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'Friction' Author: Today’s Consumers Are ‘Walking Billboards’ for the Brands They Love

Companies need to focus on becoming “passion brands” instead of just flooding consumers with advertisements, co-author Jeff Rosenblum told Glenn Thursday on radio. The latest generation of consumers is comfortable with social media and loves to interact, so they are the best advocates for the brands they like.

In his book Friction: Passion Brands in the Age of Disruption, Rosenblum explored this phenomenon of “passion brands,” or companies and products that people love enough to share with everyone by tweeting, wearing a T-shirt and telling friends through word of mouth.

“They’re like walking billboards, and they’re actively proselytizing for brands,” Rosenblum said, describing this key type of consumer.

One of his favorite examples is the brand Yeti Coolers, which sells a particularly rugged type of cooler intended for camping, fishing and other outdoor trips. Instead of traditional ads, Yeti focuses on creating short videos about people going on incredible adventures. It’s more about image than anything else. Even if people don’t really need a cooler that can weather the elements, they’ll be drawn to the vision of adventure.

“They tell these stories about people who are going on bigger and bolder adventures than most people ever will,” Rosenblum said.

GLENN: The whole world is changing. And really in an exciting and dynamic way, if you understand that the bull crap of yesterday, which Washington hasn't figured out yet. The bull crap of yesterday, the lies of yesterday, and the systems that create friction and make your life complicated just don't work anymore. Nobody wants them. Don't prop them up. Get out of that and find passion. Passion brands and friction. We're going to talk about that with a guy who knows it quite well. Beginning right now.

Name of the book that I've been telling you about for weeks, and I'm thrilled to have Jeff Rosenbloom. He's one of the co-authors of the book "Friction" passion brands in the age of disruption. It is one of those books that you read, and you're, like, jeez. How could I not know that? How did I not think that? How is this all of a sudden -- it's one of those things that somebody invents something, and you're, like, of course. How come I didn't invent that?

I want you to know that Jeff is not here to sell books. I highly recommend you buy his book, but he's not taking any of the money from it. It's actually going to something called special spectators, which we hope to talk about a little bit later. He will also be with us on The Blaze TV for a special episode tonight at 5:00, so he's not here to make any money. He's here to change some lives, and you have dramatically impacted my thinking since I picked up your book, so it's great to have you here, Jeff.

JEFF: Thank you for having me. I appreciate it.

GLENN: So tell me. I guess we just need to start at, you know, the brands of the past and the brands now. Passion brands. What is it?

JEFF: , well, passion brands are the brands that absolutely dominate the competition; right? They don't have just customers. They have an army of evangelists. These are the folks that are at the bars, at the restaurants, at the dinner table, they sit around the campfire, grew up on their social media channels, they've got the T-shirts, they've got the hats, they're like walking billboards, and they're actively proselytizing for brands.

GLENN: So you talk about one passion brand that has really boggled my mind until I read your book, but I want to ask you some questions about it. And that is Yeti. Coolers. Great coolers.

JEFF: The best.

GLENN: But -- what is it? Four times the price of a good cooler?

JEFF: yeah.

GLENN: And I've often wondered. People who buy this, they become evangelists, and it's a cooler. And I wonder how much of that is because it truly is absolutely great and how much of that is to soothe the cognitive dissidents in their head of I just paid fours times as much and everybody who doesn't have one says "What the hell is wrong with you."

Does that play a role in that at all?

JEFF: Absolutely. To dial it back, and then we'll talk about Yeti. Passion brands are built by fighting friction. Friction is anything that gets in the way of what you want to accomplish in life. It's anything that gets in the way of your hopes, dreams, aspirations, on even your mundane day to day goals.

So when you think about Yeti, it's a cooler for outdoors. So by definition, if you're using it, you're going on some sort of outdoor adventure. So they fight friction in two ways. The first is this cooler is fundamentally better than any other cooler out there. It's literally certified Grizzly bear proof. Now, the chances of anyone actually needed that type of technology --- fairly negligable.

GLENN: Right. I would like a cooler that I can pick up and throw at the grizzly bear.

JEFF: That's the next product.

