Rock 'n' roll guy who wasn't supposed to like Glenn joins him for incredibly open dialogue

A rock 'n' roll "hero" joined Glenn on radio Tuesday morning to pretty much just talk about life. The topics they discussed included everything from music, fame and fortune to devastating illness, healing and being born again.

Who was the man Glenn called an "absolute legend"?

None other than the original lead singer for the band, Foreigner - Lou Gramm.

Listen to the interview or read the transcript below.

Below is a rush transcript of this segment, it might contain errors.

GLENN: So my good friend, Pat, has been a friend of mine since the '80s. And -- and one of his heroes truly is Lou Gramm.

PAT: No doubt about it.

GLENN: Yeah, truly one of his heroes. And it was a big day -- it was a big day in his life at about 1992. '91.

PAT: In there somewhere.

GLENN: When Lou Gramm came into town and he came in for an interview. And we were just a couple of jokey --

PAT: Morning show hosts.

GLENN: That Lou Gramm would not remember at all. And I can sometimes make things uncomfortable for people.

JEFFY: No.

GLENN: Especially my good dear friends.

STU: Really?

PAT: Yeah. Are you surprised too?

STU: Yeah.

GLENN: So Lou Gramm is on with us now and I want to see if he remembers us at all. And Pat is hoping that the answer is, not in the least.

PAT: No.

GLENN: How are you, Lou?

LOU: I'm doing fine. And, Pat, your wish came true. I do not remember at all.

PAT: Yes!

GLENN: That's great. Now, the question is, should I remind you?

(laughter)

PAT: I will. I will explain that --

GLENN: You know, he doesn't remember. So leave it alone. Leave it alone. Your shame.

PAT: Yes.

GLENN: Has kind of been forgiven in a sort of.

PAT: That's great.

LOU: No. I've been listening to you, Glenn, for about 20 years.

GLENN: You have been?

LOU: Yes. Absolutely.

GLENN: Shut up. You're not supposed to like us. You're a rock 'n' roll guy. You're not supposed to like us.

LOU: No, no, no. Your political stance and the humor you inject is -- is right up my ally.

PAT: Wow.

GLENN: Holy cow.

PAT: That is great.

GLENN: Now, can I ask you a serious question, Lou? When was it when you had a brain tumor removed?

LOU: 1997.

GLENN: Is -- do you think that there's a chance that maybe they rattled some things upstairs, that that's why you like us now?

PAT: Stop it.

LOU: No. I liked you before that.

GLENN: Okay. All right. So, Lou, actually you've gone through an amazing thing. We've talked about this before you came on. You've gone through an amazing thing. First of all, Pat is -- the reason why you're here, Pat sincerely wants to start a campaign to make sure that you get into the Rock and Roll Hall of Fame because we all that --

PAT: That's an atrocious oversight. Ritchie Valens with two songs is in the Rock and Roll Hall of Fame. He's got two songs.

LOU: Yeah, but what songs they were.

PAT: Yeah. They were good songs. But what songs you guys have, I mean, Foreigner has been around for -- you know, you guys were together for, what, 25, 27 years? Something like that.

LOU: Yep.

GLENN: How many albums did you sell?

LOU: I think the count is somewhere in the mid- to high 70 million.

GLENN: Wow. Jeez.

PAT: Yeah. Yeah, it's huge.

GLENN: Unbelievable. So do you feel -- I mean, Pat is behind himself. We have -- please pray for us, Lou. Because we have to listen to him all the time talk about what the atrocity is that you and Foreigner is not in the Rock and Roll Hall of Fame.

PAT: The Paul Butterfield Blues Band is in the Rock and Roll Hall of Fame.

GLENN: See, this is what happens. Does it bother you at all?

LOU: I somewhat have an idea of why we're not. And there's really not a lot to be done about it.

GLENN: Gosh. Does it have anything to do with you liking our political point of view?

LOU: No, no, no.

PAT: Okay.

LOU: From what I understand, that -- when the bands of our ilk and our time period were getting inducted and we were -- we were overlooked, our management at the time went to see the -- the head of the Hall of Fame and was wondering why -- why we were overlooked because we certainly had the credentials.

PAT: Uh-huh.

