Matt Walsh: Christian Church ‘Doesn’t Have Much of a Future’ – Unless This Changes

Have you struggled with not feeling spiritually fed at your church?

Christians around the country are starving to hear biblical, honest teaching that holds them accountable in their lives. TheBlaze’s Matt Walsh joined Glenn on radio Thursday to talk about the spiritual dangers of a church that doesn’t give people the truth they need to hear.

“We need explanation. We need to be told how to navigate the spiritual minefield of modern culture,” Matt wrote this week. “We need something to hold onto.”

While some may be happy with their pastor and their church, every Christian needs to recognize that culture is changing the church, not the other way around.

“To deny that this is a problem is absurd,” Matt said on Thursday’s show. “We know that the faith is decaying in this culture.”

Glenn used the hospital analogy to talk about how desperately people of faith need to come to church each week to have a safe place for spiritual conviction and repentance.

“I think our churches should be spiritual hospitals. I’m coming in there every day, and I need triage,” Glenn said. “Instead, what’s happening is our churches are turning into someplace that is either an entertainment center or it is a place where all the people think they are doctors and they’re talking about all of the other patients that they need to help.”

This article provided courtesy of TheBlaze.

GLENN: Matt Walsh who works with TheBlaze, wrote an article that was posted yesterday that you need to read.

A certain sermon I heard a little while ago stuck with me. It began with a reference to Toy Story. Yes, the cartoon with talking toys. The Pixar film, the pastor explained, contained many examples of friendship. Friendship is important. It's good to have friends, in case any of you thought friendship was bad.

He was standing up boldly, if anyone wanted to stand up and boldly declare otherwise. Remember that Randy Newman said, "You got a friend in me."

The pastor remembered it. He quoted it at length. Now, I have no problem with a sermon that draws on art or literature outside the Scripture to illustrate a theme contained in it. But all of the poems, novels, songs, films, paintings, sculptures that may reveal some divine truth, he went with Toy Story?

Oh, but Toy Story is relatable, you see. Relatable to whom?

The message preached from most of the pulpits in America is just like this: Superficial, childish, empty, and seemingly designed to insult the intelligence of anyone who hears it.

Christianity is dull and lifeless in this country. Because that's what the church and leaders have done to it. They've made it into something so bland, so generic, and inoffensive that it no longer bears any resemblance to the faith of our Christian ancestors. Indeed, the primary goal of the modern church is to avoid offense at whatever cost.

And this is precisely why they are dying. Because they're not merely boring people. The problem is more specifically that they are starving people.

There's no substance. No meat. Nothing in the message being preached. The congregants sit there and slowly starve to death. Your flocks are starving, churches. And you are starving them.

We're getting killed out here. Do you even understand that? We drag our sorry, beaten carcasses into church every Sunday. Fewer and fewer even bother to do that anymore. After another week of languishing in Sodom. And what do you have to say? Friends are good. Really?

The troops are suffering massive defeats in battle. And when they consult their commanding officer, what do they hear? Yeah, it's rough out there, guys, so let me tell you what I learned about teamwork from watching Guardians of the Galaxy.

People need to be woken up. They need to be offended. Offend us, pastor! Make us uncomfortable. Make me look at my reflection and see the things I'd rather not see. Pull me out of my comfort zone. Make me angry at myself.

Or at you for making me angry at myself. Can you stand to have people angry at you? If not, then you've chosen the wrong profession and the wrong religion.

Whoever doesn't want to be challenged, whoever insists that they are above approach, whoever wants only sweet nothings whispered in their ears, whoever wants a comfortable Christianity does not want Christianity at all. There are not limbs on the body of Christ, there are malignant growths. They are toxic. Cut them out.

We pray that they return to the faith, but not until the faith -- not until the faith is the faith they truly desire.

If they are sitting there hoping to have their ears tickled and their preconceived notions confirmed, it is the duty of any pastor or priest to disappoint them and offend them. Because sometimes there is no other way to tell the truth.

GLENN: Matt Walsh is here. That article is at TheBlaze.com. Matt, you know what I like about you is you take on -- you take on your own. You know, you're not pointing fingers at others. You're taking on your own. Your own faith, your own church, and I appreciate that. And making people uncomfortable.

What is the future of Christianity?

MATT: I don't think it has much of a future in this culture, if this is what we get. This is what strikes me when I go to church -- and I know that, and I wrote that, and there were plenty of Christians who said, "Well, my pastor is great. I don't know what you're talking about." And that's fine. If you have a great pastor, a great church, then good for you. You should be very happy for that and grateful. But to deny that this is a problem, is absurd. We know that the faith is decaying in this culture. It's very clear.

