BLOGAugust 11, 2017

Bill O’Reilly: ‘Profound Change’ Is Disrupting the Way We Watch News — for the Better

News is shifting to a model where people have more control over their own content. On radio Friday, Bill O’Reilly shared an update on his latest project and explained why it’s important for him to bring news to people without “intrusion.”

Glenn remembered starting his own TV network and how people told him to stay locked into the old school model of cable news instead of making TV available on mobile devices.

“Those days are over,” he said of the shift. “We’ve laid the groundwork and the rails.”

O’Reilly talked about a new show prototype where he was in a studio and talked with guests over Skype, giving him far more independence than he would have with a network.

“We don’t want any intrusion: corporate intrusion or Media Matters intrusion or threats,” O’Reilly said to Glenn. “We want to control the product, as you do.”

GLENN: BillO'Reilly.com. Probably one of the more brilliant businesspeople. Definitely one of the more brilliant people when it comes to how to do a show and what people are thinking. Bill O'Reilly. Now at BillO'Reilly.com. He has his own show. It's a half-hour news show every day, and you can find it at BillO'Reilly.com. He started it earlier this week. It's really good. Not a lot has changed with Bill O'Reilly. Just the background has changed. And we'll talk to him about that.

I want to start here, Bill, with something that really bothers me, and that is the firing of -- what's his name? Jeremy Lions? No, what's his name?

STU: Jeffrey Lord.

GLENN: Jeffrey Lord, that's what it is. That's how much I care about this guy.

I actually care about his firing. I think he is horrible. I think he is one of the worst commentators on CNN. I think he's just a total sellout.

However, they fired him because he got into a Twitter spat with Media Matters. And Media Matters is starting to campaign again to get people fired, get them thrown off.

And he said, "What you're doing is fascistic in nature. This is fascism." And they tweeted something back. And he wrote, "Sieg Heil."

CNN fires him almost immediately because they say, "Nazi salutes are absolutely -- we will not tolerate this --

STU: Indefensible.

GLENN: Are you kidding me? So now he's out. Bill.

BILL: Yeah, I mean, look, anybody -- and I mean anybody knows that this firing was political. It wasn't for cause. It wasn't because he did anything outrageous. I mean, you can debate all day long whether Nazi analogies should be used in any kind of discourse. But this clearly falls under freedom of speech. And he was making a contextual point, which is accurate, by the way, that Media Matters is a fascist organization. It is.

And then when the president of Media Matters struck back at him, he, in a wise guy fashion, went, "Sieg Heil." Who does that offend? Media Matters. So, what? So they were looking to dump him. And this gave them the opportunity to do it. That's the only thing I can figure out.

GLENN: Okay. So, Bill, that's maybe a little bit better than what I thought, but not by much.

Are you saying that they only use Media Matters as a cover? Because, I mean, why not cover him because we don't want him around. We don't like him.

BILL: Yeah, if he were a valued employee, they certainly wouldn't have done that. Look, if Jeffrey Lord -- I don't know what his contractual situation is. But he is an actionable violation of contract, sued against CNN.

You can't do that. He didn't do anything out of the ordinary, in the sense of exercising his freedom of speech to slap back at an organization that he feels is fascistic. So it's got to be something else. I don't know whether -- if he even had a contract.

But it looks to me -- and I've been in this business almost since as long as you have, since the War of 1812, Beck, as you mentioned last week on your program. All right? It looks to me like they just want to get rid of the guy, and this was a convenient way to do it.

GLENN: So, Bill, doesn't this not empower Media Matters like crazy?

BILL: Of course, it does. But Media Matters is in bed with all these people. I mean, Media Matters doesn't attack CNN, ever. Media Matters -- well, let me amend that. If CNN put on a conservative like you or me, maybe Media Matters would attack. But they don't attack their editorial posture. They don't attack NBC. They don't very rarely attack the networks. They only attack people with whom they disagree with politically, which is anybody. Moderate or right.

You've got to be a far-left lune to be in there cogering (phonetic).

GLENN: So we found a Media Matters plan of attack. And we're going to be going over it in the next couple of weeks, with our audience. It is their plan.

BILL: Good.

GLENN: We found it on the dark web.

BILL: The dark web.

GLENN: Yeah. I mean, who -- who even puts their stuff on the dark web? Seriously, who does that criminals. Evil people. Why are you putting stuff on the dark web?

So in it, it talks about how they're now consulting with Google. They're now consulting with Facebook. They're trying to tell YouTube and Google and Facebook exactly what is offensive, what isn't. They're coming in as these moderate arbiters of --

BILL: Oh, they -- this organization, these are the people that orchestrated the sponsored attacks against me and you.

GLENN: Yeah.

BILL: They organized the demonstrations in front of Fox. They've got money. They pay people. They're awful. They're anti-democracy. And I hope you guys -- you know, I listen when I can. But when you get stuff, send it to me. Because certainly looking at these people hard, these Media Matters people.

GLENN: I'll send you the stuff that we just pulled up.

BILL: And you know what the worst part about this is? The worst part about it is these people were so closely allied with Hillary Clinton. David Brock, who was the founder of this, was Clinton's consigliere. If Clinton had ever been elected president, these people would be in the White House, these Media Matters. And I can't tell your audience how strongly enough how vicious and vile and anti-democratic they are.

GLENN: Actually I want to correct you on one thing.

BILL: Win after win after win because the media will never take them on because the media sympathizes with their far-left posture.

GLENN: Okay. I want to correct you on one thing: They're absolutely pro-democratic, which in the meaning of, all we want is a popular vote and majority wins. I mean, that is -- you know -- remember, Chavez was also very democratic.

BILL: They don't believe in freedom of speech.

GLENN: Yes, you're right. Correct.

BILL: They don't believe in freedom of speech. They operate in shadows on the dark web. They try to hurt people. They try to destroy people.

GLENN: Yes. Yes.

BILL: This is not what our democracy is supposed to be about.

GLENN: It's a republic.

BILL: This is the most vicious, vile political organization in existence.

GLENN: Yes.

BILL: And they have power. And money.

GLENN: So tell me how you feel about what happened with Google this week, with that firing.

BILL: You know, I didn't follow it that much because I'm not really into that world of -- and I know they're super powerful and all of that. But I'm more interested in the political component of this, rather than -- once you get into Google and Facebook and all of these organizations, you get into corporations. They're corporations. I mean, they may not wear ties. And they may give you kale for lunch. But it's a corporation. Okay?

GLENN: That's kind of what I want to talk to you about. As I said earlier this week, look, if Firestone or Goodyear was doing this, I wouldn't care. But this is the gateway to information.

We had this week a report was released that Apple has $58 billion in US Treasury bonds. That's more than most foreign countries will hold.

That gives that corporation real leverage on Capitol Hill. You know what, maybe we should just liquidate our government bonds because that's why we don't -- that's why we worry about foreign countries holding our bonds.

Does -- are these corporations that the left loves, are they becoming worrisome at all to you, Bill?

BILL: That's an interesting question. They are -- they are very, very powerful agents, and they control now most of the information flow. And with the destruction of cable news, and that's coming very, very fast.

