RADIO

Glenn is CANCELLING his Disney subscription. Here’s why.

A recent staff meeting for The Walt Disney Company sheds light on how the entertainment conglomerate plans to spread its woke, far-left agenda. Glenn plays just some of meeting’s MOST SHOCKING moments, thanks to video leaked by journalist Christopher Rufo. Listen to the clips for yourself — featuring top Disney executives, coordinators, and producers — to decide if it’s time to cancel YOUR Disney membership like Glenn plans to do…

Transcript

Below is a rush transcript that may contain errors

GLENN: Oh, my gosh. The Disney executives in charge of content. Oh. Have decided that they are going to up the ante on gender politics. They had an all hands meeting. Promising that at least half the characters now in his productions, will be LGBTQIA2 plus. Or from racial minorities. By the end of the year. Thank you, Disney. Somebody has finally done it. They have finally done it.

STU: Yeah.

GLENN: Now, this is great. They're also going to overturn. They're going to work. Their company's mission is to overturn this law, in Florida. Now, Ron DeSantis had something to say about it. Here is Ron DeSantis' response yesterday.

VOICE: For Disney to come out and put out a statement, and say that the bill should have never passed, and that they are going to actively work to repeal it, I think one, was fundamentally dishonest. But two, I think that crossed the line. This state is governed by the interests of the people of the state of Florida. It is not based on the demands of California corporate executives. They do not run this state. They do not control this state. I also thought it was interesting. I talked to the Speaker of the House yesterday afternoon. And he said Disney never called him while they were putting this through the house. They didn't seem to have a problem while this was going through. If this was such an affront, why weren't they speaking out at the outset. And yet they won't. If they would have put in the bill, that you were not allowed to have curriculum, that discussed the oppression of the Uighurs in China. Disney would have endorsed that a second.

(laughter)

GLENN: He is so good.

STU: That is good, man.

GLENN: He is so good. You notice what they just did? They didn't call Durham while they were in the House. He just threw a log on the internal fire.

STU: Yeah. Every Disney employee knows, they didn't move a muscle. Because they didn't -- they don't actually care about any of this crap.

GLENN: No. No. So here's the thing. I think the people who are in charge of the craziness. They do care. Those employees, they absolutely care. And -- and it is -- it's now the absolute woke, that are realizing Disney. I want to play the -- the Disney executive in charge of general entertainment. This is what she said in a company-wide zoom call. That Disney -- they have to do certain things. Here she is.

VOICE: I'm sure as a mother of two queer children, actually. One transgender child. And one pansexual child.

GLENN: Pansexual.

VOICE: And also is a leader. And that was the thing that really got me. We had an open forum last week, the 20th. Where, again, the home of really incredible, groundbreaking, LGBTQIA stories over the years. Where one of our execs stood up and said, you know, we only had a handful of clear leads in our content. And I went, what? That can't be true. And I realized, oh, it actually is true. We have many, many, many LGBTQIA characters in our stories. And -- and yet we don't have enough leads.

GLENN: Yes.

VOICE: And narratives in which gay characters just -- just get to be characters.

GLENN: Right.

VOICE: And not have to be about gay stories. And so that's been very eye-opening for me. And I hope this is a moment where the 50 percent of the tears -- sorry, are coming. We don't -- we just don't allow each other to go backwards.

GLENN: Okay. So she's not going to allow anyone to go backwards. And she means this. She's crying about this. So she means this deeply. And how she must -- how she must have just felt now that no one, you know -- if it's not for them. If it's not for these cartoons, who is going to accept her pansexual child? Who is going to do that? I like the ages of her kids. I would like to know how old they were, when they decided to change gender. Anyway, now cut two.

Queer stories in Disney.

VOICE: I'm on the production side. Part of the work that I feel like I can put in, is making sure that we -- particularly as a modern day New York. Making sure that's an accurate reflection of New York. So I put together a tracker of our background characters. To make sure we have the full breath of expression. And we got into a very similar conversation, Carrie, of like, oh, all of our, like, gender nonconforming characters are in the background. And so it's not just a numbers game of how many LGBTQ+ characters you have. We got -- the further -- the more centered a story is on a character. The more nuanced you get to get into their story. And especially with like trans characters. You can't see if someone is trans. There's not one way to look trans. And so kind of the only way to have these, like, canonical trans characters, canonical asexual characters, canonical bisexual characters, is to give them stories where they can be like their whole selves.

