They Can't Let Go of the Meryl Streep Thing

We all know by now the brouhaha created by Meryl Streep's speech at the Golden Globes in which she bravely attacked Donald Trump in front of her like-minded peers. Then, shock of shocks, Donald Trump declared Meryl Streep overrated and irrelevant. The media, rather than letting it go, have become obsessed with debunking President-elect Trump's declaration. Equally unable to let it go were the host and co-hosts of The Glenn Beck Program, who made it their mission to debunk the debunking of Meryl Streep's mediocrity.

Listen to this segment from The Glenn Beck Program:

Below is a rush transcript of this segment, it might contain errors:

GLENN: So I get in early today, and, Jeffy, you would know this because you do the Pat & Stu show. They haven't let go of the Meryl Streep thing.

JEFFY: It's tough to let go of. When you say they, I'm in there with them. It's still tough to let go of.

GLENN: It's tough to let go of.

JEFFY: She is agonizing.

GLENN: Here, this is what kills me is the fact that the media actually tried to do a -- a -- what do they call it? A debunking of that. And they went to see if indeed Meryl Streep was irrelevant and overrated.

JEFFY: I mean, it's --

GLENN: First of all, that's an opinion. That's not -- I mean, this is the thing they decide to spend their time on. Really?

PAT: Pretty weird.

GLENN: It's just so bizarre.

PAT: And, of course, she is overrated.

JEFFY: And irrelevant. I don't know about irrelevant.

GLENN: Make the case.

PAT: Unless you have a standard set of criteria.

GLENN: Because I look at her -- with the exception of that Abba nightmare that just won't leave me alone.

PAT: Mamma Mia! is a good example.

GLENN: Oh, oh.

JEFFY: Yeah.

PAT: And that's one of the ones they feature prominently in that big --

JEFFY: Yeah. The only reason I know that show is because my parents loved that show.

GLENN: Oh, I hated that show. I hated every second of that show.

JEFFY: I know.

GLENN: I would have eaten off my arms, if I could -- if it would have meant I could be free from that --

PAT: And if you didn't like a musical, there must have been something wrong with you.

JEFFY: Right.

STU: Mamma Mia! was one of the most traumatic experiences of my life, seeing that you made me go see it.

JEFFY: That's right.

GLENN: Oh, yeah, I did. As a punishment.

STU: As a punishment for something. I don't remember what it was.

PAT: Let's talk Ricki and the Flash.

JEFFY: Another singing one.

STU: I think we can all agree Mamma Mia! was one of the worst things that's ever been created. It's also her highest grossing picture. In case you're worried --

GLENN: But that's not her.

STU: Yeah, I know it's not her. Success, it's not her. And that's kind of the point I'm trying to make. Her entire career is filled with --

GLENN: Sophie's Choice, not good?

STU: '81 to '85, she has two movies in there: Cramer versus Cramer.

PAT: No, that was '79. But '79 to '85 was probably the highlight of her career. Cramer versus Cramer.

PAT: Right.

GLENN: Excellent.

PAT: Sophie's Choice.

GLENN: Excellent.

PAT: And Out of Africa. Is that the other --

STU: You're going to give her out of Africa?

GLENN: I'll give her Out of Africa. What about Silkwood?

STU: Yeah, Silkwood.

PAT: Filmed in this studio on this stage, and that's what it is --

STU: However, I mean, okay. Let's just give her that for the fun of it. That gets you to 1985. So she's got a few movies pre-1985 that you could say are good. Then you have a good decade of nothing, unless you want to throw She-Devil in the mix for a good third.

GLENN: Oh, horrible.

PAT: Are you forgetting Iron Weed?

STU: Thank you very much. So a bunch of nothing until -- now, yes, she appeared -- for example, she was a supporting actress in Defending Your Life. Defending Your Life --

PAT: That's an Albert Brooks --

STU: That's an Albert Brooks movie though. It's not a a Meryl Streep movie.

