Dear Netflix, Why Is Racism Against White People Okay?

How can you tell if something is racist?

"An easy way to figure out if you're saying something racist is change the colors and see if it feels racist," Co-host Stu Burguiere said Thursday on The Glenn Beck Program.

Maybe Netflix should have followed that simple rule before before releasing the trailer for its new show Dear White People.

"If it was Dear Black People, and it was teaching lessons to black people who don't understand the real world the way white people do, that would be an issue," Stu said.

Listen to this segment from The Glenn Beck Program:

PAT: Dear white people, you're evil, and you need to go. That's what I expect this is about, but I don't know that for a fact. I just know that a TV show called Dear Black People probably wouldn't go over that well.

STU: Hmm. Wow.

PAT: Dear Hispanics, Dear Asian People. Why is this okay?

STU: You know, I don't know. I was watching CNN, I believe, yesterday. And they had an African-American guest on. And he was -- I think at least believed himself to be a comedian. I don't know that he actually was.

PAT: Okay.

STU: And he apparently does some show for -- for CNN. And as they were talking about Trump, they -- they said, "Well, we've got a lot to cover today in the news." And he said, "Yeah, we have a lot of white people we got to look out for." I was curious to see how CNN would react if one of their white guests were to say, "Yeah, I know we got a lot of black people we need to look out for." That would be an interesting moment in television history.

PAT: They would be done. It sure would. If they worked for CNN, that would be their last statement on CNN. That would be it.

STU: And people are like, "Well, it's different." An easy way to figure out if you're saying something racist is change the colors and see if it feels racist.

PAT: Yes.

STU: And, you know, if you're saying something like I don't know, all these typical white people who have just this bred into them. If you were to change the wording on that, you would probably have some issues in society.

PAT: Typical black people who have something bred into them. Yes.

STU: You would have issues in society.

PAT: Which is why somebody -- oh, Glenn Beck questioned whether or not there were some issues there.

STU: Right. And that's just a good guideline for everybody. The idea of racism, you shouldn't be generalizing.

PAT: Yeah.

STU: You shouldn't be disparaging. There's no reason for it.

PAT: Well, do you remember Jimmy "The Greek," his generalizations of blacks was that -- it was something complimentary too, like they ran really fast.

STU: Like they ran really fast. That doesn't make it right obviously.

PAT: Tried to put forward some reason why they seemed to run faster or whatever. He got fired for it.

JEFFY: Right.

PAT: We never heard from him again, and then he died. That was it.

JEFFY: No. Then it was over. Yeah, he was professional gambler. And then, Jimmy who? It was over.

PAT: He was gone.

JEFFY: But the show White People is about a fictional largely white Winchester University, who often rail against the roles they're put in, paving the way to both comedy and conflict in their post racial world.

PAT: Post racial world.

STU: I will say --

PAT: I wish we lived in a post racial world.

JEFFY: Me too.

STU: The issue here is the standard and how it's not applied equally. Not even applied -- not even attempt to apply it at all. I have no problem with a comedy show making fun of these differences and the differences in our cultures. I think that's generally speaking a healthy thing. I mean, you see that from comedians all the time. And there's always these controversies where someone says something that is controversial. And comedians get in trouble for it, and I always side with the comedians.

JEFFY: George Lopez, it just happened to him.

STU: Yeah, it happens -- comedy is supposed to push these buttons. That is point of it. They're trying to put you in an uncomfortable position, to think about something differently. To criticize your own side. To sometimes criticize the other side. That is supposed to be part of it when it comes to comedy. So, I mean, I don't know anything about this show. It is interesting the way this standard is applied. Which you're right. If it was dear black people, and it was teaching lessons to black people who don't understand the real world the way white people do, that would be an issue.

PAT: Oh, man.

STU: However, I could say that same sentence and say, "Well, if it's a story about black people teaching white people about the way of the world, that they don't really understand, that's completely okay."

JEFFY: Completely okay.