GLENN: Wow. Now, here's a Disney executive producer on the not at all secret gay agenda.

VOICE: Like, I love Disney's content. I grew up watching all the classics. It's been a huge informative part of my life. But at the same time, most of my career. And I heard, you know, through the whispers. I heard things. Like, oh, you know, they won't let you show this. On the Disney show. Okay.

So I was a little sus, when I started. But then Mike Salarius was bafflingly the opposite of what I had heard on my little pocket of, like, you know, crowd family Disney TBA, the show runners were super welcoming, Meredith Roberts. And like our leadership over there has been so welcoming to like my like, not at all secret gay agenda. So I feel like, I felt like it was -- I mean, maybe it was that way in the past. But I guess like something might have happened in the last, you know -- they were turning it around. They're going hard. And then all that momentum, that I felt, like that sense of -- I don't have to be afraid, to like, let's have these two characters kiss. In the background. I was just -- wherever I could just basically add queerness to -- and you'll see anything queer in the show. But I just was like. No one would stop me, and no one was trying to stop me.

GLENN: There you go. So that's what Disney is. Now, I happen to have the Disneyland perspective. This is what Walt went to all of the banks to try to get them to do Disneyland. And he clearly spells out what Disney is all about. And what Disneyland is all about. Now, let me ask you: With this agenda, does this match Walt Disney World? And why Walt Disney and Walt Disney World has been the brand and the name that you could trust.

Walt Disney, sometime in 1955, will present for the people of the world to children of all ages a new experience in entertainment. In these pages, is proffered a glimpse into this great adventure. A preview of what the visitor will find in Disneyland. The Disneyland story. The idea of Disneyland is a simple one: It will be a place for people to find happiness and knowledge. Oh.

It will be a place for parents and children to share pleasant times in one another's company. A place for teachers and pupils to discover greater ways of understanding and indication. Oh, it sounds like this fits right in, doesn't it? Here the older generation can recapture the nostalgia of days gone by. And the younger generation can savor the challenge of the future. Here will be the wonder of nature and man for all to see and understand. Okay. Well, what's the problem? You could interpret that. I'm sure Walt meant, let's have transgender people all over -- we need a Disney -- hey. Right over here. I'm your Disney princess. I'm sure that's what he meant, until you get to this part. Disneyland will be based upon and dedicated to the ideals, the dreams, and the hard facts, that have created America. It will be uniquely equipped to dramatize these dreams and these facts, and send them forth as a source of courage and inspiration to all the world. Disneyland will be something of a fair. An exhibition. A playground. A community center. A museum of living facts. And a showplace of beauty and magic. It will be filled with the accomplishments, the joys and hopes of the world we live in. And it will remind us, and show us, how to make these wonders a part of our own lives. The problem with this is, Disney and Disneyland, was based on the facts. And the ideals. That created America. Disney has gone so far off the rails, I am canceling my Disney subscription. I will not go to their parks. And this kills me as a guy who has always loved Disney. I will continue to buy up the artifacts and the -- and the real, true history of Disney to preserve it. So some day people can remember what Disney was. But this is no longer Walt Disney's company. It is truly in name only. And I have to tell you, I have been waiting for a while to start a fundraiser. And I wasn't going to ask you for your help. But I can't wait any longer. I can't tell you what I'm working on. But I need the seed money. I need a million dollars in seed money. And I just want you to go. It's something for Mercury One, hang on just a second. This has been its inspiration the whole time. It will, if I may quote Walt, it will based upon and dedicated to the ideals, the dreams, and hard facts that have created. It will be uniquely equipped to dramatize these dreams and facts and send them forth as a source of courage and inspiration to all the world. You want to help me with something, I'm just going to call it in honor of Walt. Project Florida.

I want you to go to -- I wasn't planning on doing this today. I want you to go to mercuryone.org. And either donate to the general fund. And if you can on the website, I don't know if you can do it. Just market the Florida project. Will you? I need to raise a million dollars for something that we can turn around in pretty quick time, that will truly be something -- I've been talking about it internally for about three years. Will truly get your children to experience history. Real history. In a way that they will leave saying, when can we go back? When can we go back there? I've been thinking about this for over ten years. The technology was available about five years ago. It was about a billion dollars. I can now do it for a million. And I would love for your help. This will be for the Mercury One museum. And I plan on taking it on the road. If you would like to donate, it will be tax deductible. It you do it at mercuryone.org. That's mercuryone.org. Disney, we've had enough. We've had enough. Good luck with your future! Good luck! Back in a minute.

