Dear Netflix, Why Is Racism Against White People Okay?

How can you tell if something is racist?

"An easy way to figure out if you're saying something racist is change the colors and see if it feels racist," Co-host Stu Burguiere said Thursday on The Glenn Beck Program.

Maybe Netflix should have followed that simple rule before before releasing the trailer for its new show Dear White People.

"If it was Dear Black People, and it was teaching lessons to black people who don't understand the real world the way white people do, that would be an issue," Stu said.

Listen to this segment from The Glenn Beck Program:

PAT: Dear white people, you're evil, and you need to go. That's what I expect this is about, but I don't know that for a fact. I just know that a TV show called Dear Black People probably wouldn't go over that well.

STU: Hmm. Wow.

PAT: Dear Hispanics, Dear Asian People. Why is this okay?

STU: You know, I don't know. I was watching CNN, I believe, yesterday. And they had an African-American guest on. And he was -- I think at least believed himself to be a comedian. I don't know that he actually was.

PAT: Okay.

STU: And he apparently does some show for -- for CNN. And as they were talking about Trump, they -- they said, "Well, we've got a lot to cover today in the news." And he said, "Yeah, we have a lot of white people we got to look out for." I was curious to see how CNN would react if one of their white guests were to say, "Yeah, I know we got a lot of black people we need to look out for." That would be an interesting moment in television history.

PAT: They would be done. It sure would. If they worked for CNN, that would be their last statement on CNN. That would be it.

STU: And people are like, "Well, it's different." An easy way to figure out if you're saying something racist is change the colors and see if it feels racist.

PAT: Yes.

STU: And, you know, if you're saying something like I don't know, all these typical white people who have just this bred into them. If you were to change the wording on that, you would probably have some issues in society.

PAT: Typical black people who have something bred into them. Yes.

STU: You would have issues in society.

PAT: Which is why somebody -- oh, Glenn Beck questioned whether or not there were some issues there.

STU: Right. And that's just a good guideline for everybody. The idea of racism, you shouldn't be generalizing.

PAT: Yeah.

STU: You shouldn't be disparaging. There's no reason for it.

PAT: Well, do you remember Jimmy "The Greek," his generalizations of blacks was that -- it was something complimentary too, like they ran really fast.

STU: Like they ran really fast. That doesn't make it right obviously.

PAT: Tried to put forward some reason why they seemed to run faster or whatever. He got fired for it.

JEFFY: Right.

PAT: We never heard from him again, and then he died. That was it.

JEFFY: No. Then it was over. Yeah, he was professional gambler. And then, Jimmy who? It was over.

PAT: He was gone.

JEFFY: But the show White People is about a fictional largely white Winchester University, who often rail against the roles they're put in, paving the way to both comedy and conflict in their post racial world.

PAT: Post racial world.

STU: I will say --

PAT: I wish we lived in a post racial world.

JEFFY: Me too.

STU: The issue here is the standard and how it's not applied equally. Not even applied -- not even attempt to apply it at all. I have no problem with a comedy show making fun of these differences and the differences in our cultures. I think that's generally speaking a healthy thing. I mean, you see that from comedians all the time. And there's always these controversies where someone says something that is controversial. And comedians get in trouble for it, and I always side with the comedians.

JEFFY: George Lopez, it just happened to him.

STU: Yeah, it happens -- comedy is supposed to push these buttons. That is point of it. They're trying to put you in an uncomfortable position, to think about something differently. To criticize your own side. To sometimes criticize the other side. That is supposed to be part of it when it comes to comedy. So, I mean, I don't know anything about this show. It is interesting the way this standard is applied. Which you're right. If it was dear black people, and it was teaching lessons to black people who don't understand the real world the way white people do, that would be an issue.

PAT: Oh, man.

STU: However, I could say that same sentence and say, "Well, if it's a story about black people teaching white people about the way of the world, that they don't really understand, that's completely okay."

JEFFY: Completely okay.

STU: And that's just -- just dumb. You should be able in a creative environment to be able to say pretty much anything. I mean, pretty much anything. That is what -- that's -- you get a boring world if you try to apply standards to things like comedy. Just take it out of this weird political context that everything falls into these days. The show starts sucking, right? Look at Saturday Night Live with Barack Obama. They were so terrified.

PAT: Well, they couldn't find anything funny about him.

STU: Yeah.

PAT: He was so perfect. We couldn't find anything to laugh at. The man is so wonderful.

