Fight the urge to hate the Washington Post ad, it might just be an olive branch

Oliver Contreras/For The Washington Post via Getty Images

Remember when Super Bowl ads were about beer-drinking frogs? Of course, the Super Bowl has also regularly been the setting for controversy, commercials included. But one ad stood out last night for a different reason. It was a real head-scratcher. But, I thought about it, and I think that it was a blessing in disguise. We'll be back in a minute with the full story…

Super Bowl ads are an interesting tradition. For many Americans, they're the main event. They become a competition of their own, full of upsets and controversies. But, normally, they are from companies like Doritos or Carl's Jr. or Chrysler, with a few non-profit organizations peppered in and maybe an unexpected movie trailer.

So it was a bit strange to see the Washington Post pop onto the screen with an ad. It is confusing for a few reasons. First of all, why the Super Bowl? For a moment there, it felt like journalism was jumping the shark. Only instead of trying to entertain us, they were trying to remind all of us of own mortality.

Then there was the narrator — well, if you didn't see it last night, here it is:


Washington Post 2019 Super Bowl Commercial youtu.be


But, the more I thought about it, the less I disliked the ad. Maybe the ad was a good thing.

William Gamson, in Talking Politics, describes "The process of negotiating meaning." The idea is that, yes, the media regularly tries to construct a dangerous reality. And we need to be aware of that, but it's also up to us on how we react. Maybe we've gotten to the point that we're all trained to be reactionary. That's risky. What happens if we reject an honest surrender?

For one, the Washington Post did report on the NFL's decision to reject an ad from AMVETS, a group of American Veterans, because it was a "political statement," despite the fact that the NFL has flocked to a number of left-leaning social justice causes and, well, I'm sure you remember, the NFL got pretty political there for a while.

Most outlets are reporting on the fact that the Washington Post dropped $5.2 million on the commercial. For the most part, that's been the headline, especially with last week's lay-offs at many of the former pioneers of new media.

Sure, it was heavy-handed and a little preachy, but there was also an element of it that felt good.

Maybe that kind of knee-jerk reaction is worse than anything in the ad. Sure, it was heavy-handed and a little preachy, but there was also an element of it that felt good. A little reminder that, in America, our press is free, unattached from the government. Newspapers are businesses. Jeff Bezos must be doing something right if he can drop that much on a Super Bowl ad.

They even had a conservative on there.

Maya Angelou once said:

Courage is the most important of all the virtues because without courage, you can't practice any other virtue consistently.

Who knows. Maybe the Washington Post showed a little courage last night. Maybe there was an olive branch there. And, if that wasn't the case, what do we lose by extending an olive branch of our own? In times like these, that in itself is an act of courage.

TRUMP: The twilight hour of socialism has arrived

Joe Raedle/Getty Images

The other day, at Florida International University in Miami, facing large American and Venezuelan flags, President Trump gave a rousing speech in Miami, including this line, the "twilight hour of socialism has arrived."

Trump went on to say:

Socialism is about one thing only—power for the ruling class. They want the power to decide who wins and who loses, who's up and who's down…and even who lives and who dies.

He then repeated a phrase that helped define his State of the Union address this year:

America will never be a socialist country.

Fittingly, Fox News posted an article yesterday exposing the overlooked evils of Che dangers of socialism that all too often disappear behind a flashy design on a t-shirt.

  1. Guevara said he killed people without regard to guilt or innocence. In an interview, Guevara said, "in times of excessive tension we cannot proceed weakly. At the Sierra Maestra, we executed many people by firing squad without knowing if they were fully guilty. At times, the Revolution cannot stop to conduct much investigation; it has the obligation to triumph."
  2. Humberto Fontova, author of "Exposing the Real Che Guevara," told Fox that Guevara created system that put gay people in labor camps. "The regime that Che Guevara co-founded is the only one in modern history in the Western Hemisphere to have herded gays into forced labor camps."
  3. Guevara opposed a free press: "In 1959, leftist journalist José Pardo Llada reported that Guevara told him: 'We must eliminate all newspapers; we cannot make a revolution with free press. Newspapers are instruments of the oligarchy.'"
  4. Guevara made racist statements: Guevara went on to write: "the black is indolent and a dreamer; spending his meager wage on frivolity or drink; the European has a tradition of work and saving."

These are just some of the many historical examples of the failure of socialism. President Trump is right. If the frivolities of Alexandria Ocasio-Cortez and Bernie Saunders catch on and spread, we could have an unbelievable problem on our hands.

