Think China isn't really America's rival? Just look at the box office.

FREDERIC J. BROWN/AFP/Getty Images

It might come as a surprise to learn that two of this summer's movie blockbusters have China to thank for their successes. "The Meg", a Chinese-American co-production, raked in $467 million to date— surpassing the box office success of films like "Solo: a Star Wars Film." Sure, "Solo" underperformed, but outdoing a Star Wars film is still a mighty achievement. And "Crazy Rich Asians," the best-performing romantic comedy in a decade, was built on the strength of its' unexpected cross-demographic appeal. These are merely the two latest examples of the meteoric rise of Chinese influence in the movie industry. And the shifting geography of the movie industry is just further proof of China's move toward the spotlight on the global stage.

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Increasingly, American blockbusters are reliant on the Chinese moviegoer. This summer saw record numbers for Hollywood's top performing films––but "Avengers: Infinity War," "Mission Impossible," "Ant-Man and The Wasp," and "The Incredibles 2" all owe their success to being hits in China. The domestic gross of most movies usually accounts for 30-50 percent of its total revenue. The international gross accounts for the other half, and China now accounts for nearly half of any non-domestic revenue. For instance, the underperformance of"Solo" in China doomed the film to be a financial failure. As a result, casting in Hollywood has been shifted, with Chinese stars like Donnie Yen and Fan Bingbing cast in immense franchises like Star Wars and X-Men in an attempt to make headlines in China.

Meanwhile, Americans have had almost nothing to do with the meteoric success of Chinese blockbusters. Mammoths like "Wolf Warrior 2" earned $870 million last year––more than "Thor: Ragnarok" and "Guardians of The Galaxy Vol 2." Yet only $2 million of that amount was made in America. These aren't the only successes. Since 2010, 31 films from China have broken $100 million at the box office. Of those, only 13 of those films grossed one million dollars in the US, and only one film, "The Meg," broke $100 million. In other words, Chinese films perform miserably in America, yet boast incredible global market success. Major financial stumbles like "Asura", the most expensive Chinese film in history that was pulled from theatres after only a week, seem like hiccups instead of signs of weakness.

From a political standpoint, China's film industry is certainly worth watching.

From a political standpoint, China's film industry is certainly worth watching. Our own status as a cultural superpower is intrinsically tied to the power of our cultural exports. Jazz, for instance, was pivotal in Cold War Diplomacy. America would send jazz musicians to Soviet satellite nations to expose them to American culture and inspire ideological allies inside these countries. Jazz, centered musically around the tension between structure and improvisation, was a perfect metaphor for communicating America's relationship with democracy and freedom. China clearly understands the power of art in communicating cultural values, which is part of why only around 34 foreign films are allowed into the Chinese market by the Communist Party of China, minimizing the influence of foreign ideologies within the Chinese state

When it comes to international relations, this is pivotal. Music, books, films, and art are the most influential agents of cultural values. The greatest testament to American values are books like "To Kill a Mockingbird," the music of N.W.A, the films of Steven Spielberg, and the art of Georgia O'Keeffe. These works center around equality under the law, civil rights, freedom of speech and conscience, and individualism. China, as it rises in economic, political, and military might, will need to spread Chinese values in order to win over allies and have other nations accommodate China as a superpower. The Chinese film industry is currently China's best bet in spreading its own national values, such as harmony and filial piety.

The British Empire and the Soviet Union were two other major powers that have used culture to help solidify the values of the political class. Britain spent hundreds of years artistically creating the notion of empire, seen in the works like "H.M.S. Pinafore" and the literature of Rudyard Kipling. The Soviet Union used art to propagandize socialist values of the state through the posters of Dmitry Moor and literature of Mikhail Sholokhov. Both of them managed to effectively propagandize their own legitimacy as superpowers through the cultural ambassadorship of their artistic works.

As China increasingly flexes its military and economic muscles internationally, the Chinese film industry reflects these global changes, resulting in the massive success of films like "Wolf Warrior 2". If Americans want to know how China views its global status, looking at the box office can be one of the best ways. As the US and China enter a trade war and start jockeying for global positioning, America needs to be careful to not lose one of its most celebrated industries to its ascendant rival.

Christian Thrailkill is a musician, graduate of Southern Methodist University, and a Young Voices contributor. He lives in Dallas, Texas.

Blaze TV hosts Glenn Beck , Chad Prather, and Steven Crowder weighed-in with similar but different thoughts on the fascism associated with canceling Dr. Seuss.

Glenn Beck can't help but wonder, "What is wrong with us?" in light of the Dr. Seuss books that have been cancelled due to "hurtful and wrong" illustrations — that takes America one step closer to complete insanity.

Chad Prather approached the issue from a comedic perspective, stating that "Dr. Seuss is dead and could not be reached for comment."

