Why Don’t People Understand the Dangers of Socialism?

In 2016, Sen. Bernie Sanders (I-Vt.) popularized socialism with his presidential campaign. Socialism is no longer seen as a risk by many young voters. What happened? Why don’t people understand the dangers of socialism when they can see how North Korea and Venezuela have used socialist structures to starve their own people?

Doc talked about free markets and capitalism vs. socialism on today’s show, wondering why younger voters don’t seem to understand that socialism is a threat to freedom.

“Capitalism has become a bad word,” Doc said. “From my earliest memories, I learned the truth about socialism. Socialism is an unsustainable political structure and social structure that will lead to one of several evil, oppressive governments: fascism, communism.”

This article provided courtesy of TheBlaze.

DOC: Doc Thompson in for Glenn Beck today. I'll be with you tomorrow as well, if you want to follow me on Twitter. It's @DocThompsonShow. And I'll engage with you as well. We'll find out what you learned throughout the program, with the #whatIlearnedtoday. We'll get to some calls coming up, 888-727-BECK. 888-727-BECK.

Over the past few years, on our morning broadcast on TheBlaze Radio Network, and you can find out more about me at TheBlazeRadio.com. It's TheBlazeRadio.com.

We have focused on free markets and freedom. The idea that these things are really good. And I know you're like, well, of course, they're good.

But the problem is, capitalism has become a bad word. Socialism has become, as you know, just this norm, accepted, wonderful, starry-eyed way to go. Just bizarre that we've gotten to that.

From my earliest memories, I learned the truth about socialism. Socialism is an unsustainable political structure or social structure that will lead to one of several evil, oppressive governments.

Fascism, communism, theocracies. Any of these things start with the idea of socialism. Somebody can orchestrate the perfect society by dictating how you live, how much you must give, redistributing what everybody has. It's unsustainable and leads to some sort of totalitarianism. It gets the support of the masses from the concept of, well, you don't have enough. So we'll go get it from those people. And the government will tell them how much they can have, and you get to have some of theirs. It all starts off with the noblest of causes and always ends the same way. One bad society.

We're seeing a living example of that throughout 2017. In Venezuela. An absolute disaster.

That's what always ends up happening. The countries that have been totalitarian regimes that have had increased successes over the last few years, decades, are countries who have gone away from that. Countries like China, for example. And taken up more capitalist policies.

So we support the idea of free markets. And not just bitching about the little snowflakes who support socialism in their safe spaces on college campuses and why socialism is so wonderful. "Bernie 2020." But the good news and positive ideas. And positive outcomes from capitalism and free markets and letting people decide for themselves how to live.

And we're going to do even more of that in 2018. We offer free commercials to people on the air. You got a business? Email me. Believe America at TheBlaze.com. We spotlight businesses, just to say, hey, here's your jump-start because marketing is difficult and expensive. And we're going to do even more of that in 2018. We got some huge ideas coming up that are going to help you, even if it's not a full business.

You just have a little side stream of income. Ideas. Practical things that are going to help. Helping you and helping people understand the positive of free markets is where we're going 2018. So please join us on our program. Again, building America at TheBlaze.com if you want to be spotlighted on our show.

All right. We'll get to some calls before we move on. We have some other things happening in the world today.

Let's go to Line 44. Jerry in Wisconsin, you are on the Glenn Beck Program. How are you?

CALLER: Hey, Doc, you're probably right. There's probably sometimes where the media has been unfair to Donald Trump. I'm not going to completely deny that. But considering what Donald Trump has said about the media, he has called the media -- he has stated that it's disgusting, that the American person press, that the media has the right to report what they want.

He has -- he's literally a fascist. You're a Libertarian. He's a fascist. He's an authoritarian. He has contempt for the First Amendment. His quotes are nothing different than what Mussolini might say. He has disdain for our idea, for the press to report. The only media he likes is media that parrots what he says and that praises him like Fox News. This is a man who just shouldn't be president. He has contempt for the first president and what our Founding Fathers gave us.