STU: He's so amazingly wonderful. We can't find anything to criticize or make fun of. So what you get is eight years of terrible programming.

PAT: Uh-huh.

STU: You know, now, gosh they -- you can't get A list stars to that show fast enough. Melissa McCarthy is making 20 million a movie. She's showing up on her Saturday nights to do Sean Spicer. Like all of a sudden they can find comedy everywhere.

PAT: Uh-huh.

STU: And it's like -- then you have Alec Baldwin and Melissa McCarthy like, you know, doing like recurring -- not hosting, recurring episodes, where they're like, "Eh, they're in one episode, and then they're out."

PAT: There was a time too, and it wasn't that long ago -- maybe ten years -- where you could get away with certain things because it was comedy. You know, you could make fun of people. You could do accents. You could say certain things. It was a joke. Okay? We were joking. It was parody. It was comedy. It was satire. And you'd be like, "Oh, yeah, okay. Well, I mean, that was kind of distasteful." But people would move on. Now, you lose your career over that. You just lose your career. You're done.

JEFFY: We're not moving on. You don't make fun of it.

PAT: We don't move on.

STU: And you see this sort of thing as it's applied even surprises some of the comedians.

PAT: Yeah.

STU: I remember after Trump was elected, Seth MacFarlane, who is the guy behind Family Guy and Ted and other various projects that you would know from the world of pretty harsh comedy.

PAT: Ted, is that teddy bear thing?

STU: The teddy bear thing with Mark Wahlberg.

PAT: Okay.

STU: Big movie. Made a lot of money. Made a sequel.

PAT: It looks stupid.

JEFFY: It sure does.

PAT: Has anybody seen it? It looks just atrocious.

STU: Oh. The second one was not pretty good. The first one was very funny. Very funny. Yes, I thought so.

PAT: Oh, was it really?

STU: And I like Family Guy a lot. And they take -- I mean, they put things on that show -- it's utterly unbelievable the stuff they get away with, not from just the perspective of it's on. Remember, on Fox. It's not on FX. It's not on HBO. It's on Fox the network. The same place that owns Fox News Channel, which they mock relentlessly on that show. But they make jokes about the handicapped. Jokes about races. Jokes about rape, sexual assault, all sorts of stuff on there.

PAT: Wow.

STU: And they push that envelope so far. If a conservative ever tried to do it, they would be thrown out of society. But because Seth MacFarlane is, A, very talented and, B, very liberal. He somehow skates away with most of this stuff. Even he gets some of it sometimes.

But his complaint after the Trump thing -- obviously, he did not want Donald Trump to win. But his complaint to his liberal friends was, look, people are rejecting this world we've created where everyone gets offend over everything. That's what they're rejecting with this election. And I think he's on to something there.

PAT: Yeah, I think so too.

STU: People are sick of this. They understand that, you know, people can say offensive things and we can all move on with our lives. When someone says something -- this is why I'm never for boycotts. If someone says something you don't like, generally speaking, and I know we don't all agree in every instance of this, but it's like generally speaking we come together --

PAT: And in the exception of Jeffy, certainly we would boycott him.

STU: Well, I would boycott him. I'm against all boycotts except for the Jeffy boycott.

PAT: The Jeffy boycott.

STU: But you just move on with your life. You go on to another show.

PAT: I know.

STU: We talked about this with Simon Sinek yesterday who was in here and talking about social media and how ten to 14-year-old girls have this big spike in suicide rate, which is obviously terrifying. And I don't know how this applies to everyone else. I don't know how you get here. But I can tell you, on social media, the way to defeat being bullied on social media is to not care about it.

And I don't -- we are -- we have this gift.

PAT: That's really hard. When it comes to 14-year-olds.

STU: And it's impossible. And I don't know how to apply it. But I can tell you that being here in this job, you get the gift of being assaulted, of being called Hitler so many times.

PAT: Sure. But we're adults. We're big boys. We can take it, and we can ignore it.

STU: Right. I know. But, I mean, adults don't do this well, Pat. This is not -- it's not an adult thing.

I see this with people all the time, that get their lives turned upside down because someone made a comment that disagrees with them on their Facebook feed.

This happens all the time. We've even seen it in this room from Mr. Glenn Beck many times.

PAT: Yeah.

STU: The only cure for it is to not care. People call me the most genocidal maniac of all time. Adolf Hitler. How many times have we been called that?

PAT: Many.

STU: How many times have we been called every nasty horrible word people can come up with.