But it's nice to know if you're going on that adventure, that product that you're buying can go further and deeper and bigger on an adventure. But to your point, it's not just about the cooler, it's about the totality of the experience. And what they've done that I love is rather than relying on a bunch of interruptive ads, they've created these incredible videos. Each of these videos are about eight minutes long, and there are dozens of them. And they've been watched millions of times over. And what they do is they tell these stories about people who are going on bigger and bolder adventures than most people ever will. The world's greatest fly fisherman, the world's greatest ski guide, the world's greatest barbecue pit master who happens to be an 89-year-old woman named Tutsi. It's not, like, we're Yeti, and we make coolers. Yeti doesn't even appear in these videos. But what happens is they give us a vision. A bigger and bolder vision of ourselves. We all wake up in the morning wanting to be better we were than the day before. It's at the heart of the human experience. It's what drives capital I am. So these great videos help us envision that.

And, by the way, I've watched hours of them. Most people will watch a few of them. The typical interactive ad experience is 1.6 seconds. Compare that to an eight-minute video.

GLENN: I watched the fly fishing one. It's 22 minutes.

JEFF: Yeah.

GLENN: I watched it. Every second of it. And here's what I do. I hear from the guys because I'm not a sports guy. But I hear from the guys on sports every -- every Monday, I hear ugh, and I know they're on ESPN just trying to get the six-second clip, and they have to sit through the commercial. That's not 22 minutes. And it's just in the way of getting to their six seconds.

JEFF: Yeah. Prerolls. You know, the advertising industry, we keep making ads and the audience keeps running away.

Now, to be clear, this is not about the death of advertising. That false eulogy has been written before. We're just asking advertising to do too much. We can still do incredible things with advertising, but increasingly those traditional interruptive ads are being ignored and avoided.

GLENN: In fact, just removing the friction from your product will do more than any ad. If you make a truly great product, and you make it frictionless and not only -- I mean, let's go into the passion brands a little bit. Of finding that group of people -- and let me ask you. Do you need -- to really have an authentic brand, does that need to come from the founders that are, like, what you know? I wanted this. I know this is great, and I don't care if anybody buys it. Or does it come from a group of people who are just scanning the horizon and saying, yeah, these people over there. Let's come up with something for their -- does it matter?

JEFF: Well, I think it comes from both. But most passion brands that we see, and they can be big brands like Under Armour or big brands like Amazon or some of them are smaller startups, they tend to be run by the founders because they have a strong vision, and they don't want to waver from that vision. But it can be from large, established corporations.

One of the interesting things that we found is that really the key is to take all of your efforts and instead of first focusing it outward at messaging, focus it inward at your own behaviors. And a piece of research we found is what's called the power score. And they looked at 9 million different data points. They interviewed 20 self-made billionaires and CEOs and army generals. What they found is only 1 percent. Only 1 percent of leaders are great at what they call the power score, which is establishing your priorities, staffing effectively, and building internal communication cadence. So if you can have great leadership, then you can build a great passion brand. And ironically, you can create great ads. But you have to focus inward before outward.

GLENN: Some amazing things that I just didn't know, for instance, some stats in your book. Let me just run through a few of them. 90 percent of all of the data in the world has been collected in the last two years. That's astounding. 40 minutes in nature every week will lower AD/HD by 50 percent. Don't put your smartphone or your iPad next to your bed. Take that on.

JEFF: That is interesting because so many people loved it, and we weren't sure if that actually fits in the book. But what we tried to do with the book is look at industrial friction, organizational friction, and personal friction. And in that example, we found this great story about Keith Richards. The world's greatest guitar player or one of them. And one night, he's out doing the one thing in this world better than play guitar. He's partying like a Rockstar, and he passes out cold, and he wakes up the next day, and he has a song in his head. And his guitar is literally lying in bed lovingly with him. He grabs his guitar, rolls over, presses record on his tape recorder, lays down a few notes, passes out cold again. Wakes up a couple hours later, presses play, and he finds the guitar riff for satisfaction is waiting for him. Of course, then it's followed by the sound of him snoring. He's not even conscious enough to press stop on the recorder.

Paul McCartney had a similar experience. He woke one day, and he has a song scrambled eggs in his head. Can't stop. He's turning to all of his band mates and friends and be, like, what song have I ripped off here? And they're, like, dude, you didn't. It's your song, it's your original. And he went to John Lennon and turned it from scrambled eggs to yesterday.

