The Inconvenient Sequel to Al Gore's 'Inconvenient Truth' Debunked

Monday on radio, Glenn talked with Cato Institute expert Alex Epstein, author of The Moral Case for Fossil Fuels, about Al Gore's latest movie An Inconvenient Sequel: Truth to Power.

"This is probably going to surprise you, but his central claim is that he was even more right than he thought," Epstein said.

In the film, Gore points to the success of the 100 percent renewable city of Georgetown, Texas --- but 100 percent isn't entirely accurate.

"Imagine that Tim Cook, the CEO of Apple, wants to cross the ocean without using fossil fuels. He doesn't want to just have a sailboat, right? Well, what does he need? He needs fuel, diesel or some form of oil fuel. So how is he going to be 100 percent solar and wind?" Epstein asked, hypothetically.

Al Gore to the rescue.

"In addition to the engine that's really doing the work, let's put a sail on top of the yacht so that, you know, it gets a little bit of power from the wind. And then [Gore] said, well, Tim Cook, we'll pay the other passenger so they say they got the energy from the engine and you got the energy from the sail," Epstein explained.

Glenn and his co-hosts reacted strongly to the explanation.

"That is awesome," Stu said.

"Oh, my gosh," Glenn said.

"That is awesome," Pat said.

"Oh, my gosh," Glenn said.

"You have to admire it at some level. At some devious level, you have to admire it," Stu said.

"Oh, my gosh," Pat said.

Listen to the full interview for Epstein's recommended approach to debunking climate propaganda --- and why he says there's hope for the future.

GLENN: Welcome to the program, Alex. I am happy to say, I did not go to the -- to the opening weekend of Al Gore's new movie. I'm sure people were beating a path to its door to see all of the truth.

Did he address in the movie, Alex, at all the -- the idea that almost everything he said in the last movie was wrong?

ALEX: This is probably going to surprise you, but his central claim is that he was even more right than he thought.

STU: Wow! What a surprise.

PAT: I love that.

GLENN: Really? Really?

How -- how exactly was he right?

ALEX: Well, one thing that he does is with some of the specific predictions, such as the 20-foot rise in sea levels, he acknowledges them at the beginning and then makes some other points and then pretends that they've been acknowledged and that he's been vindicated. So one of them is I guess clever for that reason, to acknowledge and then to act like you've dealt with them. Which is more powerful than I guess not dealing with them -- or, not acknowledging them.

But I think it's important that the central narrative of the movie is that, A -- you indicated this before -- the Georgetown renewables are taking over the energy world, so fossil fuels are no longer necessary. And, B, climate is more dangerous than ever. Those are the two threads. And he says rightly that those were the two threads of the first movie. So a lot of it hinges on, are those two claims true? And they're not.

GLENN: Okay. Well, take me to the 100 percent renewable city like Georgetown, Texas.

ALEX: So you see a really interesting image because you see this very self-satisfied mayor. And Gore is very happy because this is allegedly the reddest county and the reddest city and the reddest state and the reddest country. Blah, blah, blah. Right? And they're using 100 percent renewable.

Now, the first thing you see if you're a serious viewer is just a lot full of gasoline costs. So this should -- and renewable energy, not renewable electricity.

So this should be a giveaway. And then more broadly, I think if you think about it, you should know that, well, solar and wind are unreliable sources. The proper name for them is not renewables. It's unreliables. So how -- how is the whole town going to be powered at night and in different weather conditions? That should be suspicious, and they should at least give you an explanation if such a magical feat is to be pulled off.

That doesn't happen at all. So if you look into it, this is actually a pretty standard dishonest practice. What happens is there's a grid that has a bunch of reliable sources and then a little bit of unreliable energy. And then people who want to look really good, they pay the grid to say, "Hey, we want credit for all the unreliable energy." So in this case, there's something like 14 percent renewable, which includes hydro, which is reliable. But there's a solar wind portion.

So Georgetown makes a contract with the grid that says, hey, we want you to label all of our grid electricity solar and wind and everybody else as dirty, and we'll pay for that. And that's what Apple and Facebook and Google do. So it's just a pure accounting fraud.

PAT: Wow. That's amazing.

GLENN: Wait. How do you do that? How do you -- they -- if I have -- if I have a -- if I'm connected to the grid and I am using let's say solar. I can only use so much solar for so long during the day. If I'm not using all that solar, I put it back into the grid and then I can claim that I am completely clean, even though at night I may not be using batteries? I may be using the grid?

ALEX: Right. This is -- this is a much worse version of that because it's just -- the percentages are so vastly different. I mean, I've thought about it this way. Imagine that -- you know, with Apple. Imagine that Tim Cook, the CEO of Apple, wants to cross the ocean without using fossil fuels. He doesn't want to just have a sailboat, right? Well, what does he need? He needs fuel, diesel, or some form of oil fuel. So how is he going to be 100 percent solar and wind?

And so that's Al Gore's basic solution as well. In addition to the engine that's really doing the work, let's put a sail on top of the yacht so that, you know, it gets a little bit of power from the wind. And then he said, well, Tim Cook, we'll pay the other passenger so they say they got the energy from the engine and you got the energy from the sail.


STU: That is awesome.

GLENN: Oh, my gosh.

PAT: That is awesome.

GLENN: Oh, my gosh.