You look at any indicator, starting with church attendance. It's lower than it has ever been. There's more atheists in this country than there's ever been. You just go right down the line. And it strikes me that at least from my experience and from talking to people, that the main problem isn't that people are going to church, and they're hearing hearsay and blasphemy. Well, they're hearing that too, so that's a problem.

But even more than that, it's not that it's just -- it's just this nothingness. It's like you're going to church and the person talking to you doesn't understand -- doesn't realize what century they're living in or who they're -- you know, it's like --

GLENN: It is a complete disconnect from -- you walk in, and it is completely disconnected from the world you just left. And not in a good way.

MATT: Right.

GLENN: It's as if it could be 1950. It could be 1800. It could be 2024. There's no connection at all to my life. It feels that way to me.

MATT: Yeah. And to the struggles that we're --

GLENN: Yes.

MATT: It should feel not disconnected. But it should feel like an oasis of sorts. Like, you are -- you're in a safe place. A sanctuary is what they used to call it. And it's what is supposed to be.

GLENN: See, may I point something out to you? Because I wonder if you're -- if we're saying two different things. Because I just -- I was just asked to be a part of the bishopric in my faith, and it's a lay ministry.

And we're wrestling with this very thing. And I -- I said, you know, sanctuary, it needs to be a sanctuary for God's people to be able to come and be safe. And you can say anything.

But, you know, the name Israel itself means wrestle with God. God expects you to wrestle with him. He expects you to ask tough questions. He expects his people to say, "Wait a minute. Hang on just a second."

And what's happening is, I think our -- our churches should be spiritual hospitals. I'm coming in there every day, and I need triage. Please, help me, help me, help me.

I need spiritual medicine all the time. And instead, what's happening is our churches are turning into some place that is either an entertainment center, or it is a place where all the people think that they're doctors, and they're talking about all the other patients that they need to help. I think that's upside down.

MATT: I think it's like churches are today -- what's that dumb -- well, I didn't like it that much -- that Robin Williams movie where he pretended to be a clown.

STU: Patch Adams? That's a weird reference to bring into this.

MATT: Okay. Well, I'm saying, people are dying, and so the DACA puts on a clown nose and makes them laugh, which is great. But they also need medicine. It's like, if I'm going to a hospital, it's great to make me smile. But also, treat what's killing me. I don't want a doctor to just come --

GLENN: I don't know if you -- I don't know if you just watched the trailer of Patch Adams, but he was a very good doctor as well.

MATT: I don't know. But let's put this reference aside.

GLENN: All right.

MATT: Put this doctor aside. Churches are like what I just imagined Patch Adams to be, which is, hey, let's ignore the actual cancer that these people have, what they're struggling with. And let's just make them smile or put them to sleep.

GLENN: So here's the argument -- the pushback -- because I've talked to pastors. And, quite honestly, this is happening in conservative media, it's happening in liberal media as well. It's happening all over: No, no, no, but if I say those things, then I'll diminish the audience, or I'll diminish the number of people who are coming to this church, and then I won't have a voice at all.

Where my feeling is, you're not going to have a voice at all anyway. You have to understand, you just keep going along -- there's no -- why would anyone come to you when I can get it from watching Patch Adams or I can get it from watching Toy Story? I need something that is real, authentic, and eternally true that can tell me and help me next week.

MATT: Right. Exactly.

GLENN: But nobody is doing that because they're afraid people are going to leave.

MATT: Right. But there's no reason for that. You're not giving them anything that they need. There's no reason for you to exist, unless you tell them the things that might make them leave.

And I think that -- if we get to a point -- it would be great in this country, separate the wheat from the chafe. Let's figure out where we actually stand as Christians. So if every church operated this way, if they got up and told the unvarnished truth. And you had -- you have a church of 100 people, and 98 of them get up in the middle of the homily or the sermon and march out and you leave two there, well, then, great. Because those are the two. Those are the actual two Christians. Let's start there. Now we know how many actual Christians we have in the church, two. Let's start with them. Let's build them up. Give them what they need. And then maybe they can go out. Because this is the whole point. They're supposed to go out into the mission field and go win back the other 98.

But when you're not -- so it's really the two. It's the two that you need to kind of cater to. You need to give them what they need because -- here's the problem: If you lose those two, but you keep the 98 --

GLENN: The 98 --

MATT: -- then you're done. You're not really a church anymore. You're just --

GLENN: They're leaves that will blow away in the fall wind.