Not quite as catchy when talking about breakfast; right? And it knowledge only happens to rock stars. The guy who figured out the periodic table of elements, the guy who figured out the double helix of DNA. All of this happened first thing in the morning when people woke up. And what happens in your brain, you've got something called alpha waves. It's the most powerful form of cognitive creativity that you have. This is where you can think of some big, bold, break through ideas. It's the same thing you get if you're in a hot shower, hot bath, you're in traffic for a while, your alpha waves start kicking in, and you ignore all of that crap in your head.

Now, the issue is 72 percent of us go to bed with their cell phone lying next to us. 50 percent of us, the very first thing that we do is we check it. One third of women before they even go to the bathroom, they check social media. The problem is when you do that, you completely shut off those alpha waves. You lose that opportunity to have that cognitive creativity.

GLENN: And why is that.

JEFF: Because it kicks in your fight or flight system, which is something we learned about in high school; right? It's when the blood flow changes. It used to be something that kept us from getting eaten by woolly mammoths, now it keeps us from getting run over by a car; right? Your subconscious takes over, you have different chemicals like adrenaline and cortisol in there. Your buddy on Facebook who just went on a better vacation than you'll ever go on. That's stressful; right? The server that's on fire, the contract that didn't get signed. Whatever it is on e-mail, that's all stress. So you're turning off that creativity, and you're creating stress.

Now, here's the interesting point. They used to think that your brain was your brain, and that's all you got. It turns out that there's a high degree of plasticity in your brain, which means it can change just like that cheap analogy that says your brain is like a muffle, you have to work it. It turns out it's true. You can actually change the size and shape of certain areas of your brain, and it happens very quickly. So when you go to your mobile device first thing in the morning, you turn off the creativity, you turn on the fight or flight. For the rest of the day, you're not going to be as creative.

So with a 90 million bits of information, 90 percent of the data that's been collected the past two years, everybody has unprecedented access to data and technology. Creativity is the ultimate competitive advantage, and you have to feed your creativity just like you have to work out your body at the gym.

GLENN: When we come back, I want you to talk about --

STU: All about the gym. You're talking to a good crew.

JEFF: That's why I went there.

GLENN: So you're speaking our language. When we come back, I want you to talk about monkeys and how this relates to monkeys and then back to us. In just a second.

GLENN: A game-changing book in your thinking is "Friction: Passion Brands in the Age of Disruption." There is so much friction in our lives from chaos, from just -- just from the news trying to understand the political -- it's all friction. And being able to reduce that and navigate through that is really hard. And I think people are getting really frustrated in some ways with life, and they're just tuning out. They're just stopping. And that's really because the media or politicians or party or whatever you're dealing with just are not changing. They're holding onto the old system.

JEFF: Yeah.

GLENN: And it doesn't work. I was blown away -- where did you get the monkey thing, and then explain the monkey thing.

JEFF: Yeah, it was interesting. When I was writing the book, we set up a research team, thousands of pages of research. I'm a numb nut. I barely graduated college; right? But I'm hanging out with my really smart friend, he's a Ph.D. at Stanford, a neuroscientist, and he's telling me about this study that they conduct all the time. And what happens is when you go to get your Ph.D., they often give you this experiment where they take an electric probe, and they put it into a monkey's brain to read what's going on inside that brain. And then what they do is play this loud, blaring, obnoxious sound in the monkey's ear. And what you see on the readout is not surprising. When you play that awful sound, you get a very strong and very negative reaction from the monkey's brain. So then they repeat the experiment. They play that loud, blaring, obnoxious sound. And what you find, again, is not surprising. They have a very strong and very negative reaction.

But what it was absolutely shocking to me is that if you repeat the experiment a few times over, and then you look at the readout, the reaction looks like the side of a cliff. The monkey's brain literally stops reacting to this awful sound because the monkey at a structural level knows that it needs to focus on other things in life. Food, water, shelter, fornication; right? If it continues to respond so strongly to that stimulus, it literally can't survive. It's called repetition suppression.