STU: You have to admire --

PAT: Oh, my gosh.

STU: You have to admire it at some level. At some devious level, you have to admire it.

GLENN: So he says the -- catastrophic temperature rise. Sea level rises. Flooding, drought, storms and disease. All of that has come true. Can you take those apart, one by one?

ALEX: Well, can I take them apart all at once and then we can do one by one?

GLENN: Oh, sure. Yeah.

ALEX: Because I think as a viewer of this movie, we have a responsibility, which is to demand that people who document important issues give us the whole picture about those issues. So one thing we should ask ourselves is, what would the whole picture look like? What kind of evidence would we need? And in terms of a climate catastrophe, climate getting catastrophic dangerous, the number one thing we would need to know is what is the trend? What is the global trend? Not just one example, but what is the global trend of climate-related deaths? People dying from storms and floods. Because this is what Gloria is claiming is worse.

Now, anyone watching this movie would infer -- because Gore doesn't give this data, but they would infer that millions of people a year are dying from climate and this is worse than ever. But, in fact, if you look back, millions of people used to die from climate before we were industrialized fully. So in the '30s, you had millions of people who died from climate.

But last year, I don't think anyone could imagine this. They tallied all climate-related deaths from international disaster database from stores -- international disaster database from storms and floods and heat and cold everything that is supposedly getting worse. And last year, the worst year ever -- it's always the worst year ever, there were 6,114 climate-related deaths, globally


STU: That's a huge drop. It's over 90 percent from not too long ago, less than 100 years ago.

PAT: Hmm.

ALEX: Right. And it's because nature doesn't give us a safe climate that we make dangerous. It gives us a dangerous climate that we make safe.

STU: Hmm.

GLENN: Have you seen -- I saw an article this weekend about the permafrost melting. And they were talking about how in Siberia, these giant holes are opening up. And in the article -- I mean, the headline was something like, climate change, you know, disaster. Permanent frost melting. And I click on it.

And in the article, it quotes scientists as saying, this has nothing to do with climate change. This has something to do with the -- I don't even know. The axis, or the tilt of the earth has changed -- something has changed. But it has nothing to do with climate.

Have you read about this at all?

ALEX: Well, I don't know if it has nothing to do with climate. I think that the spreading of the term "climate change," as an allegedly coherent term, is very destructive to thinking because it's not a coherent term. So I think it's just easier to talk about CO2 levels. So if we think, okay. Do higher CO2 levels cause this? The truth is no. But what I'm concerned about is, is there change? But how is human flourishing going? And what human flourishing needs to go, into advance, is lots and lots of energy for everything in life, including protecting ourselves from the climate.

So I would go so far as to say that even if we want to do it, at this point in technological history, we do not have the ability to make climate significantly more dangerous by emissions, but we can make it far, far safer by our energy.

GLENN: We have Alex Epstein in. He's the author of the book Moral Case For Fossil Fuels. He's also an adjunct scholar at the Cato Institute and heads up the Center for Industrial Progress.

You know, the -- the -- the current thinking is, just let this -- you know, the old generation like me, die. Because everybody, you know, under 40 believes this to be true. And so now they're just saying, just let it play out. We'll get what we want, you know, from the younger generation once the younger generation sees its power. Do you see that as viable, any way to combat that?

ALEX: Well, I've managed to escape. I'm going to be 37 tomorrow. So I don't know if they want me to die. They probably do.

GLENN: Right. Oh, I do think they want you to die.

STU: They definitely want you to die, Alex. There's no doubt about that.

GLENN: Yeah.

ALEX: So I think that -- I'll tell you, my experience is actually very positive on this. Which is that if these issues are explained a certain way, you can win a lot of people over.

In San Francisco right now, I spoke at Google last week on this, and I had a lot of success.

The key is this: We have to -- the way to do it is to not focus on, is there climate change or not? Which is a very vague kind of thing anyway. Climate non-change. It's just this thing where -- that's not the issue.

The issue is, what is the best policy if we look at the positives and negatives for human flourishing? So I don't have to prove that fossil fuels have no impact on climate. I have no desire to prove that. I just have to show that overall, this is -- it's a really, really good thing that we keep using fossil fuels and, in fact, use more than fossil fuels. And that if we don't, it will be really bad for a lot of people.

And, in fact, Glenn, I don't remember if you remember this, I remember this very well, we talked a couple of years ago. And I had told you that by using energy, we basically multiple our power by 96, by using machines and fuel. And you said, "Hey, could you teach 96 people to do that?" And since then -- to do what you do in terms of persuasion, since then, we have a couple of programs. So if you want to do this, if you 96 listeners, we can just send them 96 programs. And we can see how effective they are in persuading their peers.


STU: Hmm. It would be an interesting thing to watch.

GLENN: I'd love that. All right. So let's get some information on that. I'd like to also ask you, Alex, if you would like to come down and hold our hand through the -- the -- you know, The Inconvenient Sequel. Because I'd like to take a group of people who really want to know this, want to know the facts. Want to listen to both sides. And then can go in and decide for themselves with the facts and then go do something about it. I'm really interested in finding people from university camps that would like to discover the real truth and then -- and go out and be able to combat this.

Would you be willing to come down, and we'll take a group of listeners and you can talk to us afterwards and prepare us to go out. And we'll run it on TV and everything else.

