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Sabo STRIKES AGAIN: 5 new DEVASTATING pieces from the anti-woke street artist

November 03, 2023
Courtesy of Sabo
Staff

WRITER

Last August, the infamous anti-woke guerilla street artist known as Sabo displayed several shocking posters at the American Airlines Center in Dallas, Texas, criticizing American Airlines’ controversial woke policies. Glenn has become a fan of Sabo's work, applauding him for his edgy, yet strikingly powerful art, which conveys important messages that not everyone is brave enough to convey in public.

This week, Sabo is BACK, and this time, he hit the streets of Los Angeles, taking aim at Joe Biden, Gavin Newsom, BLM, and more. He gave glennbeck.com exclusive access to his latest installation, which leaves NO ONE from the establishment unscathed.

You can find Sabo's entire collection HERE. In the meantime, here are five of our favorite pieces from Sabo's latest anti-woke art campaign:

"STOP!"

Sabo's "STOP

Courtesy of Sabo

A prominent theme in Sabo's work is keeping the establishment accountable by laying their hypocrisy bare for all to see. Sabo's brilliance lies in the fact that he never puts words in the establishment's mouth. He lets their words, actions, and hypocrisy speak for themselves.

This theme is perfectly exemplified in this particular stop sign piece in which Sabo captures one of the more infamous moments when Joe Biden displayed questionable behavior towards minors. Sabo remarked how he had wanted to do a stop sign piece for years because they are, in his words, "so in your face." The perfect opportunity arose when he came across the viral clip of Joe Biden sniffing the hair of the young girl depicted in the poster. He said:

When I saw that particular picture of that girl pulling away from Biden, she was just screaming, 'STOP!' And I knew it was perfect [for the piece].

The media has worked diligently to cover up Biden's questionable behavior with minors. But Sabo isn't giving him a free pass, and he doesn't need to insert his own opinions to do so. He lets Biden's behavior speak for itself.

"Exodus East"

Sabo's "Exodus East" road sign art piece is on display in Downtown LA

Courtesy of Sabo

The theme of letting the establishment's actions speak for themselves permeates Sabo's "Totem" collection consisting of repurposed street signs. Sabo says this collection represents "the collisions our country has suffered throughout the past couple of years." From the COVID pandemic to January 6, Sabo's stark messaging forces the viewer to recall the hypocrisy and corruption latent in the establishment's responses to these landmark events that shook our nation to its core.

In this particular street sign piece, Sabo wanted to commemorate those affected by Newsom's draconian COVID mandates that left thousands jobless, out of business, and destitute while Newsom himself was dining at the French Laundry with the nation's elite:

I wanted to mount [this piece] in Los Angeles because it basically tells a story of this particular time. COVID, Newsom, and I want to commemorate the people who said, 'I love this state, but I have to go.'

Sabo's stark messaging forces the viewer to recall the hypocrisy and corruption latent in the establishment's responses to these landmark events that shook our nation to its core.

The name of the collection, "Totem," came from Sabo's friend who remarked that the pieces reminded him of the Totem poles from Indigenous tribes. Embedded within the Totem poles themselves are the stories of a people, forcing the viewer to recall significant events in their cultural history as it's passed down from generation to generation. Sabo hopes to achieve the same effect through this collection:

In a graphic sort of way, these pieces are like stained-glass art. People would look at them and tell these stories. God willing 100 years from now, if they still stand, people will be reminded of them.

Sabo's work is for the Americans who are fed up and disillusioned with the lack of accountability towards their government. During the pandemic, Americans were censured for going against the mainstream COVID narrative, forced to choose between complying with draconian mandates and putting food on their table, all the while watching their rulers have their cake and eat it too. Two years after the pandemic, the establishment still hasn't been held responsible—and Sabo won't let us forget, despite the ruling class' best efforts.

"Full Mental Jacka**"

Sabo displays his poster, "Full Metal Jacka**," which is inspired from the movie poster of hte Vietnam War-era film, "Full Metal Jacket."