GLENN: So are we in -- before we go into this on the decisions that we make and every day. But are we seeing this -- is this one of the reasons why we are just tuning so many things out in Washington? We're tuning principles out. We're tuning all kinds of stuff out because we just can't do anything about it, and we keep hearing it shouted over and over and over again, and we focus on other things? Am I reading that right?

JEFF: That's exactly right. The human brain is exposed to 400 billion bits of information every second. We make 35,000 conscious decisions per day. We ran an experiment --

GLENN: That's 35,000 yes or no decisions.

JEFF: It could be more complicated than yes or no. These are outright conscious decisions per day. So brands, politicians, we're all trying to enter this stream. We expose people to 5,000 branded messages per day. The previous generation was only 2,000. Already, that was too much. So what we have to do is focus less on interruptions, and more on empowerment. Another way of looking at it is magnets over megaphones. We have to create content and experiences that are so powerful, people go out of their way to participate in them. And then, share them with others. And that's the secret ingredient to brands like Yeti.

GLENN: Patagonia you think is the pinnacle of a passion brand?

JEFF: Patagonia is one of them.

GLENN: Why?

JEFF: Well, I fell in love with this guys because, first of all, they recognize that there's friction in the category. And what they to is they focus all their efforts on fighting that friction. So the friction is this:

If you want to enjoy their outdoor gear and apparel, you need a healthy outdoors. And ironically when they create their products, it actually damages the outdoors; right? Create manufacturing by-products, your old jackets make garbage; right? So everything they do, they fight friction by empowering people.

GLENN: Okay. So when we come back, listen to the ad campaign that they came up with, and it's brilliant. Brilliant. Patagonia "Friction" is the name of the book. Jeff Rosenbloom joins us again in a few minutes. "Friction: Passion Brands in the Age of Disruption". Back in a minute.

[Break 10:31]

GLENN: I will tell you. If you really want to see the world in a different way, especially if you're an entrepreneur or a leader of any sort, you really want to see the future and whether what you're doing will survive or not. You need to read the book "Friction: Passion Brands in the Age of Disruption".

Jeff Rosenbloom is with us, and you were giving us the example of Patagonia. Patagonia making outdoor clothing, and they really are dedicated to, you know, save the planet and everything else, and so that's where their people are. And the friction that they had internally was, you know, all of the stuff that we make the chemicals and everything, the garbage, that's actually hurting. So how are we helping, exactly?

So talk about the campaign that they ran with a coat.

JEFF: Yeah, so you hit on a really important point. For their target audience, making the environment healthier is absolutely paramount.

GLENN: Paramount.

JEFF: Right. So the campaign that I love, I came across not when I was doing research, but we actually created this documentary called the naked brand. And we looked at one of their campaigns called the footprint chronicles where you know if you got the surfer board shorts, and you go surfing, and you come back on the beach, and they dry, like, 45 seconds later? Well, guess what? Mother nature didn't make those shorts. We made them. We manufactured them. They're manufacturing by-products, so you can actually follow the manufacturer of their products around the globe, see the supply chain, they're not saying look how great we are. They're literally talking about the damage they do. It's really counterintuitive. I find it fascinating, and I fell in love with the brand. And I wanted to buy this blue Patagonia jacket. I had a perfect vision of it in my mind's eye.

And I'm literally shopping on Black Friday. The number one shopping day of the year. Brands sell more on Black Friday, the day after Thanksgiving than in months combined. And I went to Patagonia.com and on the home page, like, they read my mind, I can't exaggerate this. There's the blue jacket that I wanted to buy. And then right next to it on the home page in a giant font, don't buy this jacket. What the heck is going on here? And then there's a button, like, direct response principles click on it. Learn more. So I click. And their point is this. Reduce, reuse, recycle. Reduce is number one. So if you want to buy that jacket, we're happy to sell it to you. But we're going to damage the environment from the manufacturing, from the garbage of your old jacket. Maybe, you don't need that jacket. Maybe you should buy less.

So I'm Jewish, I'm from New York, I felt guilty, I didn't buy the jacket. They lost the sale. But here's what they gained. They gained my unwavering loyalty. And they gained my evangelism. So here we are on your show talking about Patagonia. But more influential than me are the people who are truly influential. The guys; right? These are the guides leading hiking and biking and fly fishing and surfing adventures all around the world. And in definition, guides are influential, and they're covered head to tow in Patagonia gear because Patagonia is empathetic and empowers people about the one thing that is most important to those guides. And when you talk about evangelists, they are 12 times or more trusted than paid advertising ever will be.

