Think China isn't really America's rival? Just look at the box office.

FREDERIC J. BROWN/AFP/Getty Images

It might come as a surprise to learn that two of this summer's movie blockbusters have China to thank for their successes. "The Meg", a Chinese-American co-production, raked in $467 million to date— surpassing the box office success of films like "Solo: a Star Wars Film." Sure, "Solo" underperformed, but outdoing a Star Wars film is still a mighty achievement. And "Crazy Rich Asians," the best-performing romantic comedy in a decade, was built on the strength of its' unexpected cross-demographic appeal. These are merely the two latest examples of the meteoric rise of Chinese influence in the movie industry. And the shifting geography of the movie industry is just further proof of China's move toward the spotlight on the global stage.

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Increasingly, American blockbusters are reliant on the Chinese moviegoer. This summer saw record numbers for Hollywood's top performing films––but "Avengers: Infinity War," "Mission Impossible," "Ant-Man and The Wasp," and "The Incredibles 2" all owe their success to being hits in China. The domestic gross of most movies usually accounts for 30-50 percent of its total revenue. The international gross accounts for the other half, and China now accounts for nearly half of any non-domestic revenue. For instance, the underperformance of"Solo" in China doomed the film to be a financial failure. As a result, casting in Hollywood has been shifted, with Chinese stars like Donnie Yen and Fan Bingbing cast in immense franchises like Star Wars and X-Men in an attempt to make headlines in China.

Meanwhile, Americans have had almost nothing to do with the meteoric success of Chinese blockbusters. Mammoths like "Wolf Warrior 2" earned $870 million last year––more than "Thor: Ragnarok" and "Guardians of The Galaxy Vol 2." Yet only $2 million of that amount was made in America. These aren't the only successes. Since 2010, 31 films from China have broken $100 million at the box office. Of those, only 13 of those films grossed one million dollars in the US, and only one film, "The Meg," broke $100 million. In other words, Chinese films perform miserably in America, yet boast incredible global market success. Major financial stumbles like "Asura", the most expensive Chinese film in history that was pulled from theatres after only a week, seem like hiccups instead of signs of weakness.

From a political standpoint, China's film industry is certainly worth watching.

From a political standpoint, China's film industry is certainly worth watching. Our own status as a cultural superpower is intrinsically tied to the power of our cultural exports. Jazz, for instance, was pivotal in Cold War Diplomacy. America would send jazz musicians to Soviet satellite nations to expose them to American culture and inspire ideological allies inside these countries. Jazz, centered musically around the tension between structure and improvisation, was a perfect metaphor for communicating America's relationship with democracy and freedom. China clearly understands the power of art in communicating cultural values, which is part of why only around 34 foreign films are allowed into the Chinese market by the Communist Party of China, minimizing the influence of foreign ideologies within the Chinese state

When it comes to international relations, this is pivotal. Music, books, films, and art are the most influential agents of cultural values. The greatest testament to American values are books like "To Kill a Mockingbird," the music of N.W.A, the films of Steven Spielberg, and the art of Georgia O'Keeffe. These works center around equality under the law, civil rights, freedom of speech and conscience, and individualism. China, as it rises in economic, political, and military might, will need to spread Chinese values in order to win over allies and have other nations accommodate China as a superpower. The Chinese film industry is currently China's best bet in spreading its own national values, such as harmony and filial piety.

The British Empire and the Soviet Union were two other major powers that have used culture to help solidify the values of the political class. Britain spent hundreds of years artistically creating the notion of empire, seen in the works like "H.M.S. Pinafore" and the literature of Rudyard Kipling. The Soviet Union used art to propagandize socialist values of the state through the posters of Dmitry Moor and literature of Mikhail Sholokhov. Both of them managed to effectively propagandize their own legitimacy as superpowers through the cultural ambassadorship of their artistic works.

As China increasingly flexes its military and economic muscles internationally, the Chinese film industry reflects these global changes, resulting in the massive success of films like "Wolf Warrior 2". If Americans want to know how China views its global status, looking at the box office can be one of the best ways. As the US and China enter a trade war and start jockeying for global positioning, America needs to be careful to not lose one of its most celebrated industries to its ascendant rival.

Christian Thrailkill is a musician, graduate of Southern Methodist University, and a Young Voices contributor. He lives in Dallas, Texas.

Everything comes down to the two Senate runoffs in Georgia. If we lose both races, we lose the country. Democrats know this and are pouring in millions to usher in a Marxist agenda.