STU: And that's just -- just dumb. You should be able in a creative environment to be able to say pretty much anything. I mean, pretty much anything. That is what -- that's -- you get a boring world if you try to apply standards to things like comedy. Just take it out of this weird political context that everything falls into these days. The show starts sucking, right? Look at Saturday Night Live with Barack Obama. They were so terrified.

PAT: Well, they couldn't find anything funny about him.

STU: Yeah.

PAT: He was so perfect. We couldn't find anything to laugh at. The man is so wonderful.

STU: He's so amazingly wonderful. We can't find anything to criticize or make fun of. So what you get is eight years of terrible programming.

PAT: Uh-huh.

STU: You know, now, gosh they -- you can't get A list stars to that show fast enough. Melissa McCarthy is making 20 million a movie. She's showing up on her Saturday nights to do Sean Spicer. Like all of a sudden they can find comedy everywhere.

PAT: Uh-huh.

STU: And it's like -- then you have Alec Baldwin and Melissa McCarthy like, you know, doing like recurring -- not hosting, recurring episodes, where they're like, "Eh, they're in one episode, and then they're out."

PAT: There was a time too, and it wasn't that long ago -- maybe ten years -- where you could get away with certain things because it was comedy. You know, you could make fun of people. You could do accents. You could say certain things. It was a joke. Okay? We were joking. It was parody. It was comedy. It was satire. And you'd be like, "Oh, yeah, okay. Well, I mean, that was kind of distasteful." But people would move on. Now, you lose your career over that. You just lose your career. You're done.

JEFFY: We're not moving on. You don't make fun of it.

PAT: We don't move on.

STU: And you see this sort of thing as it's applied even surprises some of the comedians.

PAT: Yeah.

STU: I remember after Trump was elected, Seth MacFarlane, who is the guy behind Family Guy and Ted and other various projects that you would know from the world of pretty harsh comedy.

PAT: Ted, is that teddy bear thing?

STU: The teddy bear thing with Mark Wahlberg.

PAT: Okay.

STU: Big movie. Made a lot of money. Made a sequel.

PAT: It looks stupid.

JEFFY: It sure does.

PAT: Has anybody seen it? It looks just atrocious.

STU: Oh. The second one was not pretty good. The first one was very funny. Very funny. Yes, I thought so.

PAT: Oh, was it really?

STU: And I like Family Guy a lot. And they take -- I mean, they put things on that show -- it's utterly unbelievable the stuff they get away with, not from just the perspective of it's on. Remember, on Fox. It's not on FX. It's not on HBO. It's on Fox the network. The same place that owns Fox News Channel, which they mock relentlessly on that show. But they make jokes about the handicapped. Jokes about races. Jokes about rape, sexual assault, all sorts of stuff on there.

PAT: Wow.

STU: And they push that envelope so far. If a conservative ever tried to do it, they would be thrown out of society. But because Seth MacFarlane is, A, very talented and, B, very liberal. He somehow skates away with most of this stuff. Even he gets some of it sometimes.

But his complaint after the Trump thing -- obviously, he did not want Donald Trump to win. But his complaint to his liberal friends was, look, people are rejecting this world we've created where everyone gets offend over everything. That's what they're rejecting with this election. And I think he's on to something there.

PAT: Yeah, I think so too.

STU: People are sick of this. They understand that, you know, people can say offensive things and we can all move on with our lives. When someone says something -- this is why I'm never for boycotts. If someone says something you don't like, generally speaking, and I know we don't all agree in every instance of this, but it's like generally speaking we come together --

PAT: And in the exception of Jeffy, certainly we would boycott him.

STU: Well, I would boycott him. I'm against all boycotts except for the Jeffy boycott.

PAT: The Jeffy boycott.

STU: But you just move on with your life. You go on to another show.

PAT: I know.

STU: We talked about this with Simon Sinek yesterday who was in here and talking about social media and how ten to 14-year-old girls have this big spike in suicide rate, which is obviously terrifying. And I don't know how this applies to everyone else. I don't know how you get here. But I can tell you, on social media, the way to defeat being bullied on social media is to not care about it.