GLENN: Very fast.

BILL: Talk radio is pretty much the only counter to the internet information flow, which is not an honest situation.

So, yes, it's dangerous. I'm not so concerned about them holding bonds. Although, yeah, I mean, I guess down the line, they could do a blackmail thing. You better do what we want. Or we'll liquidate or something. I see what you're saying.

GLENN: It's not like it's the top of my concerns. But it is -- it is a part of it.

It's like, wait a minute. These -- these guys are getting really powerful.

BILL: They are very powerful. But there's nothing you can do about that in a capitalistic society. The more successful corporations become, the more powerful they become.

GLENN: Yeah.

BILL: You can expose it. You can tell folks what's going on. And the information flow they're getting is not honest. That's certainly noble. But you can't stop them from accumulating assets.

GLENN: No. But you can start to say to our representatives, "I don't want you in bed with these people. There are no special favors for these people."

BILL: No, absolutely. Right. Right.

GLENN: So, Bill, I want to take a break. We have a ton to talk about, the news of the week. But I would like to pick your brain, honestly, because I have tremendous respect for you, as you know, on multiple fronts. But one of them is you are a very shrewd businessman. You are very smart.

You took every show. You know, I run on passion and gut and feelings. And you are much more of a scientific kind of guy. And you've made a brilliant move this week in not going -- running to somebody else and saying, "Okay. I'll fall under your umbrella." You're doing it yourself.

I want to talk to you about the future of cable news. I want to talk to you about the future of information.

BILL: Sure. It's fascinating what's happening.

GLENN: It really is. It really is.

BILL: And nobody is talking about it. So your audience is going to get a lot of information fast. After these announcements of interest.

STU: Wow.

GLENN: Wow, thank you.

STU: Wow.

GLENN: Back in just a second with Bill O'Reilly from BillO'Reilly.com.

GLENN: So let me go to Bill O'Reilly from BillO'Reilly.com, who just started his news program, the No Spin News. Every day you can see it and you can watch it at BillO'Reilly.com.

Bill, let's switch gears. I'd kind of like some advice from you and to pick your brain. What we did six years ago, when I left Fox and I built TheBlaze and the first OTT model around this, everyone said, "Glenn, no one will watch this on the Internet. They're not going to watch it on the phone. They want it on this."

It's why, honestly, we spent as much money as we did to make my network look -- quite honestly, the model was MSNBC. If it -- if it can't look as good as NBC in visuals, then people won't accept it.

Those days are over. We've laid the groundwork and the rails. And now you are the first one to come out as a really big guy and say, "Okay. I'm going to go and do this model, and I'm going to do it by myself. I don't need to join a network or whatever. I'm going to do it by myself." How long before, Bill, this becomes the absolute norm?

BILL: You know, it's hard to say. Our blueprint is that we want to deliver on a daily basis 30 to 40 minutes of honest news analysis, honest in the sense that it's fact-based.

And we're going to do that. And so we did a prototype this week on BillO'Reilly.com, where I was in a studio in a spiffy jacket and tie. And we had guests via Skype. And it went very well. I mean, it looked good. People liked it.

We have it up now, BillO'Reilly.com. Anybody can see the prototype. And it -- and it was tough. It was tough analysis. Talk about North Korea and stuff like that.

Now, we haven't decided exactly when we're going to launch this on a daily basis because we're doing our podcasts from my home office now. And it's working very, very well. But it's going to happen. And even if I decide to come back to cable TV, we'll still do this 30 to 40 minutes per day, because we don't want any -- I'm sorry about that. That's enthusiasm.

GLENN: Oh, my gosh. Oh, my gosh.

BILL: Enthusiasm from the --

GLENN: That's Bill's head writer.

BILL: From the community.

Anyway, we don't want any intrusion.

GLENN: Uh-huh.

BILL: Corporate intrusion or Media Matters intrusion or threats or any of that. We want to control the product, as you do.

GLENN: Right. So you can control --

BILL: And I think this prototype that we put out is going to take root. And I think it's going to be very successful.

GLENN: Right.

BILL: The reason this is necessary, this is the key to it all, is there's been a profound change in cable news. And as we discussed in previous episodes of the Beck program, network news is largely irrelevant now. Remember Scott Pelley, the anchor of CBS News?

GLENN: No. Neither does anybody else.

BILL: Well, Scott packed it in, and nobody even knew.

GLENN: Yeah.

BILL: I mean, nobody even said a word. It was like, poor Scott. He was there six years on every night. He was taking Walter Cronkite's seat, and he's out of there, and nobody even cares. That's how irrelevant the Nightly News is.

The morning is entertainment. So when cable news starts then to change -- fundamentally change, not into a news service anymore. They're not a news service. They're basically a party apparatus. So MSNBC, CNN, they're a Democrat Party apparatus. And Fox News, to some extent, not to the extent of the others, it reflects a Republican point of view. Well, where do Americans go for the truth? People seeking the truth and not having a vested interest in one political party or one political philosophy. There's nowhere to go.

So that this, in a capitalistic society, this Blaze, the Beck Blaze, O'Reilly, BillO'Reilly.com, this now presents a very, very attractive alternative to millions of Americans who love their country and want to know about it in a truthful way.

GLENN: Bill.

BILL: You're stunned at that analysis?

GLENN: No, no, no. I was actually --

BILL: You're absolutely stunned. It's so right on. Nobody has ever talked that way to you.

GLENN: I was actually hoping for a deeper insight. Why don't you put the dog on the phone?

(laughter)

All right. When we come back --

BILL: Corgi.

GLENN: When we come back, we're going to have to go over the strategy of North Korea, how Bill thinks that is going, where that ends up, and all the rest of the news of the week with Bill O'Reilly. You can hear him every day at BillO'Reilly.com. That's BillO'Reilly.com. BillO'Reilly.com.

GLENN: So let's bring Bill O'Reilly from Bill O'Reilly back. BillO'Reilly.com. And talk to him a little bit about North Korea.

First of all, Bill, are we going to war with North Korea?

BILL: No.

GLENN: Okay. If -- if it is just between us, we're having a private council, you're the president of the United States, and you've got your council split in half. And half says, "Mr. President, we've got to go. They've crossed too many red lines. It's only going to be a problem down the road. We got to go, and I'd like to recommend a first strike." The other half says, "No first strike and, no, don't go to war because millions will die." Which do you lean towards?

BILL: Okay. You can't do a preemptive strike with nukes on anybody. That's not acceptable in the world we live in. You could do, you know, some bombing like -- like you did in Syria, take out a strategic military target. I mean, that's certainly possible. But I don't see that happening.

What I see happening is this is -- Trump is basically telling the world, "Look, I'm capable of this," which is true. I'm capable of it.

Which Obama was and everybody knew, no matter what you did, Obama wasn't going to do anything drastic. And it was like Merkel today, the German chancellor comes in and says, "Well, there really isn't any military solution to North Korea."

