Glenn's Glorious Interpretation of Opera Classic 'Madame Butterfly'

Glenn regularly takes his daughters on daddy daughter dates, and this week he had the opportunity to see Madame Butterfly at the Winspear Opera House in Dallas.

Friday, Glenn treated his audience to a not-to-be missed retelling of the classic story.

Listen to this segment, beginning near mark 8:00, from 'The Glenn Beck Program':

PAT: Are you going to another opera in the meantime over the weekend? You going to hit the opera scene?

GLENN: Just because I do a father-daughter date and I do the things that my daughter wants to do, I don't know why you have to mock me for that.

PAT: It's pathetic.

STU: We seen you -- you're woke Glenn Beck, right? So this is you opening up to new cultures.

GLENN: No, I've gone to operas since my daughter started getting into this.

STU: Oh yeah, the whole thing is bullcrap.

GLENN: Okay, so let me tell you, this is the third installment, the third time I've gone to the opera with my daughter.

PAT: The last time I heard about this, I think it's The Nose in New York.

GLENN: Lincoln -- Kennedy Center?

PAT: And all they did was sing about a nose the whole time.

GLENN: No, a nose with feet that came out of the nostrils. It was really great. I am convinced that that is somebody who was high with his friend and went, you want to screw with the people that all think, oh, oh, I understand what this is all about? We're going to write the dumbest, craziest, and we're just going to say this is what it's about, and you watch. They'll all jump on.

Because I watched that thing and we want, come on, people! And the people were like, oh, isn't this brilliant? It's a nose with nostrils coming out so it can stand up and walk around and singing about communism. No, it's not wonderful.

STU: And it was feet coming out of the nostrils.

GLENN: Yeah. That's how it walked. So anyway. That was the last one. Before that I saw the Wagner Ring Cycle. I don't know which one. But it's the famous one, I guess, with the tree and the sword. That's all I remember from it. It's like, where is my sword! Five hours of where is my sword. It's right there! See the tree? (Laughter.) It's the only other thing on stage that isn't the tree! Laugh. Oh, my gosh.

JEFFY: That was at the met.

PAT: He was apparently very, very near sighted.

GLENN: Oh, my gosh. Where is my sword? Shut up. I almost ran up onstage. Here. Here it is! (Laughter.) So Madame Butterfly comes to town here in Dallas. And my daughter --

PAT: Is this a traveling Broadway thing? Don't know?

GLENN: I don't know. Let me preface it with you're not going to want to go after I describe what I've seen. But if opera was like this, I would go more often. It was really amazing. It was really amazing. The people that were singing were just -- this woman, I guess, is the person that you want to see as Madame Butterfly. I didn't even know what the story was about. I read it in Wikipedia on the way.

(Laughter.)

And it was really amazing. But may I just say this: If your story is about a 15-year-old beautiful, delicate, flower, a girl who is virginal, young, soft, beautiful, delicate, little, frail, youth, glowing, and so she comes out in the first act. The first guy comes out, he's supposed to be an American, and he's a big, hairy, Italian opera singer, singing in Italian, and he's the American, and he comes out and he talks about, (singing) oh, my beautiful flower, she's coming, she's coming, I can't wait to see her I'm going to marry her, she's not going to, it's a fake, no, don't marry her, like, that she's a beautiful flower, so delicate, don't crush her petals, no, no, no I'm going to marry her because I love here even though I'm going back to America-- (singing deep tones).

So I'm waiting for this beautiful, delicate flower, and it's a 40-year-old opera singer.

(Laughter.)

And she comes onstage and she's like, (singing) I'm a little flower. And I'm like, no, honey, you're not! No!

PAT: Isn't she somewhat rotund as well? Corpulent?

GLENN: I would describe her as an opera singer. Stick some horns on her and you've got the standard opera singer. So she's bigger than the American guy. Okay. And she's like, (singing) oh, I'm so young and small and fragile. No, honey, no you're not. So then she's -- she's singing to the guy who's going to marry her, and then her uncle comes, and she's got these Japanese family, these relatives, who are strangely all white people, and they all come on, and they're all singing, (singing) we're the family at the wedding. We just love the wedding. And then the uncle comes, and the music changes, and it's dark.

STU: Are they really explaining this, by the way?

GLENN: No, it's almost -- it's almost that. Yes.

STU: Okay. Sorry.

GLENN: So you don't have a problem -- it's not deep. What I've found is the lyrics are not deep.

STU: They're just saying the thing that's happening.

GLENN: Sometimes. A lot of times. Most of the time. It's not real subtle, you know. And now it may be the translation, because you're watching the translation up above the stage.

STU: You're not even watching the show.

GLENN: Yeah, you're watching, and okay, that's what she's saying. Well, you didn't translate that. What the hell is that? What did she just said?

