The discriminated have become the driscriminators

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To prove that women are powerless, 5,000 feminists created the world's first major music festival for women, non-binary and transgender people, in Sweden, a country that prides itself for having a feminist government, and by the end of it men were being forced into "man pens," and somehow it's not discrimination. Well, it turns out that it is discrimination, legally. I'll break it down more here in a minute...

From the start, the festival discriminated against men, on purpose, even the name confirms this. "STATEMENT Festival." You know, it's not about music, it's about making "a statement" something about how men use the patriarchy to discriminate against women.

RELATED: The 7 rules of 'Feminist Fight Club'

These were the rules: No men allowed. Well, trans-men were okay, because they were born a woman even though they identify as men. Oh and biological men who were men but who now consider themselves women were allowed too. But no cis-gender men. Because cisgender men discriminate against women, trans women, and transmen. It's mind-numbing, I know.

At the festival, any cis-gender men who showed up, including staff and performers, were restricted to certain areas called "man pens," like "pig pens." What we have here is an actual slippery slope. It starts with identity politics in feminism and things get more and more slippery until men are literally being thrown in cages like animals.

Here's a dilemma: What stopped men at the festival from saying, "I'm a woman." If gender really is as fluid as they're portraying it, how are they able to determine whether the "men" they put in cages weren't actually women?

How are they able to determine whether the "men" they put in cages weren't actually women?

When news first broke about the "no man" festival everyone just assumed it would be yet another example of the left enjoying double standards. They throw a fit, then they get what they want. They pull stunts that conservatives would never be allowed to so much as mention and get away with it. Especially in Sweden, where there's an entire government agency called Discrimination Ombudsman which is "tasked with supervising the laws relating to discrimination on sex, transgender identity or expression, ethnicity, religion or other belief, disability, sexual orientation or age."

The feminists behind "STATEMENT" "no-man" festival were so confident that they would get their way that they had next year's lineup ready to go. So it's a little ironic that the Discrimination Ombudsman, a feminist government agency has determined that the "STATEMENT festival" violated the exact discrimination laws that they have always used to their benefit. STATEMENT 2019 was cancelled.

It's a dilemma that feminists have no answer for, just like Marxists don't have an answer, because it's a Marxist idea. What happens when postmodern feminists take all the power away from "the patriarchy"? Once they redistribute that power, where will it go? They take it. Then, they get authoritarian. Which is how you get a "feminist" music festival that actually is anti-feminism because it's so anti-equality. They literally had rules about who could attend, and they were based on gender. How many times do we have to prove that this system doesn't work?

On the radio program Monday, Glenn Beck, Pat Gray, and Stu Burguiere reacted to a recent Washington Post op-ed in which the author, Ron Charles, suggests that "as Confederate statues finally tumble across America, [and] television networks are marching through their catalogues looking to take down racially offensive content," perhaps the next items that should be up on the cancel-culture chopping block are "problematic books."

"Monuments celebrating racist traitors, which were erected to fabricate history and terrify black Americans, are not works of art that deserve our respect or preservation. Similarly, scenes of modern-day white comedians reenacting minstrel-show caricatures are not ironical interrogations of racism that we have to stomach any longer. But complex works of literature are large, they contain multitudes," Charles wrote.

He goes on to argue that "calibrating our Racism Detector to spot only a few obvious sins" is but an insidious source of self-satisfaction when compared to the process of critical debate on the values and intentions of history's literary legends.

"If cancel culture has a weakness, it's that it risks short-circuiting the process of critical engagement that leads to our enlightenment," Charles wrote. "Scanning videos for blackface or searching text files for the n-word is so much easier than contending with, say, the systemic tokenism of TV rom-coms or the unbearable whiteness of Jane Austen."

Could cancel culture really spiral all the way down to book burning? In the clip below, Glenn, Pat, and Stu agreed that this radical progressive movement is really about erasing America's history and overturning the foundation of our country. The fundamental transformation of America is happening now.

Watch the video below to catch more of the conversation:


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It's been a tough year, America. Our news media is inundating us with images of destruction, violence, and division in attempts not only to desecrate our nation, but to make us turn our backs on it. That's why now, more than ever, we need to take an up-close look at America's history to remember what it is we're fighting for and how to fight for it with practical action.

Join Glenn Beck, broadcasting from Standing Rock Ranch, as he takes us to Plymouth, Gettysburg, and Federal Hall on an important journey through America's remarkable history to inspire a brighter future. Glenn asks the hard questions of every American. Is this system worth saving? Is there a better way? Where do we go from here, and how do we answer those questions?

Featuring performances from the Millennial Choirs and Orchestras, David Osmond, a very special children's choir, and guests Bob Woodson, Tim Ballard, David Barton, Burgess Owens, Kathy Barnette, Anna Paulina Luna, and Tim Barton.

Watch the full special presentation below:


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"Restoring Hope" has been a labor of love for Glenn and his team and tonight is the night! "Restoring the Covenant" was supposed to take place in Boston, New York, Philadelphia, Gettysburg and Washington D.C. but thanks to COVID-19, that plan had to be scrapped. "Restoring Hope" is what was left after having to scrap nearly two years of planning. The Herald Journal in Idaho detailed what the event was supposed to be and what it turned into. Check out the article below to get all the details.

Glenn Beck discusses patriotic, religious program filmed at Idaho ranch

On July 2, commentator Glenn Beck and his partners will issue a challenge from Beck's corner of Franklin County to anyone who will listen: "Learn the truth, commit to the truth, then act on the truth."

Over the last few weeks, he has brought about 1,000 people to his ranch to record different portions of the program that accompanies the challenge. On June 19, about 400 members of the Millennial Choir and Orchestra met at West Side High School before boarding WSSD buses to travel to a still spring-green section of Beck's ranch to record their portion of the program.

Read the whole article HERE

The current riots and movement to erase America's history are exactly in line with the New York Times' "1619 Project," which argues that America was rotten at its beginning, and that slavery and systemic racism are the roots of everything from capitalism to our lack of universal health care.

On this week's Wednesday night special, Glenn Beck exposed the true intent of the "1619 Project" and its creator, who justifies remaking America into a Marxist society. This clever lie is disguised as history, and it has already infiltrated our schools.

"The '1619 Project' desperately wants to pass itself off as legitimate history, but it totally kneecaps itself by ignoring so much of the American story. There's no mention of any black Americans who succeeded in spite of slavery, due to the free market capitalist system. In the 1619 Project's effort to take down America, black success stories are not allowed. Because they don't fit with the narrative. The role of white Americans in abolishing slavery doesn't fit the narrative either," Glenn said.

"The agenda is not ultimately about history," he added. "It's just yet another vehicle in the fleet now driven by elites in America toward socialism."

Watch a preview of the full episode below:


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Want more from Glenn Beck?

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