Now, just step back and analyze how stupid that statement is from Angela Merkel. What if North Korea launches a missile at Guam or Japan or South Korea? What if they do that? I mean, that's what this idiot is threatening to do.

And Merkel says there's no military solution to that. So, what, you let them do that? That's exactly the wrong message.

And Trump's message is basically symbolic. It's a symbolic message. I'm capable of this. But will he do it? No. Only if they attack, they being North Korea, one of our allies or any interest that the United States has. Then he will. But I don't see any new component in this. Because that's Armageddon. Once you start with the nukes, then, you know, the stuff kills south Koreans. It kills Chinese. You really can't do that.

GLENN: So here's where I've come down on this, on my understanding of what Donald Trump is doing. And it may be more wishful thinking. But I don't think it is.

As I've watched this game play out and I know, you know, how horrible war with North Korea would be and now especially with China saying, "You do a first strike, we're on their side. You fight back, we're going to leave them to their own business. And you guys can have at them." There's no way we're going for a first strike.

If we do, we turn the whole world against us, I think.

BILL: Yeah. And the generals -- look, Kelly is the guy calling the shots, a lot of the shots now. He's never going to do it.

GLENN: Yep, I agree.

BILL: People got to calm down. And the reason that this has taken on hysteria is because it's August. There's no other news. Cable news is all -- I mean, they're just going crazy. And they're whipping everybody up. And the left wants everybody to think that Trump is Dr. Strangelove. And so that's why it's whipping up.

But if you look at it, it's probably not going to lead to anything. It's going to fizzle out like most of the North Korean missile tests do.

GLENN: So here is the second part of that: If this indeed is strategy and Donald Trump is playing the strong hand because nobody has the United States for a long time and wants to put everybody on notice and does have a little bit of a twitchy eye, he may in the end, if this works, be remembered as Ronald Reagan, when it came to the Cold War. This is exactly the argument we had from the left on Ronald Reagan.

BILL: Yeah. But it's a different situation because you have irrationality in North Korea. I mean, this guy is pretty irrational.

But, you know, I want to personalize it a little. And I can do that by a plug. You know, Killing the Rising Sun is about -- primarily about the atom bomb drop on Hiroshima and Nagasaki. And the power of those bombs was so horrific -- now, they're 10,000 times as powerful. And if you really want to know what happened -- and kids should know it too. We have a kid's book: The Day the World Went Nuclear, off Killing the Rising Sun. We take you right down, we put you right down at Hiroshima when that bomb dropped, and you can feel what happened. And so that's why the horror of nuclear war, it gets people crazy. I mean, it really does. It gets people crazy.

And all Americans should know what the actual horror is. That you're going to have people vaporized on the spot, that you're going to have fallout that states for 50 to 60 years. Makes Chernobyl look like Disneyland. So I think that when you take that into consideration and then you're President Trump or whatever, you're not going to do that unless you absolutely have to do it. But I can see a surgical, you know, conventional strike on North Korea, if they keep it up.

GLENN: Bill, you were probably, oh, around retirement age back in '82 and '83, when -- when The Day After came out. And that was -- '82 was the year I graduated from high school. So I had a very different look at it then. I just looked it up this week. I was just kind of zipping through it on YouTube. And I remember how scary that was. But because of my age back then, I really didn't see it as really what it was. Nothing's changed. That is Hollywood and the press and the networks trying to make you more afraid of Ronald Reagan's rhetoric than really the Soviet Union. And trying to thwart Ronald Reagan. Would you agree with that?

Did you see that that way?

BILL: Yeah, the left historically never wants to fight for anything. And anybody who counters that is a war-mongering fascist. So even before World War II, there was a big strain of Americans that didn't want to confront Hitler or Tokyo. They didn't want to get involved.

GLENN: Yeah.

BILL: And some of those were conservative people.

GLENN: Yeah. The America First -- the America First campaign.

BILL: Yeah, just stay away. We got two oceans protecting us. Well, now we don't have any oceans. Okay? So it is an emotional issue, but people should know, this isn't like Iraq or Afghanistan. You know, sending in the Special Forces to track down ISIS. It's nothing like that.

This guy is playing with something that could obliterate millions of people. And so I -- I have, you know, confidence in the American system that we're not going to do anything irresponsible. That's the key word. The rhetoric is the rhetoric, all right? Trump is definitely sending a message to the world that he's capable, like Reagan. Okay? But I don't think anything more will come of this, at this point.

GLENN: Okay. Let me give you just some quick hits here and just get your comments on. Chelsea Manning being described as an American beauty in a woman's swimsuit on the beach in Vanity Fair. Comments?

BILL: What do you want me to say about it?

GLENN: Just any comment on --

BILL: I mean, look, if she wants to be in a bathing suit and on a beach, she has the perfect right to do that. If Vanity Fair wants to make a deal about it, I don't care.

GLENN: It's not that. It's that she's an American traitor. How many people lost their lives because of her?

BILL: Oh, I see. Okay. Yeah.

GLENN: And now we're being spoon-fed, that, no, she's just a beautiful woman.

BILL: And if I could just remind everybody, President Obama commuted her sentence. Okay. So that's why she's in the bikini. Now, maybe that was part of the deal. I'll let you out, if you go into a bikini in Vanity Fair. That's the deal.

PAT: That's a weird deal.

GLENN: That's a weird deal.

PAT: But okay.

BILL: It could have happened.

PAT: It could have.

GLENN: Paul Manafort, the raid of his residence by the FBI.

BILL: You know, not since Eliot Ness and the Untouchables has there been a crime drama at this level.

You know, Manafort, I've always said this from the very beginning: If there's one Trump person that's got a deficit in this whole thing, it's him. Because he made some big money representing pro-Russian interests in the Ukraine situation. He had the contacts. He knew the guys.

GLENN: Uh-huh. Uh-huh.

BILL: He knew Boris and Natasha. And so, you know, they went in. They try to find out what he has, and I'm glad I'm not Paul Manafort.

GLENN: Mitch McConnell said the reason why the G.O.P. is getting a bad brand or bad name is because Donald Trump and others had excessive expectations.

BILL: I just think this guy is such a dweeb. I hate to be -- you know, I just think McConnell is such a dweeb. D-W-E-E-B. Word of the day.

GLENN: Yeah. Word of the day.

BILL: I mean, this guy, when I was very close to getting Kate's Law on the floor of the Senate, it was him who sabotaged it. Because he wanted to attach all kinds of stuff that he knew wasn't going to pass it.

I just think this guy is just -- I don't know him. I don't -- he never came on my program. He was always afraid to do that.

I just don't have any use for him at all. So I wish -- I wish there was more dynamic leadership on both sides. On the Democratic side, you have Chucky Schumer threatening all of his people.

If you don't do what I say, we're going to run somebody against you in the primary and cut off your money. That's why he's got all these Democrats, you know, voting against their country's best interests.

And on the other side, you've got Mitch McConnell playing whatever game he's playing. So it's just really -- and I think Americans have got it. It's disgusting. It really is.

GLENN: Bill O'Reilly, writing some great history books and books now for your kids as well. You can hear his commentary every day at BillO'Reilly.com.