DOC: Wait a minute. Wait a minute. Shouldn't be president. What do you mean by that?

CALLER: Because he has contempt for the Constitution. He has contempt for what the right of free press, as I stated -- he said it was disgusting. Said the media has the media to report what they do --

DOC: Let me ask you something. Hang on one second. Hang on one second, Jerry. I'll let you talk some more.

I just want to explore one thing. Is Donald Trump over the age of 35?

CALLER: Yeah.

DOC: Is he a natural-born citizen?

CALLER: I didn't say that he's ineligible. I said he shouldn't be.

DOC: Well, he became president. Based on --

CALLER: Mussolini became the leader of Italy. Should Mussolini -- tell me, should Mussolini become the leader of Italy? Do you think it was a great thing that Mussolini became the leader of Italy? Because I don't.

DOC: No, no, no, you're conflating it. People supported him, and people have a difference of opinion.

Now, you can say you don't support his ideas. But I hate this idea of shouldn't be and not my president and all of that nonsense.

CALLER: I didn't say not my president. I just said he shouldn't be. He shouldn't be. Like Republicans said the same thing about Obama. When Obama was president for eight years, they said the exact same thing. I'm saying the same thing about Trump. He shouldn't be.

DOC: You mean you don't want him to be president? You wish he was not president?

CALLER: No. Mentally, he's deranged. He's a narcissist. He's emotionally immature. He's completely unqualified. He's president, but he's a horrible president. That's the point.

DOC: Okay. Now, you're basing that on you having different values than him? Is that why you're saying he's a horrible president?

CALLER: I've listened to him for the last 20 years.

DOC: Give me a couple of specifics of him, and you say he's a horrible president.

CALLER: Well, okay. The war on the media -- the war on freedom on the press.

DOC: Hold on one second. Hold on. Hold on. Hold on.

CALLER: Praising Nazis.

DOC: We're taking this one at a time. This is a conversation. One at a time.

CALLER: Okay.

DOC: So the war on the press. Do you mean the war on the press where he's challenged people like Jim Acosta and said that's fake news? Is that what you mean by that?

CALLER: That's one. But anyway --

DOC: No. Hold on, Jerry. I want to explore these -- hold on. Hang on. Jerry, hang on. Hang on.

We're going to get to this stuff. It's a conversation, Jerry. Hold on. Hold on. So are you talking about stuff like Jim Acosta, where he has challenged them and said, sit down, you're fake news and stuff? Is that what you're talking?

CALLER: Well, anything they report he calls fake news, even if the reporting is exactly right. Because to Donald Trump, anything that's not in his reality is fake news. He praises news that praises him, like Fox News, which is the propaganda arm of Donald Trump and the Republican Party.

DOC: And, Jerry, you really -- really are going to say those things without calling out President Obama for his closed door special meetings with certain members of the media? You're not going to call out MSNBC for being his talking surrogate during his platform -- during his presidency? You're not going to be consistent?

CALLER: Okay. Those -- they did favor President Obama. That's true. Yes.

DOC: No, no, no, no, no. No, no, no, Jerry, hold on. Hold on. Wait a minute. Hold on a second. Hold it. No, no, no. They did not favor him. They promoted him. They, CBS, NBC, ABC, MSNBC --

CALLER: The liberal media. The liberal media.

DOC: Don't do that. See, this is the reason people can't have discussions, Jerry. This is the reason. I'm admitting Donald Trump of course likes media that's going to favor him. And, yes, Fox News praises him because they are a right-wing media outlet. Of course. But you're not willing to give that due? You're not willing to be consistent? You've lost credibility if you're not willing to point out that the other media outlets rabidly, blindly supported President Obama because they are progressives.

CALLER: Okay. Rabidly, blindly, no.

DOC: Hold on. Hold on. Do you work in the media? Do you work in the media?