It never impacts me because I don't care what you think. I don't care if you think I'm a terrible person. I don't care if you think I voted wrong. I don't care if you think I should -- my opinion on red velvet Chips Ahoy cookies is incorrect, which, by the way, is not, they're delicious -- I don't care about anything you're saying when it comes to calling me names. It doesn't impact me because I think we've been so saturated with it because of the business we're in, that we just are able to just toss it off to the side. Most people are not. Most people, you know, get a comment that is distasteful, and it eats them up the whole day.

And I think maybe because we're developing a whole new society here based on social media and outward angry criticism, constantly flowing, maybe at some point, the saturation hits everybody and nobody cares about this stuff anymore. But until then, it's going to be hard for people to deal with

PAT: Yeah, this discussion began with the Dear White People show that's moving to Netflix.

STU: Yeah.

PAT: This is original programming. And I can't -- it seems like we spent some time talking about the dear white people thing on Pat and Stu a while ago. Do you remember this? And I think this all began with some -- I don't know -- just a clip or a trailer of somebody. And then it developed into a movie. And now it's a Netflix phenomenon. But here's the trailer that they've developed for this soon to be Netflix story.

VOICE: Dear white people, here's a list of acceptable Halloween costumes: Pirate, slutty nurse, any of our first 43 presidents. Top of the list of unacceptable costumes: Me.

PAT: She's black.

VOICE: Wow.

PAT: So you can't look like her.

JEFFY: No.

PAT: Nor can you look like the 44th president, Barack Obama. You can look like any of the others. How do you -- how did we get there to that standard?

STU: Would she be able to dress up as Richard Nixon?

PAT: Yes.

STU: Yes, right?

PAT: I mean, the answer is yes.

JEFFY: Yeah, yeah.

STU: The answer is yes under this standard. It's bizarre.

PAT: It is.

STU: I mean, look, I have no interest in going out on Halloween as a black person in the year 2017. No interest at all.

PAT: Still, this culture appropriation stuff is silly.

STU: And this goes back to -- who was it back in the day? It was Ted Danson, famously came out -- remember? With Blackface. And he was very liberal, obviously. So it didn't ruin his career.

JEFFY: Yeah, they even tried to cover him up because Whoopi said she told him to do it.

STU: Yeah, they tried to cover it. Every once in a while, you see something like this. Most people know that these lines kind of inherently -- that doesn't mean you can't say how ridiculous they are. I have no interest in mixing that up. But it is a weird thing.

PAT: It really is.

STU: We see it all the time. I mean, weren't pirates people too?

PAT: Yes.

STU: If you want to talk about the pirates of today, if you wanted to be a pirate today, the most logical costume you would dress up is as a Somali pirate, which would be completely off-limits.

PAT: Right. Off-limits. You can't do that.

And she was saying that being a slutty anything is okay for white girls.

JEFFY: Yeah.

PAT: You go ahead and act like a slut, and that's fine because that's your area.

STU: That's you.

PAT: That's you. That's your culture. You are sluts.

(laughter)

PAT: Is that what that is? That's pretty weird. Pretty weird.

[break]

'Rage against the dying of the light': Charlie Kirk lived that mandate

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Kirk’s tragic death challenges us to rise above fear and anger, to rebuild bridges where others build walls, and to fight for the America he believed in.

I’ve only felt this weight once before. It was 2001, just as my radio show was about to begin. The World Trade Center fell, and I was called to speak immediately. I spent the day and night by my bedside, praying for words that could meet the moment.

Yesterday, I found myself in the same position. September 11, 2025. The assassination of Charlie Kirk. A friend. A warrior for truth.

Out of this tragedy, the tyrant dies, but the martyr’s influence begins.

Moments like this make words feel inadequate. Yet sometimes, words from another time speak directly to our own. In 1947, Dylan Thomas, watching his father slip toward death, penned lines that now resonate far beyond his own grief:

Do not go gentle into that good night. / Rage, rage against the dying of the light.

Thomas was pleading for his father to resist the impending darkness of death. But those words have become a mandate for all of us: Do not surrender. Do not bow to shadows. Even when the battle feels unwinnable.

Charlie Kirk lived that mandate. He knew the cost of speaking unpopular truths. He knew the fury of those who sought to silence him. And yet he pressed on. In his life, he embodied a defiance rooted not in anger, but in principle.

Picking up his torch

Washington, Jefferson, Adams — our history was started by men who raged against an empire, knowing the gallows might await. Lincoln raged against slavery. Martin Luther King Jr. raged against segregation. Every generation faces a call to resist surrender.