You can get his podcast and his members also are chiming in now on, how do we make this internet newscast work for you? And he's taking your comments on it. And you can watch it now at BillO'Reilly.com. Thanks, Bill, appreciate it.

BILL: Now, Beck, one more thing before you dump me here, if I send you an advanced copy of Killing England: The Brutal Struggle for American Independence, will you read it, Beck? Will you read the book if I send it to you in advance? It's out September 19th.

GLENN: Are there some things in the pages that maybe might fall out?

BILL: You're going to find out what Franklin, Washington, and Jefferson were really like.

GLENN: I only care about Benjamin. If Benjamin happens to be in those papers and it slips out of the book, I might read it.

BILL: All right!

GLENN: But I'm interested in the Benjamins. Thank you very much, Bill. Appreciate it. God bless. BillO'Reilly.com. BillO'Reilly.com.

RADIO

Will the Conclave Elect a RADICAL Pope to Follow Francis?

The Conclave to elect the Catholic Church’s next Pope has begun. But will the next Pope be “conservative” and orthodox, will he follow in Pope Francis’ footsteps and be more friendly to leftist and globalist ideas, or will he be an “anti-Pope,” as some Catholics are claiming Francis was? Glenn speaks with LifeSiteNews co-founder and CEO, John-Henry Westen, who reviews the most likely candidates for the papacy and why he believes the “anti-Pope” claims against Francis are not ungrounded.

Transcript

Below is a rush transcript that may contain errors

GLENN:

RADIO

THIS is Why We Don’t Trust the Mainstream Media

A recent New York Times hit piece is a perfect example of why many Americans no longer trust the newspaper. Glenn compares the piece, which criticizes “The MartyrMade Podcast” host Darryl Cooper’s revisionist history, with the New York Times’ own “1619 Project,” written by Nikole Hannah Jones. Glenn disagrees with both people about major historical events. But the Times, with its elitist hypocrisy, pushed Jones’ attempt to frame America as a racist nation since its inception as unquestionable truth. “I’m not defending [Cooper or Jones],” Glenn says. “I’m defending the idea that We the People decide what’s true, and that takes work and curiosity…The minute you let somebody else decide what you’re allowed to hear, you have already surrendered your freedom to think.”

Transcript

Below is a rush transcript that may contain errors

GLENN: I want to take on something else that I don't know. Maybe I should just keep my big, fat mouth shut.

Because I think this one will piss off everybody. But it's the truth. There was a story in the New York Times. The podcaster asking for you to side with history's villains. It was in the New York Times. Let me read something.

Darryl Cooper is no scholar. But legions of fans, many on the right, can't seem to resist what he presents as hidden truths.

All of a sudden, everyone was coming for Darryl Cooper. There were the newspaper columnists. The historians. The Jewish groups. Repugnant says the chairman of Yadveshev (phonetic), Israel's Holocaust museum in a statement.

Even the Biden White House released a statement, calling him a Holocaust denier who spreads Nazi propaganda. So it was for a time for Mr. Cooper. One of the most popular podcaster in the country, to do what he does best. Hit record.

In a special on his history program, Martyr Made. Mr. Cooper addressed the controversy, which had exploded out of September 2nd appearance on the Tucker Carlson Show.

The podcast started by the former Fox News host. At first, Mr. Cooper, a gifted historic storyteller, but not a trained historian, defended the claims he had made on Mr. Carlsen's show. One that Winston Churchill was the chief villain of the war. Ridiculous. Not by implication. Adolf Hitler.

The two -- and two, that millions had died in Nazi-controlled Eastern Europe because Nazis had not adequately planned to feed them. Okay. Not true.

He then said, the story goes on to say, I don't know if we retracted some of that stuff. This emotional ventriloquism is part of Mr. Cooper's approach and appeal. On TikTok, a fan praised him as one of the best historians of our time, because he tries to go out of his way, to understand the perspective of everyone involved in a situation.

These critics have probably helped make Mr. Cooper bigger than ever. He's been the most subscribed to history newsletter on Substak. One spot ahead of the evident economic historian, Adam HEP Toos in the wake of the Rogan interview. Martyrmade. Blah, blah, blah.

Okay. So they go on and on and on. To talk about how this just can't stand. I mean, we've got to -- there's got to be some sort of filter. And, you know, Joe Rogan just can't have on, whoever he wants to have on. That's the problem!

Is it? New York Times. Is that the problem?

Hmm, that's really interesting.

Now, let me just look and -- and let me just look in the past here, and see if we've had this exact same problem, with anybody else. Because the person that came to mind was not Darryl Cooper, but Nicole Hannah Jones. Because I think those two are the same coin, and the coin is counterfeit.

Just opposite sides of the same coin. The martyr made podcast spins a tale of grievance and distrust. And it's wrapped in enough fact to keep it plausible.

But there are some facts in there. Okay.

Jones, she did the 1619 Project.

She did the same thing in reverse. Except, I think she's actually worse.

I mean, because I think she made up almost everything in that. She recasts American history. As racist from the very inception of the country.

Neither one of them is telling the whole truth. Neither one of them. Neither wants to, I think. They're both in the business of narrative, and not history.

So am I. But I tried to be fair.

The real problem is not these two.

Honestly, it's the New York Times.

Because in their Sunday styles, write-up on Cooper.

The Times poses as a concerned observer.

Wary of growing influence among the disaffected right.

Why are we disaffected. Why is the right disaffected?

We're disaffected because you have tried to take our country from us.

Everything that we believe. Our history.

Our values. Our traditions. And you've tried to denigrate them. And destroy them, every step of the way.

And you've done them with one lie, right after another.

Okay?

Why are they framing him. Not with facts. But with suspicion.

Not because he's -- dishonest or not dishonest. But because he's popular. They clutch their pearls, because he has an audience. And only the New York Times can have that you audience.

But where that was concern, when they did -- when they gave an audience to Nicole Hannah Jones.

And gave her a Pulitzer for a project now so discredited by the very historians that are now talking about Cooper!

Where was the caution when they declared that 1619, not 1776, was the true founding of the nation? They didn't question her authority. They didn't say, well, she's not a historian. They printed it. In fact, they taught it, and endorsed it. They platformed it in schools!

That's different than anything that Joe Rogan is doing. They platformed it in schools.

So let's be clear. Okay?

I think both Cooper and Jones are wrong.

They may have points worth considering.

But I think that they get it fundamentally wrong, in a few places.

They are looking at facts to sell the story.

And not necessarily reveal the truth.

Now, maybe I'm being too cynical.

But that's the way I see it. And I'm not condemning either one.

I'm condemning all of those on the left, or the right, that are now doing the same thing that the New York Times did with -- with Cooper, but didn't do with Anna Nicole Jones. Only one of those two was lauded by the New York Times, as legitimate. And a necessary corrective, even though, it was all a lie! Made up!

So that's what -- when I'm -- I'm reading that op-ed in the New York Times.

I can't take the -- oh, my gosh. The hypocritical nature of it. Just, blood shoots out of my eyes.