STU: So going back to your story here on TheBlaze, because this is interesting -- are you making the point, like they have to make sure they're making the uncomfortable points in any way possible and not skimming from that?

MATT: Right.

STU: Or are you making the point that they shouldn't be making these points via the vehicle of Toy Story references?

GLENN: Yeah. Hang on. This is an important question. Are you okay with a spoonful of sugar helps the medicine go down, or are you just saying there's nothing in those?

MATT: If there's medicine -- yeah, if there actually is medicine in it. But what we're getting is the sugar, but there's no medicine. So it's just sugar makes the sugar go down, which is great. But there's no medicine.

STU: That's a good way to get diabetes as well.

MATT: Yeah. Now, if you can figure out a way to use Toy Story to make some deep spiritual point that's going to like satiate the deep yearnings of these Christian believers, then you're very talented. And, great, go for it. And you have seen much more in Toy Story than I saw. Because I've seen the movie many times, and all I see is talking toys. But if you see something deeper, then great. Make that point.

But in my case, all he made was the point that, yeah, let's make friends with people. Well, I just -- just -- then just put on the movie Toy Story. Let us watch that. At least it would be more entertaining anyway. Tim Allen and everything is in it.

STU: Because you made a point earlier about -- about bringing the tough truth, right? And you have to make sure you're giving the tough truth. And you did that with an illustration -- kind of an illustration of the trailer of Patch Adams, in a way that I think -- like, that's an effective way of making those points. If you could bring the truth through those vehicles, I don't necessarily mind it. I will say it's a sad circumstance that Christians have to get that message through movies. And it's more relatable because of movies.

GLENN: Jesus spoke in parables. I mean, I actually have -- from the pulpit, I have actually -- and this made a lot of people very angry. But I actually -- I talked about Willy Wonka and the Golden Ticket. And I tied it into --

STU: You're not helping my case here.

GLENN: I know. And I tied it into a gospel message. I think it can be done.

MATT: It can.

GLENN: But if I'm talking about, hey, and, by the way, you can lick the wallpaper on the way out, no, uh-uh. No. You can't.

MATT: Yeah. It can be done if -- and that's something -- and you're right, Jesus used parables that were very simple to appeal -- so that the people that were listening could understand it. But obviously the point he was making was very deep. And sometimes the points he was making were frankly terrifying.

GLENN: Yes.

MATT: He was finding a way to package it so that -- not just so that it would be palatable, but so that we could wrap our minds around this concept. So if people are doing that, then fantastic. But that also takes a certain level of insight and talent that I think a lot of pastors just lack, which is no -- you know, that's -- I don't think you need to be necessarily a brilliant public speaker to be a pastor. You know, there could be normal people that are taking these jobs. But if you're in that camp, then I think you just need to be more direct. And even if you're just writing it down and reading from it, but just tell the people the truth that they need to hear. Don't try to get too cute with it, unless you really are a brilliant orator, which most of these people aren't.

GLENN: Thanks, Matt.

STU: You can read the story from Matt Walsh up at TheBlaze.com. And how many times a week are you doing -- are you doing columns at TheBlaze?

MATT: Two times a week. Then I got a podcast coming out.

STU: Nice. Yeah, the podcast too. Listen to that as well. Matt Walsh. Thanks, Matt.

MATT: Thank you.

Former White House press secretary Sarah Huckabee Sanders joined Glenn Beck on this week's podcast to share her unique perspective as a trusted adviser and confidante to President Donald Trump for two and a half years, which she also details in her new book, "Speaking for Myself: Faith, Freedom, and the Fight of Our Lives Inside the Trump White House."

Sarah described the unprecedented levels of corruption she saw firsthand during the Russia probe and shocking lengths to which Democratic leaders and the mainstream media would go to "take the president down."

Sarah said she often saw sides of Donald Trump that the media never covered. Recently, she went on the record denying the Atlantic's claims that the president mocked our military during a 2018 trip to France. She was on that trip, she told Glenn, and her account of what really happened paints a very different picture.

"The people who are making this outrageous charge are such cowards for doing so in an anonymous way. If you really believed this, and believed it was wrong, one, why did it take you so long? And, two, put your name on it the way the rest of us have," Sarah said.

"He didn't say those things. Not only was I there that day, Glenn, I spent two and a half years traveling all over the world with the president, watching him interact with men and women of our armed forces almost every single day during that two-and-a-half year period," she added.