And I don't -- we are -- we have this gift.

PAT: That's really hard. When it comes to 14-year-olds.

STU: And it's impossible. And I don't know how to apply it. But I can tell you that being here in this job, you get the gift of being assaulted, of being called Hitler so many times.

PAT: Sure. But we're adults. We're big boys. We can take it, and we can ignore it.

STU: Right. I know. But, I mean, adults don't do this well, Pat. This is not -- it's not an adult thing.

I see this with people all the time, that get their lives turned upside down because someone made a comment that disagrees with them on their Facebook feed.

This happens all the time. We've even seen it in this room from Mr. Glenn Beck many times.

PAT: Yeah.

STU: The only cure for it is to not care. People call me the most genocidal maniac of all time. Adolf Hitler. How many times have we been called that?

PAT: Many.

STU: How many times have we been called every nasty horrible word people can come up with.

It never impacts me because I don't care what you think. I don't care if you think I'm a terrible person. I don't care if you think I voted wrong. I don't care if you think I should -- my opinion on red velvet Chips Ahoy cookies is incorrect, which, by the way, is not, they're delicious -- I don't care about anything you're saying when it comes to calling me names. It doesn't impact me because I think we've been so saturated with it because of the business we're in, that we just are able to just toss it off to the side. Most people are not. Most people, you know, get a comment that is distasteful, and it eats them up the whole day.

And I think maybe because we're developing a whole new society here based on social media and outward angry criticism, constantly flowing, maybe at some point, the saturation hits everybody and nobody cares about this stuff anymore. But until then, it's going to be hard for people to deal with

PAT: Yeah, this discussion began with the Dear White People show that's moving to Netflix.

STU: Yeah.

PAT: This is original programming. And I can't -- it seems like we spent some time talking about the dear white people thing on Pat and Stu a while ago. Do you remember this? And I think this all began with some -- I don't know -- just a clip or a trailer of somebody. And then it developed into a movie. And now it's a Netflix phenomenon. But here's the trailer that they've developed for this soon to be Netflix story.

VOICE: Dear white people, here's a list of acceptable Halloween costumes: Pirate, slutty nurse, any of our first 43 presidents. Top of the list of unacceptable costumes: Me.

PAT: She's black.

VOICE: Wow.

PAT: So you can't look like her.

JEFFY: No.

PAT: Nor can you look like the 44th president, Barack Obama. You can look like any of the others. How do you -- how did we get there to that standard?

STU: Would she be able to dress up as Richard Nixon?

PAT: Yes.

STU: Yes, right?

PAT: I mean, the answer is yes.

JEFFY: Yeah, yeah.

STU: The answer is yes under this standard. It's bizarre.

PAT: It is.

STU: I mean, look, I have no interest in going out on Halloween as a black person in the year 2017. No interest at all.

PAT: Still, this culture appropriation stuff is silly.

STU: And this goes back to -- who was it back in the day? It was Ted Danson, famously came out -- remember? With Blackface. And he was very liberal, obviously. So it didn't ruin his career.

JEFFY: Yeah, they even tried to cover him up because Whoopi said she told him to do it.

STU: Yeah, they tried to cover it. Every once in a while, you see something like this. Most people know that these lines kind of inherently -- that doesn't mean you can't say how ridiculous they are. I have no interest in mixing that up. But it is a weird thing.

PAT: It really is.

STU: We see it all the time. I mean, weren't pirates people too?

PAT: Yes.

STU: If you want to talk about the pirates of today, if you wanted to be a pirate today, the most logical costume you would dress up is as a Somali pirate, which would be completely off-limits.

PAT: Right. Off-limits. You can't do that.

And she was saying that being a slutty anything is okay for white girls.

JEFFY: Yeah.

PAT: You go ahead and act like a slut, and that's fine because that's your area.