GLENN: No, but she was good in it.

STU: She was okay in it.

JEFFY: She was okay.

GLENN: She wasn't bad. She was good in it.

STU: Is it a career-defining role? The answer to that is no. The next one of those you get --

PAT: You might say a lot of people liked that.

STU: The next one you get really is Bridges of Madison County.

GLENN: Oh, was agonizing.

PAT: Which was horrific.

STU: Horrible. Horrible.

GLENN: Wait a minute.

STU: Now, ten years --

GLENN: Wait a minute. Wait a minute. Wait a minute. Let's have the discussion --

STU: Terrible.

GLENN: -- is it horrible -- wait a minute, is it horrible or is it horrible because we saw her and Clint Eastwood with his and her shirts off.

PAT: Yes. That was a big part of it.

GLENN: I was scarred.

STU: That was part of the movie, but it's still a bad movie.

GLENN: I don't have any recollection other than that.

STU: Let's get -- Pat, give the recollection quickly of what happened in the movie, Bridges of Madison County.

GLENN: I know this one.

PAT: Let's see, a hard-working loving considerate husband and father, protector of his wife and children, as kind of a favor -- a good thing for his children and a favor for his wife, takes the two kids to the state fair for a week.

STU: That's nice.

PAT: And while he is doing that loving act of kindness for his wife, she is inviting some stranger -- some drifter who showed up at the door in to do her for the week. I mean, it is a horrific premise.

GLENN: Wow.

STU: What a wonderful --

PAT: I mean, that's the thanks he gets for being a good man. Hideous movie. I hate that book. I hate that movie.

GLENN: I remember reading the book and liking it. I don't remember it framed that way.

PAT: I don't think the book framed itself that way, but that's what it is.

GLENN: Right.

STU: So that's the breakup. From '83 to '95, we find the good piece of work, which is Bridges of Madison County, which as Pat I think just described was not as good as maybe some others say. Then you're taking some more time off from her wonderful success as a magical actress, and you clear -- I mean, you could go to adaptation, which I didn't particularly like, but it was a critical darling --

PAT: I didn't see it, to know what that is.

STU: Then you're going all the way, I would say, to probably Devil Wears Prada.

PAT: Which is a good movie.

STU: Now, Devil Wears Prada is a career-defining movie. I think you could put it that way. However, is it really, be honest, a role that any other somewhat similarly aged actress could do?

PAT: Glenn Close could do it easily.

STU: Oh, absolutely. Sigourney Weaver. Absolutely. There's a dozen people that you could think of at the top of your head.

PAT: Julia Roberts would have had no problem.

GLENN: Yes, yes, yes.

STU: You had to be old and mean. And that was essentially it. And it's not that big of a deal.

GLENN: Betty White could have done it.

STU: Absolutely. She would have been fantastic in that role. But because it was Meryl Streep, it was some amazing thing that she did. In reality, it was just another movie.

And she, again, wasn't the star of the movie. She was the secondary character.

GLENN: So where did she develop this --

STU: Right.

GLENN: Where did she develop --

JEFFY: Yes. This is the question.

GLENN: I was actually not on your side, until you started presenting the case.

STU: Because there's a lot of stuff in here.

PAT: Julie versus Julia.

STU: Okay. Julie versus Julia is a pretty good movie.

PAT: Where she did a pretty serviceable imitation of Julia Childs. But so did Dan Aykroyd. He could have played that part.

JEFFY: Thank you. Thank you.

GLENN: No, that's not true. That's not true.

STU: No, he's right. Aykroyd was better.

No. She did a good impression of that.

But, for example, Jim Carrey did a much better impression of Andy Kaufman. No one is throwing him into the freaking Hall of Fame for it.

PAT: Oh, yeah. That was genius.

GLENN: That was genius.

PAT: Yeah, that was genius.

STU: He was genius in that role. And everybody was like, oh, well, it was just an impression. That's what she did.