Courtesy of Sabo

Remember how the Left called Trump a "warmonger" and warned that he would march us toward World War III? Sabo's take on the Vietnam war-era Full Metal Jacket film poster exposes the irony that it is Biden—not Trump—that has brought us to the precipice of a global War. He said:

The thing that Democrats said Trump would get us into, Biden is getting us into. They failed with Afghanistan. There's a war with Ukraine, and we're getting into a war with Russia. And there's China with Taiwan. Now we're here with Israel and Iran. We are headed towards war.

Sabo remarked on the difficulty of preserving his art. Most of his pieces are vandalized on the street or taken down all together, and those pieces that survive are refused by galleries due to their controversial nature. He said:

I hate that art has become so weak that there probably isn't a gallery in this country that would show these pieces of art.

But Sabo also said the struggle behind his work is implicit within the genre itself, that edgy art with controversial messages is often not accepted in its own time. He said:

I think that's what edgy art is really about. At first, it's not accepted. It's shunned. And later on, people will be able to look at it in a different light, and hopefully, that's how it will be with these pieces.

Ironically, several of these pieces from Sabo's collection have been preserved in a museum, but not for the reasons that you would expect. The Smithsonian acquired multiple of Sabo's pieces in their January 6 installment.

"One Bad Dude: Cornpop"

Courtesy of Sabo

This piece is Sabo's ode to young rappers. Sabo is fascinated with the pro-Trump fervor amongst the new up-and-coming generation of rappers, breaking from their Democrat-dominant predecessors. Sabo says:

Young rappers want Trump because they see what Biden and the Democrats have done to their community.

Sabo once again exposes the irony of the establishment's propaganda. Democrats promised to better the lives of minorities, yet it was Trump who ushered in America's greatest economic era to date, including the lowest unemployment rates for both African Americans and Latino Americans.

Sabo once again exposes the irony of the establishment's propaganda.

Younger generations are experiencing the stark contrast between the Trump-era economic boom and Bidenomics. Sabo said young people "can't afford to eat. They can't afford gas. They can't afford rent," things that they didn't experience under the Trump administration.

The establishment is yet again trying to silence Trump ahead of the 2024 election. Amid an onslaught of indictments and legal suits, Trump has proven one thing: he is a fighter. Nothing exemplifies this more than his mugshot which has become an icon of the resistance against the establishment's onslaught of censorship of those who Trump represents: freedom-loving Americans. Sabo said his rendition of Trump's mugshot was "my way of communicating that he's a bit of a hard thug."

"BLM Loves Hamas Paragliders"

Sabo hangs his "BLM Loves Hamas Paraglider" pieces in Downtown LA.

Courtesy of Sabo

Much of Sabo's art has a short shelf life, and not for a lack of relevance or talent. Most of his art pieces are either vandalized or taken down completely within a day of going public. To deter this vandalism, Sabo said he wanted to "come up with a method where people couldn't reach them," and this collection presented the perfect opportunity.

Most of his art pieces are either vandalized or taken down completely within a day of going public.

Sabo created multiple pieces depicting Hamas paragliders, which has become one of the most haunting images to emerge from the October 7th terrorist attacks that killed 1,400 Israeli men, women, and children, the largest attack on the Jewish people since the Holocaust.

This collection calls out BLM's support for the Hamas terrorist, referencing BLM Chicago's tweet in the wake of the attacks that voiced their support for Palestine alongside the same image of the Hamas paragliders. Though they quickly removed the tweet due to backlash, Sabo wouldn't let them get away with it. He said:

I figured the paragliders come from the sky and the air, so it will have the impression of paragliders coming down like they did in Israel. At the same time, I wanted to take a jab at BLM.

Unfortunately, even though the paraglider posters were hung from a telephone wire and streetlights, this didn't deter whoever took them down the next day.

Why the White House restoration sent the left Into panic mode

Bloomberg / Contributor | Getty Images

Presidents have altered the White House for decades, yet only Donald Trump is treated as a vandal for privately funding the East Wing’s restoration.

Every time a president so much as changes the color of the White House drapes, the press clutches its pearls. Unless the name on the stationery is Barack Obama’s, even routine restoration becomes a national outrage.

President Donald Trump’s decision to privately fund upgrades to the White House — including a new state ballroom — has been met with the usual chorus of gasps and sneers. You’d think he bulldozed Monticello.

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s ‘visionary.’