As the Left tries to hide how radical the two candidates really are, Glenn takes us inside the Democrat war room to expose the wolf in pastor's clothing, Raphael Warnock, and America's Justin Trudeau, Jon Ossoff. Socialism, the Green New Deal, and "defund the police" are all on the table. And Glenn warns of what's to come if conservatives don't activate: Chuck Schumer will weaponize the Senate, and the radical Left will launch an all-out assault to ravage the Constitution.

Watch the full special below:

The election and its aftermath are the most important stories in America. That's why we're offering our most timely discount ever: $30 off a one-year subscription to BlazeTV with code "GLENN." With BlazeTV, you get the unvarnished truth from the most pro-America network in the country, free from Big Tech and MSM censors.

Sen. Ted Cruz (R-Texas) joined the "Glenn Beck Radio Program" to explain how mail-in ballots are typically disqualified during recounts at a far higher rate than in-person, Election Day ballots, and why this is "good news" for President Donald Trump's legal battle over the election.

"One of the things that gives the greatest cause for optimism is, this election ... there's a pretty marked disparity in terms of how the votes were distributed. On Election Day, with in-person voting, Donald Trump won a significant majority of the votes cast on in-person voting on Election Day. Of mail-in voting, Joe Biden won a significant majority of the votes cast early on mail-in voting," Cruz explained.

"Now, here's the good news: If you look historically to recounts, if you look historically to election litigation, the votes cast in person on Election Day tend to stand. It's sort of hard to screw that up. Those votes are generally legal, and they're not set aside. Mail-in votes historically have a much higher rate of rejection … when they're examined, there are a whole series of legal requirements that vary state by state, but mail-in votes consistently have a higher rate of rejection, which suggests that as these votes begin being examined and subjected to scrutiny, that you're going to see Joe Biden's vote tallies go down. That's a good thing," he added. "The challenge is, for President Trump to prevail, he's got to run the table. He's got to win, not just in one state but in several states. That makes it a lot harder to prevail in the litigation. I hope that he does so, but it is a real challenge and we shouldn't try to convince ourselves otherwise."

Watch the video clip below to catch more of the conversation:

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Fox News senior meteorologist Janice Dean is perhaps even more disgusted with New York Gov. Andrew Cuomo (D) for his coronavirus response than BlazeTV's Stu Burguiere (read what Stu has to say on the subject here), and for a good reason.

She lost both of her in-laws to COVID-19 in New York's nursing homes after Gov. Cuomo's infamous nursing home mandate, which Cuomo has since had scrubbed from the state's website and blamed everyone from the New York Post to nursing care workers to (every leftist's favorite scapegoat) President Donald Trump.

Janice joined Glenn and Stu on the "Glenn Beck Radio Program" Tuesday to ask why mainstream media is not holding Gov. Cuomo — who recently published a book about his leadership during the COVID-19 pandemic — accountable?

"I'm vocal because I have not seen the mainstream media ask these questions or demand accountability of their leaders. [Cuomo] really has been ruling with an iron fist, and every time he does get asked a question, he blames everybody else except the person that signed that order," Janice said.

"In my mind, he's profiting off the over 30 thousand New Yorkers, including my in-laws, that died by publishing a book on 'leadership' of New York," she added. "His order has helped kill thousands of relatives of New York state. And this is not political, Glenn. This is not about Republican or Democrat. My in-laws were registered Democrats. This is not about politics. This is about accountability for something that went wrong, and it's because of your [Cuomo's] leadership that we're put into this situation."

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As America grows divided and afraid to disagree with the Democrats' woke plan for America, Megyn Kelly is ready to fight back for the truth. For nearly two decades, she navigated the volatile and broken world of the media. But as America leans on independent voices more than ever, she's breaking new ground with "The Megyn Kelly Show."

She joined the latest Glenn Beck Podcast to break down what's coming next after the election: Black Lives Matter is mainstream, leftists are making lists of Trump supporters, and the Hunter Biden scandal is on the back burner.

Megyn and Glenn reminisce about their cable news days (including her infamous run-in with then-presidential candidate Donald Trump) and to look into the chaotic and shady world of journalism and the growing entitlement it's bred. For example, many conservatives have been shocked by how Fox News handled the election.

Megyn defended Fox News, saying she believes Fox News' mission "is a good one," but also didn't hold back on hosts like Neil Cavuto, who cut off a White House briefing to fact check it — something she never would have done, even while covering President Obama.

Megyn also shared this insightful takeaway from her time at NBC: "Jane Fonda was an ass."

Watch the full podcast here:

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