STU: That's you.

PAT: That's you. That's your culture. You are sluts.

(laughter)

PAT: Is that what that is? That's pretty weird. Pretty weird.

[break]

Glenn Beck: Adam Schiff is a LIAR — and we have the proof

Image source: Glenn Beck Program on BlazeTV

On the radio program Wednesday, Glenn Beck didn't hold back when discussing the latest in a long list of lies issued by House Intelligence Committee Chairman Adam Schiff (D-Calif.) during the Democrats' ongoing endeavor to remove President Donald Trump from office.

"I'm going to just come out and say, Adam Schiff is a liar. And he intentionally lied. And we have the proof. The media being his little lapdog, but I'll explain what's really going on, and call the man a liar to his face," Glenn asserted. "No, I'm not suggesting he's a liar. No, I'm telling you, he's a liar. ... Adam Schiff is a lying dirtbag."

A recent report in Politico claimed Schiff "mischaracterized" the content of a document sent to House Judiciary Chairman Jerry Nadler (D-N.Y.) as evidence against President Trump in the Senate impeachment trial. Read more on this here.

"Let me translate [for Politico]," Glenn said. "House Intelligence Chairman Adam Schiff lied about a text message exchange between two players in the Ukrainian saga. And we know it, because of the documents that were obtained by Politico."

A few of the other lies on Schiff's list include his repeated false claims that there was "significant evidence of collusion" between the Trump campaign and Russia leading up to the 2016 presidential election, his phony version of President Trump's phone call with the president of Ukraine, and his retracted claim that neither he nor his committee ever had contact with the Trump-Ukraine whistleblower. And the list just keeps getting longer.

Watch the video below for more details:

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On the radio program Tuesday, Glenn Beck and Stu Burguiere discussed recent reports that former Vice President Joe Biden's son, Hunter, wasn't the only family member to capitalize on his connections to land an unbelievably lucrative job even though he lacked qualifications or experience.

According to Peter Schweizer's new book, "Profiles in Corruption: Abuse of Power by America's Progressive Elite," Joe Biden's younger brother, Frank, enjoyed the benefit of $54 million in taxpayer loans during the Obama administration to try his hand at an international development venture.

A lawyer by training, Frank Biden teamed up with a developer named Craig Williamson to build a sprawling luxury resort in Costa Rica, which claimed to be on a mission to preserve the country's forests but actually resulted in the decimation of thousands of acres of wilderness.

The then-vice president's brother also reportedly earned hundreds of thousands of dollars as the front man of a for-profit charter school company called Mavericks in Education.

The charter schools, which focused on helping at-risk teens, eventually failed after allegations of mismanagement and a series of lawsuits derailed the dubious business venture.

Watch the video below to get Glenn's take on these latest revelations in the Biden family corruption saga:

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Ryan: Bernie at the disco

Photo by Sean Ryan

Saturday at El Malecón, we waited for the Democratic socialist. He had the wild white hair like a monk and the thick glasses and the booming voice full of hacks and no niceties.

Photo by Sean Ryan

The venue had been redecorated since we visited a few nights before when we chatted with Castro. It didn't even feel like the same place. No bouncy castle this time.

Photo by Sean Ryan

A black curtain blocked the stage, giving the room a much-needed depth.

Behind the podium, two rows of mostly young people, all holding Bernie signs, all so diverse and picturesque and strategic.

Photo by Sean Ryan

Lots of empty seats. Poor showing of Bernie fans for a Saturday afternoon. At one point, someone from Bernie's staff offered us seats in the audience, as if eager to fill up those seats however possible.

There were about 75 people in the dancehall, a place built for reunions and weddings and all those other festivities. But for a few hours on Saturday, August 10, 2019, it turned serious and wild for "Unidos Con Bernie."

Photo by Sean Ryan

People had been murmuring about Sanders' speech from the night before at Wing Ding. By all appearances, he had developed a raving lust to overthrow Trump. He had even promised, with his wife just out of view, that, were he elected, he'd end white nationalism in America. For good.