CALLER: No.

DOC: Okay. I work in the media. My wife works in the media. She works in television media. And I can tell you overwhelmingly, people in the media are progressive. It's not even close. It's not even, well, it's 60-40. It's like 80-20. 90-10. The number of progressives. It's true. But you don't -- hold on, Jerry. You don't even need to know that though to look at the reporting. I can't believe you would defend this, knowing, just admit it -- listen, is Rush Limbaugh, is Glenn Beck, are they on the right? Yes. I'm not disputing that. Were they critical of Obama because they don't like his policies? Yes, I'm not disputing that. So wouldn't you simply hold people accountable to have credibility so we can have honest discussions? Why do you make me go through this when you know the truth?

CALLER: Okay. Know the truth. One, even MSNBC, they're not as biased as Fox News. Probably -- one of the reasons why so many people in the media are on the left are --

DOC: You lost all credibility -- hold it. When you say -- hold it. We can't argue here. When you say they're not biased, you've lost as credibility. You know that's not the truth.

CALLER: Well, Doc, you still don't answer me. Are you fine with Donald Trump saying the media was disgusting, that they have the right to report what they did? Because to me, that's disdain and contempt for our Founding Fathers.

DOC: No, I have no problem with him saying the media is disgusting.

CALLER: No, it's disgusting they have the right to report and publish. He believes the media shouldn't have the right. He believes the media shouldn't have the right -- in the First Amendment that James Madison wrote down --

DOC: Hold it. Jerry, Jerry, stop with the historical lesson. Trust me, I understand the First Amendment. I understand that.

No, of course, the freedom of the press is solid. It's absolute. Of course, it is. And anybody who says, whether it's Donald Trump or President Obama, is wrong. Do you remember President Obama calling out Sean Hannity and Rush Limbaugh? Do you remember --

CALLER: I don't remember him saying --

DOC: Do you remember him calling out Fox News? Do you remember those things?

CALLER: Disgusting. I don't remember him saying it's disgusting that Sean Hannity can report what he wants. You tell me when President Obama said that and I will apologize and take that -- any position. You tell me when President Obama said it was disgusting for the media to do that.

DOC: When he called them out for their biases and not admitting the other, so you're hung up on the word disgusting. Jerry, you know the truth here. I'm not argue that go Fox News is biased. And I'm not arguing that President Trump shouldn't say people don't have a right to report.

Of course, they do. They can report opinion for that matter. I just prefer them to be transparent up front.

But the fact that you and others are not being consistent now because you simply do not like policies of his and you may not like the way he presents himself, you've lost all credibility. You are actually -- Jerry, you are actually the problem.

CALLER: He's a fascist. He's a fascist.

DOC: Stop. Stop. We're not going down that road. I'm talking about your lack of credibility right now. How are we supposed to find common ground and have discussions when you know the truth and you can't just simply admit that?

CALLER: I know the truth as you stating what I should know the truth.

DOC: Jerry, you've exposed yourself.

CALLER: CNN. Somewhat on the left.

DOC: No, no, no, no. No probably. No, Jerry, no. Hold it. Hold it a second. There's no probably with this, Jerry. There's no probably with, yeah, they are. Just admit it.

MSNBC is every bit as progressive as Fox News is conservative. I'm willing to concede. Fox News -- absolutely the same. But on the other side, CNN, absolutely. I'm not trying to say, oh, Fox News isn't. Fox News is right. Of course. I work for TheBlaze.

We're from a right-leaning perspective. Of course, we're admitting it. We will never get beyond this stuff. We will never find solutions. We will never find common grounds that you supposedly want. You want to have discussions. We got to have a conversation on race in America. We can never have any conversations on this stuff.

Because you will not be consistent. Because that is not what a progressive is. It is a cornerstone of progressivism, which you are, to not be consistent.

CALLER: That's what I wanted to know. Thanks.

DOC: And there you go. There it is.