PAT: Wow. And also, their competition is similar in that way; right? They try to reduce -- north face, they reduce friction for their customers as well.

JEFF: Yeah, it's a great point. Thanks for bringing it up because we can't just all jump on the environmental bandwagon. We can't jump on what other brands are doing.

PAT: That would look really disingenuous.

JEFF: Totally. People don't wake up in the morning and want to hug the trees and save the manatees; right? It works for some brands. North face took a different tact, which is if you want to enjoy outdoor sports and apparel, we're going to help you become a better athlete. So they created what they call the mountain series; right? And it's a bunch of instructional videos and information and articles and events that help people become better athletes. So I fell in love with this video series. It was from some of the best rock climbers and skiers, and they were shown very specific exercises to help me become a better skier. What's interesting is I don't think it worked all that well for them because they made less of those videos and became less prominent. But they stick to this platform. They're always empowering and always educating with different events and different information to help people become better athletes. You don't see the edge or you do see the ads and say, hey, we're north face, these are great products. But more importantly, they create content and experiences. So the ads are only part of that brand-building system. It's not the totality of it.

STU: You go through a lot of this stuff, obviously, in the book "Friction." And I have a friend who goes to Soul Cycle, which is a cycling spin class place.

JEFF: Bordering on a cult.

STU: The number one people say to her is shut up about Soul Sycle.

GLENN: It's like orange theory.

JEFFY: Yes.

GLENN: Orange theory is, like, okay. Stop with the bumper stickers. It's a gym, man. Let go.

STU: So the question I want to ask you is how do I get her to shut up about Soul Cycle? But separately -- because I look at their business model, and I see a huge friction point, which is they're charging people $31 to come in and ride a bike in their establishment for an hour.

JEFF: Yes.

STU: And, to me, that sounds completely insane. Yeti, they have more evangelists percentage-wise probably than any company I've ever seen. How do you cross over a huge friction point like that and bring your point along?

JEFF: Great point. Great brand. I should have included them in my book. I was scared to death to go in there. You guys selling salad? We'll do that.

GLENN: Salad? I like the part on Cadbury, for the love of god.

JEFF: Here's the interesting point that you just amongst is these passion brands, they don't get there by talking about discounts and promotions. And once brands go there, it becomes really addictive. They actually charge a premium price. Patagonia, Yeti, Soul Cycle, sweet green, all of this stuff is quite a bit more expensive than the competition.

GLENN: And it has to be worth it first. It has to be worth -- if you're buying a dozen eggs, you better get 14 and great farm fresh eggs if you're charging --

PAT: Or at least you're better than whatever else.

GLENN: Yeah, you've got to be. You have to be that first. There's none of this, you know, hey, Fred Flynn stone is saying, you know, that doctors say smoking is healthy. It has got to actually be accurate; right?

JEFF: There's a great poster I saw. No amount of advertising can get me to buy your crappy pizza; right? And the truth and the matter is it actually can. It can get you to buy that crappy pizza once. But it's not going to get loyalty and evangelism. So you're hitting on a key point with Yeti is that the product has to be better than the competition. It doesn't have to be two or three times better. But it has to be 10, 20, 30, 40 percent better.

But to your point, that relationship that people have with Soul Cycle is irrational; right?

STU: Yes. Yeah, I can confirm that. Yes.

JEFF: The reason it's irrational is that it's emotional. Most brands have a transactional relationship; right? They make a good product, they charge a fair price, they have some pretty good advertising, people comparison shop, and then they buy.

Soul Cycle and other brands have an emotional relationship where people pay more for the product. They ignore the competition. They buy all of that Soul Cycle and gear, and they turn themselves into walking billboards. And they do that, they create that irrational relationship through irrational behavior.

Think about that Patagonia example. Running a campaign that says don't buy this jacket, that's irrational.

GLENN: So Starbucks, really, was kind of a pioneer in this kind of area, weren't they? Where everybody was going to Dunkin' Donuts and getting your coffee at a normal price. And then all of a sudden here comes Starbucks charging money out the nose. But it became more than a coffee place.