ALEX: Yeah. I'd love to do that.

GLENN: Okay. Well, don't -- you're so verbose sometimes.

STU: What time is it right now? It's very early in the morning, I suppose.

ALEX: No, no, no. I have a lot -- I have too many ideas about it.

GLENN: Yeah.

ALEX: So I'll tell you one, but I just want to enthusiastically accept the invitation as the main thing. But one thing that I would consider, because I'm really interested in this, is just giving people before they watch the movie, not any facts, but a few questions or guidelines about it.

GLENN: I'd love that. So give those to us now, if we happen to have somebody in our life who is going to it, that we can say, "Hey, we want you to watch with these questions in mind." What are they?

ALEX: Okay. So one is, what does this movie want us to do? I think that's very important to know. What action does it want us to take?

GLENN: Okay.

ALEX: And then two would be, is it giving us the whole picture that we would need to take that action? Is it giving us the whole picture?

And one thing would be, is it giving us both the positives and negatives of what it tells us to do, or is it just giving one side?

And even with that, you would disqualify 90 percent of documentaries as worthless.

GLENN: Hmm. Alex, thank you so much. Love to have you on again. We'll talk to you off the air. He is the author of the book, moral case for fossil fuels.

STU: Great book you have to read. The central argument it seems Gore makes in all of his previews is, the single most common criticism from skeptics when the film came out focused on the animation showing the ocean water flowing into the World Trade Center memorial site. Skeptics called that demagogic and also absurd and irresponsible. It happened on October 29th, years ahead of schedule.

PAT: So ridiculous.

STU: So he's saying I called a flood of New York, and a flood of New York happened.

GLENN: Sandy.

STU: Now, of course, you're right. Sandy is what he's talking about.

GLENN: But he was talking about sea levels.

STU: Permanent sea level rises of 20 feet.

PAT: Why?

STU: That would displace 100 million people.

PAT: Greenland melted. That's why.

STU: Because Greenland melted. And the amazing part about it, he has such big balls that in that section of -- there's a 70-second section about that claim. In the section, he tells you all of the things that would prove his current claim wrong. It's right -- it's legitimately like the next sentence after the one he features in the movie tells you that the prediction had nothing to do with a hurricane or a storm.

Glenn's sets for radio, TV and the podcast really pop on screen and that's where all the magic happens. But have you ever wondered what it looks like behind the scenes and where the magic is tinkered with and mastered before going on air or online? Today is your lucky day. Come take a tour of Mercury Studios, home of Glenn Beck and Blaze Media.

Come on in!

Ryan: Kanye West and the Great Society

Graphic by Alexander Somoskey.

Donald Trump has been name-dropped by nearly every major rapper of the last 30 years, starting with a reference by Beastie Boys on their iconic album Paul's Boutique, the Sgt. Pepper of hip-hop.

He's been mentioned by Jay Z. Ludacris. Young Thug. Nelly. Kendrick Lamar. Juicy J. Rick Ross. Eminem. Big Sean. A Tribe Called Quest. Scarface. Lil Wayne. The Coup. Master P. Ice Cube. Mos Def. Raekwon, Ol' Dirty Bastard, and various other Wu-Tang Clan affiliates. R. Kelly. Pete Rock. Nas. E-40.

And don't forget this surreal moment in our nation's history.

Then-candidate Trump on SNL ... dancing to a Drake parody.(Screenshot from YouTube)

When Bun B referred to Trump on the Chopped-n-Screwed anthem "Pocket Full of Stones," he was keeping with a tradition of rappers admiring Trump. This only changed a few years ago.

But then there's Kanye West, who proudly donned the red MAGA hat after discovering Candace Owens and being called "a jackass" by our nation's first black President. Then Kanye was hugging President Trump in the Oval Office? While wearing a Make America Great Again hat, supposed symbol of white supremacy, Nazism, hate, evil?

(Screenshot from YouTube)

People flipped. Everyone did. Longtime critics suddenly — and bizarrely — embraced Kanye as an ally, while longtime defenders disowned him, abandoned him like nail clippings, often mocking his struggles with mental illness and labeling him, if you can believe it, a white supremacist.

Then, in a moment that changed music history, Kanye released the single "Ye vs. the People."

Ye vs. the People (starring TI as the People)

In it, he challenges what he sees as the unspoken rule that black Americans have to vote Democrat. He had hinted at the idea on his track "Black Skinhead," from the hauntingly gorgeous album Yeezus, but now he was addressing it head-on, with the passion of a man going to Confession for the first time in a decade.

Why should black folks have to abide by any set of cultural or political or artistic guidelines to begin with? And, he argues, the pressure to adhere to this longheld framework is itself undergirded by a subtle and cleverly masked racism, imposed by a group of people who portray themselves as the champions of race and enemies of white supremacy and destroyers of dumb yokel rednecks with their Rebel flags and monster trucks and fully-automatic AR-15 assault weapons. All of which, it turns out, is some next-level projection.

Kanye also confronts the presence of these expectations and stereotypes in hip-hop. The idea that rappers must invoke a negative persona in order to succeed. And the moment they deviate from that image they are rebuked or ignored, even though the persona is damaging to the black community as a whole. Which is especially ironic given that the people who voice the most outrage tend to be highly privileged, supposedly progressive white folks who love to rant about white privilege and black oppression.