Because that's what the New York Times is actually saying. Don't you little people understand. We must decide what stories are acceptable. Not you!

Not somebody like Joe Rogan. We will decide. Which distortion are his virtuous and which ones are dangerous. Not you.

We get to choose the false prophets that get a column, which -- and which ones are called conspiracy theorists. We, at the New York Times, we in the media!

And athat is the problem! This isn't about the authors. Okay. First Amendment gives him a right to say whatever they want.

You may not like. You don't like it, stop listening.

Well, but other people might listen. Yeah. Well, other people might listen.

Maybe we should pay more attention to our education in our schools. Maybe we should pay more attention, so we don't become somebody that is a dummy, themselves. And are -- because this is the problem!

We don't have a press that exposes lies anymore. We have a press that curates the lies.

I really think this is why I started collecting -- you know, we have now, the third largest collection of founding indictments, in the American journey experience.

Along with David Barton's wall builders.

It is -- it's only behind the national archives. And the library of Congress.

Most people don't know it. Because, you know, we don't talk about it yet.

Beginning in '26. We will be making a big deal out of it.

We also have the largest collection of pilgrim era artifacts and documents in the world.

The largest. So I can tell you what happened in Jamestown in 1619.

I can tell you this, the ship that Hannah HEP Nicole Jones talks about. There were no slaves on that ship.

How do I know?

We have the manifest!

No slaves. Hmm. That seems problematic, doesn't it?

And the Mayflower did not launch a system of slavery.

In fact, they fought against it.

We -- this is so crazy.

What the Pilgrims did against slavery was remarkable.

Remarkable. When a slave shipbuildingsly gave into their port, it was -- slavery was against the law. They called it man stealing.

It was against the law. As soon as the slave came into port. You could smell the slave ship. They knew exactly what it was. They marched and up arrested the captain of the ship.

They put anymore irons. And put him in jail.

And these people, who were already paying 15 percent of everything they make. These poor people.

15 percent of everything they make, to a king they can't be they despise. But they paid it, because they wanted to just stay alive.

They took up a collection from each other. Not outside. From each other.

Got a new captain. Refueled. Restocked the ship. And sent those people. Those slaves back to Africa, so they could be free!

That's who our pilgrims were. Don't believe me? You don't have to take my word for it.
We have the evidence. Please, you know, the longest running treaty with Native Americans happened with our Pilgrims. And you know who broke it? Not the white man. It was the Native Americans! And you know why?

Because after years and years of the Pilgrims and the Native Americans getting along, Christianity was starting to seep into their culture. And they needed to go to war with the tribe. And the war that the way they used to fight it, the Native Americans, it was okay to enslave your enemy.

In fact, you needed to.

You could torture them, after you won!

Just to make a point. And then you would enslave anybody you wanted.

And Christianity said, no. You can't do either one of those things.

And so the native Americans, that were part of this tribe, that were and friends under this treaty, with the Pilgrims. They started telling their chief. You know, we can't do these things.

And the chief got so pissed. Because he was like, we're fighting a war.

We fought it like they always fought it.

That they broke the treaty. Did you know that?

No. They were just horrible. We stole the land.

Ay-yi-yi. Did America live up to its ideals?

No! Has anybody, ever?

Have you? Has the pope? Has anybody really lived up to their ideals all the time?

No! But you have ideals, and that's what matters.

By the way, on the other side, I also happen to own a few original Nazi documents, from the actual perpetrators. I've got documents from the engineer that actually calculated how much Zyklon B it would take to murder a room full of Jews, okay?

It wasn't because they didn't want to -- they didn't have enough food.

This was calculated. I have the final prescription signed by Dr. Mengele, for a thousand liters of lumen that will for the so-called children's hospital. That's how the right was killing the undesirables in the children's hospital.

They didn't do it in a frenzy. It wasn't a riot. It wasn't out of desperation. It was silence out of lab coats, and beauracrats and experts signing off, and the press like the New York Times refusing to say a word about it. The scariest people are not the ones in the streets. They weren't. They were the ones with titles. With offices, with press credentials.

They were the ones with the doctorates.
They were the people who decided what could be published.

Who could be punished. What could be known? What could be said?

And that's the danger that we're staring down, right now. Not from cringe theorists on a podcast. Not even from overzealous academics with a Pulitzer.

But from the institutions that bless one distortion, and condemn the other.

Not based on truth. But based on usefulness.

Is it useful to our side?

I just want you to know. This is my stance on this. and make this very, very clear.

The First Amendment does not exist to protect comfortable speech. It doesn't exist to protect Cooper, as opposed to Jones. It exists to protect both of them!

It protects uncomfortable points of view.

Things you do not like to hear. And disagreement. It protects people who are absolutely wrong, and even those who are lying!

It protects the process, so you can figure it out. There is no licensed priesthood in our country.

You know, that are -- the priesthood of truth-tellers. No official ministry of facts.

That's where countries go wrong. The Times should be exposing both sides of these stories.

Just like I'm doing.

The distortions of the right, and the left.

But instead, they become exactly what they've warned us about.

A newspaper that prints dogma, and not dialogue.

And the real problem here: No.

The real solution here is you. Jefferson warned that a man who reads nothing but newspapers.
Sorry. A man who reads nothing is better informed than a man who only reads the newspaper. Okay? I would say, the newspaper is today's social media.

Man who reads nothing is more well-educated than a man who just only reads social media.

But today we might say, better to be ignorant than confidently misled by trusted media.

They see themselves not as a watch to go. But as a shepherd. And we are the sheep.

So I am not defending either one.

I am defending the idea that we, the people. Not the institutions. Not the elites. Not the New York Times.

Not Joe Rogan.

You decide what's true. And that takes work and that takes curiosity. Maybe the other guy is wrong.

I don't know. Maybe I don't have the whole story either. I don't know.

Look it up. Because the minute you let somebody else decide, what you're allowed to hear, you have already surrendered your freedom to think!

RADIO

What Christian Movies Can Learn from Serial Killer Films

Christian movies can learn a whole lot from serial killer murder mysteries, The Daily Wire’s Andrew Klavan tells Glenn. While Christian films tend to have good messages, they don’t often touch on the dark realities of this fallen world we live in – realities that even the Bible addresses through the stories of Cain and Abel and many others. Instead, Klavan argues, he gets more biblical truths out of movies like “Halloween” and “The Silence of the Lambs” and books like “Crime and Punishment” than he does films like “God’s Not Dead.” Klavan tells Glenn how he finds God in the literature of darkness, a topic he further delves into in his new book, “The Kingdom of Cain.”

Transcript

Below is a rush transcript that may contain errors

GLENN: Andrew Klavan. Host of the Andrew Klavan program. The Andrew Klavan Show.

How are you, sir?

ANDREW: I'm good. Good to see you.

GLENN: Good to see you. I don't think I've seen you out of your element ever.

ANDREW: Yes, I've been many times to the studio.

GLENN: Have you? Well, they were memorable.

ANDREW: I get this reaction a lot.

GLENN: No. I just love you. I love you. And I got to tell you, the best compliment I could give you, your son is remarkable.