"This is a person who loves America and loves the people who allow the rest of us to live in America, free, and have prosperity. And I got to see that a lot. I think it is shameful that people are trying to distort who he is and what he has done, particularly when it comes to the men and women in the military."

Watch a clip from the full interview with Sarah Huckabee Sanders below:

Find the full podcast below, on Glenn's YouTube channel or on Blaze Media's podcast network.


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The Daily Beast recently reported on a group of 50-plus leading progressive organizations that calls itself the Fight Back Table or FBT, who are planning for a "post-Election Day political apocalypse scenario."

The FBT held a meeting on Zoom to launch an initiative they dubbed the "Democracy Defense Nerve Center." Meeting participants prepared for expected threats to a fair election in November, such as "armed right-wing militia dudes show[ing] up in polling places," or poll locations that "mysteriously close" on Election Day. They also predicted that President Donald Trump would claim victory regardless of November's election results, which would lead to inevitable "mass public unrest."

"It is very obvious that Trump is laying the groundwork for claiming victory no matter what ... we will fight to protect [our democracy] from what we truly see as a president who has gone off the rails and taking this country down an authoritarian fascist path," said MoveOn Executive Director Rahna Epting.

On the "Glenn Beck Radio Program," Glenn argued that the left is using large-scale mail-in voting — which unlike absentee ballots does not require voters to submit an application ahead of the election — to set the stage for chaos, revolution, and ultimately cause civil war to destroy our nation.

"No one will believe the [election] outcome because they're changing the way we're electing a president this time. And people don't understand the difference ... this is Democratic states just printing ballots and mass mailing them," Glenn said.

"They've been war-gaming this forever," he continued. "And the media is trying to make it look as if the right is the one that is violent. We're not planning anything to happen on Election Day, except to go and vote. The chaos that's coming, I think is remarkable. And if the DOJ doesn't get involved and find out who these groups are and what they have planned, you are going to have intimidation and chaos the week of the voting, and for weeks [afterward] until we go into civil war. This is not hyperbole. This is what the left is now saying."

Watch the video below to hear more from Glenn:

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Netflix film 'Cuties' is darker than you thought

'Cuties'/Netflix

Plague. Recession. Riots. Looting. Fires. Murder Hornets. And now, as we round the third base toward the home stretch, 2020 gives us Cuties, a delightful French coming-of-age film by Maïmouna Doucouré that's half Stand by Me and half Coyote Ugly – if you were to combine both films into an anthropomorphic entity and then forcefully dip its toe into the perilous waters of pedophilia.

Cuties begins by showing us an 11-year-old Senegalese girl named Amy, whose fundamentalist Muslim family has recently moved to France. We learn that Amy's father has gone back to Senegal to bring home the woman who is to become his second wife. The mother's struggle is very clear to Amy, who begins right then and there to develop a hatred for her father. She starts looking for ways to rebel, and soon lands in the company of a group of ne'er-do-well girls, who fancy themselves dancers and have adopted the group name "Cuties". Their primary goal in life at the moment – and the thing that drives the film's narrative – is to participate in and win the big dance competition coming up soon. The ring-leader – a dark-haired bespectacled girl who resembles Alexandria Ocasio-Cortez to such an eerie extent that it can't have been on accident – lives in Amy's building, and the two form a kind of delicate friendship throughout the film.

Here is where the movie most resembles a female version of Stand by Me, and it's also where I began to understand that this is a remarkably beautiful film at times. It's well-shot, well-scored, and well-acted. In fact, Fathia Youssouf Abdillahi (the actress who portrays Amy) is quite possibly the most talented child actor I've ever seen.

I began to understand that this is a remarkably beautiful film at times.

The portrayal of this group of girls wending their way through the thick tangles of childhood and constantly grasping at what they perceive to be higher concepts of adulthood is somehow both charming and bothersome at the same time. Knowing virtually nothing of the real world of sexuality, they engage in a kind of whimsical speculation as to how sex works that almost comically mirrors the aforementioned Oscar-winning film (and a ton of other coming-of-age movies as well). Some of this is fine. There's a particularly funny-turns-emotional moment when one of the girls, upon finding a used condom lying around in the woods, blows it up like a balloon and begins playing around with it. The other girls – who at least know enough to know that one doesn't touch such things for fear of disease – immediately recoil from her, tell her that she's going to catch AIDS, and so embarrass and frighten her that she begins to cry. The scene is, again, beautifully shot, and I found myself sympathizing with the character as she feels an overwhelming moment of ostracization-through-misadventure. In the following scene, we are treated to a montage of the girls washing her mouth out with soap, and it breaks the tension.