Is it better if I rap about crack? 'Cause it's cultural?
Or how about I'ma shoot you? or f**k your b***h?
Or how about all this Gucci, 'cause I'm f****n' rich?

Best of all, Kanye has answers. And they differ from the erudite solutions offered by, say, A Tribe Called Quest, who, like Kanye, have modeled a healthy, positive image of blackness for the black community.

A central theme within "Ye vs. The People" is empathy as power, rebellion, freedom.

Make America Great Again had a negative perception
I took it, wore it, rocked it, gave it a new direction
Added empathy, care and love and affection
And y'all simply questionin' my methods.

This concept is an extension of the powerful devotion to positive energy that Kanye adopted around that time, a purview he has cultivated into a wild new form of electronic gospel.

But his personal transformation was tough.

That [MAGA] hat stayed in my closet like 'bout a year and a half
Then one day I was like, "F**k it, I'ma do me"
I was in the sunken place and then I found the new me.

This is a struggle that many Americans undergo. Researchers call it the spiral of silence. The idea that the news media and social media present biased opinions as though they are fact, and when the message conflicts with a person's opinions or values, they feel isolated, alone.

Kanye and T.I. during the making of "Ye vs. the People"(Screenshot from YouTube)

As Kanye raps in "Ye vs. the People"

A lot of people agree with me but they're too scared to speak up.

Because we have an incredible ability to sense public opinion. So when we suspect that we hold a belief that rails against acceptable thought, we tend to keep quiet about it. That silence makes the opinion seem even more taboo, resulting in a more widespread silence.

In reality, many of these supposedly taboo opinions are not only popular, they are normal and practical and logical. Healthy, even. And the real danger is in demonizing them. But too many people are afraid they'll be ostracized for expressing their beliefs.

Like how — despite what we've been led to believe — most Americans cannot stand political correctness.

But the small minority of people who champion it are powerful and loud. They're like that cardboard city in North Korea, just visible enough from the border to make it seem like a thriving community. They're the Wicked Witch of the West, or Iago from Othello, or Plankton from Spongebob Squarepants.

So far, they have been successful. Although "success" by their metric is anarchic and primal, all destruction and loudness and people nervous to speak their mind. And the cost of rebellion can be devastating.

By the time Kanye West wrote "Yay versus the People," he had gotten sick of this power dynamic. So he broke the spiral of silence."


In the words of German philosopher Hans-Georg Gadamer, "Whoever has language has the world."

Humans alone have it.

But in order for us to know freedom in our world, our language has to be public, shared, active. Because each of us thrives constantly with language, a stream of it always in our mind. Aristotle defined "thought" as the infinite dialogue between the soul and itself. Conversation is the exchange of thought between people. When we converse, we simultaneously release our infinite dialogue and accept the other person's. By speaking, we shape the world and free ourselves.


Another way to say it is that Donald Trump might have inspired the song that could very well signify the end of Hip-Hop, which is not only the most popular genre of our zeitgeist, it's the most popular, and successful, form of music in American history, which is the most important era of musical history.

If the Beatles were bigger than Jesus, and Drake literally outpaces the Beatles, then, well, you get the point God forgive me. And Kanye is bigger than Drake. So who better to have the final word on the capacities of Hip-Hop than Kanye West?


Every genre must come to a close. There's a reason why people aren't eagerly awaiting the next great disco album, or flocking to arenas to hear the newest bluegrass superstar, or asking to get their hair done like the latest syringe-armed guitarist of Guns N Roses.

(Screenshot from Instagram)

The great era of Rock 'N' Roll ended roughly about the time Radiohead traded their guitars and drums for synthesizers and sequencers, not long after Kurt Cobain took an insane amount of heroin and cradled a shotgun in his guesthouse, only to be discovered several days later by an electrician. Even worse, Nickelback soiled Cobain's legacy with godawful anthems, and who have their own weird and contradictory and hilarious connection to President Trump.

These days, Rock N' Roll lives mostly via nostalgia, as evinced by the explosion of cover bands. Notice how you don't see any hip-hop cover bands. You will, someday. But, for now, Hip-Hop reigns supreme. And Kanye is the King.

The brilliant Nina Simone once told a reporter that "An artist's duty, as far as I'm concerned, is to reflect the times."

Because music accords itself to the gravity and creative truth of the era. And currently we entrust hip-hop with this complicated maneuver.

But the past year, Kanye has been crafting a new sound through his Sunday services, weekly jam sessions with acoustic musicians and a choir and everyone dressed in white, praying through song, herding us into a better place, looking above for guidance. If it's anything like his track "Ultralight Beam," it will bring calm to our divided culture.

Mark my words: The resultant album will usher in an entirely new era, a magical flash in human history.

So far, hip-hop has been the defiant child of R&B and Electronica, the grandchild of Spoken Word and Steve Reich Minimalism, with tinges of Punk. Not for much longer. Kanye will see to that. And, weirdly, President Trump has helped inspire this transformation.

Meaning, Donald Trump will have had a hand in reinventing music as a whole, in spreading a movement of positive reformation. Love him or hate him, it does not matter. What other politician can make that claim?