And, by the way, she wasn't even the main character in the movie. She was in the movie for like ten minutes.

Okay. So where are we here? Then we're Mamma Mia! Okay? Which we've all discussed as a disaster.

PAT: But you're right. 144 million. That's her biggest box office.

STU: Biggest box office of all time. Inflation adjusted is a problem, but still.

PAT: Of all time.

GLENN: Literally, that could have been done by muppets. It's the music that carried that.

PAT: Right. Right.

GLENN: That's all that was, was a music video.

STU: Again, if you put a different person who was a better singer in that role, it would have been better. It wasn't that she nailed the part above and beyond anybody else.

GLENN: But, again, I think the muppets would have been better.

STU: Exactly.

PAT: Then you get some roles where she was actually terrible in.

And Into the Woods is one of them.

JEFFY: Oh, my gosh.

PAT: Into the Woods, she was absolutely bad in that movie.

STU: It was a fairytale. Right?

PAT: Yeah. It was a Disney -- she was terrible.

GLENN: Oh, yeah, yeah. Horrible. Horrible. Horrible.

JEFFY: Terrible.

PAT: Surprisingly bad. Because I was under the impression, still, buying into the three Oscars and eight Golden Globes, she's a great actress. And I'm thinking, "She is terrible in this. What happened?"

GLENN: Right.

STU: And then Ricki and the Flash is the ultimate exclamation point in this conversation. She plays the aging rock star. A complete disaster. And, yeah, yeah, she has three Oscars. She's had 19 nominations. How about winning occasionally? How about that?

It's not as easy as it used to be for billion-dollar entertainment empires like The Walt Disney Company. It would be more streamlined for Disney to produce its major motion pictures in its own backyard. After all, abortion in California is readily available, as well as a protected, cherished right. And since abortion access is critical for movie production, right up there with lighting equipment and craft services, you would think California would be the common-sense choice for location shooting. Alas, even billion-dollar studios must pinch pennies these days. So, in recent years, Disney, among other major Hollywood studios, has been farming out production to backwater Southern lands like Georgia, and even Louisiana. Those states offer more generous tax breaks than Disney's native California. As a result, Georgia for example, played host to much of the shooting for the recent worldwide box office smash Avengers: Endgame.

But now it looks like it's Georgia's endgame. The state recently passed what is known as a "heartbeat" bill – a vicious, anti-woman law that would try to make pregnant women allow their babies to be born and actually live. It's a bridge too far for a major studio like Disney, which was largely built on creating family entertainment. How can Disney possibly go about making quality movies, often aimed at children, without access to unfettered abortion? It's unconscionable. Lack of abortion access makes it nearly impossible to shoot movies. So, what's a major studio to do? Disney might have considered migrating its business to Louisiana, but that state too has now signed a heartbeat bill into law. It's utter madness.

These monstrous anti-abortion bills, coupled with having to live under President Trump, has led Disney to seek a new home for its legendary movie magic. Last week, Disney's CEO, Bob Iger, announced that all future Disney movies will now be filmed on location in the Sub-Saharan African nation of Wakanda.

"Disney and Wakanda are a match made in heaven," Iger told reporters. "Wakanda was, until recently, a secret kingdom, much like our own Magic Kingdom. With this new partnership, we'll not only get to continue our legacy of making movies that parents and children everywhere enjoy together, but we'll get to do so in a safe space that reveres abortion as much as we do."

Wakanda is one of only four African countries (out of 55) that allow unrestricted abortion.

As home to the most advanced technology in the world – and with the planet's highest per-capita concentration of wokeness – Wakanda offers women painless, hassle-free abortion on demand. As the Wakandan health ministry website explains, the complete absence of any white-patriarchal-Judeo-Christian influence allows women in Wakanda to have complete control of their own bodies (with the exception of females who are still fetuses). As winner of the U.N.'s 2018 Golden Forceps award (the U.N.'s highest abortion honor) Wakanda continues its glowing record on abortion. That makes it an ideal location for Disney's next round of live-action remakes of its own animated movies in which the company plans to remove all male characters.