JEFF: Yeah, well, it went from transactional. I like Dunkin' Donuts. I'm from the northeast. But it's transactional. You're in, you're out, you move on. Howard Schultz was, like, wait a second. Let's make this experiential. Let's look at what's going on in Europe. Let's sell them the cup of coffee and then give them a place to hang out. And then all of a sudden almost like Soul Cycle, it's almost coltish in the language that they're using, and they're becoming part of a tribe and tribes are extraordinarily powerful. We don't just want customers. If you want to be a passion brand, you have to build a tribe.

GLENN: So is that do you know where Y they use things like venti? They change the language to make it even more of a badge to be a part of this tribe. Is that what's going on?

JEFF: That's exactly right; right? And I don't know, like, I'm not that gifted creatively to figure those types of things out. But, yeah, Howard or somebody on his team figured out long ago let's create that badge. Let's create those shortcuts.

GLENN: The name of the book is friction. I can't recommend it highly enough. I've never done this with any book before. I insisted everybody on the staff read this book, so we're responsible for about 249 companies being sold.

JEFF: Thank you very much.

GLENN: And everybody has read it. I also for the first time I've never done this. We're asking all of our Dallas employees to come down to the studio floor today. There's about 90 here just in this building. They're coming to listen to you at 5:00 for the show at 5:00 today TheBlaze.com, and I just want you to talk about how to find the customer, how to reduce friction, how to -- I mean, I'm convinced -- everything in your book, I've known instinctively. And if I boil it down, I always thought that capitalism was the greatest charity brand ever, if it's done right. And meaning if I love a group of people, I'll say how can I serve them? How can I make their life better, easier? And by serving them, what they need in a really easy way, I could become rich. It is capitalism. It's not charity. It's capitalism. And that's really kind of the thing. If you know who your target is, you know who you're serving, and you actually love them, listen to them, and help make their life easier, that's it, isn't it?

JEFF: It's interesting you bring it up because I'm leaving this very blue region of New York City, and I'm entering this red region of Texas. And I'm looking out the window of this wonderful, amazing, beautiful country of ours. And I was thinking about the fact that we just can't seem to agree very much lately. And then I realize, wait a second. There is one thing that we can all agree upon. Which is corporations have incredible power. And they should use that power to improve people's lives one small step at a time. And this is not for altruistic reasons, this is not for idealistic reasons because that is not sustainable. It's because when brands improve people's lives, they get rewarded. Not just by shifting customers or, say, prospects to customers, but by shifting customers into evangelists, and that's what fighting friction is all about.

GLENN: Unless you go to the Harvard school of business, and you are assigned both wealth of nations and moral sentiments, which is imperative that you read both Adam Smith books, you're not going to get this. This is a new really kind of Adam Smith look at how capitalism should work, "Friction" passion brands. We will you on The Blaze TV today at 5:00.

JEFF: Thank you.

GLENN: I want to talk really quick before you go. The proceeds as we're telling people to buy your book. The proceeds are not going to you. Where are the proceeds going?

JEFF: From July 15th to August 15th, all of the proceeds, not Amazon, not the publisher. I can't control those guys. Goes to special spectators.

GLENN: Which is what?

JEFF: Takes kids with life-threatening illnesses, and takes them to exclusive college sports experiences. So they'll get on the field at, like, Alabama, and they'll get into the locker room, they'll meet the coaches, and there's all different games going around the country. And what they found with these, because I'm on the board of make a wish, and we saw it there also. It's not just about giving these guys a moment of happiness, but it's also part of a healing process; right? It literally heals kids when they're fighting these diseases to actually have a moment of happiness in their life.

GLENN: Thank you very much, Jeff. We'll talk to you later this afternoon.

JEFF: Thank you.

GLENN: By the way, if you have any questions, go ahead and tweet them, and I'll have the staff look at them this afternoon before we go on the air. You can just tweet them @glennbeck, and we'll try to get your questions in as well.

RADIO

Zuckerberg Wants to Give You AI “Friends” … To CONTROL You?