All of that to say that not only does this movie have plenty of redeemable moments that are on the beat film-wise, but also that it will pull you in headlong whether you want it to or not – which is what a good film is supposed to do.

But, alas, there's more. And I'm not so much talking about the risqué dancing that's done throughout the film. Here's why: as if the plot structure of every coming-of-age story didn't lay it out clearly enough for us, kids strive to be adults. The results are often hilarious, sometimes disturbing, but it's their nature. Kids want to be more like adults. And in a world – such as the one depicted in this movie – where children either can't or won't seize on the example of adulthood provided by their own parents, a vacuum is created. And nothing fills the vacuum of responsible parenting better than social media.

For the girls, it is the well from which they draw their inspiration, acceptance and love. "Likes" are the currency of the realm, and if you don't think this is true in your own kids' world today, you need to wake up and smell the Zuckerberg.

Thus, it is no surprise that these young dancing girls are modeling their very existence after what they see in online videos, and regurgitating the same back at the soulless machine. That they would be twerking and gyrating in a manner that falsely suggests they do know a thing or two about sex is normal when you consider that they're dining daily on visual and musical junk food – art perhaps not entirely without merit, but certainly without taste. And if there's one thing about the movie that phone-it-in parents might do well to see, it is perhaps the juxtaposition of budding childhood and the laissez faire morality adhered to by the demigods of popular culture. In short: these girls are just trying to be like the only set of role models afforded to them.

Here's what should (in my opinion, anyway) not be okay, though.

Aside from the moments of dancing, this film is filled with the cinematography of sexuality. When you watch any film in which there is a femme fatale character (or in some cases several of them), the way in which they are shot by the camera is extremely suggestive of overt sexuality. To quote one of my favorite online film critics: "You may not have noticed, but your brain did." Tracking shots over women's bodies, particularly up their backside or across a heaving bosom all decorated in cleavage, are a stock in trade for many filmmakers (and the only one for some of them). It's so common in the making of movies that it's often lampooned as a trope.

I'm reticent to accuse the woman who made this film of directly catering to the desires of pedophiles – but... I can't completely dismiss the idea, either.

We'll save the discussion about whether or not this is offensive when actresses in their twenties and thirties do it for another time. What I would hope we could all agree on is that you don't – in good conscience – use those same tracking shots over the bodies of a group of 11-year-old girls, even to make a point. And you certainly don't do it over and over and over throughout the course of a movie. The unstated purpose of such shots in a regular film is to give the viewer a taste of the voyeur. You wouldn't be allowed, in polite society, to walk up to a woman and stare at her from inches away, scanning down her body as if you were about to fax her someplace. But with the movie camera, you get a little taste of that. Dopamine rushes to your brain, and you're instantly glad you shelled out the twenty bucks to see the movie.

And while it's theoretically possible that the unstated purpose on behalf of the filmmaker changes when the subject is a little girl, it can't be denied or even overlooked that, for a certain subset of the viewing population, the effect does not. I'm reticent to accuse the woman who made this film of directly catering to the desires of pedophiles – but after having sat through an hour and a half of shot after shot of this very overt technique, I can't completely dismiss the idea, either.

As Amy progresses down the path that her (barely) world-wise friends have chosen, she becomes far more steeped in it, because she has no sense of the unseen boundaries which exist even in a hedonistic postmodern society such as present-day France. She spirals out of control very quickly, trying to outdo her friends in overt displays of sexuality and even violent aggressiveness. If there is a redeeming quality to the message of the movie, it is that we are fairly explicitly told through what we see her go through that this is not the best life for her. That escaping from the oppressive Muslim traditions of her family is a thing she should seek, but that this is not the way to go about it. All throughout her journey, we are subjected to close-up images of her body (and the bodies of the other girls). At one point, Amy's mother and aunt seem to be performing a kind of exorcism on her to drive out the evil rebellious spirits they believe have taken over, and Amy vibrates in the middle of the room on her knees in a paroxysm of movement which is half-dance, half-apparent-demonic possession, and all sex. I don't mean to be graphic here, but she may as well have been doing a full-on sex scene, for all the heavy breathing and gyration and rank passion that's going on. As an adult – and particularly as a parent – it made me literally feel ill to watch.

It's a beautiful final scene... but it fails to pull the film from the mire into which it's dipped.