THE GLENN BECK PODCAST

We need REAL jobs in America — Trump should do THIS now!

It is clear we need to create more productive, high-paying jobs for American citizens. But that doesn't mean bringing back the same exact jobs of the past in massive numbers. It means creating and supporting jobs of the present and future that will better the lives of Americans. Glenn Beck and Heritage Foundation President Kevin Roberts break down exactly what this entails and how President Trump can make it a reality.

Watch Glenn Beck's FULL Interview with Heritage Foundation President Kevin Roberts HERE

RADIO

The most INCREDIBLE World War II story you’ve NEVER HEARD

One of the biggest American World War II cemeteries in Europe is in a small town in the Netherlands, where thousands of Dutch people continue the tradition to this day of “adopting” a fallen US soldier and checking in on his family. “The Monuments Man” author Robert Edsel joins Glenn Beck to tell this incredible story, which he documents in his new book, “Remember Us.”

Transcript

Below is a rush transcript that may contain errors

GLENN: Robert, welcome back to the program. How are you, sir?

ROBERT: Great to talk to you!

GLENN: It's great to talk to you.

Can you remind me? You were on with us, after Monuments Men. And you talked about this great service that is still going on, where people that -- they were still looking for paintings and pieces of art, that had been taken by the Nazis.

And if I remember right, didn't somebody in our -- our own audience reach out to you, and say, I think we found one of those paintings?

ROBERT: Yes, sir. Absolutely.

The Glenn Beck audience. And Glenn Beck, you yourself deserve a lot of credit.

Because I hadn't walked out of your studio last time. You know, in Dallas at Las Colinas.

Headed back to our office at Monuments Men and Women Foundation office, before someone in my office contacted me and said, we've already had a lead, as a result of your interview with Glenn. And it turned out someone whose aunt had been given two paintings during World War II.

She had worked for the government overseeing Germany, and these two paintings were missing.

We were able to identify who the rightful owner was, and get them back.

So it's a great thing that you performed. And, you know, it's a magnificent conclusion, though obviously a very difficult part of history.

GLENN: What was it like to give that back to the family?

ROBERT: It was a deeply moving experience. We -- the foundation found and returned more than 30 works of art, from paintings to documents, ancient books. Tapestries, to museums. Individual collectors, and so on.

And, you know, when we see, oftentimes, the people just stand there, and they cry.

They don't even know what to say. Because they may have worked 50 or 60 years, trying to find some work of art that's been missing. And they haven't had leads. And to -- to see us standing there, with something that belongs to them.

Not asking for anything in return. Don't charge anybody for doing it. Because we feel like everybody who went through World War II already paid enough.

Words -- words just fail. It's just pure gratitude.

GLENN: I can't wait for you to tell this new story.

Tell me the story of the care takers. The care takers of --

ROBERT: Well, it's a story that found me, just as Monuments did.

I have written about -- in the Monuments Men, I told the story of two Monuments Officers who were killed in combat, one British soldier and one American, Walter Huchthausen. And Huchthausen was killed. He once did a last casualty at war. He was killed in the last month of World War II, and is buried in the American benevolence, American cemetery, in Margraten in the Netherlands. I knew that story, and I had made mention of a young girl who was harbored in September '45, asking for the address of his mother, wanting to write her and tell her, that she walked 5 miles, several times a week, from her house to the American military cemetery. It was called then. To put flowers on his grave. Because her family knew them. And they were grief-stricken to know that they were killed.

And I knew that story too. I mentioned that. And then in 2015, the nephew of Huchthausen wrote me and included a photograph of this elderly lady with this crown of white hair. And he said, here's a photo with Frida, and I couldn't place who this was.

I had no idea who it was. And I realized, my God, this is that 19-year-old girl that is still alive. So I flew to England. She married a British soldier after the war. And I went to meet with her. She started showing me photographs of when the American -- Americans liberated her area of the Netherlands.

And all these American soldiers that they knew.