El Malecón lacked its previous air of celebration. It had undertaken a brooding yet defiant spirit. Media were sparse. Four cameras faced the podium. Three photographers, one of whom had been at nearly all the same events as us. A few of the staffers frowned at an empty row of chairs, because there weren't that many chairs to begin with.

At the entrance, Bernie staff handed out headsets that translated English to Spanish or Spanish to English, depending on who the speaker was. The translators stood behind the bar, 20 feet from the podium, and spoke into a lip-ribbon microphone.

Bernie's staff was probably the coolest, by far. As in, they looked cool and acted stylishly. Jeans. Sandals. Careworn blazers. Tattoos. One lad had a black Levi's shirt with lush crimson roses even though he wasn't a cowboy or a ranch-hand. Mustaches. Quirky hats. A plain green sundress. Some of them wore glasses, big clunking frames.

Photo by Sean Ryan

The outfits were distinctly Bernie. As Bernie as the tie-dyed "BERNIE" shirts for sale outside the club. Or later, at the Hilton, like a Grateful Dead cassette stand.

Immigration was the theme, and everyone in the audience bore some proof of a journey. Because America offers life, freedom, and hope.

Sanders' own father emigrated from Poland to America at 17, a high school dropout who could barely speak English. As a Jew, he'd faced religious persecution.

Within one generation, Bernie Sanders' father contributed to the highest stratum of American society. In one generation, near hopelessness had transformed into Democracy, his son a congressman with a serious chance at the presidency.

Photo by Sean Ryan

That's the beauty of America. Come here broken and empty and gutted and voiceless. And, within your lifetime, you can mend yourself then become a pillar of society. Then, your son can become the President of the United States of America!

Four people gave speeches before Sanders. They took their time, excited and nervous. They putzed. Because how often do you get to introduce a presidential frontrunner?

All the native English speakers jammed their earpieces when the woman with the kind and dark energy took the stage.

Photo by Sean Ryan

She mumbled in Spanish and did not look up and said that, when her parents died, she couldn't go home for the funeral. She fought back tears. She swallowed hard to shock herself calm. And the room engulfed each silence between every word.

It felt more like a therapy session than a political rally. A grueling therapy session at that. Was that what drew people to Bernie Sanders, that deep anguish? That brisk hope? Or, rather, the cessation of it, through Sanders? And, of course, the resultant freedom? Was it what gave Sanders a saintlike ability to lead people into the realm of the confessional? Did he have enough strength to lead a revolution?

Photo by Sean Ryan

While other frontrunners hocked out money for appearances, like the studio lights, Sanders spent money on translators and ear-pieces. The impression I got was that he would gladly speak anywhere. To anyone. He had the transitory energy you can capture in the writings of Gandhi.

Photo by Sean Ryan

I'm not saying he's right or wrong — I will never make that claim, about any of the candidates, because that's not the point of this, not the point of journalism, amen — what I'm saying is he has the brutal energy of someone who can take the subway after a soiree or rant about life by a tractor or chuck it up with Sarah Silverman, surrounded wherever he goes.

Without the slightest fanfare, Sanders emerged from behind the black curtain. The woman at the podium gasped a little. The room suctioned forward when he entered. In part because he was so nonchalant. And, again. That magnetism to a room when a famous or powerful or charming person enters. Not many people have it. Not many can keep it. Even fewer know how to brace it, to cull it on demand. But several of the candidates did. One or two even had something greater.

Photo by Sean Ryan

I'll only say that Bernie had it with a bohemian fervor, like he was a monk stranded in a big city that he slowly brings to God.

"We have a President who, for the first time in my lifetime, who is a President who is a racist," he shouted. "Who is a xenophobe and anti-immigrant. Who is a sexist. Who is a religious bigot. And who, is a homophobe. And, what is very disappointing is that, when we have a President, we do not necessarily expect to agree with him, or her, on every issue. But we do believe that one of the obligations is to bring people to-geth-ah. As Americans."