It is our turn. Charlie’s violent death feels like a knockout punch. Yet if his life meant anything, it means this: Silence in the face of darkness is not an option.

He did not go gently. He spoke. He challenged. He stood. And now, the mantle falls to us. To me. To you. To every American.

We cannot drift into the shadows. We cannot sit quietly while freedom fades. This is our moment to rage — not with hatred, not with vengeance, but with courage. Rage against lies, against apathy, against the despair that tells us to do nothing. Because there is always something you can do.

Even small acts — defiance, faith, kindness — are light in the darkness. Reaching out to those who mourn. Speaking truth in a world drowning in deceit. These are the flames that hold back the night. Charlie carried that torch. He laid it down yesterday. It is ours to pick up.

The light may dim, but it always does before dawn. Commit today: I will not sleep as freedom fades. I will not retreat as darkness encroaches. I will not be silent as evil forces claim dominion. I have no king but Christ. And I know whom I serve, as did Charlie.

Two turning points, decades apart

On Wednesday, the world changed again. Two tragedies, separated by decades, bound by the same question: Who are we? Is this worth saving? What kind of people will we choose to be?

Imagine a world where more of us choose to be peacemakers. Not passive, not silent, but builders of bridges where others erect walls. Respect and listening transform even the bitterest of foes. Charlie Kirk embodied this principle.

He did not strike the weak; he challenged the powerful. He reached across divides of politics, culture, and faith. He changed hearts. He sparked healing. And healing is what our nation needs.

At the center of all this is one truth: Every person is a child of God, deserving of dignity. Change will not happen in Washington or on social media. It begins at home, where loneliness and isolation threaten our souls. Family is the antidote. Imperfect, yes — but still the strongest source of stability and meaning.

Mark Wilson / Staff | Getty Images

Forgiveness, fidelity, faithfulness, and honor are not dusty words. They are the foundation of civilization. Strong families produce strong citizens. And today, Charlie’s family mourns. They must become our family too. We must stand as guardians of his legacy, shining examples of the courage he lived by.

A time for courage

I knew Charlie. I know how he would want us to respond: Multiply his courage. Out of this tragedy, the tyrant dies, but the martyr’s influence begins. Out of darkness, great and glorious things will sprout — but we must be worthy of them.

Charlie Kirk lived defiantly. He stood in truth. He changed the world. And now, his torch is in our hands. Rage, not in violence, but in unwavering pursuit of truth and goodness. Rage against the dying of the light.

This article originally appeared on TheBlaze.com.

Glenn Beck is once again calling on his loyal listeners and viewers to come together and channel the same unity and purpose that defined the historic 9-12 Project. That movement, born in the wake of national challenges, brought millions together to revive core values of faith, hope, and charity.

Glenn created the original 9-12 Project in early 2009 to bring Americans back to where they were in the wake of the 9/11 attacks. In those moments, we weren't Democrats and Republicans, conservative or liberal, Red States or Blue States, we were united as one, as America. The original 9-12 Project aimed to root America back in the founding principles of this country that united us during those darkest of days.

This new initiative draws directly from that legacy, focusing on supporting the family of Charlie Kirk in these dark days following his tragic murder.

The revival of the 9-12 Project aims to secure the long-term well-being of Charlie Kirk's wife and children. All donations will go straight to meeting their immediate and future needs. If the family deems the funds surplus to their requirements, Charlie's wife has the option to redirect them toward the vital work of Turning Point USA.

This campaign is more than just financial support—it's a profound gesture of appreciation for Kirk's tireless dedication to the cause of liberty. It embodies the unbreakable bond of our community, proving that when we stand united, we can make a real difference.
Glenn Beck invites you to join this effort. Show your solidarity by donating today and honoring Charlie Kirk and his family in this meaningful way.

You can learn more about the 9-12 Project and donate HERE

The critical difference: Rights from the Creator, not the state

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When politicians claim that rights flow from the state, they pave the way for tyranny.

Sen. Tim Kaine (D-Va.) recently delivered a lecture that should alarm every American. During a Senate Foreign Relations Committee hearing, he argued that believing rights come from a Creator rather than government is the same belief held by Iran’s theocratic regime.

Kaine claimed that the principles underpinning Iran’s dictatorship — the same regime that persecutes Sunnis, Jews, Christians, and other minorities — are also the principles enshrined in our Declaration of Independence.

In America, rights belong to the individual. In Iran, rights serve the state.