ANDREW: He is remarkable. He is.

GLENN: I hope some day, somebody will say that by my children. Really remarkable.

You and your wife are amazing parents.

ANDREW: Oh, well, thank you.

GLENN: So tell me about the Kingdom of Cain, and talk down to me.

ANDREW: It's a really simple book, and very entertaining, because it's about the movies that we all love.

GLENN: Wait. Wait. Wait. Wait. He says this. Let me read this to you, Stu, and see if you understand what this is.

STU: The Kingdom of Cain looks at three murders in history, including the first murder. Cain's killing of his brother Abel. And at the art created from imaginative engagement, from those horrific events by artists ranging from Dostoyevsky to Hitchcock. To make beauty out of the world, as it is shot through with evil and injustice and suffering. It is the task, not just of the artist, but Klavan argues of every life rightly lived.

Examining how the transformation occurs in art. Grants us a vision of how it could happen in our life. What is this about?

STU: I don't know what you're missing.

ANDREW: I will tell you, I'm a crime writer. Right? I get this letter all the time. Constantly. It says, you call yourself a Christian.

That part is true, and yet you write about horrific things. You right about murder.

Prostitutes and gangsters, and all this stuff.

Why do you do that?

And the reason is very simple. I believe that God is a central fact of reality. And I believe that any artist who speaks truthfully about reality, will speak about God.

And so what I did. I took three murders. Three very famous murders.

I showed how they inspired works of art. Over and over and over again.

They're -- not just one work of art. But they kept coming back, inspiring other works of art. And how those works of art actually speak about something, that happens to a society, when it begins to lose its faith. As our society has certainly done.

You know, and they chart those works of art, and some of them are like the stupidest little horror movie.

And yet, the guy who is making that horror movie understood what he was talking about.

And can show you. If you go back, for instance, and watch a slasher movie. Like Halloween, which is a very scary movie.

It's actually about the fall of the end of faith. And how it destroys sexual responsibilities.

So it takes place in the suburb. Have you seen it?

GLENN: Wait. Wait. Yeah. I have seen it.

ANDREW: Where there are no moms. And the dads are very weak.

And this knife-wielding crazy man comes back. And basically preys on kids having sex while nobody is watching.

And it's a very, very stark picture. I bet if you asked the director what he was doing, he would tell you that. It's right in the movie, when he see that. But you have to be watching this.

The thing is, these movies are -- not just movies. But novels.

The arts are -- really reveal the conscience of a culture.

GLENN: Yes.

ANDREW: And so taking the way they look at murder, tells us things that are bad about our culture.

But it also tells us about ways we want to go in the future.

The role, for instance, of psychiatrists in -- in these films.

Films. Most of these films are based on murder, committed by Ed Dean in the 1950s, a guy who was constant. Who used to kill women.

Right?

And then dress up in their bodies. Just like in Silence of the Lambs. That inspired Psycho.

It inspired a really good horror movie called the Texas Chainsaw Massacre.

Even though it's a crazy title. It's actually a good movie. The Silence of the Lambs. All of these movies grow out of that one murder.

And what it's about? It's about confusion. It's about sexual. About gender. You know, we don't see that going around nowadays. In fact, it's everywhere. In fact, these movies were made in the 1950s, '60s, '70s, and '80s and on. And so they were predicting, as art often does, what was going to happen, and explaining why.

GLENN: So do you think Alford Hitchcock knew that this was coming? Or he was just a good storyteller?

ANDREW: You are a good story teller. Who was it? T. S. Eliot said a great poet writes himself, and in writing himself, he writes his time.

And I think that that's what happens. These artists basically bring something out of themselves. But it reveals where we are all are. And it reveals where we are going. If you see where we are, you can tell where we're going.

That's why the book does not just concentrate on the darkness. It actually says. What do you do?

How do you react? Now that you know what's happening. How do you react to those things in a creative, joyful way?

Because this is -- the Bible doesn't say things will be great. The Bible says. Yeah.

GLENN: That's not the main point.

ANDREW: Being crucified. And at the same time, it says, rejoice ever more.

GLENN: Right.

ANDREW: So one of the things that really bothers me about Christian movies.

Is they don't really represent life.

If you do a Christian movie, that has real things in it, you get slammed.

Why would you put it in?

Why was there sex? Why was there murder?

One of the major influences that turned me to Christ, when I was 19 years old. That took three decades to kick in.

But it was reading Crime and Punishment. About an axe murderer. And about a prostitute who basically turns this axe murderer's life around.

If you walked into a Christian bookstore today.

And say, can I have that book about the axe murderer and the hooker? Yeah, they would look at you like you were nuts. Because Dostoyevsky was a great artist and a great Christian.

One of the truly deep and interesting Christians in history.

He revealed something about the philosophies that were rising up at that time.

And that are still with us today. And the philosophies that later became spoken out by Nietzsche. And Nietzsche affected all of the leftist philosophers that you and I have loved so much. And have done so many good things for our survival.

GLENN: So let's pretend somebody didn't read that by Dostoyevsky or whatever his name is.

And tell us the story -- and tell us the story. And exactly what -- what he was teaching.

ANDREW: Well, the idea is God is dead.

And therefore, instead of having this horrible Christian philosophy. That is nice to the poor. And the weak, and has charity. And compassion.

We need strong special men. Like Napoleon, for instance. Who will make their own law.

And this man, in this story. Crime and Punishment says, well, if I can make my own law, I can murder somebody.

And it will be a sin. It won't be wrong.

And then he actually accomplishes this murder.

And finds a way. Oh, wait. I've actually shattered the moral order. And now my life is spiraling out of control.

Now, Nietzsche wrote his philosophy, which is the exact philosophy in his book.

After Dostoyevsky wrote the novel, and then his philosophy inspired two murderers in America, named Leopold and Lowe. This was called the crime of the century. The crime of the 20th century.

GLENN: I don't remember it.

ANDREW: I know, nobody remembers it now, but it was one of the biggest crimes of the century. It inspired countless movies and television shows.

It was two kids, they were -- they were rich, gay Jewish kids in the suburbs.

GLENN: What year?

ANDREW: This is 19 -- I want to say 30 -- 30 or 40.

GLENN: Okay.

ANDREW: Yeah. It was the '30s. I'm sorry.

And they decided, well, we're Superman. Like Nietzsche. They read Nietzsche. And they thought, yes. This is what we want to be.

One of them. We will commit the perfect murder, to show we could do it.

They took a kid at random, who they know, and killed them.

GLENN: This is Rope.

ANDREW: Exactly. Exactly. And Rope became the Hitchcock film. And also inspired Compulsion, which is another movie.

Almost a true movie about it. Pops up again and again.

Two people who said, we will commit the perfect murder. Because we're superior.

If you look for it, you will find it in one story after another.

And it's based on the idea, that there's no God. And therefore, anything is permissible, and strong men have to make the rules.

GLENN: That's one of the best movies out of Hitchcock.

Nobody even knows it. Great movie from Hitchcock. And great movie with Jimmy Stewart and just really -- and disturbing.