Poor Jussie: His narrative is falling apart completely

Tasia Wells/Getty Images for Espolòn

Here's how the media works now: Find a story that confirms their narrative, run it constantly and relentlessly. When the real story comes out, minimize exposure of the correction. Repeat.

We're seeing this pattern play out over and over again.

RELATED: John Ziegler isn't buying what Jussie Smollett's selling either

Here are some of the knee-jerk reactions that the media had to this Jessie Smollett hoax, from Insider Edition, CNN, E! News, Headline News, CNBC, TMZ, to name a few:


Montage: Watch the Media Uncritically Accept Another Outlandish 'Hate Crime' youtu.be


And those are just the reactions on TV. It was just as bad, at times worse, in print and online. I'll give you one special example, however. Because, you know the situation is bad when TMZ is connecting the dots and seeing through this guy's story:

The sources say there were red flags from the get go. Cops were extremely suspicious when Jussie took them out to the area where he said he was attacked and pointed to an obscure camera saying how happy he was that the attack was on video. Turns out the camera was pointing in the wrong direction. Cops thought it was weird he knew the location of that camera. And there's this. We're told investigators didn't believe the 2 alleged attackers screamed 'This is MAGA country' because 'Not a single Trump supporter watches 'Empire.''

Here's the man himself, in an interview just days after the alleged beating…I'm sorry, the alleged "modern day lynching." Here he is in an interview with ABC News, complaining about people making up stuff:



Strong words, spoken by a man who, allegedly, created the whole narrative to begin with.

This compromise is an abomination

Zach Gibson/Getty Images

Three decades ago, "The Art of the Deal" made Donald Trump a household name. A lot has happened since then. But you can trace many of Trump's actions back to that book.

Art of the Deal:

In the end, you're measured not by how much you undertake but by what you finally accomplish.

People laughed when he announced that he was running for President. And I mean that literally. Remember the 2011 White House Correspondents' Dinner when Obama roasted Trump, viciously, mocking the very idea that Trump could ever be President. Now, he's President.

You can't con people, at least not for long. You can create excitement, you can do wonderful promotion and get all kinds of press, and you can throw in a little hyperbole. But if you don't deliver the goods, people will eventually catch on.

This empire-building is a mark of Trump.

RELATED: 'Arrogant fool' Jim Acosta exposed MSM's dishonest border agenda — again.

The most recent example is the border wall. Yesterday, congress reached a compromise on funding for the border wall. Weeks of tense back-and-forth built up to that moment. At times, it seemed like neither side would budge. Trump stuck to his guns, the government shut down, Trump refused to budge, then, miraculously, the lights came back on again. The result was a compromise. Or at least that's how it appeared.

But really, Trump got what he wanted -- exactly what he wanted. He used the techniques he wrote about in The Art of the Deal:

My style of deal-making is quite simple and straightforward. I aim very high, and then I just keep pushing and pushing and pushing to get what I'm after.

From the start, he demanded $5.7 billion for construction of a border wall. It was a months' long tug-of-war that eventually resulted in yesterday's legislation, which would dedicate $1.4 billion. It would appear that that was what he was after all along. Moments before the vote, he did some last-minute pushing. A national emergency declaration, and suddenly the number is $8 billion.

Art of the Deal:

People think I'm a gambler. I've never gambled in my life. To me, a gambler is someone who plays slot machines. I prefer to own slot machines. It's a very good business being the house.

In a rare show of bipartisanship, Senate passed the legislation 83-16, and the House followed with 300-128. Today, Trump will sign the bill.

It's not even fair to call that a deal, really. A deal is what happens when you go to a car dealership, fully ready to buy a car, and the salesman says the right things. What Trump did is more like a car dealer selling an entire row of cars to someone who doesn't even have a licence. When Trump started, Democrats wouldn't even consider a wall, let alone pay for it.

Art of the Deal:

The final key to the way I promote is bravado. I play to people's fantasies. People may not always think big themselves, but they can still get very excited by those who do. That's why a little hyperbole never hurts. People want to believe that something is the biggest and the greatest and the most spectacular. I call it truthful hyperbole. It's an innocent form of exaggeration—and a very effective form of promotion.

He started the wall on a chant, "Build the wall!" until he got what he wanted. He maneuvered like Don Draper, selling people something that they didn't even know they wanted, and convincing them that it is exactly what they've always needed.