Willing to have a conversation, but he's a fascist, whatever, whatever. I'm willing to discuss with you. We can find common ground. But if you're going to start with, those people are worse and it didn't happen here, President Trump should not say, people do not have a right to report. Of course, they do. And the things where he has tweeted, suggested, said things like that, absolutely wrong. The First Amendment is absolute. Period.

He was wrong. Calling the media out, I have no problem with. I have no problem challenging the media and reporting.

Why can't you? Why can't you as president or a senator or a governor? Of course, you can call people out.

I had no problem with President Obama calling media sources out, as long as he was being consistent and willing to admit that he has these little back-door meetings, special, private, hey, can you guys report on this and not that meetings, with people at the White House. You're not being honest. You're not being transparent. As long as you do that and you're consistent, we can move forward. We can find solutions.

But until you do, yeah, it actually gives me a little bit of pleasure when President Trump beats up on the media. Because finally, somebody calls them out, unlike you.

This is Doc Thompson in for Glenn Beck.

Former White House press secretary Sarah Huckabee Sanders joined Glenn Beck on this week's podcast to share her unique perspective as a trusted adviser and confidante to President Donald Trump for two and a half years, which she also details in her new book, "Speaking for Myself: Faith, Freedom, and the Fight of Our Lives Inside the Trump White House."

Sarah described the unprecedented levels of corruption she saw firsthand during the Russia probe and shocking lengths to which Democratic leaders and the mainstream media would go to "take the president down."

Sarah said she often saw sides of Donald Trump that the media never covered. Recently, she went on the record denying the Atlantic's claims that the president mocked our military during a 2018 trip to France. She was on that trip, she told Glenn, and her account of what really happened paints a very different picture.

"The people who are making this outrageous charge are such cowards for doing so in an anonymous way. If you really believed this, and believed it was wrong, one, why did it take you so long? And, two, put your name on it the way the rest of us have," Sarah said.

"He didn't say those things. Not only was I there that day, Glenn, I spent two and a half years traveling all over the world with the president, watching him interact with men and women of our armed forces almost every single day during that two-and-a-half year period," she added.

"This is a person who loves America and loves the people who allow the rest of us to live in America, free, and have prosperity. And I got to see that a lot. I think it is shameful that people are trying to distort who he is and what he has done, particularly when it comes to the men and women in the military."

Watch a clip from the full interview with Sarah Huckabee Sanders below:

Find the full podcast below, on Glenn's YouTube channel or on Blaze Media's podcast network.


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The Daily Beast recently reported on a group of 50-plus leading progressive organizations that calls itself the Fight Back Table or FBT, who are planning for a "post-Election Day political apocalypse scenario."

The FBT held a meeting on Zoom to launch an initiative they dubbed the "Democracy Defense Nerve Center." Meeting participants prepared for expected threats to a fair election in November, such as "armed right-wing militia dudes show[ing] up in polling places," or poll locations that "mysteriously close" on Election Day. They also predicted that President Donald Trump would claim victory regardless of November's election results, which would lead to inevitable "mass public unrest."

"It is very obvious that Trump is laying the groundwork for claiming victory no matter what ... we will fight to protect [our democracy] from what we truly see as a president who has gone off the rails and taking this country down an authoritarian fascist path," said MoveOn Executive Director Rahna Epting.

On the "Glenn Beck Radio Program," Glenn argued that the left is using large-scale mail-in voting — which unlike absentee ballots does not require voters to submit an application ahead of the election — to set the stage for chaos, revolution, and ultimately cause civil war to destroy our nation.

"No one will believe the [election] outcome because they're changing the way we're electing a president this time. And people don't understand the difference ... this is Democratic states just printing ballots and mass mailing them," Glenn said.

