First Indian-American writer for SNL kicked off stage for 'offensive' jokes

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Saturday Night Live writer Nimesh Patel, an Emmy-nominated comedian, is the latest victim in campus culture's wacky game. Patel is the first Indian-American writer for SNL, so by the usual standards of identity politics, he should be safe. Not the case. All of the rules went out the window when he was performing a stand-up comedy set for an event called "cultureSHOCK: Reclaim" at Columbia University hosted by the Asian American Alliance.

He joked that being gay cannot be a choice because “no one looks in the mirror and thinks, 'this black thing is too easy, let me just add another thing to it.'"

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For one, that's less of a joke and more of a statement. It's exactly the kind of safe, pro-LGBT statement that you would think campus feminists and trans activists would squeal with glee to hear.

According to Columbia's school paper, student organizers, offended by Patel's joke, rushed the stage 30 minutes into the set and told Patel that he needed to finish his set and say a few closing remarks.

Patel argued that his jokes were not offensive, and that they were actually much-needed insights into the real world. He also made it clear that he stands in solidarity with the Asian American Alliance.

They still cut his microphone off and booted him off stage.

Patel hasn't commented on the uproar, but here are a few comments from people who were in the audience:

The Columbia Spectator quoted three students who were in the audience. One of them said:

“The message they were trying to send with the event was opposite to the jokes he was making, and using people's ethnicity as the crux of his jokes could be funny but still offensive... He definitely wasn't the most crass comedian I've ever heard but for the event it was inappropriate."

Another student said:

“I really dislike when people who are older say that our generation needs to be exposed to the real world. Obviously the world is not a safe space but just accepting that it's not and continuing to perpetuate the un-safeness of it… is saying that it can't be changed," said Jao. “When older generations say you need to stop being so sensitive, it's like undermining what our generation is trying to do in accepting others and making it safer."

The radical version of leftism that has overtaken college campuses... will eat their own without thinking twice.

The third student wasn't bothered by the jokes:

“While what some of the things that he said might have been a bit provoking to some of the audience, as someone who watches comedy a lot, none of them were jokes that I hadn't heard before and none of them were jokes that elicited such a response in my experience."

The third student is a little ray of hope in all of this, but I'm afraid that people like her are increasingly outnumbered and unwilling to speak up.

The jokes were clearly not racist or homophobic. If anything, they seem to have been designed to pander to overly sensitive campus activists who all too often cry “racist" and “homophobic" and all their other insults.

It just goes to show that the left, particularly the radical version of leftism that has overtaken college campuses, will stop at nothing to push its postmodern narrative. They'll spare nobody. And they will eat their own without thinking twice.

TRUMP: The twilight hour of socialism has arrived

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The other day, at Florida International University in Miami, facing large American and Venezuelan flags, President Trump gave a rousing speech in Miami, including this line, the "twilight hour of socialism has arrived."

Trump went on to say:

Socialism is about one thing only—power for the ruling class. They want the power to decide who wins and who loses, who's up and who's down…and even who lives and who dies.

He then repeated a phrase that helped define his State of the Union address this year:

America will never be a socialist country.

Fittingly, Fox News posted an article yesterday exposing the overlooked evils of Che dangers of socialism that all too often disappear behind a flashy design on a t-shirt.

  1. Guevara said he killed people without regard to guilt or innocence. In an interview, Guevara said, "in times of excessive tension we cannot proceed weakly. At the Sierra Maestra, we executed many people by firing squad without knowing if they were fully guilty. At times, the Revolution cannot stop to conduct much investigation; it has the obligation to triumph."
  2. Humberto Fontova, author of "Exposing the Real Che Guevara," told Fox that Guevara created system that put gay people in labor camps. "The regime that Che Guevara co-founded is the only one in modern history in the Western Hemisphere to have herded gays into forced labor camps."
  3. Guevara opposed a free press: "In 1959, leftist journalist José Pardo Llada reported that Guevara told him: 'We must eliminate all newspapers; we cannot make a revolution with free press. Newspapers are instruments of the oligarchy.'"
  4. Guevara made racist statements: Guevara went on to write: "the black is indolent and a dreamer; spending his meager wage on frivolity or drink; the European has a tradition of work and saving."