Steven Crowder explained that Dr. Seuss books were banned for being offensive and insensitive to some. So Steven decided to parody the six banned children's books with progressively titled and hilariously inappropriate versions.

Read the full story from TheBlaze News here.

'We DON'T destroy books'

"They are banning Dr. Seuss books. How much more do you need to see before all of America wakes up? ... This is fascism!" Glenn said. "We don't destroy books. What is wrong with us, America?" - Glenn Beck. Download the podcast here.

Chad Prather's comedic take on why Dr. Seuss got canceled

"Dr. Seuss is dead and could not be reached for comment'"- Chad Prather. Download the podcast here.

Dr. Seuss BANNING Bonanza! New Progressive Book Titles Revealed! 

In this 7+1 segment-- Crowder uncovers, new, unreleased Dr. Seuss titles that will be released in the near future (parody). Download the podcast here.

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"What's your climate credit score?" That's a question Americans may have to answer if the green global elites get their way.

While the media has distracted us with Orange Man Bad! and Russia, Russia, Russia!, the Left has been busy working on the fundamental transformation of America with a primary pressure point — YOUR money through YOUR bank. Democrats, forgetting the words of MLK, like to group people into categories. They judge you based on what skin color you have, your religion, occupation, your ideology, and now … your carbon footprint.

On his Wednesday night TV special this week, Glenn Beck exposes how they're now planning, not only to categorize you, but to give you a score. It'll determine everything for you: whether you can buy a home, get a new car, open a business … EVERYTHING. And if you don't bend the knee? You'll be blacklisted. But this isn't some far-off conspiracy theory. Multiple big U.S. banks are part of a private U.S. financial group enacting these policies now. It's here, and we're ALL at risk.

Watch the full episode below:

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Unlike the mainstream media, we at the "Glenn Beck Radio Program" decided to actually do the research and get to the bottom of CPAC's controversial stage design, which many on the Left have suggested was purposefully shaped like an obscure Nazi symbol. We got our answers straight from the source — and it's not what the media is suggesting.

American Conservative Union chairman Matt Schlapp joined Glenn on Wednesday to share the real story of the stage design, who designed it, and why he's taking legal options against those smearing the Conservative Political Action Conference's name seriously.

Matt told Glenn he'd never heard of the alleged Nazi insignia, noting that even a staff member who "studied anti-Semitism in college" did not recognize the obscure symbol. He went on to explain how the stage designing firm, Design Foundry, and Hyatt Hotels worked collaboratively with CPAC event organizers for months throughout the designing and construction of the stage. However, when pressured by the cancel culture mob on social media, both companies "ran for the tall grass."

"Both the Hyatt and [Design Foundry] looked to CPAC and said [they] had nothing to do with this stage. That's outrageous," Matt stated. "This whole process takes months ... everybody saw this. Everybody had to figure out how to construct this. Everybody had eyes on it from every angle. And nobody in that process ever raised their hand and said, 'Oh, you know, I took a European history class, and I noticed [that the stage design looked like a Nazi symbol.] Nobody."

Matt went on to add that, while CPAC expects attacks from the Left, they also have every intention of standing up for themselves, the conservative community, the Jewish community, and all the people who love America.

"We're fine with taking the hits. We always take the hits, it's part of being a prominent conservative group. We'll take the hits, but we won't let people lie," Matt said.

"I can't tell you how many people have called me during the course of this most tumultuous of years and said, at what point does the conservative community, do the 74 million Americans who voted for Donald Trump, do the people who love America, and think it's okay to read Dr. Seuss, and love Thomas Jefferson and Mount Rushmore, at what point do they start pushing back on the cancel culture? At what point do they say, this is a line you can't cross? I think we're at that line," he added.

"We called our conference, 'America Uncanceled.' The whole thing became about them canceling us. At what point do we not have the right to say,' you can't treat us this way'? You're disparaging us. You're destroying our reputation. You're destroying our ability to be respected members of our community. So, I'm taking your challenge of pursuing our legal options very seriously. And I think we have to go broader. We can't let these companies just follow the woke mob. We can't do it."

Watch the video clip below to catch more of the conversation:

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CNN reporter Jim Acosta was confronted at CPAC by The Federalist reporter David Marcus with a valid question: "When are you guys going to start covering Cuomo?" His answer — or, really, lack of an answer — perfectly demonstrates why he was earlier surrounded by CPAC attendees chanting, "CNN sucks!"

On the "Glenn Beck Radio Program" Tuesday, Glenn and producer Stu Burguiere react to a video clip of the exchange with Acosta, as well as the mainstream media's double standards when it comes to Democratic New York Gov. Andrew Cuomo.

Watch the video below:

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