LOU: And I think there was a slightly heated discussion after that. And we were told that we would never be in the Hall.

PAT: Wow.

STU: Wow.

PAT: So it's essentially pettiness.

LOU: Yeah, I don't think it's based on what we've done.

GLENN: That's really done.

LOU: But a situation that was out of our hands, you know.

PAT: Really sad.

STU: Wow.

GLENN: Can I tell you something, this was -- sometime -- I don't drink anymore, and it's a good thing. But we should have a beer sometime and just talk about that. Because that is almost the same story with me on the Radio Hall of Fame. I've been told that I would never be in the Radio Hall of Fame because of an innocent thing that I said positive about Paul Harvey and it pissed the guy off who was the head of the Hall of Fame. And he -- he went to my people and said, "I just want you to know, Glenn Beck will never be in the Radio Hall of Fame." I'm like, "Okay. Well, we weren't really pushing for it anyway." But okay. Kind of sad.

LOU: Right. Yep.

GLENN: So you had the brain tumor, and you had it removed, and it changed your life. You want to tell me a little about that?

LOU: Well, it was -- it was about the size of a large egg. And it had tentacle-like features that were wrapped around my optic nerve and my pituitary.

So there was -- the optic -- my sight is fine, but my pituitary is damaged. And I need quite a bit of medication to stay functioning. But I feel great. But it was a long recovery. The operation was 1997. And I didn't start feeling about myself until about 2005.

GLENN: Holy cow.

PAT: Did your spiritual change come before that or after that, Lou?

LOU: My spiritual enlightenment came about 1991, when --

PAT: Oh.

LOU: When I was in rehab.

GLENN: What was that like? And what exchanges have happened to you since?

LOU: Well, I -- before I went to rehab -- we had just played -- Foreigner had played Madison Square Garden. Sold out. And there was -- of course, there was a big party afterwards. And I found myself in my hotel room at 3:30, 4 o'clock in the morning, and in -- in a condition that I had been in a number of times before, and I just -- I just felt like I -- I -- I didn't want to be there anymore. And that if -- if this accelerated anymore, that I'd probably be a statistic. And all the lights were off. And I just fell to my knees in prayer and called a friend of mine early next morning, and he booked me a flight to Minneapolis. And I spent 30 days in Hazelden, which changed my life.

GLENN: Did you -- was it unusual for you to fall to your knees and pray? Were you a praying guy?

LOU: I was. But not the desperation that I had that night.

GLENN: So now the Lou Gramm Band, how has your music changed?

LOU: We do all the hits from the Foreigner albums and my solo albums. You know, some of those songs are very suggestive. And, you know, I -- I have to do what I have to do. I can't start eliminating big hits.

PAT: Right.

LOU: But, you know, it does feel a little funny performing them when that was me as a young stud and it's not me now.

(laughter)

PAT: But you also have a complete CD filled with Christian music, right?

LOU: Yes, absolutely.

PAT: And you wrote that?

LOU: Yeah, with some of the guys in the band. It rocks pretty hard, you know. But the message and the tone where it's coming from is from a different place.

GLENN: So you started feeling well again 2006, you said?

LOU: Yeah.

GLENN: And I'm sorry. I'm not obsessive about Pat, I don't know what size pant you wear or anything else like Pat I think does. But have you been back on tour?

LOU: I started touring again in 2005, even when I wasn't feeling well.

PAT: Hmm.

GLENN: Wow.

LOU: Actually I was touring about 2000 with Foreigner. And left that band in -- at the end of 2003.

GLENN: How did you do that? How did you make it?

LOU: It was not easy because, you know -- one of the other things I developed was sleep apnea.

GLENN: Oh, horrible.

LOU: Yeah.

PAT: Wow.

LOU: And it was just -- I -- my short-term and long-term memory was very spotty. So when I had take the stage, I had the lyrics to all the songs written on white paper with a black marker, and it was taped on the floor.

GLENN: Wow.

PAT: Wow. But that's --

GLENN: How did that -- how did that make you feel while you were going through it?

LOU: I knew that I had no business on stage. And -- and I -- I felt like an invalid and that I couldn't be doing the band any good.