Iger says he hopes to convince Wakandan leadership to share their top-secret vibranium-based abortion procedure technology so that American women can enjoy the same convenient, spa-like abortion treatment that Wakandan women have enjoyed for years.

Wakanda is one of only four African countries (out of 55) that allow unrestricted abortion. Disney plans to boycott and/or retaliate against the other 51 African nations, as well as any U.S. states, that restrict abortion. Specific plans are being kept under wraps, but sources say Disney's potential retaliation may include beaming Beverly Hills Chihuahua into the offending territories on a continuous, indefinite loop.

When asked how Wakanda's futuristic capital city and distinctly African landscape would be able to double for American movie locations, Iger said, "I guess America will just have to look more like Wakanda from now on."

One potential wrinkle for the Left-leaning studio is the fact that Wakanda has an impenetrable border wall-shield-thing designed to keep out foreign invaders as well as illegal immigrants. Iger said he understands Wakanda's policy of exclusivity, adding, "After all, not everyone gets into Disneyland. You have to have a ticket to get in. Anyone is welcome, but you have to go through the process of getting a ticket." When one reporter pointed out that Iger's answer sounded like the conservative argument for legal immigration under the rule of law, Iger insisted that the reporter was "a moronic fascist."

What if the unthinkable happens and Florida also enacts its own "heartbeat" law? That would be problematic since Walt Disney World is located in Florida. Iger responded that Disney would "cross that bridge if we get to it" but that the most likely scenario would entail "dismantling Disney World piece-by-piece and relocating it to the actual happiest place on earth – Wakanda." As for whether Disney would ever open character-themed abortion clinics inside its theme parks, Iger remained coy, but said, "Well, it is the place where dreams come true."

With the Wakanda solution, Disney may have found a place where Minnie Mouse can finally follow her heart and have true freedom of choice.

When pressed about the cost of ramping up production in a secretive African kingdom that has no existing moviemaking infrastructure (which could easily end up being much more expensive than simply shooting in California) Iger said, "You can't put a price tag on abortion freedom. Wakanda Forever and Abortion Forever!"

With the Wakanda solution, Disney may have found a place where Minnie Mouse can finally follow her heart and have true freedom of choice. And that will be welcome relief to traditional families all over the world who keep the Walt Disney Company in business.

*Disclaimer: The preceding story is a parody. Bob Iger did not actually say any of the quotes in the story. Neither is Wakanda an actual nation on planet Earth.

"Journeys of Faith with Paula Faris," is a podcast featuring conversations about how faith has guided newsmakers and celebrities through their best and worst times. The Church of Jesus Christ of Latter-Day Saints is a much maligned religion so Glenn joined the podcast and took the time to explain what it means to him and how it changed his life.

From his suicidal days and his battle with drugs and alcohol, it was his wife Tania and his faith that saved him. All his ups and downs have given him the gift of empathy and he says he now understands the "cry for mercy" — something he wishes he'd given out more of over the years.

You can catch the whole podcast on any of the platforms listed below.

- Apple Podcasts
- Google Podcasts
- TuneIn
- Spotify
- Stitcher
- ABC News app

One of these times I'm going to go on vacation, and I'm just not going to come back. I learn so much on a farm.

You want to know how things work, go spend a summer on a farm. You're having problems with your son or daughter, go spend a summer on a farm.

My son changed. Over two weeks.

Getting him out of bed, getting him to do anything, is like insane. He's a 15-year-old kid. Going all through the normal 15-year-old boy stuff. Getting him on the farm, where he was getting up and actually accomplishing stuff, having to build or mend fences, was amazing. And it changed him.