Photo by Sean Ryan

After listening silently for several minutes, the audience clapped. Their sweet response felt cultish. But, then again, what doesn't feel cultish these days? So this was cultish like memes are cultish, in a striving-to-understand kind of way.

"The essence of our campaign is in fact to bring people together," he said. "Whether they're black, or white, or latino, or Native American, or Asian-American. We understand that we are Americans."

At times, this meant sharing a common humanity. Others, it had a slightly more disruptive feel. Which worked. Sometimes all we want is revolution. To be wild without recourse. To overthrow. To pass through the constraints of each day. To survive. The kind of rowdy stuff that makes for good poetry but destroys credit lines. Sanders radiated with this intensity, like a reclusive philosopher returning to society, from his cave to homes and beds and fences and maybe electricity.

Photo by Sean Ryan

But, as he says, his revolution would involve healthcare and wages and tuition, not beheadings and purges and starvation.

Seeing the Presidential candidates improvise was amazing. They did it constantly. They would turn any of their beliefs into a universal statement. And Sanders did this without trying. So he avoided doing the unbearably arrogant thing of pretending to speak like a native Guatemalan, and he looked at the group of people, and he mumbled in his cloudy accent:

"My Spanish — is not so good."

Photo by Sean Ryan

This is the same and the opposite of President Trump's Everyman way of speaking English like an American. Of speaking American.

Often, you know what Sanders will say next. You can feel it. And, anytime this happened, it brought comfort to the room.

Like, it surprised no one when he said that he would reinstate DACA on his first day in office. It still drew applause.

But other times, he expressed wild ideas with poetic clarity. And his conclusions arrived at unusual junctures. Not just in comparison to Republicans. To all of them. Bernie was the Tupac of the 2020 election. And, to him, President Trump was Suge Knight, the evil force behind it all.

"Donald Trump is an idiot," he shouted.

Photo by Sean Ryan

Everybody loved that. Everybody clapped and whooped and some even whistled like they were outside and not in a linoleum-floor dancehall.

"Go get 'em, Bernie," someone in the back shouted.

This was the only Sanders appearance with no protestors.

"Let me say this about the border," he shouted. And everybody listened to every thunking syllable. He probably could have spoken without a mic. Booming voice. Loud and clear. Huddling into that heavy Vermont slug accent.

They'll say many many things about Bernie. One being, you never had to lean forward to hear him. In person, even more so. He's less frail. More dynamic.

Photo by Sean Ryan

Despite the shoddiness of the venue, there was a sign language interpreter. Most of the rallies had a designated interpreter.

"If you work 40 hours a week you shouldn't be living in poverty," he shouted, provoking chants and applause from the audience, as if he were talking about them. Maybe he was.

An anecdote about the people at an emergency food shelf blended into the livable wage of $15 an hour. He shifted into his spiel about tuition-free college and pointed at the audience, "You're not doing well," then at the kids behind him, "they are." He craned his head sideways and back. "Do your homework," he told said.

Laughter.

Half of the kids looked like they hadn't eaten in days. Maybe it was their unusual situation, a few feet from Bernie Sanders at a stucco community center.

Before the room could settle, Sanders wove through a plan for how to cancel debt.

Did he have a solution?

Tax Wall Street, he shouted.

Photo by Sean Ryan

And he made it sound easy. "Uno dos trey," he said. "That's my Spanish for today."

A serious man, he shoved through his speech like a tank hurtling into dense jungle. He avoided many of the typical politician gimmicks. Proof that he did not practice every expression in front of a mirror. That he did not hide his accent. That he did not preen his hair. That he did not smile for a precise amount of time, depending on the audience. That he did not pretend to laugh.

Photo by Sean Ryan

He laughed when humor overtook him. But it was genuine. With none of the throaty recoil you hear in forced laughter.

"I want everyone to take a deep breath," he said. And a palpable lightness spread through the room, because a deep breath can solve a lot of problems.