The irony is that presidents have altered and expanded the White House for more than a century. President Franklin D. Roosevelt added the East and West Wings in the middle of the Great Depression. Newspapers accused him of building a palace while Americans stood in breadlines. History now calls it “vision.”

First lady Nancy Reagan faced the same hysteria. Headlines accused her of spending taxpayer money on new china “while Americans starved.” In truth, she raised private funds after learning that the White House didn’t have enough matching plates for state dinners. She took the ridicule and refused to pass blame.

“I’m a big girl,” she told her staff. “This comes with the job.” That was dignity — something the press no longer recognizes.

A restoration, not a renovation

Trump’s project is different in every way that should matter. It costs taxpayers nothing. Not a cent. The president and a few friends privately fund the work. There’s no private pool or tennis court, no personal perks. The additions won’t even be completed until after he leaves office.

What’s being built is not indulgence — it’s stewardship. A restoration of aging rooms, worn fixtures, and century-old bathrooms that no longer function properly in the people’s house. Trump has paid for cast brass doorknobs engraved with the presidential seal, restored the carpets and moldings, and ensured that the architecture remains faithful to history.

The media’s response was mockery and accusations of vanity. They call it “grotesque excess,” while celebrating billion-dollar “climate art” projects and funneling hundreds of millions into activist causes like the No Kings movement. They lecture America on restraint while living off the largesse of billionaires.

The selective guardians of history

Where was this sudden reverence for history when rioters torched St. John’s Church — the same church where every president since James Madison has worshipped? The press called it an “expression of grief.”

Where was that reverence when mobs toppled statues of Washington, Jefferson, and Grant? Or when first lady Melania Trump replaced the Rose Garden’s lawn with a patio but otherwise followed Jackie Kennedy’s original 1962 plans in the garden’s restoration? They called that “desecration.”

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s “visionary.”

The real desecration

The people shrieking about “historic preservation” care nothing for history. They hate the idea that something lasting and beautiful might be built by hands they despise. They mock craftsmanship because it exposes their own cultural decay.

The White House ballroom is not a scandal — it’s a mirror. And what it reflects is the media’s own pettiness. The ruling class that ridicules restoration is the same class that cheered as America’s monuments fell. Its members sneer at permanence because permanence condemns them.

Julia Beverly / Contributor | Getty Images

Trump’s improvements are an act of faith — in the nation’s symbols, its endurance, and its worth. The outrage over a privately funded renovation says less about him than it does about the journalists who mistake destruction for progress.

The real desecration isn’t happening in the East Wing. It’s happening in the newsrooms that long ago tore up their own foundation — truth — and never bothered to rebuild it.

This article originally appeared on TheBlaze.com.

Trump’s secret war in the Caribbean EXPOSED — It’s not about drugs

Bloomberg / Contributor | Getty Images

The president’s moves in Venezuela, Guyana, and Colombia aren’t about drugs. They’re about re-establishing America’s sovereignty across the Western Hemisphere.

For decades, we’ve been told America’s wars are about drugs, democracy, or “defending freedom.” But look closer at what’s unfolding off the coast of Venezuela, and you’ll see something far more strategic taking shape. Donald Trump’s so-called drug war isn’t about fentanyl or cocaine. It’s about control — and a rebirth of American sovereignty.

The aim of Trump’s ‘drug war’ is to keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

The president understands something the foreign policy class forgot long ago: The world doesn’t respect apologies. It respects strength.

While the global elites in Davos tout the Great Reset, Trump is building something entirely different — a new architecture of power based on regional independence, not global dependence. His quiet campaign in the Western Hemisphere may one day be remembered as the second Monroe Doctrine.

Venezuela sits at the center of it all. It holds the world’s largest crude oil reserves — oil perfectly suited for America’s Gulf refineries. For years, China and Russia have treated Venezuela like a pawn on their chessboard, offering predatory loans in exchange for control of those resources. The result has been a corrupt, communist state sitting in our own back yard. For too long, Washington shrugged. Not any more.The naval exercises in the Caribbean, the sanctions, the patrols — they’re not about drug smugglers. They’re about evicting China from our hemisphere.