There's an optimism to this that Dave Chappelle captured in his now-infamous Saturday Night Live monologue, just days after Trump was elected, asking Americans to at least give the man a chance. And again in his special "Equanimity," when he said

I swear no matter how bad it gets, you're my countrymen, and I know for a fact that I'm determined to work shit out with y'all.

In a moment of now-tired irony, the usual suspects heaped a barrage of hate at Chappelle for these remarks. But their outrage does not matter, in the grand scheme of things. Because it is an incredible time to be alive. It's beautiful. We should never forget that, no matter how petty or outrageous daily life gets.

At the moment, we are a country that is — everywhere, secretly — hurting. But we are Americans. Together. This is America. And, every day, God delights in our greatness and our empathy and our endless gift for love. So open your heart and listen. Say what you need to say.

New installments of this series come out every Monday and Thursday. Check out my Twitter or email me at

Ryan: Michael Bennet, Little League

Photo by Sean Ryan

Every day, life getting shorter. Every day, life going faster. Every day, like a roller coaster. These were the kinds of things that Michael Bennet was saying.

Michael Bennet, God bless him, he seemed like a decent lad. All week he had his family there. He said his campaign was their family vacation. He had had prostate cancer but would you believe he survived?

"Life is getting shorter," he said. "Every day."

Photo by Sean Ryan

He was well spoken. Dry. Talked with an air of consultation. Like you were in his office, and he had things to tell you.

Like a Little League coach who could actually be a coach someday.


I would encounter Bennet again the next day, at the Iowa State Fair.

Having just seen Sen. Kamala Harris (D-Calif.) at a small Baptist church, we ventured to the fair to see Bernie Sanders' riot of a Sunday speech. Bennet was on before him, so I got there early, and I paced off to get a restroom break. The media center is in the basement of the administration building, right by the Political Soapbox stage.

For whatever reason, the first-floor men's restroom has giant windows along the wall, and you can see right out onto the walkway that wraps around the building. I did not realize that this was the path that the candidates take to get to the stage.

Photo by Sean Ryan

And, this far into the 2020 presidential election, they never went many places alone. They had a press swarm and their wives and maybe an old friend who relocated here when the hurricane sank his house.

I was rushing. Panicking, really. Because I heard all the commotion. But nature abides by its own pace. And as I shuffled to the sink to wash my hands, my pants fell all the way down. I was exposed. Out in the open and in such desperation, you clobber yourself outside of time. It was all slo-mo with the Chopped-n-screwed voices as I scrambled to lift my trousers and audibly gasped the words, "Well just no." At that exact moment, that "accidental Renaissance" painting occurred as I locked eyes with Michael Bennet, slowly maneuvering the walkway.

These sorts of things happened, didn't they? There you were in a restroom, at an NFL game or a concert or maybe a bar, and you see someone you work with, or someone from church or school, and you lock eyes for a moment in confusion then revert to cave talk and shrug and get on with what you were doing. But it's weird when only one of you is actively part of the etiquette and allowances of a restroom and one of you is held to a higher standard, for the sake of common decency. Now let's say that you, the restroom occupant, happen to be credentialed press, and the outsider, Michael Bennet, happens to be a candidate for president of America.

Once the herd passed by behind him, I laughed a bit, quietly, because life could be very funny.


Onstage, Bennet, a senator from Colorado, gave the performance of a cake falling into a pool. Like he had been ghost-busted. Like he had spent the last two months learning the Fortnite dance moves and now that he had mastered them, suddenly Fortnite was for losers, and Fortnite dances, well, they were even worse.

The Political Soapbox is great because every candidate has 20 minutes. Those 20 minutes were theirs. Most of the time, they got romantic like a Backstreet Boy singing up toward an open window. Occasionally, they lost it. Bennet did neither. He belly-flopped into hay bales.

Photo by Sean Ryan

Remember that the growing crowd had the dangerous feel of a natural disaster. And it was gaspingly warm that day. So neither the crowd nor the environment were ready to give Bennet a freebie.

He gave a ravishing speech, full of neat invective. Then looked up and realized he still had 14 minutes on the clock. Oof. That was most of it, and he'd already done the Floss and the Robot and the Electro Shuffle, and honestly his shoulder was a little stiff from all that dance practice. So he opened the floor for questions.

Now, that was not the greatest idea. For one, this was not the type of place for such a thing. They called it a soapbox because you were meant to live out the phrase "on a soapbox" by ranting and fist-pounding and all other theatrics.

The Bernie Sanders supporters hadn't arrived en masse yet, so most of the people around the stage were clad in Trump gear. And they all had their hands up ready to ask him questions. Well, firebombs, really, masked as interrogative statements. Bennet shouted without breathing, then said, "I want to find a non-male person who has a question."

This did not sit well with the males who did not like the trend of personalizing all things, cautious gendering, and the sudden change of direction so that now they had to just listen.

Most people did not care.

"I do not support Bernie's plan," Bennet shouted. But would you believe the Bernie supporters had literally just arrived, you could smell their hair dye.

They jeered, then acted exactly — and I mean exactly — like the Trump supporters.

"I would rather support free pre-school than free college," he shouted. "Many people talk about... " but the jeering was too powerful. And the Bernie supporters had likely just had quinoa açaí bowls at their pre-Bernie brunch, so they were unstoppable. Well God bless the man for scratching "Give Presidency a Try" off his bucket list. Because at least he had a bucket list.