GLENN: Now how are you feeling? Now how much of this is -- have you returned full strength now?

LOU: I think so, yeah. Yep. You know, I was taking massive steroids back then too. And put on almost 100 pounds.

GLENN: Holy cow.

LOU: My weight as an adult has been 140 to 145 pounds.

GLENN: 140 -- hang on.

PAT: Wow.

GLENN: I think I've gained and lost 140 pounds in the last year. And -- that's what your scale says is 140? Because that's like one leg. Holy cow!

(laughter)

You suck. I don't like you.

LOU: Well, I got a small frame, you know. But taking the steroids, it was incredibly tough to lose anything.

STU: Yeah. Glenn did all of his weight gain without steroids which I thought was pretty impressive.

PAT: It was with food. Something called food.

GLENN: It was medication-related.

STU: Right.

GLENN: It was. It was.

PAT: If chocolate milkshakes are medication, yes. Yes.

GLENN: Thank you. Write another prescription, please.

LOU: Yes.

PAT: Things have been kind of famously chilly between you and McJones.

LOU: Well, they were for a number of years --

PAT: Is it better now?

LOU: -- after I left the band.

Yeah, two years ago, we were both inducted into the Songwriters Hall of Fame. And there was a big ceremony for us and a number of other people in New York. And they asked us to play. They had some studio musicians and background singers and this and that. And so we rehearsed two days before the awards ceremony, and we kind of broke the ice and rekindled a friendship.

GLENN: That's great.

PAT: Oh, that's great. Because it seems like that happens with almost every popular band. Some kind of friction between the band mates.

LOU: Yep. You know, it was -- it was a number of things that I think were -- were just building over the years. And I just -- I just thought I -- you know, I had been with the band over 25 years. And I just thought I had enough, you know.

PAT: How is it now with your brothers? Because aren't two of your brothers in the Lou Gramm Band?

LOU: Well, two were in the band. One is in the band now.

PAT: Okay.

LOU: But it's good. It's good. Everybody in the band is from my hometown of Rochester. So, you know, it's what -- we all fly out of Rochester. We all fly home to hear it. It's good camaraderie. And they're very good players too.

GLENN: Let me ask you this: How difficult is it to be Lou Gramm, the guy from Foreigner that was -- I mean, you're Lou Gramm. And then your body changes. Your life changes. You change. Music changes. And you don't have that -- I mean, even Aerosmith. What's his name. Steven Tyler.

LOU: Yes.

GLENN: He's -- really, maybe it's Steven Tyler. But pretty much, only the people from the Rolling Stones that still will sell out those stadiums and they're still kings everywhere. How do you keep a handle on today, that today is all that's important, yesterday doesn't mean anything. Does that make sense to you. Do you know what I'm saying?

LOU: Yes, I definitely do. And, you know, when you had the success that Foreigner has had for the amount of years that we've had, I mean, radio has changed. Radio is owned by -- most radios are owned by corporations now.

GLENN: Yeah.

LOU: And pretty much, there's not even program directors that there's a set list which is -- which is played over and over again. And it's -- it's not the freedom to put in whatever song they feel like anymore.

GLENN: Correct.

LOU: It's a different beast. And when that changed over, Foreigner and a number of other bands, like Aerosmith and Bryan Adams and people like that, were kind of pushed to the side. And kind of relegated to the -- the oldies stations.

GLENN: I prefer to say classic rock. Oldies are what my dad used to listen to. I listen to classic rock.

LOU: No, you're right. And a whole new slew of artists came in to dominate the top 40 scene.

GLENN: Has it ever played -- I think fame -- honestly fame and fortune, celebrity is one of the worst -- I would not curse my best friend with this. It is -- and I have a very small amount. Has it ever played a game with your head?

LOU: I don't think so.

GLENN: Good for you.

LOU: I came from Rochester. Very small town. My mom and dad, you know, Italian descent. And the -- my first glimpse and desire to have that kind of fame is when I saw The Beatles on the Ed Sullivan Show.

GLENN: Wow.

LOU: And that's what spurred me to not make music a hobby, but my life's calling.

GLENN: Yeah. Lou, it is great to talk to you. And Pat now has your phone number. We've traced the call.