Trump is using the old “drug war” playbook to wage a new kind of war — an economic and strategic one — without firing a shot at our actual enemies. The goal is simple: Keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

Beyond Venezuela

Just east of Venezuela lies Guyana, a country most Americans couldn’t find on a map a year ago. Then ExxonMobil struck oil, and suddenly Guyana became the newest front in a quiet geopolitical contest. Washington is helping defend those offshore platforms, build radar systems, and secure undersea cables — not for charity, but for strategy. Control energy, data, and shipping lanes, and you control the future.

Moreover, Colombia — a country once defined by cartels — is now positioned as the hinge between two oceans and two continents. It guards the Panama Canal and sits atop rare-earth minerals every modern economy needs. Decades of American presence there weren’t just about cocaine interdiction; they were about maintaining leverage over the arteries of global trade. Trump sees that clearly.

PEDRO MATTEY / Contributor | Getty Images

All of these recent news items — from the military drills in the Caribbean to the trade negotiations — reflect a new vision of American power. Not global policing. Not endless nation-building. It’s about strategic sovereignty.

It’s the same philosophy driving Trump’s approach to NATO, the Middle East, and Asia. We’ll stand with you — but you’ll stand on your own two feet. The days of American taxpayers funding global security while our own borders collapse are over.

Trump’s Monroe Doctrine

Critics will call it “isolationism.” It isn’t. It’s realism. It’s recognizing that America’s strength comes not from fighting other people’s wars but from securing our own energy, our own supply lines, our own hemisphere. The first Monroe Doctrine warned foreign powers to stay out of the Americas. The second one — Trump’s — says we’ll defend them, but we’ll no longer be their bank or their babysitter.

Historians may one day mark this moment as the start of a new era — when America stopped apologizing for its own interests and started rebuilding its sovereignty, one barrel, one chip, and one border at a time.

This article originally appeared on TheBlaze.com.

Antifa isn’t “leaderless” — It’s an organized machine of violence

Jeff J Mitchell / Staff | Getty Images

The mob rises where men of courage fall silent. The lesson from Portland, Chicago, and other blue cities is simple: Appeasing radicals doesn’t buy peace — it only rents humiliation.

Parts of America, like Portland and Chicago, now resemble occupied territory. Progressive city governments have surrendered control to street militias, leaving citizens, journalists, and even federal officers to face violent anarchists without protection.

Take Portland, where Antifa has terrorized the city for more than 100 consecutive nights. Federal officers trying to keep order face nightly assaults while local officials do nothing. Independent journalists, such as Nick Sortor, have even been arrested for documenting the chaos. Sortor and Blaze News reporter Julio Rosas later testified at the White House about Antifa’s violence — testimony that corporate media outlets buried.

Antifa is organized, funded, and emboldened.

Chicago offers the same grim picture. Federal agents have been stalked, ambushed, and denied backup from local police while under siege from mobs. Calls for help went unanswered, putting lives in danger. This is more than disorder; it is open defiance of federal authority and a violation of the Constitution’s Supremacy Clause.

A history of violence

For years, the legacy media and left-wing think tanks have portrayed Antifa as “decentralized” and “leaderless.” The opposite is true. Antifa is organized, disciplined, and well-funded. Groups like Rose City Antifa in Oregon, the Elm Fork John Brown Gun Club in Texas, and Jane’s Revenge operate as coordinated street militias. Legal fronts such as the National Lawyers Guild provide protection, while crowdfunding networks and international supporters funnel money directly to the movement.

The claim that Antifa lacks structure is a convenient myth — one that’s cost Americans dearly.

History reminds us what happens when mobs go unchecked. The French Revolution, Weimar Germany, Mao’s Red Guards — every one began with chaos on the streets. But it wasn’t random. Today’s radicals follow the same playbook: Exploit disorder, intimidate opponents, and seize moral power while the state looks away.

Dismember the dragon

The Trump administration’s decision to designate Antifa a domestic terrorist organization was long overdue. The label finally acknowledged what citizens already knew: Antifa functions as a militant enterprise, recruiting and radicalizing youth for coordinated violence nationwide.

But naming the threat isn’t enough. The movement’s financiers, organizers, and enablers must also face justice. Every dollar that funds Antifa’s destruction should be traced, seized, and exposed.