And she said, you know about the American military cemetery.

She said, have you been there?

And I said yes. And she said, so you know about the great adoption program?

And I said, what? She said, the great adoption program.

I said, I have no idea what you're talking about. So I started doing some research on this. And learned, at the end of World War II, our largest World War II cemetery in Europe, was not Normandy. It was the Netherlands American cemetery, where 17,800 boys and a few women buried at this cemetery by May 1946.

And by that time, every single grave had a Dutch person, a local person, who volunteered to be an adaptor of that brave.

Go out there on the first death date of the soldier, Veterans Day, Memorial Day.

And if they had the contact information for the next of kin, send them a photograph of the grave.
And a letter.

Because they realized, it was okay to adopt the bodies of dead boys.

But where the real need was, was to reach across the ocean, into the American homes and try to assuage the grief of the families.

And they knew some of these boys. And I found it the most heartwarming, uplifting, and certainly unique conclusion to a World War II story that I think has been written.

GLENN: So are they still some of them still doing this?

ROBERT: Not some. In fact, there were about -- in 1940, 748.

American families were given the choice to have their loved ones sent home, or to be left overseas in a military cemetery.

The Army had no idea, how many -- how many families would want their boys sent home, and as a consequence, they couldn't tell how many cemeteries they would need.

We thought almost everybody would want to have the families sent home. But it turned out not to be the case. So about 61 percent came home. About 39 percent stayed in Europe, which was about the numbers from World War I.

Although, the numbers in this area, in the Netherlands were higher.

The -- the graves that are there now.

There are 10,000 boys there. And four women.

8300 graves. 1700 names on the walls of the missing.

Every one of them has an adaptor for 80 years.

All those graves have been adopted, without interruption.

There's a waiting list of almost a thousand people in the Netherlands, to become a doctor. This is a -- not just a --

GLENN: This is --

JASON: A privilege. Because they take their kids out to the cemetery. They turn the cemetery into a classroom. And you go out there. And, yes, there's a somber element. They're instilling in their kids, you're able to think, and say what you want to. Because of the freedom that was given to you, by this American girl or boy. And we don't do that in our country anymore.

GLENN: So this is one of the most incredible stories that I've -- I've ever heard.

And I'm shocked that the world doesn't know this!

Is -- have you -- is there anything like this, anywhere else in the world?

JASON: No. We couldn't even find a comp of any nature.

There are -- that is not to say, the people in Normandy area, don't care about Normandy and other cemeteries. They do, of course. As do the Belgians in other cemeteries.

But there's no place that created an organic great adoption program, during the war, in January 1945!

These people in this area of the Netherlands were so grateful, having been neutral in World War I.

And having not lost their freedom for 100 years!

And they didn't like it!

And when the Americans liberated them in September 44. I'll never forget this woman Freda. This elderly woman I met, looked at me, the first time I interviewed her. I knew her for eight years. The last eight years of her life.

I delivered a eulogy two summers ago. She looked at me, there were the eyes of the 19-year-old. And she said, when I saw that first tank over the hill and I realized, we were saved.

I looked at my dad, and I said, Papi, these American boys come all the way across the ocean to say this. And there were tears in her eyes.

Because they didn't -- they couldn't imagine how we could have moved that equipment across -- across the ocean.

And why we would have cared so much.

So there isn't anything like it.

But January 45, these people in this little town of Margraten.

A mile from the cemetery, organized a meeting of the town leaders. The town who got 1200 people.

And they were trying to find an answer to the question: How do you thank your liberators, when they're no longer alive to thank? And they came up with this idea of this great adoption program, and it's a story that I tell, following the lives of about 12 different American combat soldiers.

Bomber recipients.

Tankers.

Because we don't know that story.

We don't what knows to an American story, when they're killed on the field of battle.

Because it's depressing.

We move on to the next scene in a movie.

Well, I want people to know, you started your program with freedom is not free.

It's ugly.

Let's talk about that. Let's talk about what the cost is.

Let's talk about the stripping line that the body goes through, and the removal of dog tags, one being put in the mouth, if there's still a head. And the other being nailed to the cross, because they don't have time to stencil the names on yet.

Let's talk about that, and let people know, it's not just a Marvel movie. Or a gang war.

This is real. This is painful. And, of course, at the end of the war, when we Americans declare victory, and move on with our lives, there's millions of family members in the United States, whose lives will never be the same.