PAT: Do they normally have the English translation?

GLENN: Some do and some don't. Opera is really weird. There's no microphones.

PAT: I thought you just had to know it or not.

GLENN: No. Some don't.

PAT: Huh.

GLENN: And they get really snotty, and they're like, if you don't know it --

PAT: But we in Dallas. We want to know.

GLENN: New York was like that.

PAT: They would to know the words.

GLENN: New York was like that too. I went to the symphony in -- with my other daughter on our father-daughter date Saturday. I almost broke my neck getting up so fast. I couldn't believe it. I come from radio, it's the pops and the orchestra and the guy comes out and shaking the hands of everybody, and standing up and he just walks up, and all of a sudden as he walks up to the platform, everybody jumps to their feet, and he points, and there's a snare drum roll. And I'm like, what the hell, and they start playing the national anthem. I couldn't get up fast enough. Everybody was standing up. I thought, wow, welcome to Texas.

JEFFY: No kidding.

GLENN: They do not do that in New York. National anthem? What? Anyway, so then --

PAT: Xenophobic.

GLENN: Then the uncle comes on, and the uncle is mad because she gave up her religion to marry him and become a Christian, and so he's mad. And all I can think of is, he's also in an enormous black man.

(Laughter.)

JEFFY: The uncle.

GLENN: The uncle. You have the beautiful flower who is not Japanese, she's Chinese; not 15, she's 40. She's thought delicate. She's sturdy.

STU: Casting maybe.

GLENN: I'm thinking, casting is not a problem in -- in opera. I think you're supposed to --

STU: It's just voice quality?

GLENN: I guess. I don't know. It's the only place when you -- I mean, what, it's all -- that's all it is. It's about the music. I really want to know the history of opera. Did it just start out -- because the acting is horrendous in almost every opera I've ever seen.

STU: Because it's not about that. Right? It's about --

JEFFY: A musical, right? On Broadway. A Broadway play.

GLENN: Could it be, and I apologize to everyone who's a musicologist and knows anything about opera.

STU: The three people that are out there.

GLENN: I thought it may have started -- the guy wrote the music, and it's like, this is great, let's get together Saturday and invite friends and blah-blah-blah, and they did that for a couple of weeks and somebody said, you know, it would be cool if we dressed up like the people. And they're like, you got to make costumes. Okay. We'll dress up. Kind of like, you know, a Star Trek convention where people are dressing up. They're like, I'll dress up as the character, and eventually they're like, you know what? I should pick up a knife or a fake knife and pretend it's that. Okay. And then it just started -- somebody said, I could build a set, and we could -- you're pretending. Why don't I pretend? But nobody ever thought, let's actually do a real performance. It's really about the singing. The rest of it is just -- because we had extra time on our hands. I'm not sure.

STU: Surely that's in a history book somewhere about opera.

GLENN: Either that, or they just have the worst directors, actors, and everything else.

PAT: Not good casting people.

GLENN: No. But really good.

PAT: Yeah, because your initial thing was --

JEFFY: It was incredible.

GLENN: It really was.

PAT: Doesn't sound it. Does not sound it.

GLENN: Pat, I bet you would like it.

PAT: No way.

STU: You liked La-La Land.

GLENN: You did.

PAT: Only because I'm so varied in my tastes. I'm so deep. This is complex.

GLENN: This is the Dallas Opera Company, I guess. I don't know anything about it. But this is the Dallas people. I don't think this traveling -- maybe she is traveling. I don't know. But this is absolutely tremendous. It's really, really good.

PAT: I'm sure they'll thank you.

(Laughter.)

LENN: None of the guys are going to listen to these reviews.

STU: Safe to say.

PAT: Dallas opera, you're welcome.

GLENN: You're welcome. Actually -- [Laughs.] -- I know they're not listening so I'm not saying this because they care. It was really good. I went home, I woke up Tania, and she said, how was it, and I always explain about going to the opera and I said, this one, Honey, I want to go again. They may not let me in. I may have to wear a disguise, but I want to see it again. It was really, really good. Really good. And I'm clearly not the biggest of opera fans.

[break]

GLENN: We were just talking about the opera is a wild place to go. I mean, on a Wednesday night in Dallas, Texas.

JEFFY: If you want to party.

GLENN: A few people in tuxedos. Every guy was in a tie and jacket. It was really formal.

PAT: That's unusual. Because we do not do that for anything anymore. Even Broadway, nobody dresses up for.

GLENN: No. Especially in Dallas.

PAT: In Dallas it's more so.

GLENN: In Dallas, there's cowboy black tie, can which means you wear a shirt, a tuxedo.

PAT: And jeans.

GLENN: And jeans. We don't even do black tie here. And it was amazing. And the theater here, it's like the Winspear theater or something.