"They've been war-gaming this forever," he continued. "And the media is trying to make it look as if the right is the one that is violent. We're not planning anything to happen on Election Day, except to go and vote. The chaos that's coming, I think is remarkable. And if the DOJ doesn't get involved and find out who these groups are and what they have planned, you are going to have intimidation and chaos the week of the voting, and for weeks [afterward] until we go into civil war. This is not hyperbole. This is what the left is now saying."

Watch the video below to hear more from Glenn:

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Netflix film 'Cuties' is darker than you thought

'Cuties'/Netflix

Plague. Recession. Riots. Looting. Fires. Murder Hornets. And now, as we round the third base toward the home stretch, 2020 gives us Cuties, a delightful French coming-of-age film by Maïmouna Doucouré that's half Stand by Me and half Coyote Ugly – if you were to combine both films into an anthropomorphic entity and then forcefully dip its toe into the perilous waters of pedophilia.

Cuties begins by showing us an 11-year-old Senegalese girl named Amy, whose fundamentalist Muslim family has recently moved to France. We learn that Amy's father has gone back to Senegal to bring home the woman who is to become his second wife. The mother's struggle is very clear to Amy, who begins right then and there to develop a hatred for her father. She starts looking for ways to rebel, and soon lands in the company of a group of ne'er-do-well girls, who fancy themselves dancers and have adopted the group name "Cuties". Their primary goal in life at the moment – and the thing that drives the film's narrative – is to participate in and win the big dance competition coming up soon. The ring-leader – a dark-haired bespectacled girl who resembles Alexandria Ocasio-Cortez to such an eerie extent that it can't have been on accident – lives in Amy's building, and the two form a kind of delicate friendship throughout the film.

Here is where the movie most resembles a female version of Stand by Me, and it's also where I began to understand that this is a remarkably beautiful film at times. It's well-shot, well-scored, and well-acted. In fact, Fathia Youssouf Abdillahi (the actress who portrays Amy) is quite possibly the most talented child actor I've ever seen.

I began to understand that this is a remarkably beautiful film at times.

The portrayal of this group of girls wending their way through the thick tangles of childhood and constantly grasping at what they perceive to be higher concepts of adulthood is somehow both charming and bothersome at the same time. Knowing virtually nothing of the real world of sexuality, they engage in a kind of whimsical speculation as to how sex works that almost comically mirrors the aforementioned Oscar-winning film (and a ton of other coming-of-age movies as well). Some of this is fine. There's a particularly funny-turns-emotional moment when one of the girls, upon finding a used condom lying around in the woods, blows it up like a balloon and begins playing around with it. The other girls – who at least know enough to know that one doesn't touch such things for fear of disease – immediately recoil from her, tell her that she's going to catch AIDS, and so embarrass and frighten her that she begins to cry. The scene is, again, beautifully shot, and I found myself sympathizing with the character as she feels an overwhelming moment of ostracization-through-misadventure. In the following scene, we are treated to a montage of the girls washing her mouth out with soap, and it breaks the tension.

All of that to say that not only does this movie have plenty of redeemable moments that are on the beat film-wise, but also that it will pull you in headlong whether you want it to or not – which is what a good film is supposed to do.

But, alas, there's more. And I'm not so much talking about the risqué dancing that's done throughout the film. Here's why: as if the plot structure of every coming-of-age story didn't lay it out clearly enough for us, kids strive to be adults. The results are often hilarious, sometimes disturbing, but it's their nature. Kids want to be more like adults. And in a world – such as the one depicted in this movie – where children either can't or won't seize on the example of adulthood provided by their own parents, a vacuum is created. And nothing fills the vacuum of responsible parenting better than social media.

For the girls, it is the well from which they draw their inspiration, acceptance and love. "Likes" are the currency of the realm, and if you don't think this is true in your own kids' world today, you need to wake up and smell the Zuckerberg.