So it is -- it's still happening today. It's still happening today.

GLENN: The name -- the name of the book is Remember Us.

And take us -- I mean, because that's really kind of the -- the -- the beauty of it.

Take us through the rest of the book, just briefly.

It starts with what?

ROBERT: Well, I follow -- I began what a nice life was in the Netherlands. Until May 10, 1940.

And the Netherlands does not get much attention from World War II, and yet everybody has heard of Battle of the Bulge. And Battle -- those are all within 50 miles of what we're talking about.

They happened around there. Of course, World War II, in western Europe, begins right here in this area. Because the German tanks roll across the border.

So I cover the life of these 12 different Americans. I interviewed all their family members. Some make it through the war. Some don't.

You read the book, you realize who makes it, who doesn't. But their lives converge around this area of the Netherlands. And when post-world War II stories end, with the war being over, remember us kicks into a transcendent moment when the Dutch come up with this idea of this great adoption program. The Americans refuse to provide the names and addresses of the next of kin.

So they're foiled with trying to achieve their ultimate objective. Which is to try to contact all the American families.

And frustrated, there was -- one of the key figures of the book.

A woman who is the mother of 12 children.

Who takes it upon herself. She's a woman of action.

She writes president Truman. And pleads for him to get involved.

When that doesn't work. She gets on the first airplane, she's ever flown on. She leaves her kids behind.

She flies to New York. Lands in LaGuardia Field.

She goes to Washington, and meets the members of Congress. Including a young guy from Texas, named Lyndon Johnson.

Who says, young lady, you need to go to Texas. Because there are so many military bases there.

She flies to our hometown. And lands in Lovefield.

In June of 1946. And is met by two family members. And for five weeks, she lives with American families, that lost somebody during a war.

And to each of them she says, leave your boys with us. When the election comes.

We will watch over them, like our own forever.

And they have done that. Now, today, these 10,000 Dutch doctors only have contact information for 20 percent of the American families.

They couldn't ever get the others.

GLENN: You're kidding me. Where is the list? Do you have a list?

ROBERT: Yeah. The Monuments Men and Women Foundation entered into a joint venture with the Dutch Foundation for Adopting Graves.

Not charging anybody for this. And we have created a website called foreverpromise.org.

And on that website is a list of all 10,000 men and women, more women that are buried at the cemetery, or whose names are on the walls missing.

And it's a searchable database. We're asking people to go and see. Do you have someone you know, or a relative, who is buried there.

And if so, we have a short questionnaire. What's your relationship? Are you aware of this great adoption program? Are you in contact with your adopter? Would you like to be? Would you allow us to share your contact information?

I connected a lady from Richmond, Texas. Saturday night. To her -- to this young Tammy, that's the adopter of her brother.

She's 93 years old.

She was in tears. At the thought when she leaves this world, there will be someone there to watch over her brother.

And that's what we're all about is this connecting.

GLENN: Rob, I have to tell you.

You've really done something with your life. I mean, I know you don't need me to say it.
But what a great job you have. And what a great service you have done for so many years.

Thank you so much.

Please, look this up.

The forever promise project.

You can find it at foreverpromise.org. Foreverpromise.org. Robert Edsel is the author's name. The book is Remember Us. It's a perfect read for this week.

THE GLENN BECK PODCAST

Ron Paul EXPOSES How the Federal Reserve Keeps Up its Scam!

Former Congressman Ron Paul breaks down how the Federal Reserve operates and how it has become so entrenched in the American economic system. He tells Glenn Beck that the problem is continuing to get worse and offers up his advice on what really needs to happen to begin to fix this situation.

Watch Glenn Beck's FULL Interview with Ron Paul HERE

RADIO

Canada FORCED this hospice center to EUTHANIZE its patients?!

Canada is forcing its Medical Assistance in Dying program, which offers euthanasia as a “medical treatment” option, on hospice centers. Delta Hospice Society executive director Angelina Ireland joins Glenn Beck to give the horrific details of how far the government went to try and get her to bend the knee: “I call it a culling. It’s a Canadian cull.”

Transcript

Below is a rush transcript that may contain errors

GLENN: Let me take you to Canada for just a second.

And I want to -- this is a story that happened a while ago. But I want to just show you the dangers of public/private partnerships.