What did they have? Student debt and a restraining order? They being the growing factions of Bernie and Trump supporters in the audience. You could not see any pavement. It was just people and faces like the Mediterranean in the evening, all the way to the towering walls of the Grandstand.

Looking out at all that chaos, all that latent disaster, Bennet must have felt a deep stirring.

The night before, Slipknot headlined at the Grand Stand, a sold-out show. Rollicking and bursting and howling. How many drumbeats could drummer Jay Weinberg get per minute? At one point, vocalist Corey Taylor unleashed a demonic bellow, then adjusted his mask and looked out to all those people, those devoted fans, because many of them had Slipknot tattoos, and maybe he, like Bennet, indulged a moment for himself, a personalization of the grand setting, then shrieked, then persuaded the audience to lift their hands into the air, maybe toward a constellation of their choosing, and extend their middle finger like it was an egg landing on a pillow, which symbolizes the human condition.

New installments to this series come out every Monday and Thursday morning. For live updates, check out my Twitter or email me at

President Trump couldn't personally make it to Houston for the 3rd Democratic Debate, so he paid $7,500 for a single-engine Cessna to fly in circles over Texas Southern University campus while pulling a banner that said, "Socialism will kill Houston's economy! Vote Trump 2020!"

For four hours, it chugged around up there. You could hear it everywhere. It was the soundtrack of the night.

You can just imagine Trump's face as he had the banner-plane idea. You can hear him putting in the order. You can see his list of demands. And at the very top, "I WANT THE LOUDEST PLANE YOU CAN FIND!!!"


Was that Bret Baier in the aisle, adjusting his reading glasses and thumbing at the strap of his comically small backpack as he crossed the blue-carpeted gymnasium? He looked like the human version of Wisconsin. He was saying something but all you could hear was the plane overhead.

Photo by Kevin Ryan

Bret Baier, the stoic host of "Special Report with Bret Baier" on Fox News and the network's chief political anchor. He's underrated, if you ask me. Legacy. Old-school. He just delivers the news, which is what most people want. He talks the way anchors used to talk, with the American accent unique to news anchors even though he was born in New Jersey and raised in Georgia.

I had spent the last year-and-a-half on a series of in-depth profiles on some of the major countercultural figures of our time. People like Jordan Peterson, Dave Rubin, and Carol Swain. So my first impulse was to rush over to Baier and profile the guy. Nobody else would, after all. The New Yorker, The Atlantic, Harper's. But they ought to. The man has a hell of a story.
He joined Fox News a year-and-a-half after it was founded, as the southeast correspondent in Atlanta. A few years later, on a Tuesday in September, nineteen terrorists hijacked four passenger airliners and crashed into America.

When the first plane hit, Fox producers told Baier to just get in his car and drive to New York City. They needed back-up reporters for the next day. When the second plane crashed into the south tower of the World Trade Center at 9:03 a.m., they said, "Step on it, Baier."

He and his producer were an hour outside Atlanta when American Airlines Flight 77 slammed into the Pentagon. Still a good 8 hours away, but closer to D.C. than to New York City. So they re-routed to Arlington, Virginia, as fast as they could. Past a blur of fields full of indifferent cows. Past houses full of people who could hardly talk, people who couldn't describe what they were seeing and hearing, all the smoke and the blood and the office-supply confetti. Past towns that barely moved, gas stations with nobody in them, people sunken into a far-away stare.

Yet there was the sun, with only a few bangles of cloud every so often. America had been paralyzed but the earth kept trucking along, quiet and unbothered. It must have felt strange for Baier, to speed down empty highways — toward literal death and chaos — under a perfect sky, below cascading light and color.

Nature doesn't care if we make it out alive.


That day, Baier reported live from a Citgo station across the street from the Pentagon, rubble in heaps of flame behind him. It was like he'd fallen onto a different planet and was reporting back to home.

The next day arrived and it was so quiet everywhere. Nobody knew a damn thing. We could not believe our eyes. We all turned to reporters and anchors for answers. Most often, they blurted out whatever they could.

Something about Bret Baier gave audiences a much-needed boost. Reliable, sturdy. Like he said what had to be said and not a word extra.

Fox kept him in D.C., indefinitely. A friend helped him find an apartment. He never went back to Atlanta. Two weeks later, Fox News appointed him Pentagon correspondent, a position that saw him travel the world, including 13 trips to Afghanistan and 12 to Iraq.

Halfway through George W. Bush's second term, Baier became Fox News' White House correspondent.

Then, a year before he would earn his current position as anchor, Baier became a father. His son was born with holes in his heart — five congenital heart defects. Twelve days later, the boy underwent open-heart surgery. Baier and his wife waited in tiled rooms drenched with flowers and ESPN and drab ultraviolet light, surrounded by machines full of beeps and whirring and beeps and whirring.

Baier's son has since undergone two additional open-heart surgeries, nine angioplasties, and one stomach operation. In an interview with Parents Magazine, Baier said that his son's health problems have "given me perspective about my job, going through policy and politics in Washington, D.C., to see the bigger picture."

*Part of the reason I couldn't tell whether or not it was Baier is he's usually up on the main stage. For the 2012 election, he moderated five Republican debates, and co-anchored FNC's America's Election HQ alongside Megyn Kelly.