JEFFY: Yes.

GLENN: How many theaters have we been to?

PAT: Many.

GLENN: We've been to some of the most beautiful theaters in the country. This is by far the most beautiful theater I've ever seen, and paid for by private money.

PAT: Wow.

GLENN: It is beautiful. Beautiful. Unbelievable theater. Must have cost those rich people a fortune.

PAT: If only Foreigner would play there, I'd get to see it someday.

GLENN: They'll take anybody. I asked, do you rent this place out? And she's like, yeah -- only in Texas. Yeah, we've even done birthday parties here.

I'm like, who the hell has their birthday party here? I want to know that.

PAT: Wow.

GLENN: Wow!

JEFFY: Ross Perot.

GLENN: Yeah. Probably somebody like Ross Perot.

Glenn has focused on exposing the dark side of the gender movements waging our culture war, and now, there's a new "trend" emerging as an offshoot to the transgender movement. A growing online community, particularly of men, who consider themselves "involuntarily celibate" or "incels" believe they can live a better life as a trans woman. Why? This community purports the world is rigged against men, particularly against traditionally "unattractive men." What's the solution? Stop being a man...

Incel or "involutarily celibate" communities have existed online in the dark corners of Reddit and Discord for years. The groups are marked by a hatred towards women, blaming them for rigging the world in their favor and denying them of sex. Several members of this growing community have been responsible for large acts of violence, most notably Alek Minassian, who killed 10 and injured 16 after driving a van into a busy area of Toronto in 2021.

However, the transgender movement has presented a new option for incel members: if you can't beat 'em, join 'em... or, in the Transmaxxers' case, "become them."

The online Transmaxxer's Manifesto says, “Since females have the upper hand on the dating market, transitioning from male to female will usually improve your options when it comes to getting sex.” According to the manifesto, transitioning to female not only opens up a different pool of sexual partners, but moreover, you gain access to female-only spaces and are “able to extract resources from males.”

“Since females have the upper hand on the dating market, transitioning from male to female will usually improve your options when it comes to getting sex.”

Another member wrote, "If you do not currently feel like living as a female you might have to work on fixing that ... Identifying as male or being emotionally attached to a male body is bad for you if being male results in you living a bad life.”

This new movement is significant because it is in stark contrast to the mainstream narrative that "transgenderism" is an innate quality. Now, it can be an "option" people choose for social advantage. A moderator going by the alias “Vintologi” on the Transmaxxing Discord server, which boasts over 1,200 members, told The Daily Caller:

Transmaxxing is about transitioning for personal gain rather than focusing on things like "gender identity." ... What matters when it comes to medical transition is whether or not said transition would actually be beneficial, thus the extent to which gender identity is innate does not inform us much regarding when medical transition is appropriate.

One incel member on Reddit lamented that he can't Transmaxx to "have sex with white trans women" and to have "all the benefits of [being] female."

Transmaxxing sheds light on a concerning issue as an increasing number of people, particularly the youth, identify as "transgender." What used to be considered as a "finge case" is now being seen as a social advantage. Glenn recently sat down with de-transitioner Chloe Cole, and the amount of pressure she experienced to become a transgender man AS A TEENAGER was ASTOUNDING. She discussed the new community, friendships, and affirmation she gained when she started her transition journey, and she lost ALL of those social perks when she began de-transitioning. She exchanged affirmation for death-threats, friendships for stone-cold silence.

Transmaxxing is a very specific example of a larger movement that is deeply concerning. Not only is the thansgender ideology problematic on its own merits, but now, we are seeing a rise of a distinction of "social advantage" based on gender affiliation. This is deviating away from the original notion that transgenderism is an innate quality. Now, many consider it more "socially advantageous" to identify as transgender than with your biological gender.

At the same time President Biden's misplaced classified documents were sitting in his house, garage, and office at the Penn Biden Center, a whole lot of Chinese money was flowing around him. Is this just a coincidence, or did the Chinese get anything in return? Investigative journalist John Solomon joins to break down what was going on here ...

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Here are 5 RIDICULOUS moments from the Davos summit

Dimitrios Kambouris / Staff, FABRICE COFFRINI / Contributor, JOSEPH EID / Contributor | Getty Images

Glenn has been warning about the dangers of the World Economic Forum and The Great Reset, which is the WEF's goal to utilize the crises like the COVID pandemic to create a leftist Utopia. Now, these goals continue to take shape at the World Economic Forum summit in Davos. Here are five ridiculous moments from this year's summit that shed light on their ultimate vision Glenn has been warning about.

1. Ex-CNN host Brian Stelter hosts the WEF panel on "disinformation," calling for the criminalization of "hate speech" in the U.S.