These are just some of the many historical examples of the failure of socialism. President Trump is right. If the frivolities of Alexandria Ocasio-Cortez and Bernie Saunders catch on and spread, we could have an unbelievable problem on our hands.

Poor Jussie: His narrative is falling apart completely

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Here's how the media works now: Find a story that confirms their narrative, run it constantly and relentlessly. When the real story comes out, minimize exposure of the correction. Repeat.

We're seeing this pattern play out over and over again.

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Here are some of the knee-jerk reactions that the media had to this Jessie Smollett hoax, from Insider Edition, CNN, E! News, Headline News, CNBC, TMZ, to name a few:


Montage: Watch the Media Uncritically Accept Another Outlandish 'Hate Crime' youtu.be


And those are just the reactions on TV. It was just as bad, at times worse, in print and online. I'll give you one special example, however. Because, you know the situation is bad when TMZ is connecting the dots and seeing through this guy's story:

The sources say there were red flags from the get go. Cops were extremely suspicious when Jussie took them out to the area where he said he was attacked and pointed to an obscure camera saying how happy he was that the attack was on video. Turns out the camera was pointing in the wrong direction. Cops thought it was weird he knew the location of that camera. And there's this. We're told investigators didn't believe the 2 alleged attackers screamed 'This is MAGA country' because 'Not a single Trump supporter watches 'Empire.''

Here's the man himself, in an interview just days after the alleged beating…I'm sorry, the alleged "modern day lynching." Here he is in an interview with ABC News, complaining about people making up stuff:



Strong words, spoken by a man who, allegedly, created the whole narrative to begin with.

This compromise is an abomination

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Three decades ago, "The Art of the Deal" made Donald Trump a household name. A lot has happened since then. But you can trace many of Trump's actions back to that book.

Art of the Deal:

In the end, you're measured not by how much you undertake but by what you finally accomplish.

People laughed when he announced that he was running for President. And I mean that literally. Remember the 2011 White House Correspondents' Dinner when Obama roasted Trump, viciously, mocking the very idea that Trump could ever be President. Now, he's President.

You can't con people, at least not for long. You can create excitement, you can do wonderful promotion and get all kinds of press, and you can throw in a little hyperbole. But if you don't deliver the goods, people will eventually catch on.

This empire-building is a mark of Trump.

RELATED: 'Arrogant fool' Jim Acosta exposed MSM's dishonest border agenda — again.

The most recent example is the border wall. Yesterday, congress reached a compromise on funding for the border wall. Weeks of tense back-and-forth built up to that moment. At times, it seemed like neither side would budge. Trump stuck to his guns, the government shut down, Trump refused to budge, then, miraculously, the lights came back on again. The result was a compromise. Or at least that's how it appeared.

But really, Trump got what he wanted -- exactly what he wanted. He used the techniques he wrote about in The Art of the Deal:

My style of deal-making is quite simple and straightforward. I aim very high, and then I just keep pushing and pushing and pushing to get what I'm after.

From the start, he demanded $5.7 billion for construction of a border wall. It was a months' long tug-of-war that eventually resulted in yesterday's legislation, which would dedicate $1.4 billion. It would appear that that was what he was after all along. Moments before the vote, he did some last-minute pushing. A national emergency declaration, and suddenly the number is $8 billion.

Art of the Deal:

People think I'm a gambler. I've never gambled in my life. To me, a gambler is someone who plays slot machines. I prefer to own slot machines. It's a very good business being the house.

In a rare show of bipartisanship, Senate passed the legislation 83-16, and the House followed with 300-128. Today, Trump will sign the bill.

It's not even fair to call that a deal, really. A deal is what happens when you go to a car dealership, fully ready to buy a car, and the salesman says the right things. What Trump did is more like a car dealer selling an entire row of cars to someone who doesn't even have a licence. When Trump started, Democrats wouldn't even consider a wall, let alone pay for it.

Art of the Deal:

The final key to the way I promote is bravado. I play to people's fantasies. People may not always think big themselves, but they can still get very excited by those who do. That's why a little hyperbole never hurts. People want to believe that something is the biggest and the greatest and the most spectacular. I call it truthful hyperbole. It's an innocent form of exaggeration—and a very effective form of promotion.

He started the wall on a chant, "Build the wall!" until he got what he wanted. He maneuvered like Don Draper, selling people something that they didn't even know they wanted, and convincing them that it is exactly what they've always needed.