The 2016 election would propel him into a much larger role. He anchored three Republican debates, but this time he had to handle Donald Trump.

Baier knew Trump personally, from before the election. They'd played golf together. He described Trump as "a nice guy outside of his TV persona" and never thought Trump would actually make a run for the Presidency. Onstage, Trump was much different. And Baier had been tasked with maintaining control.

A devout Roman Catholic, he appreciates a nice glass of wine and a fine cut of steak. He likes a good joke, too. In January, 2019, Baier signed a multi-year deal with Fox News to continue "Special Report." A few weeks later, he and his family went to Montana for a ski trip. The weekend was wonderful. But they had to get back to New York because Baier was scheduled to appear on "The Late Show with Stephen Colbert" that Tuesday.

Imagine him, again in a car hurtling toward a fateful destination. How he squinted through the frost-pocked windshield and gripped the steering wheel. As he guided the white SUV along the two-lane road to the airport. The land looked haunted, barren, lifeless. Everywhere, the world was frozen white. Snow and ice blanketing the fields, gauze over the sky.

At some anonymous intersection, Baier pumped the brakes, but the tires hit an ice patch, and the SUV spun loose. An oncoming car slammed into the driver's side, launching the vehicle into an embankment, wedged on its side. A man named Zach stopped his pickup truck and helped the family crawl free, and the Montana Highway Patrol rushed them to the hospital.

"Don't take anything for granted," Baier tweeted later. "Every day is a blessing and family is everything. It's always good to remind yourself of that before something does it for you."

Before every debate that he moderates, Baier spends 10 minutes alone, praying.


A Freedom of Information Act request in 2011 revealed that Fox News was actually right. That the Obama Administration really did hate them. And had intentionally excluded them from a press pool two years earlier. Then laughed about it.

The documents unearthed snarky emails between various high-ranking aides in the Obama Administration. In one, the Deputy White House communications director bemoaned Baier's reporting on the bias. "I'm putting some dead fish in the [Fox News] cubby — just cause Bret Baier is a lunatic." That same day, deputy press secretary Josh Earnest bragged in an email that "we've demonstrated our willingness and ability to exclude Fox News from significant interviews."

The Trump administration pulled a similar stunt in July, 2018 by banning a CNN reporter from the press pool. Trump and Fox News had developed a beneficial relationship by then. And CNN was a lifelong competitor, a public enemy.
That night, Baier delivered an official statement, "This decision to bar a member of the press is retaliatory in nature and not indicative of an open and free press. We demand better. As a member of the White House press pool, Fox stands firmly with CNN on this issue of access."

Fox News rebuked Trump in solidarity with CNN. It was a heartening gesture between two seeming enemies. Fox News were standing up for truth, defending journalism, rejecting tyranny even though the ban would have benefitted them as a company.

Who knows how many books and dissertations and articles have been written about Fox News, usually in relation to bias, usually with a scathing tone. The conclusions differ wildly, yet each one claims certitude.

Generally, academics and journalists have taken a doomsday tone when talking about Fox News. Accusations of evil, fear-mongering, bigotry, hatred, misinformation, propaganda, racism, homophobia, and so on.

Despite these outcries, Fox News has consistently held its spot as the most-watched network in the country. Imagine how that makes its critics feel.

In an August 3, 2018 appearance on Jimmy Kimmel Live, Baier said, "the biggest problem is that the people who are most critical of Fox are usually people who have not watched Fox News."

Fox News is composed of two distinct departments. Punditry and straight news. Or "opinion news" and "descriptive news." Consistently, surveys of the public rate Fox News as both the least- and most-biased news network.
Last year, a survey found Fox News to be the second most-trusted television news brand in the country, after the BBC.

In a separate study, Democrats rated its bias score at (negative) -87, while Republicans placed it at (positive) +3. Which is like if, at a football game, one referee said "Touchdown," while the other referee said "Turnover, leading to Touchdown for the Defense." It can't be both, can it?

Public opinion may not be the best metric for understanding Fox News, especially in 2019.

Quantitative studies have offered clearer conclusions. In 2016, a content analysis used crowdsourcing and machine learning to examine over 800,000 news stories published over a year by 15 major outlets, from the New York Times to Fox News. They wanted to chart media bias.

What they discovered is that news outlets are far more similar than we believe. Much of the perceived bias is a matter of separating "opinion news" from "descriptive news." For conservatives, it's punditry. For those on the left, it's op-eds and long form investigative pieces, although the left tends to insist that they're not biased, that they are instead just more apt to tell the truth, even though research has disproven this belief.

The researchers found a much larger bias-divide in opinion news, whereas descriptive news was practically neutral. One of the researchers described Fox News' descriptive news as "guided by similar news values as more traditional, legacy media."

University of California Berkeley sociologist Arlie Russell Hochschild wrote that "Fox News stands next to industry, state government, church, and the regular media as an extra pillar of political culture all its own."

Say what you want about Fox News, they play a crucial role in the so-called mainstream media. And, despite what Fox News will lead you to believe, they are definitely part of the mainstream. And they are by no means the innocent victim. And certainly not powerless. And they have all kinds of problems that I will not defend. But we'll talk about that in a later installment, the one about Kamala Harris at a gun control rally, advocating for propaganda.


After two months of political events, I suspected that different news networks have their own signifiers, like the distinct stripes and markings on various spiders.

