Hollywood is mourning after the shocking and heartbreaking deaths of Rob Reiner and his wife—an iconic creative force whose films shaped generations. Glenn Beck reflects on Reiner’s extraordinary legacy, the tragedy surrounding his final moments, and the humanity he showed even toward those he disagreed with politically. This emotional tribute explores Reiner’s impact, the devastating circumstances of his passing, and why his work—and his character—left a mark far beyond Hollywood.
Transcript
Below is a rush transcript that may contain errors
GLENN: it's so sad that Rob Reiner thing is so sad.
I mean, I don't -- I think -- Stu, correct me if I'm wrong. If he hadn't have done This Is Spinal Tap -- A Mighty Wind, Best of Show, for your consideration, any of those would have been able to have even been made. Because this is Spinal Tap. Rob Reiner directed, but it was still Christopher Guest. I think it was Harry Shearer that wrote it.
STU: And Michael McKean, yeah. Yeah, so theoretically, those movies could have been made, but I don't think any of them get made without Spinal Tap. And I don't think Spinal Tap gets made without Rob Reiner. Because they needed somebody attached to it that would be able to bring that to life.
GLENN: I mean, what a legacy he and his father brought to television.
I mean, think, Carl Reiner did your show of shows, which was Mel Brooks and Woody Allen with Carl Reiner writing that. Imagine That. Then he bought the Dick Van Dyke show and a million -- a million other TV shows and movies he was responsible for. And then his son starts with All In the family, and brings us all these classic movies, and the way they died this weekend, is just horribly, horribly tragic. Horribly tragic.
STU: Yeah. And it's not just Spinal Tap, which is a big one. Princes Bride.
GLENN: Oh, I know.
STU: Some of the movies --
GLENN: Harry Met Sally. Gosh, so good. So good.
STU: So many things.
GLENN: Stand By Me. One of my favorite movies.
STU: Oh, yeah. Jeez.
GLENN: Just great moves. Just great movies.
GLENN: So Rob Reiner met his wife in 1989. They have been together ever since. They live in Brentwood, which is a suburb of Los Angeles. It's -- their house is 2 miles away from where Nicole Simpson Brown was -- was discovered and killed.
Officers were called to Brentwood, to their home. All they said at first was, a man and a woman found with stab wounds. That's what came out over the radio. They were dead. And then friends started to show up. Billy Crystal was there. He came into the house. Reporters say he left looking horribly shaken. Larry David, who is a neighbor, he came in. Same story. It was confirmed that Rob Reiner and his wife were killed and brutally murdered: stab wounds.
We knew early this morning that the guy who might have done it is their 32-year-old son. His name is Nick Reiner. He's a screenwriter and also -- he's a guy who has battled drugs and alcohol and homelessness. He said at one point, I was homeless in Maine. I was homeless in New Jersey. I was homeless in Texas. I spent nights on the street. I spent weeks on the street, and it wasn't fun. That's what he said to People magazine in 2016. I don't know the latest on him.
But he has been just arrested for the murder of his mother and father. Just horrible!
Just horrible. I mean, Rob Reiner was one of those guys that I was always sad that, you know, we disagreed. And -- I'll be kind to him here.
Neither of us could ever find our way to talk to one another.
Because I really admired him.
I really liked him.
I didn't like him politically.
That's such a small part of life. I mean, gosh. He did When Harry Met Sally. He did the Princess Bride. This is Spinal Tap. He did A Few Good Men.
Stu, look up -- look up his work. He's responsible for some of the best movies ever. His father was a genius. It is so sad that Carl Reiner, Rob Reiner, and then now that is broken by the third generation. The son!
And it ends this way. He brought so much joy -- to just me. I'll speak for me. His movies have brought me so much joy, just the Princess Bride alone. But so sad. So incredibly sad.
And to be killed by your -- it's one thing I guess to be killed by your stranger, and that's bad. But to be killed by your own son. Oh!
STU: Glenn, listen to this -- late '80s. Early '90s. Quickly.
1984, this is Spinal Tap. '85, The Sure Thing. '86, Stand By Me. '87, The Princess Bride. '89, When Harry Met Sally. 1990, Misery. 1992, A Few Good Men. I mean, that is -- that is a run!
GLENN: Wow! Wow! Just -- just brilliant, brilliant guy from a brilliant family.
I'm glad his father isn't here. I mean, his father just died, what?
A year ago. Two years ago.
Mel Brooks is still alive, which this has just got to kill Mel Brooks.
Gosh, poor Mel Brooks. The tragedy.
By the way, I want to show you how Rob Reiner for as politically different as we were, and we were extraordinarily politically different. I want you to listen to how he handled the death of Charlie Kirk.
VOICE: When you first heard about the murder of Charlie Kirk, what was your immediate gut reaction to it?
VOICE: Well, horror, absolute horror.
And I unfortunately saw the video of it. And it's -- it's -- it's beyond belief. The -- what happened to him, and that should never happen to anybody.
I don't care what your political beliefs are. That's not acceptable! That's not a solution to solving problems. And I felt like what his wife said at the service -- at the memorial they had. Was exactly right.
And totally, I believe, you know, I'm Jewish. But I believe in the teachings of Jesus, and I believe in do unto others. And I believe in forgiveness. And what she said was beautiful. And absolutely -- she -- she forgave his -- his assassin.
And I think that -- that is admirable.
GLENN: I mean, how many -- how many other people did that? Especially for as vehemently as he disagrees with the right.
He was a human being. And I think that's why his -- I think that's why his films lasted and connected with us. You know, I mean, in a lot of ways, his films were a little like John Hughes' movies.
John Hughes was -- I mean, he was lightning in a bottle.
And there was something. And I think that something in many ways, was John Candy.
But there was something about the John Hughes movie, that connected to us on a basic level.
You know. That -- that spoke to us, deeper than just a movie! Or a script.
You know, it -- it came from a place that was real.
And I -- I think of Peter fall. And
What's his name?
I can't remember. He used to be in the wonder years. It was the little kid on Princess Bride, that -- that just those scenes alone -- just those scenes alone were so real! So real. When Peter Falk turns around and says, as you wish. It -- by the end of the movie, you felt that deeply.