And, if you believe the film's director, that's what you're supposed to feel. She claims that the whole intent of the movie is to get people to feel uncomfortable as they realize the hyper-sexualized nature of children in our modern world, and how it's driven by the nanny state that is social media in our modern era. Part of me wants to applaud the effort – it certainly worked on me. I walked away from my television with a feeling of nausea and a renewal of the commitment in my head toward doing anything and everything I can to make sure that my own children never watch this film. The fact that the movie ends with Amy making a choice to reclaim her childhood – that she walks away both from the more oppressive elements of her Muslim upbringing (insofar as she will be able – we are never told) and from trying to become an adult too soon (insofar as she will be able – we are also never told) and embraces just being an 11-year-old girl – that fact doesn't change what's transpired. It's a beautiful final scene – it really is – but it fails to pull the film from the mire into which it's dipped.

In summary, I can't really put any sort of seal of approval on this film, despite part of me wanting to. I generally subscribe to the idea that showing us a thing is far better than telling us a thing – but there are limits, and I think Cuties crosses them. As much as I want to believe that the director's motives are pure as the driven snow, it's not lost upon me that – as I mentioned before – one of the main characters (with whom we are meant to be sympathetic multiple times throughout the film) is very obviously meant to be the prototypical girl-who-wants-to-be-AOC. This film is at war with its own supposed message – it seeks to convey the horrors of oversexualized youth while laying out on for open display an entire smorgasbord of pedophilic fantasies. The game simply isn't worth the candle.

Osama bin Laden's niece, Noor bin Ladin (Noor's family has always spelled their name differently than her uncle) wrote an open letter to America, praising our country as "a beacon of democracy and hope for all subjugated peoples" across the world, and warning: "America, you are at the very edge of the precipice. Please wake up! Take hold! Fight for your country, and be proud of your roots! Uphold your values. Stand for your flag and your anthem. Defend your history. Don't relent in the face of those who seek to re-write it to serve their narrative and justify the destruction of your nation. You have much to cherish and protect for your sake, and ours."

Noor never stood with or supported her uncle. In fact, she grew up with an American flag proudly displayed in her childhood bedroom. Now a resident of Switzerland, she describes the chaos and destruction she's seen spread across America over the last several months.

"Watching the gratuitous violence, streets burn, buildings and statues being defaced in America over these past months, I am heartbroken to see how an entire generation was successfully brainwashed into hating the very nation that has yielded the most freedom, justice and equality anywhere in the world.

"I am also highly distressed by the blatant erosion at various levels of your most basic individual rights and freedoms as guaranteed by your Bill of Rights, from arbitrary censorship of speech to unlawful, politically motivated abuses of justice," she wrote.

Noor warned America that if we don't stand up, defend our history, and cherish the principles which make our country great, than those who have sought to undermine our country for decades will divide and destroy us from within.

"The truth is that the undoing of America has been decades in the making. The globalists, Deep State, swamp, whichever name you call them, have been hard at work to weaken America's sovereignty and standing as world leader. Intent on erecting a new system of world governance where they would be in total control, they are seeking to undermine the fundamental principle of your country, "a government for the people by the people", replacing it instead with a world order of international institutions ultimately puppeteered by a caste of technocrats, oligarchs and international bankers.

"Though your Constitution stands firmly in their way, it never deterred them. Like a trojan horse, they infiltrated governmental and intelligence agencies, and all realms of society - education, media, entertainment, culture. At their disposal, tools of mass population influence: propaganda, fake news and censorship. By pushing their marxist-socialist progressive agenda for years, they set out to destroy your fundamental values and divide you. They negated God, dissolved the family unit and dissevered us from moral objectivity, effectively leaving a vacuum of degeneracy, cognitive dissonance and absurdity in its wake," she added.

Read the full letter here.

On the radio program Friday, Glenn Beck shared several highlights from Noor's letter as well as her first-ever interview with the New York Post.

"A letter was written to America this week. I want you to listen to the words," said Glenn. "'America, you are at the very edge of the precipice. Please wake up! Take hold! Fight for your country, and be proud of your roots! Uphold your values. Stand for your flag and your anthem. Defend your history. Don't relent in the face of those who seek to re-write it to serve their narrative and justify the destruction of your nation. You have much to cherish and protect for your sake, and ours.' [...] The woman who wrote that, the woman who is an American at heart, who is warning us, is Osama bin Laden's [niece]."

Watch the video below to hear more from Glenn:

*Note: Glenn mistakenly referred to Noor Bin Ladin as Osama bin Laden's sister. She is his niece.


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