ANDREW: Yeah, and written -- the original play was written by the guy who also wrote a play called Gaslight, which is where we get the word gaslighting.

So I talk all about these works of art. These works and movies. And listen, I think it's an entertaining book, Glenn.

GLENN: I love your work. I love your work. Most people, if you don't know who Andrew Klavan is.

You've written movies. I mean, you've written just some thrilling novels.

And novels that have been made into movies. And I'm a huge, huge fan.

But, I mean, you know, you are talking to mice here.

ANDREW: I try to just make it about things that people like and enjoy.

GLENN: Yeah. So what is -- what is the lesson that we learn from -- from all of this?

ANDREW: Well, I think the most important lesson, if I can call it that, in the book. Is that the beauty has something to do with the answer to evil.

You know, one of the things that keeps people from believing in God. They say, there's so much evil in the world.

How can a good God, allow this evil to exist?

And at the end of the book, the last third of the book. Which is a very personal statement about what I do, to basically live joyfully in the world, that I can see is evil.

It ends with looking at the statue of Michelangelo. Which is one of the most beautiful works --

GLENN: Beautiful.

ANDREW: But it think about what it's about, Glenn. It's about a mother with her dead son. It is a world with a dead God. It's the worst movement in human history. And yet Michelangelo, a man, made it beautiful.

And my question at the end of the book, is if a man can take that misery, that suffering, that evil, and turn it into beauty, what can God do with the world that we're living in now?

When he works with the marvel of eternity. And so I work my way to that point, by going to the movies that we watch, the stories that we read.

And why we're so fascinated with murder.

You know, think about try crime. This is what this is about.

STU: Why are we?

ANDREW: Because it is the borderline, where you cannot say, there's something right about this.

It's the place where I suddenly realize that the moral order has its great points, but it also has a very stark --

GLENN: So explain to me. Explain to me why shows like, let's say.

Yellowstone.

Are so satisfying, because you're kind of like -- kind of like seeing that guy taking to the train station.

You know what I mean?

You know that it's wrong. But you're kind of in there. You're kind of like -- you know.

And you feel. At least I do. I mean, I'm sure a lot of people watch. Yeah. That's fine.

I watch it. I don't like the fact that I kind of -- I'm rooting for them.

ANDREW: I think the best art does that to you. I really enjoy this. That actually tells me something about myself, that I don't want to think about.

GLENN: Yeah.

ANDREW: See, a lot of people think art is like a sugar pill, that they used to give you a little lesson in life. A little parable of sorts. I don't think that's what it is at all.

I think it's an experience that you really can't have in your life, that broadens the way you look at life. Broadens your view of humanity. So when you get Christian stories like God Is Not Dead. I don't want to pick on anybody.

GLENN: But you'll pick on them.

ANDREW: I will pick on them. The guy is hit by a car. He says, well, at least he was saved.

I think, really? We can't just say -- you can't call his wife say, and say, this is a sad moment. Let me grieve when people die? We can't say we're horrified by death and afraid?

So I want Christian art that deals with life in a real way.

And shows that people who are afraid. And people who have evil thoughts, and people who want to justify murder. And they -- there are moments when we all sort of think -- but if you go off into a room by yourself and ask, how can I make the perfect world?

Within two minutes, so help me.

You will be committing mass murder in your mind.

Let me see. Well, first, I have to go to rid of these people because these people can't be reformed. You'll wipe them out, right?

So that's who we all are.

When he start to see that. I believe that's actually a layer on top of who we really.

I believe who we really are is who Christ wants us to be. That's the question.

How do you get through that layer?

That's what artists do for us. They show us our true selves.

And lead our conscience to the place we're supposed to go.

GLENN: All right. Our natural soul is who Christ wants us to be.

ANDREW: Right.

GLENN: And we're encapsulated in this flesh. And the natural man is an enemy to that. And it's the battle back and forth.

ANDREW: And that's what art is. That battle. That's where drama comes from. That's where tragedy comes from.

You know, one of the stories I mentioned in the Kingdom of Cain is Macbeth, because it's such a great story about murder.

And it ends with the most beautiful speech about nihilism, about things, nothing makes sense. Nothing is worth anything. Right? Life is a tale told by an idiot. But because you're watching a play, you understand, Shakespeare is not saying that. A guy has detached himself from the moral order is saying that. He's lost the meaning of life, because he's detached himself from the meaning of life.

And so studying murder and writing art about murder. Takes you to the most serious questions about who we are. And who we really are. And what we really want. And how we -- you know, that inner battle that goes on. Which is to me, the source of drama.

RADIO

This is PROOF the Democratic Party is NOT Becoming Centrist

The leftist leadership of Washington State recently made some terrifying moves that caused Glenn to warn any conservatives living there: “Get the HELL OUT!” Glenn and Stu discuss some of these totalitarian moves, including the likely failure of a bill to limit the governor’s powers during a medical emergency. Democrats have also passed a “Tesla tax” on EV credits and a bill that prioritizes criminal illegal immigrants over US citizens for pardons. If this is what the Democratic Party is already doing in Washington, what will be next?!

Transcript

Below is a rush transcript that may contain errors

GLENN: There's a couple of things that I wanted to talk to you about. If you're living in Washington State. May I just say, get the hell out now! I've said --

STU: The entire state?

GLENN: The entire state. Get out of the state.

STU: Wow.

GLENN: And I'm dead serious on that. You're living in a state that has gone absolutely insane. First of all, we talked about this before. And nobody is really talking about this.

The medical thing that they just passed in Washington State. And they passed it, and the governor has signed it. And basically, it says, if there's a medical emergency. We can do whatever we want to you.

Now, remember, this is the state that was talking about building like little internment camps for people who wouldn't get vaccinated last time. Okay. They were talking about that. If you think they won't do that, you're out of your mind. You're crazy. And so it says, if the governor decides that there's a medical emergency, statewide emergency, that the state, based on -- love this one.

Based on scientific experts, they will dictate what happens to every -- you know, every individual. What you have to get -- if scientific experts tell you, you have to take this, you will be forced to take that. I'm not having my kids in that state. I'm not living in that state. Are you living in that state? Because they will do it.

They are telling you. After everything we went through in COVID. They're now doubling down and saying, yeah. By the way, we're going to code this into law.

STU: Really, the COVID era was such a great separator. You know, very roughly blue states and red states.

Where you saw what the approach was going to be. And you can make the decision as to which one you want to live in. When something like this goes down.

And I think people make that decision with their -- you know, California abandoned for places like Texas and Florida.

You know, that's I think really, really clear.

And I think what we've seen after the COVID separation there, you also have seen kind of a codification on both sides.

I mean, conservatives and red states have really gone out of their way to signal that they would not do this again. And they would do things differently than the other states would. And blue states are now codifying their side of that.

Which is, hey. If you don't listen to the science, then you -- we don't want you here.

And we're going to put in the law, that these sciences shall be followed next time.

Not, wait a minute. We made a big mistake. And those schools have closed and everything.

They're going the opposite way.