You're hearing this all the time. And every time, Joe Biden would say, public will she private partnership. It was all the Green New Deal and everything else.

I kept saying, that is fascism. That is exactly the deal that Mussolini and Hitler made. That's the difference between Communism and fascism.

They let you do your own thing. But you're a partner with the government. And as long as you abide by all of their rules, you're fine!

But the minute you disagree, you don't have a say. They'll throw you out on the street, so fast, your head will spin.

And that's exactly what happened to a hospice center. The Delta Hospice Society.

I have the -- the executive director on. Angelina Ireland.

And I asked her to come on today, to tell us the story of what happened, to her hospice facility.

Angelina, thank you for joining me.

ANGELINA: Hello, again. Thank you so much for having me today.

GLENN: You bet. You bet.

So you -- the hospice society is a public/private partnership with Canada.

You guys raised $8.5 million to build this property. And you negotiated a 25 or 35 million-dollar lease for the property. Right?

Tell me about this.

ANGELINA: Right. So we're a private society. So a 34-year organization.

Palliative care is basically, you take care of people, when they're chronically ill or terminally ill. You take care of them well.

So we fundraised over a couple -- a few years ago, $8 million to open a hospice and a palliative care support center next door. And so we raised that money.

We got a 35-year land lease with the public health authority. We built two buildings. A ten-bed hospice, a 7500 square foot supportive care center, where we did our counseling, all the supportive programs.

And then the service agreement was for operating costs. So every year, they give us $1.4 million, and we built those buildings. We opened them, and we operated our program, at the hospice for ten years.

Everything went fine, until this thing they called, the state euthanasia program called MAID. Right?

GLENN: Maid.

ANGELINA: And then the province basically came to us and said, you will have to start providing euthanasia. You will have to start killing your patients in the hospice. Because you're getting -- you're getting public money, right?

We said, absolutely not. We absolutely will not.

At which point, you're exactly right.

The fascism kicked in. I just call it stone cold communism.

And said, you're not getting any money, if you don't start killing your patients.

So then they cancelled that service agreement.

Which means, that's fine.

Look, we don't need your money. We'll be fine without your money.

Which apparently is the wrong answer.
(laughter)

GLENN: Yeah.

ANGELINA: Then they went after the lease. And we had 25 years left on that land lease, and they cancelled it.

And now, these incidentals like the buildings on them, they just consider those to be some kind of an old shack or fence, and they expropriated. So at the end of the day, they evicted, the organization from our buildings. They expropriated those assets, which were valued at eight and a half million dollars. Kicked us out, and took -- took our stuff.

And then they -- they started to operate our hospice, and they put in the euthanasia.

GLENN: Unbelievable.

They give no money for the buildings. I mean, it was their land, right? That's kind of the public/private partnership. You're taking money from them to run it, but you said to them, we don't need it.

But also, that was -- was that not federal land, that you were on? Or some sort of medical kind of preparedness of Canada.

JASON: It was. Well, it was.

Which is considered to be -- well, it was belonged to the health authority, but it was a registered lease. The titled office with 25 years left.

GLENN: Right. Right.

ANGELINA: So we had a right to be there. And of course to continue on for another 25 years.

But, of course, no, they didn't allow it.

GLENN: So when you went to the court. What did the court say?

ANGELINA: Well, you see, we didn't that get far. Because we went to three very, very prominent lawyers. And they told us straight-up.

You're not going to win.

You understand this, people?

You might walk in with one lawyer. They're going to walk in with 15 lawyers, all funded by the taxpayer.

GLENN: The government. Yeah.

ANGELINA: And you may win the first round. But you will not win -- they will tie it up. And it's called lawfare. They advised us again and again and again, to just move on. Take our punches. Take the licking from the government, and move on.

The important thing for us, was to hold on to our organization.

Because then the euthanasia after this, came for us. To try to take everything.

And we still have assets. But we did lose our bricks and mortar in the moment.

GLENN: That is crazy.

You know, I have described what's happening all around the world. With the -- with the extreme left.

With Islamists.

Not Muslims.

Islamists.

What is happening with the Communists and the fascists, is a death cult. It all seems to revolve around death. They take glee in death.

And Canada is shockingly, in many ways, leading the way on this with MAID.