Photo by Sean Ryan

Then he roused some more. "Healthcare is a human right," he shouted. "A human privilege," he shouted. He told them that he lives 50 miles from the Canadian border in Burlington, Vermont, and healthcare works better up north.

Each candidate had a bad word, and Sanders' was "corporate."

Photo by Sean Ryan

At every speech, he mentioned "corporate media" with the same distrust and unpleasantness that conservatives derive from the term "mainstream media." Another would be "fake news," as popularized by Sanders' sworn enemy. Either way it's the same media. Just different motivations that irk different people.

But the discrepancies varied. Meaning two opposing political movements disliked the same thing, but for opposite reasons.
It sounded odd, Sanders' accusation that the media were against him. The media love Bernie. I can confirm this both anecdotally and judiciously. Yes, okay, in 2016, the media appeared to have sided with Hillary Clinton. As a result, Sanders was publicly humiliated. Because Clinton took a mafioso approach to dealing with opponents, and Sanders was her only roadblock.

Imagine if a major political organization devoted part of each day to agitating your downfall. And then you fail. And who's fault is it?

Sanders wanted to know: those negative ads targeting him, who paid for them?

Photo by Sean Ryan

Corporations, of course. Corporations that hated radicals like him. And really was he so radical? He listed off the possibilities: Big pharma, insurance companies, oil companies.

Because he had become a revolutionary, to them. To many.

He said it with certainty, although he often didn't have to say it at all. This spirit of rebellion had become his brand. He would lead the wild Americans into a utopia.

But just as quickly, he would attack. Trump, as always, was the target.

He called Trump the worst president in American history.

"The fates are Yuge," he shouted.

The speech ended as informally as it had begun. And Sanders' trance over the audience evaporated, replaced by that suction energy. Everyone rushed closer and closer to the man as Neil Young's "Keep on Rockin in the Free World" blared. Sanders leaned into the podium and said, "If anyone wants to form a line, we can do some selfies."

Photo by Sean Ryan

It was like meeting Jesus for some of the people.

There he was, at El Malecón. No stage lights, no makeup, no stylist behind the curtain. Just him and his ideas and his erratic hand commotion.

Then a man holding a baby leaned in for a photo. He and Sanders chatted. And, I kid you not, the whole time the baby is staring at Bernie Sanders like he's the image of God, looking right up at him, with this glow, this understanding.

Bernie, if you're reading this, I'd like to suggest that — if this election doesn't work for you — you could be the next Pope.

New installments come Mondays and Thursdays. Check out my Twitter. Email me at kryan@blazemedia.com

On the "Glenn Beck Radio Program" Monday, Harvard Law professor and lawyer on President Donald Trump's impeachment defense team Alan Dershowitz explains the history of impeachment and its process, why the framers did not include abuse of power as criteria for a Constitutional impeachment, why the Democrats are framing their case the way they are, and what to look for in the upcoming Senate trial.

Dershowitz argued that "abuse of power" -- one of two articles of impeachment against Trump approved by House Democrats last month -- is not an impeachable act.

"There are two articles of impeachment. The second is 'obstruction of Congress.' That's just a false accusation," said Dershowitz. "But they also charge him, in the Ukraine matter, with abuse of power. But abuse of power was discussed by the framers (of the U.S. Constitution) ... the framers refused to include abuse of power because it was too broad, too open-ended.

"In the words of James Madison, the father of our Constitution, it would lead presidents to serve at the will of Congress. And that's exactly what the framers didn't want, which is why they were very specific and said a president can be impeached only for treason, bribery, or other high crimes and misdemeanors," he added.

"What's alleged against President Trump is not criminal," added Dershowitz. "If they had criminal issues to allege, you can be sure they would have done it. If they could establish bribery or treason, they would have done it already. But they didn't do it. They instead used this concept of abuse of power, which is so broad and general ... any president could be charged with it."

Watch the video below to hear more details:



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