump, as always, was the target.

He called Trump the worst president in American history.

"The fates are Yuge," he shouted.

The speech ended as informally as it had begun. And Sanders' trance over the audience evaporated, replaced by that suction energy. Everyone rushed closer and closer to the man as Neil Young's "Keep on Rockin in the Free World" blared. Sanders leaned into the podium and said, "If anyone wants to form a line, we can do some selfies."

Photo by Sean Ryan

It was like meeting Jesus for some of the people.

There he was, at El Malecón. No stage lights, no makeup, no stylist behind the curtain. Just him and his ideas and his erratic hand commotion.

Then a man holding a baby leaned in for a photo. He and Sanders chatted. And, I kid you not, the whole time the baby is staring at Bernie Sanders like he's the image of God, looking right up at him, with this glow, this understanding.

Bernie, if you're reading this, I'd like to suggest that — if this election doesn't work for you — you could be the next Pope.

New installments come Mondays and Thursdays. Check out my Twitter. Email me at kryan@blazemedia.com

On the "Glenn Beck Radio Program" Monday, Harvard Law professor and lawyer on President Donald Trump's impeachment defense team Alan Dershowitz explains the history of impeachment and its process, why the framers did not include abuse of power as criteria for a Constitutional impeachment, why the Democrats are framing their case the way they are, and what to look for in the upcoming Senate trial.

Dershowitz argued that "abuse of power" -- one of two articles of impeachment against Trump approved by House Democrats last month -- is not an impeachable act.

"There are two articles of impeachment. The second is 'obstruction of Congress.' That's just a false accusation," said Dershowitz. "But they also charge him, in the Ukraine matter, with abuse of power. But abuse of power was discussed by the framers (of the U.S. Constitution) ... the framers refused to include abuse of power because it was too broad, too open-ended.

"In the words of James Madison, the father of our Constitution, it would lead presidents to serve at the will of Congress. And that's exactly what the framers didn't want, which is why they were very specific and said a president can be impeached only for treason, bribery, or other high crimes and misdemeanors," he added.

"What's alleged against President Trump is not criminal," added Dershowitz. "If they had criminal issues to allege, you can be sure they would have done it. If they could establish bribery or treason, they would have done it already. But they didn't do it. They instead used this concept of abuse of power, which is so broad and general ... any president could be charged with it."

Watch the video below to hear more details:



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On Friday's radio program, Bill O'Reilly joins Glenn Beck discuss the possible outcomes for the Democrats in 2020.

Why are former President Barack and First Lady Michelle Obama working overtime to convince Americans they're more moderate than most of the far-left Democratic presidential candidates? Is there a chance of a Michelle Obama vs. Donald Trump race this fall?

O'Reilly surmised that a post-primary nomination would probably be more of a "Bloomberg play." He said Michael Bloomberg might actually stand a chance at the Democratic nomination if there is a brokered convention, as many Democratic leaders are fearfully anticipating.

"Bloomberg knows he doesn't really have a chance to get enough delegates to win," O'Reilly said. "He's doing two things: If there's a brokered convention, there he is. And even if there is a nominee, it will probably be Biden, and Biden will give [him] Secretary of State or Secretary of Treasury. That's what Bloomberg wants."

Watch the video below to catch more of the conversation:

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