Thus, it is no surprise that these young dancing girls are modeling their very existence after what they see in online videos, and regurgitating the same back at the soulless machine. That they would be twerking and gyrating in a manner that falsely suggests they do know a thing or two about sex is normal when you consider that they're dining daily on visual and musical junk food – art perhaps not entirely without merit, but certainly without taste. And if there's one thing about the movie that phone-it-in parents might do well to see, it is perhaps the juxtaposition of budding childhood and the laissez faire morality adhered to by the demigods of popular culture. In short: these girls are just trying to be like the only set of role models afforded to them.

Here's what should (in my opinion, anyway) not be okay, though.

Aside from the moments of dancing, this film is filled with the cinematography of sexuality. When you watch any film in which there is a femme fatale character (or in some cases several of them), the way in which they are shot by the camera is extremely suggestive of overt sexuality. To quote one of my favorite online film critics: "You may not have noticed, but your brain did." Tracking shots over women's bodies, particularly up their backside or across a heaving bosom all decorated in cleavage, are a stock in trade for many filmmakers (and the only one for some of them). It's so common in the making of movies that it's often lampooned as a trope.

I'm reticent to accuse the woman who made this film of directly catering to the desires of pedophiles – but... I can't completely dismiss the idea, either.

We'll save the discussion about whether or not this is offensive when actresses in their twenties and thirties do it for another time. What I would hope we could all agree on is that you don't – in good conscience – use those same tracking shots over the bodies of a group of 11-year-old girls, even to make a point. And you certainly don't do it over and over and over throughout the course of a movie. The unstated purpose of such shots in a regular film is to give the viewer a taste of the voyeur. You wouldn't be allowed, in polite society, to walk up to a woman and stare at her from inches away, scanning down her body as if you were about to fax her someplace. But with the movie camera, you get a little taste of that. Dopamine rushes to your brain, and you're instantly glad you shelled out the twenty bucks to see the movie.

And while it's theoretically possible that the unstated purpose on behalf of the filmmaker changes when the subject is a little girl, it can't be denied or even overlooked that, for a certain subset of the viewing population, the effect does not. I'm reticent to accuse the woman who made this film of directly catering to the desires of pedophiles – but after having sat through an hour and a half of shot after shot of this very overt technique, I can't completely dismiss the idea, either.

As Amy progresses down the path that her (barely) world-wise friends have chosen, she becomes far more steeped in it, because she has no sense of the unseen boundaries which exist even in a hedonistic postmodern society such as present-day France. She spirals out of control very quickly, trying to outdo her friends in overt displays of sexuality and even violent aggressiveness. If there is a redeeming quality to the message of the movie, it is that we are fairly explicitly told through what we see her go through that this is not the best life for her. That escaping from the oppressive Muslim traditions of her family is a thing she should seek, but that this is not the way to go about it. All throughout her journey, we are subjected to close-up images of her body (and the bodies of the other girls). At one point, Amy's mother and aunt seem to be performing a kind of exorcism on her to drive out the evil rebellious spirits they believe have taken over, and Amy vibrates in the middle of the room on her knees in a paroxysm of movement which is half-dance, half-apparent-demonic possession, and all sex. I don't mean to be graphic here, but she may as well have been doing a full-on sex scene, for all the heavy breathing and gyration and rank passion that's going on. As an adult – and particularly as a parent – it made me literally feel ill to watch.

It's a beautiful final scene... but it fails to pull the film from the mire into which it's dipped.

And, if you believe the film's director, that's what you're supposed to feel. She claims that the whole intent of the movie is to get people to feel uncomfortable as they realize the hyper-sexualized nature of children in our modern world, and how it's driven by the nanny state that is social media in our modern era. Part of me wants to applaud the effort – it certainly worked on me. I walked away from my television with a feeling of nausea and a renewal of the commitment in my head toward doing anything and everything I can to make sure that my own children never watch this film. The fact that the movie ends with Amy making a choice to reclaim her childhood – that she walks away both from the more oppressive elements of her Muslim upbringing (insofar as she will be able – we are never told) and from trying to become an adult too soon (insofar as she will be able – we are also never told) and embraces just being an 11-year-old girl – that fact doesn't change what's transpired. It's a beautiful final scene – it really is – but it fails to pull the film from the mire into which it's dipped.