You don't even know how many people are killed now with MAID a year, do you?

ANGELINA: No. We don't. We do not. I call it a culling. It's a Canadian cull. They're killing the sick people, the mentally ill, the disabled. Veterans. Homeless. The poor.

And then they're going after the children. But we do not know the numbers, exactly. I mean, the government is admitting to 60,000. There's absolutely no way it's 60,000.

I think they forgot a zero.

It's widespread. It's now considered a health care option.

When the doctor comes to a sick and vulnerable patient and saying, how would you just like to die? It's gotten completely out of hand.

It's truly a national horror for Canadians. For certainly people of faith in my country.

Pro-life for my country.

That we have no control over this.

We have no access to authentic true numbers, information.

And this whole consortium, that I call empire MAID has taken over the health care system.


GLENN: What is the -- what's the goal of this?

Do you think?

What's really behind it?

ANGELINA: Certainly. You know, so they want to talk about -- they -- they have captured the moral high ground on this, right?

If you want to be compassionate. You will have to start to kill people.

That's the only way to be compassionate. That's the only way to provide human rights.

So that very potent message, they've been able to roll it to a narrative, which is incredibly horrid.

The word is like -- it aches me. It's overwhelming.

GLENN: Yeah. Right.

ANGELINA: But why? Our public health care system, which is what happens when any government goes completely public. We have no private available.

It is illegal. It's bankrupt. We have --

GLENN: Hold on just a second. I want Americans to hear this.

Private health care, being a doctor and providing private health care is illegal in Canada.

ANGELINA: Yes, it is. The only thing you can do is to have cosmetic things done privately. That's it. You want a boob job, a nose job. You can go ahead, get a doctor and pay for that.

Everything else, it must be administered through the state, period. It has to go up to the Supreme Court of Canada. So this is undisputable.

Private health care is illegal.

GLENN: You know, I look at -- we're -- you have several states that are now trying to pass much of this.

And they are in the laws, that are being passed.

It is -- it is -- it's a requirement not to put assisted suicide down on the death.

So you have cancer.

But you didn't die of cancer.

You had cancer.

You have depression. And the doctors said, well, you can kill yourself over that.

It does not say, assisted suicide.

It is going to be illegal to put that on the death certificates.

It just has to say, depression.

Cancer.

Whatever it is.

That they helped you kill yourself over, that's -- that's what the cause of death is.

So you'll never, ever be able to count it!

You'll never be able to track it!

It is just evil, evil what's happening.

ANGELINA: It's true.

And how many people will be killed by the state? That is going to be the question. You will never know, that you are giving far too much power to the state.

Unaccountable.

Unquestionable.

GLENN: Are you -- are you shocked at the -- because I am here in America.

I mean, we just -- New York just voted for an Islamist who is saying, you know, he is for Hamas.

He is also a communist.

And they just elected him, or, you know, chose him as the Democratic candidate.

And nobody really seems to care!

When it comes to death all over, when you're seeing these things happen, I am shocked by my own citizens! Do you feel that way in Canada?

ANGELINA: Well, I personally am not shocked.

Because I know that the only thing that the socialists and the Communists ever do well, was kill people.

This should not come as a shock to anyone.

The -- the short sightedness unfortunately of a people. Is that they tend to get rewarded in the short term.

They give them stuff, money. Benefits.

It's only crops.

Ultimately, it will -- at the literal demise to allow, this kind of philosophy, political ideology.

To come into your country. Somewhere are you hopeful for the future, Angelina?

ANGELINA: You know, I love my country. To be honest with you, I am not. I am not.

We have seen in my country, an overwhelming immigration. That has come in. Talking about millions of people in a very short time.

That has literally destroyed our infrastructure, brought the health care system, to its knees.

A lot of people in my country, don't even have a family doctor.

They can't find a family doctor. They have to wait for months, upon years for the simplest of procedures.

And it isn't getting any better. So, you know, I pray because, of course, I am a person of faith. And I'm an apologetic Christian.

This is, again, very unpopular in my country.

But, you know, only God will be able to help us.

At this point.

GLENN: Thank you for ending it that way. Angelina, I appreciate it. Thank you for standing up and being vocal, and letting people of the world know that light still does exist, even though the darkness is growing.

Darker, faster. Thank you, Angelina. Appreciate it.

From Canada.