AFP Contributor / Contributor | Getty Images

This fight transcends party lines. It’s not about left versus right; it’s about civilization versus anarchy. When politicians and judges excuse or ignore mob violence, they imperil the republic itself. Americans must reject silence and cowardice while street militias operate with impunity.

Antifa is organized, funded, and emboldened. The violence in Portland and Chicago is deliberate, not spontaneous. If America fails to confront it decisively, the price won’t just be broken cities — it will be the erosion of the republic itself.

This article originally appeared on TheBlaze.com.

URGENT: Supreme Court case could redefine religious liberty

Drew Angerer / Staff | Getty Images

The state is effectively silencing professionals who dare speak truths about gender and sexuality, redefining faith-guided speech as illegal.

This week, free speech is once again on the line before the U.S. Supreme Court. At stake is whether Americans still have the right to talk about faith, morality, and truth in their private practice without the government’s permission.

The case comes out of Colorado, where lawmakers in 2019 passed a ban on what they call “conversion therapy.” The law prohibits licensed counselors from trying to change a minor’s gender identity or sexual orientation, including their behaviors or gender expression. The law specifically targets Christian counselors who serve clients attempting to overcome gender dysphoria and not fall prey to the transgender ideology.

The root of this case isn’t about therapy. It’s about erasing a worldview.

The law does include one convenient exception. Counselors are free to “assist” a person who wants to transition genders but not someone who wants to affirm their biological sex. In other words, you can help a child move in one direction — one that is in line with the state’s progressive ideology — but not the other.

Think about that for a moment. The state is saying that a counselor can’t even discuss changing behavior with a client. Isn’t that the whole point of counseling?

One‑sided freedom

Kaley Chiles, a licensed professional counselor in Colorado Springs, has been one of the victims of this blatant attack on the First Amendment. Chiles has dedicated her practice to helping clients dealing with addiction, trauma, sexuality struggles, and gender dysphoria. She’s also a Christian who serves patients seeking guidance rooted in biblical teaching.

Before 2019, she could counsel minors according to her faith. She could talk about biblical morality, identity, and the path to wholeness. When the state outlawed that speech, she stopped. She followed the law — and then she sued.

Her case, Chiles v. Salazar, is now before the Supreme Court. Justices heard oral arguments on Tuesday. The question: Is counseling a form of speech or merely a government‑regulated service?

If the court rules the wrong way, it won’t just silence therapists. It could muzzle pastors, teachers, parents — anyone who believes in truth grounded in something higher than the state.

Censored belief

I believe marriage between a man and a woman is ordained by God. I believe that family — mother, father, child — is central to His design for humanity.

I believe that men and women are created in God’s image, with divine purpose and eternal worth. Gender isn’t an accessory; it’s part of who we are.

I believe the command to “be fruitful and multiply” still stands, that the power to create life is sacred, and that it belongs within marriage between a man and a woman.

And I believe that when we abandon these principles — when we treat sex as recreation, when we dissolve families, when we forget our vows — society fractures.

Are those statements controversial now? Maybe. But if this case goes against Chiles, those statements and others could soon be illegal to say aloud in public.

Faith on trial

In Colorado today, a counselor cannot sit down with a 15‑year‑old who’s struggling with gender identity and say, “You were made in God’s image, and He does not make mistakes.” That is now considered hate speech.

That’s the “freedom” the modern left is offering — freedom to affirm, but never to question. Freedom to comply, but never to dissent. The same movement that claims to champion tolerance now demands silence from anyone who disagrees. The root of this case isn’t about therapy. It’s about erasing a worldview.

The real test

No matter what happens at the Supreme Court, we cannot stop speaking the truth. These beliefs aren’t political slogans. For me, they are the product of years of wrestling, searching, and learning through pain and grace what actually leads to peace. For us, they are the fundamental principles that lead to a flourishing life. We cannot balk at standing for truth.

Maybe that’s why God allows these moments — moments when believers are pushed to the wall. They force us to ask hard questions: What is true? What is worth standing for? What is worth dying for — and living for?

If we answer those questions honestly, we’ll find not just truth, but freedom.

The state doesn’t grant real freedom — and it certainly isn’t defined by Colorado legislators. Real freedom comes from God. And the day we forget that, the First Amendment will mean nothing at all.

This article originally appeared on TheBlaze.com.