RELATED: 'Human Wave Theory': Connecting the dots on the strategic attack on our border

Our society does not allow our kids to grow up, ever. I am convinced that our 15-year-olds could be fixing all kinds of stuff. Could be actually really making an impact in a positive way in our society. And what's wrong with our society is, we have gotten away from how things actually work. We're living in this theoretical world. When you're out on a farm, there's no theory here. If it rains, the crops will grow. If it rains too much, the crops won't grow.

If there's no sun, they won't grow. If there's too much sun, they'll shrivel up and die. There's no theory. We were out mending fences. Now, when I say the phrase to you, mending fences, what does that mean? When you think of mending fences, you think of, what?

Coming together. Bringing people together. Repairing arguments.

I've never mended a fence before until I started stringing a fence and I was like, "I ain't doing this anymore! Where is it broken? Can't we just tie a piece of barbed wire together?"

Let's stop talking about building a wall. Because that has all kinds of negative imagery. Mending fences is what we need to do.

That's called mending fences.

And why do you mend fences? So your animals don't get out and start to graze on somebody else's land. When your fence goes down, your cow is now on somebody else's land. And your cow is now eating their food.

We look at the phrase, mending fences as saying, hey. You know, we were both wrong. Mending fences has nothing to do with that.

Mending fences means build a wall. My neighbors and I, we're going to get along fine, as long as my cows don't go and steal their food, or their cows don't come over and steal my cow's food.

We're perfectly neighborly with each other, until one of us needs to mend a fence, because, dude, you got to mend that, because your cows keep coming over and eating my food.

You know what we need to do with Mexico? Mend fences.

Now, that's a phrase. You hear build a wall. That's horrible.

No, no, no. We need to mend fences.

In a farming community, that means putting up an electric fence. That means putting up barbed wire.

So the cows — because the cows will — they'll stick their head through barbed wire. And they'll eat the grass close to the road. Or eat the grass close to the other side of the fence. And they'll get their heads in between those fences. And they can't get out sometimes. Because the grass is always greener on the other side. You look at these damn cows and say turn around, cow — there's plenty of stuff over here.

No. They want the grass on the other side of the fence.

So you mend it.

And if it's really bad, you do what we do. We had to put an electric fence up. Now, imagine putting an electric fence up. That seems pretty radical and expensive.

Does it really work? Does it shock them? What does that feel like to a cow?

The cows hit it once, and then they don't hit it again. They can actually hear the buzz of the electric fence. There's a warning. Don't do it. Don't do it. They hear the current and they hit it once and they're like, "I'm not going to do that again."

So you mend fences, which means, keep your stuff on your side. I like you. We're good neighbors. You keep your stuff on your side and I'll keep my stuff on my side and we'll get together at the town hall and we'll see each other at the grocery store. Because we're good neighbors. But what stops us from fighting is knowing that there is a fence there.

This is my stuff. That's your stuff. But we can still trade and we'll help each other. But let's stop talking about building a wall. Because that has all kinds of negative imagery. Mending fences is what we need to do.

You can have a tough fence. It could be a giant wall. It could be an electric fence. But you need one. And that's how you come together.

The side that's having the problem, mends the fence.

The following is part of an ongoing experiment by Glenn Beck program heartthrob, Stu Burguiere, to begin watching Game of Thrones in its final season, without any previous context. Other than highlights shown in commercials, Stu has never seen a second of Game of Thrones, and has never read a word about its characters or plot lines.

PREVIOUSLY on Game of Thrones: it seems like all the people who hated each other but then started working together, now hate each other again.

WARNING: MAJOR SPOILERS THIS WEEK!