GLENN: They're going the opposite way.

They're saying their science is right.

STU: Which is horrible.

GLENN: Even if we don't get it wrong, we won't get it wrong next time.

We will follow the science.

Are you mad? Did you see what just happened?

STU: Even places like the New York Times are now admitting, school closings are completely crazy.

That's all happened, not just in our publications. But it's not just on our side of the debate, but on their side of the debate, in many ways.

GLENN: Get out. Get out.

Okay. So that's one of them.

The new Tesla tax. Just passed by Democrats in Washington State.

It cleared the house, 52-45, supported solely by Democrats. And it's to address the state's budget deficit. Okay?

Well, you know, all of these states that have been spending money like crazy. California, Washington State.

I'm not bailing you out. I tell you, I will -- I will march to secede, if this government is going to bail out the states that have been spending money out of control, while our states have been responsible.

I am not sending my tax dollars to support your state, because you went under.

I'm sorry.

It's not a suicide pact. The Constitution is not a suicide pact, and because you are committing suicide, doesn't mean my state has to commit suicide.
I'm not doing it. I'm not doing it.

And that is a hard, fast line with me.

I'm not doing it.

When -- when New York and Illinois, and California, and Oregon, and Washington State, all are hemorrhaging, because they can't pay their bills.

Why should I have to pay for that? Why?
I don't live there. We've been preaching against it.

The red states have been trying to live within their means.

No! No!

I'm not cutting my own throat, so you don't ever learn a lesson.

So you just keep doing whatever it is, you're doing. When we're all living the hard way.
You know What that is?

That's TARP. That's the bailout of the big banks. Do you think the big banks learned a damn thing?

No. Not one. Not one.

Why? Because we, the taxpayers, had to bail their ass out! And so what did they do?

Well, just keep doing the same thing. They just put it on another name.

STU: They did learn that. They did learn that that's the way the world works. That's an important lesson.

GLENN: That's exactly right.

And that's why Donald Trump has got to win.
He has got to get this to win. He's got to turn this thing around, and turn it around quickly.

STU: What does that mean?

GLENN: He's got to break the back of this World Economic Forum, Great Reset. Big bank, bullcrap.

All these central -- he's got to break the back of that.

And reset it to an actual economy, that runs with the people. Not the big banks.

And the big businesses.

You know, they've built this -- this public/private structure.

And they're just -- and they're just going to -- all they're going to do is those people will continue to get rich.

If you're with them. You're fine. Let me tell you about the Tesla tax.

So lawmakers in California said that Tesla's profits need to go to a greater public purpose.

So the legislation targets the windfall profits that Tesla earns from selling ZEV credits. The proponents arguing that the revenue should been in public goals, like improvising EV accessibility, rather than enriching a single company. So they're taxing Tesla.

And if you think that that money is going to go to a build more electric stations, you're crazy!

How many billions did we just give to Joe Biden? So he could have what? Three electric stations? Please!

So now, this is socialism. This is socialism.

They are going after Tesla, declaring that they're -- their profits need to go to a greater public purpose.

Who are they to say that?

And all of your -- all of the people that live around you, in Seattle, and everywhere else. If you think you're going to beat this system, at this time, if they're still going down the road that hard, you ain't going to win.

You're not going to win. They're going to take that state down.

And you do not want to be anywhere near it.

I say this with a love for Seattle. I love Seattle

I love Washington. It's my home.

I love it. But I've got to tell you, get the hell out of there!

There's something else, that I have in the show prep today.

You can get it at GlennBeck.com.

There was another story about what they're doing in Washington State. About gosh. Where was it?

About -- about the removal of -- oh, gosh.

I can't find it now. It's another bill that they're passing.

That if you're in trouble, and I don't remember. I need to be of mind. Or you're trying to exonerate yourself or whatever.

Illegals are going to be ahead of you in that line.

Illegals are going to be ahead of you.

STU: Washington Democrats pass bill to give illegal aliens with convictions priority for pardons. HB1131 allows convicted non-citizens facing deportation, to skip the front of the clemency line ahead of US citizens.

PAT: Okay. Wait. What is that?

What is that? Is that a state that understands what America is? Is that a state that is pulling towards a greater America?

That is -- that -- get out of that state!

Sell your house and get out of that state.

I mean, this -- if this isn't -- I mean, if this isn't every warning, that you get in World War II. When you were living in Europe, you're like, wow.

I can't get any worse than this.

It's getting worse. It's getting worse, and they're telling you! Yeah, well, they'll never do it. What makes you think, they will never do that?

They would have done it if they had it encoded in the law. They would have done it the last time.

Do you think it's only Australia that would build concentration camps? By the way, I know. My family is from Washington State. My grandfather told me one time with tears running down his cheeks.

Only time I say my grandfather CIA cry.

On me time.

When he talked about the good Japanese family that was taken. And taken because we were at war with Japan.

And he never say them again.

That's all he said.

He was one of those, you know, greatest generation that ever talked about feelings. And tears running down his cheeks. And he talked about that.

I know what Washington State is capable of. They have done it before. You think they won't do it again?

Please. And now you have what's his name? David Hogg. You think that guy is not a round him up kind of guy?

He's now saying, he's going to spend all his money going against the old Democrats. And the old Democrats are saying, no.

You're not going to do. Who do you think is going to win that?

The old Democrats?

Do you really think that the Democrats are going to become less radical, or more radical?

They're going to be more radical. They're showing you.

They are showing you the path.

Let me just reiterate what I said, a minute ago.

I have great hope, in this administration.

I do. I have great hope.

I have great hope in the people. I have great hope that we can renew.

I have a great hope. That a golden age is right around the corner.

But I'm telling you, it is going to be a photo finish. Which one crosses the line first?

The left with their collapse, and their bonfires in the streets?

Or us, with the renewal of America, and a new promise, and a resetting back to the individual and not the collective.

I don't know which one wins.

We're still in this fight.

Don'ts get -- don't get.

Don't fool yourself. Donald Trump is in it. It's all great. No, no, don't fool yourself. And I know you're not.

I hear it from people. I hear it all the time. I didn't hear it like this in 2016. Donald Trump came in. And everybody is like, I'm fixed.
I'm not feeling that now.

I think people -- you know, I had a guy say to me, a good friend. A really reasonable guy.

I said, what do you want me to ask the president? He said, honestly? I said, yeah.

Is this even fixable? Can it be saved? At this point.

That took my breath away. This is a regular, regular reasonable guy. Whose not think like I do.

You know, where everything -- can it even be saved?

That's where we are, gang!

And don't forget it.

And when your government, in Washington State, is sending you a sign. Get the hell out of there.

Glenn's Show Prep

Bill O’Reilly: ‘Profound Change’ Is Disrupting the Way We Watch News — for the Better

Will the Conclave Elect a RADICAL Pope to Follow Francis?

Transcript

THIS is Why We Don’t Trust the Mainstream Media

Transcript

What Christian Movies Can Learn from Serial Killer Films

Transcript

This is PROOF the Democratic Party is NOT Becoming Centrist

Transcript