(laughter)

LOU: Well, you're welcome to give me a buzz any time.

GLENN: God bless you.

LOU: I have a book out too.

GLENN: Oh, I'm sorry. I didn't know about it.

PAT: Yeah, your autobiography, right?

LOU: Yeah, it's called "Jukebox Hero: My Five Decades in Rock and Roll."

GLENN: Great. Great song.

STU: It's an amazing story.

GLENN: Amazing story. I will pick it up today and start to read it. And I know Pat has already read it. But thank you, Pat, for informing me he had a book out. Lou, thank you very much.

LOU: Great to talk to you guys.

GLENN: Great to talk to you.

"Jukebox Hero" is the name of the book.

Editor's note: This article was originally published on TheBlaze.com.

Critical theory once stood out as the absurd progressive notion that it is. Now, its maxims are becoming an integral part of ordinary political discourse. The more you repeat a lie, the more you will believe it, and this is the very dangerous place in which we find ourselves today.

Take this critical theory maxim as an example: If we desire justice, we must sometimes champion what may appear superficially as injustice. It's a necessary evil, if you will, the necessity of “controlled injustice.”

By using truth through fabrication and controlled injustice for justice, we’ll save the republic. We’ll be acting in a noble way.

This definition of justice is defined by the “oppressed,” not the “oppressor.” It is the greatest happiness for the greatest number. To achieve this justice, however, we need to endorse acts on occasion that, while seemingly unjust, serve a higher purpose. It will ensure the stability and the unity of our republic, and this may manifest in ways that seem contradictory to our values. But these are the necessary shadows to cast light on “true justice.”

And isn’t that what we are all after, anyway?

Here’s another critical theory maxim: Sometimes we find the truth through fabrication. Our pursuit of truth sometimes requires a strategic use of falsehoods. The truth is a construct that has been shaped and tailored to promote the well-being of the collective.

We sometimes need to accept and propagate lies designed by "the system” — not the old system, but the system that we’re now using to replace the old to get more justice through injustice and more truth through fabrication.

We’re engaging in a higher form of honesty. When we fabricate, it’s for the right reason. We are reaching up to the heavens fighting for a higher sort of honesty. To fortify the truth, we occasionally must weave a tapestry of lies. Each thread, essential for the greater picture, will ultimately define our understanding and ensure our unity under this infallible wisdom.

The election is coming up. Does this maxim sound familiar? Many think it is imperative that we secure our republic through election control to maintain our republic. Sometimes, we might need to take actions that by traditional standards might be questionable.

The act of securing elections requires cheating. It's not mere deception. It is a noble act of safeguarding our way of life. We're on the verge of losing this democracy, and without deception, we will lose it.

To ensure it doesn't fall into the hands of those we know will destroy it, we may have to make a few fabrications. We're fabricating stories to be able to control or secure the republic through our elections. By using truth through fabrication and controlled injustice for justice, we'll save the republic. Therefore, we'll be acting in a noble way. Stealing an election from those who wish to harm our society is truly an act of valor and an essential measure to protect our values and ensure the continuation of our just society.

If we desire justice, we must sometimes champion what may appear superficially as injustice.

I know it's a paradox of honor through dishonor. But in this context, by embracing the dishonor, we achieve the highest form of honor, ensuring the stability and the continuation of our great republic.

Let this be heard, far and wide, as a great call to patriotic action. As we advance, let each of us, citizens of this great and honorable republic, consider these principles. Not as abstract or paradoxical but as practical guides to daily life. Embrace the necessity of controlled injustice, the utility of lies, the duty to secure our electoral process, and the honor and apparent dishonor. These are not merely strategies for survival. They are prerequisites for our prosperity.

We all have to remember that justice is what our leaders define, that truth is what our party tells us. Our republic stands strong on the values of injustice for justice, honor through dishonor, and the fabrication of truths. To deviate from this path is to jeopardize the very fabric of our society. Strength through unity; unity through strength.

We've heard this nonsense for so long. But now, this nonsense is becoming an instituted reality, and we are entering perilous times. Don't be fooled by the narratives you will hear during the march to November. Never let someone convince you that the ends justify the means, that a little bit of injustice is needed to achieve a broader, collective vision of justice, that truth sometimes requires fabricated lies and narratives. If we do, justice will cease to be justice, truth will cease to be truth, and our republic will be lost.