- I think I missed last week's episode, but it's possible the opening credits have just been playing since last week, and I joined at the right time
- Uncle Fester is writing a letter
- Angry Elf is still alive
- Uncle Fester and John Snow(?) are saying their queen doesn't want to eat and shouldn't be left alone
- John Snow doesn't want to be king?
- Queen Blondie has a nice open air balcony with a sweet view
- Angry Elf apparently needs to ask Queen Blondie's permission before doing things, she must have a higher rank
- Uncle Fester burns his letter and hides his ring
- Uncle Fester brought to the beach at night
- Queen Blondie's name is Denarys! (or similar!)
- Uncle Fester sentenced to death by dragon fire breath
- There is some hidden truth about John Snow (maybe he's transitioned?)
- Queen Blondie and John Snow make out because the time immediately after burning a man to death is very romantic
- If some city rings bells, Queen Blondie will stop the attack
- "Next time you fail me, will be the last time you fail me" says Queen Blondie to Angry Elf
- Not a lot of smiling going on in this region
- Angry Elf tries to tell Obi Wan Kenobi a secret, which is difficult because of their height difference
- Frumpy Girl wants to kill Sercy?
- Someone known as the "Stupidest Lannister" is in prison
- Stupid Lannister gets freed by Angry Elf, going to do something to stop a lot of innocent people from dying
- "Tens of thousands of innocent people for one not so innocent dwarf. Seems like a fair trade"
- Angry Elf gives emotional speech to Stupid Lannister who was the only person around who was nice to him as a kid. A little middle school drama.
- Stupid Lannister has gold hand
- Doors to break into castle has disturbing amount of space between them
- 2 big armies stare each other down. At this point, it's important to note that I don't know why they're fighting or who they are
- Queen Love Child of Mick Jagger and Robin Wright makes an appearance
- Dragon versus old times wooden boats proving to be a bit of a mismatch
- Seems like instead of making lots of crossbows, these people should put their resources into dragon development and recruiting
- Dragon proves that my concern about the space between the doors was misplaced
- Unclear why they even bother to send an army when they have the dragon
- Queen Blondie is riding a dragon again. She should spend time making a saddle to make it easier
- Bells in the city ring, which is supposed to stop an attack—even though it's kind of already happened
- My interpretation is the people in the city surrendered, but Queen Blondie kept attacking, killing lots of people for no reason
- This horrifies John Snow and Angry Elf. Queen Blondie has gone dark… not with the hair, but with her murderous tendencies
- Considering all the stabbing and beheading, the dragons flame might be the preferable way to die
- Stupid Lannister is fighting with the lead singer of Coldplay,who apparently swam to safety following near direct hit from dragon
- Stupid Lannister gets himself stabbed
- Queen Mick Jagger/Robin Wright finally figures out she's going to lose and leaves her fancy tower
- Coldplay Lead Singer gets stabbed too. Stupid Lannister's name is possibly Jim Lannister?
- Frumpy Girl contemplates getting revenge on someone, maybe the Queen. Then thanks tall guy named Sandor or maybe Sandle
- Sandle's brother is a guard for the Queen. He kills the Queen's assistant so he can fight Sandle
- Big guard guy looks like Darth Vader without his helmet
- Stupid Lannister has connection Mick Jagger/Robin Wright Queen. She's in a very desperate place, similar to Robin Wright when she married Sean Penn
- Giant Darth Vader without his helmet gets stabbed with long sword, seems to enjoy it
- Again, since the dragon has done all the work, why did they send all these important people into this city?
- Frumpy Girl getting trampled, keeps getting saved at last second, indicating she's an important character
- Giant helmet-free Darth Vader gets stabbed a dozen times or so without dying, so his brother, now without eyes, tackles him off the side of the castle, probably killing them both
- Very dusty with the buildings all collapsing around them. Feels like there could be some fertile ground for the mesothelioma lawyers of the time
- Stupid Lannister and Mick Jagger/Robin Wright Queen escaping in underground tunnel
- Underground tunnel is no longer a tunnel
- Frumpy Girl really mourning lady who helped her up in previous scene
- Everyone is charred, but a horse inexplicably totally fine
- Again, Frumpy must be a big character for all of these nice coincidences to happen to her