In summary, I can't really put any sort of seal of approval on this film, despite part of me wanting to. I generally subscribe to the idea that showing us a thing is far better than telling us a thing – but there are limits, and I think Cuties crosses them. As much as I want to believe that the director's motives are pure as the driven snow, it's not lost upon me that – as I mentioned before – one of the main characters (with whom we are meant to be sympathetic multiple times throughout the film) is very obviously meant to be the prototypical girl-who-wants-to-be-AOC. This film is at war with its own supposed message – it seeks to convey the horrors of oversexualized youth while laying out on for open display an entire smorgasbord of pedophilic fantasies. The game simply isn't worth the candle.

Osama bin Laden's niece, Noor bin Ladin (Noor's family has always spelled their name differently than her uncle) wrote an open letter to America, praising our country as "a beacon of democracy and hope for all subjugated peoples" across the world, and warning: "America, you are at the very edge of the precipice. Please wake up! Take hold! Fight for your country, and be proud of your roots! Uphold your values. Stand for your flag and your anthem. Defend your history. Don't relent in the face of those who seek to re-write it to serve their narrative and justify the destruction of your nation. You have much to cherish and protect for your sake, and ours."

Noor never stood with or supported her uncle. In fact, she grew up with an American flag proudly displayed in her childhood bedroom. Now a resident of Switzerland, she describes the chaos and destruction she's seen spread across America over the last several months.

"Watching the gratuitous violence, streets burn, buildings and statues being defaced in America over these past months, I am heartbroken to see how an entire generation was successfully brainwashed into hating the very nation that has yielded the most freedom, justice and equality anywhere in the world.

"I am also highly distressed by the blatant erosion at various levels of your most basic individual rights and freedoms as guaranteed by your Bill of Rights, from arbitrary censorship of speech to unlawful, politically motivated abuses of justice," she wrote.

Noor warned America that if we don't stand up, defend our history, and cherish the principles which make our country great, than those who have sought to undermine our country for decades will divide and destroy us from within.

"The truth is that the undoing of America has been decades in the making. The globalists, Deep State, swamp, whichever name you call them, have been hard at work to weaken America's sovereignty and standing as world leader. Intent on erecting a new system of world governance where they would be in total control, they are seeking to undermine the fundamental principle of your country, "a government for the people by the people", replacing it instead with a world order of international institutions ultimately puppeteered by a caste of technocrats, oligarchs and international bankers.

"Though your Constitution stands firmly in their way, it never deterred them. Like a trojan horse, they infiltrated governmental and intelligence agencies, and all realms of society - education, media, entertainment, culture. At their disposal, tools of mass population influence: propaganda, fake news and censorship. By pushing their marxist-socialist progressive agenda for years, they set out to destroy your fundamental values and divide you. They negated God, dissolved the family unit and dissevered us from moral objectivity, effectively leaving a vacuum of degeneracy, cognitive dissonance and absurdity in its wake," she added.

Read the full letter here.

On the radio program Friday, Glenn Beck shared several highlights from Noor's letter as well as her first-ever interview with the New York Post.

"A letter was written to America this week. I want you to listen to the words," said Glenn. "'America, you are at the very edge of the precipice. Please wake up! Take hold! Fight for your country, and be proud of your roots! Uphold your values. Stand for your flag and your anthem. Defend your history. Don't relent in the face of those who seek to re-write it to serve their narrative and justify the destruction of your nation. You have much to cherish and protect for your sake, and ours.' [...] The woman who wrote that, the woman who is an American at heart, who is warning us, is Osama bin Laden's [niece]."

Watch the video below to hear more from Glenn:

*Note: Glenn mistakenly referred to Noor Bin Ladin as Osama bin Laden's sister. She is his niece.


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