That claim exposes either a profound misunderstanding or a reckless indifference to America’s founding. Rights do not come from government. They never did. They come from the Creator, as the Declaration of Independence proclaims without qualification. Jefferson didn’t hedge. Rights are unalienable — built into every human being.

This foundation stands worlds apart from Iran. Its leaders invoke God but grant rights only through clerical interpretation. Freedom of speech, property, religion, and even life itself depend on obedience to the ruling clerics. Step outside their dictates, and those so-called rights vanish.

This is not a trivial difference. It is the essence of liberty versus tyranny. In America, rights belong to the individual. The government’s role is to secure them, not define them. In Iran, rights serve the state. They empower rulers, not the people.

From Muhammad to Marx

The same confusion applies to Marxist regimes. The Soviet Union’s constitutions promised citizens rights — work, health care, education, freedom of speech — but always with fine print. If you spoke out against the party, those rights evaporated. If you practiced religion openly, you were charged with treason. Property and voting were allowed as long as they were filtered and controlled by the state — and could be revoked at any moment. Rights were conditional, granted through obedience.

Kaine seems to be advocating a similar approach — whether consciously or not. By claiming that natural rights are somehow comparable to sharia law, he ignores the critical distinction between inherent rights and conditional privileges. He dismisses the very principle that made America a beacon of freedom.

Jefferson and the founders understood this clearly. “We are endowed by our Creator with certain unalienable rights,” they wrote. No government, no cleric, no king can revoke them. They exist by virtue of humanity itself. The government exists to protect them, not ration them.

This is not a theological quibble. It is the entire basis of our government. Confuse the source of rights, and tyranny hides behind piety or ideology. The people are disempowered. Clerics, bureaucrats, or politicians become arbiters of what rights citizens may enjoy.

John Greim / Contributor | Getty Images

Gifts from God, not the state

Kaine’s statement reflects either a profound ignorance of this principle or an ideological bias that favors state power over individual liberty. Either way, Americans must recognize the danger. Understanding the origin of rights is not academic — it is the difference between freedom and submission, between the American experiment and theocratic or totalitarian rule.

Rights are not gifts from the state. They are gifts from God, secured by reason, protected by law, and defended by the people. Every American must understand this. Because when rights come from government instead of the Creator, freedom disappears.

This article originally appeared on TheBlaze.com.

POLL: Is Gen Z’s anger over housing driving them toward socialism?

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A recent poll conducted by Justin Haskins, a long-time friend of the show, has uncovered alarming trends among young Americans aged 18-39, revealing a generation grappling with deep frustrations over economic hardships, housing affordability, and a perceived rigged system that favors the wealthy, corporations, and older generations. While nearly half of these likely voters approve of President Trump, seeing him as an anti-establishment figure, over 70% support nationalizing major industries, such as healthcare, energy, and big tech, to promote "equity." Shockingly, 53% want a democratic socialist to win the 2028 presidential election, including a third of Trump voters and conservatives in this age group. Many cite skyrocketing housing costs, unfair taxation on the middle class, and a sense of being "stuck" or in crisis as driving forces, with 62% believing the economy is tilted against them and 55% backing laws to confiscate "excess wealth" like second homes or luxury items to help first-time buyers.

This blend of Trump support and socialist leanings suggests a volatile mix: admiration for disruptors who challenge the status quo, coupled with a desire for radical redistribution to address personal struggles. Yet, it raises profound questions about the roots of this discontent—Is it a failure of education on history's lessons about socialism's failures? Media indoctrination? Or genuine systemic barriers? And what does it portend for the nation’s trajectory—greater division, a shift toward authoritarian policies, or an opportunity for renewal through timeless values like hard work and individual responsibility?

Glenn wants to know what YOU think: Where do Gen Z's socialist sympathies come from? What does it mean for the future of America? Make your voice heard in the poll below:

Do you believe the Gen Z support for socialism comes from perceived economic frustrations like unaffordable housing and a rigged system favoring the wealthy and corporations?

Do you believe the Gen Z support for socialism, including many Trump supporters, is due to a lack of education about the historical failures of socialist systems?

Do you think that these poll results indicate a growing generational divide that could lead to more political instability and authoritarian tendencies in America's future?

Do you think that this poll implies that America's long-term stability relies on older generations teaching Gen Z and younger to prioritize self-reliance, free-market ideals, and personal accountability?

Do you think the Gen Z support for Trump is an opportunity for conservatives to win them over with anti-establishment reforms that preserve liberty?