Wall Street Journal reporters tended to carry old-timey notepads and interview any bystander they could find. Breitbart usually only sent one person, and he wandered around with his iPhone, recording every single thing. Politico, prim-suited men who could just as easily work on the stock market.

Most of the reporters dressed like that, in stagey business attire. Prim for a high school job fair. Meanwhile, the photographers, mostly men, looked like professional paintball players. The camera crews and technical staff were the only ones decked in tattoos and wearing sandals and generally not caring about the chaos all around them. On-camera talent were covered in makeup and shrink-wrapped into dresses or suits with chip-clips along the spine.

The Washington Post sent the classiest and most bored-looking people I have ever encountered. They never looked at their laptops as their fingers chopped at the keys, and you assumed they were pretending until you read their stories online. You could spot ABC because their camera crew wore faded red ABC hats. Associated Press looked like they had just come back from a battlefield assignment in Syria, and never donned the same press credentials as everyone else, preferring a tattered AP lanyard. And you always knew when someone was with the New York Times because they announced it to the entire room.

And Fox News? At democratic events, they usually hid. But not that day, in Houston, as Bret Baier walked up the aisle to a table a couple rows in front of me.

Most people arrived in the Media Filing Center several hours before the debate. Fox News got there just slightly after that, as everyone was wiggling in their seats and connecting their laptops to a shared outlet.

There were seven or so in the pack of Fox News, all grinning. They all had white to-go sacks from Chick-fil-A. And the room got quieter, so Trump's plane got louder. It was a double trolling event.

As host of the debate, ABC would be providing dinner. This information was included in the credentials email that all of us had received. So nobody else had brought food with them. No need.

Even better, I was familiar enough with that part of Houston to know that there was not a Chick-fil-A anywhere close to us. Who knew where they'd gotten that Chick-fil-A, but odds are it wasn't warm. Who knew if there was even any food in the bags.

They had brought Chick-fil-A into a building full of national media during the third Democratic Presidential debate. The 2020 election was already full of outrage about plenty of things, and one of them was Chick-fil-A. To some folks, the red chicken logo might as well have been a swastika. That very week LGBT activists had vehemently — cartoonishly — protested the opening of several Chick-fil-A's throughout North America. Chicken sandwiches had become yet another flag on the tug-of-war rope in the Culture War of our country.

To be clear, the political left was anti-Chicken and the political right was pro-Chicken. The media tended to lean anti-Chicken, and frequently wrote about anti-Chicken causes, often scolding pro-Chicken voices, or ignoring the struggles of the pro-Chicken community only to deny any opinion on Chicken at all. That was the cowardly part, of you ask me, the pretending like they weren't activists.

The Democratic candidates definitely leaned anti-Chicken. Sometimes they took it so far that it upset moderate anti-Chicken advocates. Because was it really so bad to eat Chicken? Couldn't you be anti-Chicken but also enjoy Chicken occasionally? Why did everything have to be either "all Chicken all the time unless you hate freedom" or "no chicken ever unless you support hate"?

The fight had spread everywhere. Airports, stadiums, malls, campuses. All had served as battlegrounds for the anti-Chicken versus the pro-Chicken.

The previous President was anti-Chicken. In fact, he may well have enflamed the entire movement. During his tenure, there were nationwide protests that saw pro-Chicken advocates angrily and proudly eating Chicken while anti-Chicken advocates protested outside and occasionally engaged in homosexual affection, which was being threatened by Chicken, according to them.

Every time the pro-Chicken folks bit into a Chicken sandwich, it was like they were gnawing away at the anti-Chicken people themselves. Degrading their identity. Because, for them, it was about the identity.

But the current President, unabashedly proud of his pro-Chicken stance, once served Chicken at the White House to some winning sports team, and the anti-Chicken activists saw it as proof that Chicken and hate go together. And maybe Chicken would even lead to the impeachment of the President they hate, which would mean the Vice President would become the President, but he's one of the most pro-Chicken people in America, so they'd have to impeach him, too. And the Supreme Court, it was overrun with pro-Chicken types.

This election, the Democratic front-runners competed for the bolder plan. They would end Chicken in America once and for all. They would obliterate our evil President and his Chicken Supremacy. Their stump speeches relied on harsh criticisms of pro-Chicken voters, who pretended to find the whole anti-Chicken movement amusing but were secretly enraged by it. In fact, they were certain that the anti-Chicken movement had been systematically silencing them for years, and that they had to fight for their Chicken in order to keep everything that they valued, even all the not-Chicken.

The media and the democrats and Hollywood and academia — all hated the Chicken, because they hated the pro-Chicken people. If they had their way, no more Chicken, ever again. And no more pro-Chicken deplorables. And tonight the anti-Chicken politico-culture complex would prove it, with long rants which get confirmed by glowing articles, calculated takedowns about the merits of anti-Chicken and the evils of pro-Chicken.

Yet here was Fox News, with actual Chicken. And they were smiling. Maybe in part because the police who were guarding us all tended to be pro-Chicken. And this was Texas, after all, an incredibly pro-Chicken state. But there were 49 other states and 14 territories, and all of them were fighting for or against Chicken.

Some experts even said we were on the cusp of a Civil War.

New installments to this series come out every Monday and Thursday morning. For live updates, check out my Twitter or email me at