Top 5 MOST EVIL taxes the government extorts from you

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"In this world nothing is certain but death and taxes." -Ben Franklin

The injustice of taxation has been a core issue for Americans since the very beginning of our country, and it's a problem we have yet to resolve. This belief was recently reignited in many Americans earlier this month on tax day when the numbers were crunched and it was discovered that the government was somehow owed even more hard-earned money. As Glenn recently discussed on his show, it's getting to be impossible for most Americans to afford to live comfortably, inflation is rising, and our politicians keep getting richer.

The taxpayer's burden is heavier than ever.

The government is not above some real low blows either. While taxes are a necessary evil, some taxes stretch the definition of "necessary" and emphasize the "evil." Here are the top five most despicable taxes that are designed to line the IRS coffers at your expense:

Income Tax

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"It would be a hard government that should tax its people one-tenth part of their income." -Ben Franklin

On February 24th, 2024 we hit a very unfortunate milestone, the 101st anniversary of the 16th Amendment, which authorized federal income tax. Where does the government get the right to steal directly out of your paycheck?

Death Taxes

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"Now my advice for those who die, Declare the pennies on your eyes" -George Harrison

Not even in death can you escape the cold pursuit of the tax collector. It's not good enough that you have to pay taxes on everything you buy and every penny you make your entire life. Now the feds want a nice slice, based on the entire value of your estate, that can be as much as 40 percent. Then the state government gets to stick their slimy fingers all over whatever remains before your family is left with the crumbs. It's practically grave-robbery.

Payroll

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"The power to tax is the power to destroy." -John Marshall

What's that? The nice chunk of your paycheck the government nabs before you can even get it to the bank wasn't enough? What if the government taxed your employer just for paying you? In essence, you make less than what your agreed pay rate is and it costs your employer more! Absolutely abominable.

Social Security

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"We don't have a trillion-dollar debt because we haven't taxed enough; we have a trillion-dollar debt because we spend too much." -Ronald Reagan

Everyone knows the collapse of Social Security is imminent. It has limped along for years, only sustained by a torrent of tax dollars and the desperate actions of politicians. For decades, people have unwillingly forked over money into the system they will never see again.

FICA

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"What at first was plunder assumed the softer name of revenue." -Thomas Paine

FICA is the payroll equivalent of Social Security. Your employer has to match however much you pay. It means it costs your employer even more to pay you—again, you'll NEVER see that money. At this point, are you even working for yourself, or are you just here to generate money for the government to frivolously throw away?

5 DISTURBING ways World War III will be different from previous wars

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Has World War III begun?

Over the weekend, Iran launched an unprecedented attack against Israel involving over 300 missiles and drones. This marked the first direct attack on Israel originating from Iranian territory. Fortunately, according to an Israel Defense Forces spokesperson Rear Admiral Daniel Hagari, 99 percent of missiles and drones were successfully neutralized by Israeli defense systems. Iran claimed that the operation against Israel had concluded and that no further offensive was planned, although the possibility of another attack is still present.

This has left many people, including Glenn, wondering the same thing: did we just witness the start of World War III?

Glenn recently had a World War II Air Force Veteran as a guest on his TV special, who told stories of the horrors he and his brothers-in-arms faced in the skies over war-torn Europe. This was a timely reminder of the terrors of war and a warning that our future, if it leads to another world war, is a dark one.

But, if Glenn's coverage of the Iranian attack revealed one thing, it's that World War III will look nothing like the world wars of the twentieth century. Long gone are the days of John "Lucky" Luckadoo and his "Bloody Hundredth" bravely flying their B-17s into battle. Over the weekend, we saw hundreds of autonomous drones and missiles clashing with extreme speed and precision over several different fronts (including space) simultaneously. This ain't your grandfather's war.