The former host of Reliable Sources was fired from CNN in 2022 for raking in the network's worst ratings since 2019. CNN's CEO at the time, Chris Licht, accused Stelter of "drawing ire from conservatives" for misrepresenting the facts and propagating false narratives to demonize conservatives. Licht fired Stelter because he was a liability to CNN's attempt to "re-brand" itself as a "reliable" news source.

You would think the World Economic Forum could have found a more credible host for its "disinformation," than Brian Stelter, and it comes with little surprise Stelter's panel called for the continued censorship of conservatives.

Stelter asked his panel, "How does this discussion of disinformation relate to everything else happening today in Davos?"

Vice-President of the European Commission Vera Jourová answered "illegal hate speech" from right-wing extremists, and then called for the criminalization of hate speech in the U.S., asserting, "I think that we have a strong reason why we have this in the criminal law" within the EU.

As former Trump advisor Stephen Miller pointed out, Stelter's refusal to further challenge Jourová's call for censorship is indicative of his failed career as a journalist.

2. Al Gore warns of "rain bombs," "boiling oceans," and "xenophobia" as a result of climate change.

Gore's speech "speaks" for itself...

After asserting that we're creating an "open sewer" in the troposphere, Gore exclaimed:

That’s what’s boiling the oceans, creating these atmospheric rivers, and the rain bombs, and sucking the moisture out of the land, and creating the droughts, and melting the ice and raising the sea level, and causing these waves of climate refugees!
Watch the latest video at <a href="https://www.foxnews.com">foxnews.com</a>

Speaking of refugees, Gore blamed the mass migrations of people on... you guessed it... climate change! Of course this leads to "xenophobia" and "fascism," so if we hate "xenophobia" and "fascism," we need to stop climate change IMMEDIATELY. Plus the rain bombs...

Does this sound reminiscent of the "Man-Bear-Pig?"

Courtesy of South Park

3. Siemens AG Chairman Jim Hagemann urges for 1 million people to NOT eat meat—predicting a "meatless future."

It wouldn't be a World Economic Forum summit if bugs didn't take center stage. Siemens AG Chairman Jim Hagemann said he was inspired by his 24-year-old daughter to stop eating meat to fight climate change and urged one million people to stop eating meat to balance out jet emissions—like the jets his fellow attendees used to travel to the conference?

Here's what he said:

If a billion people stop eating meat, I tell you, it has a big impact. Not only does it have a big impact on the current food system, but it will also inspire innovation of food systems."
Watch the latest video at <a href="https://www.foxnews.com">foxnews.com</a>

Of course, finding "alternative sources of protein" means... you guessed it... BUGS. The EU is already cutting down on cattle farms and promoting the building of insect farms to initiate this "protein transition."

4. John Kerry calls Davos attendees a "select group" with an "almost extraterrestrial" plan to save the planet.

Kerry's opening speech at Davos shows the type of elitism the attendees believe about themselves. They are the "special ones" who can gather at a Swiss resort town to discuss how to "save the planet" and the "little people" who are too ignorant to have a say in the matter. His words speak for themselves:

When you start to think about it, it's pretty extraordinary that we — select group of human beings because of whatever touched us at some point in our lives — are able to sit in a room and come together and actually talk about saving the planet [...] I mean, it's so almost extraterrestrial to think about saving the planet [...] f you say that to most people, most people think you're just a crazy, tree-hugging, lefty liberal, you know, do-gooder, or whatever, and there's no relationship. But really, that's where we are.
Watch the latest video at <a href="https://www.foxnews.com">foxnews.com</a>

Well, not everyone was amused...

Businessman and conservative Tim Acheson called Kerry’s words, "Liberal delusions of grandeur." Jordan Peterson also tweeted, "Who are you going to sacrifice to save the planet, @JohnKerry -- and do you think and how will you ensure that they have any say in the matter?"

5. Davos attendees traveled on more than 1,000 private jets to the conference.

Greenspace, an environmentalist research group, estimates the total emissions used by Davos attendees on their private jets while traveling to the conference is equivalent to "about 350,000 average cars."

Greenspace also found that 53 percent of all private jet trips were short-haul flights of less than 470 nautical miles that "could have easily been train trips." This comes amid the EU's push to ban short-distance flights and opt for train travel instead, which many continue to point out.

Closing thoughts

What once sounded like conspiracy theories are now taking shape amongst the global elites at Davos. As Glenn continues to shed light on the dangers of the World Economic Forum, here's how YOU can fight back against their goals that threaten our freedoms and democracy.

In honor of the World Economic Forum summit in Davos, we would like to resurrect this gem from Glenn's Instagram archive. If "the Great Reset" doesn't work out, Schwab should consider reaching out to the Bond franchise for a Plan-B career.

Be sure to follow Glenn on Instagram for more!

This is part of our ongoing series on "The Great Reset." To read similar content, click here.