From EMP strikes to cyber attacks, here are FIVE ways the face of war has changed:

EMP attacks

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The entire modern world, on every level, is completely dependent on electricity. From your home refrigerator to international trade, the world would come to a grinding halt without power. And as Glenn has pointed out, it wouldn't even be that hard to pull off. All it would take is 3 strategically placed, high-altitude nuclear detonations and the entire continental U.S. would be without power for months if not years. This would cause mass panic across the country, which would be devastating enough on its own, but the chaos could be a perfect opportunity for a U.S. land invasion.

Nuclear strikes

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Nuclear war is nothing new. Many of us grew up during the Cold War, built fallout shelters, and learned to duck and cover. But times have changed. The Berlin Wall fell and so did the preparedness of the average American to weather a nuclear attack. As technology has advanced, more of our adversaries than ever have U.S. cities within their crosshairs, and as Glenn has pointed out, these adversaries are not exactly shy about that fact. Unfortunately, the possibility of an atomic apocalypse is as real as ever.

Immigration warfare

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The strategy of strangling an opposing nation's economy to gain the upper hand is a wartime tactic as old as time. That's why the Border Crisis is so alarming. What better way to damage an opponent's economy than by overburdening it with millions of undocumented immigrants? As Glenn has covered, these immigrants are not making the trek unaided. There is a wide selection of organizations that facilitate this growing disaster. These organizations are receiving backing from around the globe, such as the WEF, the UN, and U.S. Democrats! Americans are already feeling the effects of the border crisis. Imagine how this tactic could be exploited in war.

Cyber shutdowns

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Cyber attacks will be a major tactic in future wars. We've already experienced relatively minor cyber strikes from Russia, China, and North Korea, and it is a very real possibility that one of our adversaries inflicts a larger attack with devastating consequences on the United States. In fact, the WEF has already predicted a "catastrophic" cyber attack is imminent, and Glenn suggests that it is time to start preparing ourselves. A cyber attack could be every bit as devastating as an EMP, and in a world run by computers, nothing is safe.

Biological assault

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Don't trust the "experts." That was the takeaway many of us had from the pandemic, but something less talked about is the revelation that China has manufactured viruses that are capable of spreading across the globe. We now know that the lab leak hypothesis is true and that the Wuhan lab manufactured the virus that infected the entire world. That was only ONE virus from ONE lab. Imagine what else the enemies of America might be cooking up.

The government is WAGING WAR against these 3 basic needs

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The government has launched a full-on assault against our basic needs, and people are starting to take notice.

As long-time followers of Glenn are probably aware, our right to food, water, and power is under siege. The government no longer cares about our general welfare. Instead, our money lines the pockets of our politicians, funds overseas wars, or goes towards some woke-ESG-climate-Great Reset bullcrap. And when they do care, it's not in a way that benefits the American people.

From cracking down on meat production to blocking affordable power, this is how the government is attacking your basic needs:

Food

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Glenn had Rep. Thomas Massie on his show where he sounded the alarm about the attack on our food. The government has been waging war against our food since the thirties when Congress passed the Agricultural Adjustment Act of 1938. They started by setting strict limits on how many crops a farmer could grow in a season and punishing anyone who grew more—even if it was intended for personal use, not for sale on the market. This sort of autocratic behavior has continued into the modern day and has only gotten more draconian. Today, not only are you forced to buy meat that a USDA-approved facility has processed, but the elites want meat in general off the menu. Cow farts are too dangerous to the environment, so the WEF wants you to eat climate-friendly alternatives—like bugs.

Water

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As Glenn discussed during a recent Glenn TV special, the government has been encroaching on our water for years. It all started when Congress passed the Clean Water Act in 1972, which gave the government the ability to regulate large bodies of water. As the name suggests, the act was primarily intended to keep large waterways clear of pollution, but over time it has allowed the feds to assume more and more control over the country's water supply. Most recently, the Biden administration attempted to expand the reach of the Clean Water Act to include even more water and was only stopped by the Supreme Court.

Electricity

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Dependable, affordable electricity has been a staple of American life for decades, but that might all be coming to an end. Glenn has discussed recent actions taken by Biden, like orders to halt new oil and gas production and efforts to switch to less efficient sources of power, like wind or solar, the price of electricity is only going to go up. This, alongside his efforts to limit air conditioning and ban gas stoves, it almost seems Biden is attempting to send us back to the Stone Age.