Meta and Facebook’s Mark Zuckerberg has a new goal: to give lonely Americans AI “friends.” But Glenn sounds the alarm: this must NEVER happen! Glenn explains the hidden danger in Zuckerberg’s seemingly kindhearted plan: “AI cannot, must not, and will never be your friend.” Opening that door will only give Meta insane levels of potential for manipulation and control over you.

Transcript

Below is a rush transcript that may contain errors

GLENN: Let's start with this: Mark Zuckerberg. Good guy. I mean, he brought us Facebook.

And, you know, that is the thing that brought all of us together.

Brought out families together. All the people that we lost touch with.

Oh, the world is so much better now that we have Facebook.

So now, he's got another idea. Could we play the clip of Mark Zuckerberg?

VOICE: There's a stat that I honestly think is crazy. The average American has I think it's fewer than three friends. Three people they consider friends. And the average person has demand for meaningfully more. I think it's 15 friends or something.

I guess there's probably at some point, I'm too busy. I can't deal with more people. But the average person wants more connectivity, connection than they have. So, you know, there's a lot of questions that people ask.

Of stuff like, okay. Is this going to replace kind of in person connections or real life connections?

And my default is that the answer to that is probably no.

I think it -- it -- I think that there are all these things that are better kind of about physical connections, when you can have them.

But the reality is that people just don't have the connection when they feel more alone, a lot of the time, than they would like.

GLENN: Hmm. True.

Now, let me ask you. Is there a time when you don't remember feeling so isolated? When you didn't really feel like I don't have any real friends?

When you didn't -- you had real connections with people, instead of a million connections with people that are your friends, but not really your friends?

Can you think of a time, way back in history?

I mean, probably have to go back to the cavemen, to find a time.

Oh. Before Facebook, and social media!

When we weren't all killing ourself, because we have no meaning.

Now, from the people who brought you kill yourself, because you've been on Facebook too much.

Brings you new AI friends. Oh, this is going to be good.

By the way, you know, that's a crazy stat, I think the average American has, what? Three friends. And they have a capacity for, I don't know. Fifteen or 20. I don't know.

Really think about it right now.

How many true friends, do you have?

How many true friends?

People that when you are down and out, there is nothing -- the whole world is against you!

That that person will actually stand by your side. And go, yeah.

I'm their friend.

And I don't care what you say.

How many? How many do you have?

I think I would count myself lucky if I have three.

Now, I have a lot of consequences.

I have a lot of people who we all think are friends. But as a recovering alcoholic, I've been there.

I've done that. As a recovering alcoholic,
who then also is a conservative and spoke out about the Obama administration, I know who my friends are.
I know who my friends are not.

And I think there's a lot of people that have counterfeit friends.

If you've got. Oh, I've got ten or 15 friends.

Eh.

No, you don't. No, you don't.

I've always grown up thinking, you're lucky, you're lucky, to have three, five, really good friends.

That will walk through anything with you. Do you agree with that, Stu?

STU: Yeah.

GLENN: You've never been there.

STU: For you? Oh, God no. But I'm just saying, generally speaking. No. I think -- I mean, you're describing a great friend. You're describing a really --

GLENN: A real friend.

STU: Yeah. Like someone you know and stick around for multiple decades.

GLENN: Yeah, I have lots of friends. You know what I mean? I have millions of Facebook friends.

STU: Right. Those aren't real.

GLENN: Right. And I have lots of friends. But the ones that are there for you always, no matter what, I have family.

And I have family.

STU: Right.

GLENN: And I have a handful of friends. I would consider you one of those.

STU: Thank you. I would as well.

GLENN: Why?

Remember, I have a drinking problem.

STU: Yeah. A lot of brain cells killed to make that decision.

But I think that you -- yes. I think the only thing that I think I'm drilling down a little bit on to try to understand. When you say, well, I have a lot of friends.

In a way, I think that's what Zuckerberg is talking about.

It's not even necessarily a great friend that you have for multiple decades. And can count on at any time.

Just the mid-level consequences, are drying up for a lot of people.

GLENN: Yeah. And why is that?

Why is that?

Because we don't talk to each other anymore.

STU: Yeah.

GLENN: Because of social media.

You know, when this generation says, I don't know.

I just think it's weird. I'm just now in a bar someplace.

And some stranger comes up to me and wants to strike up a conversation. I'm like, hello, weirdo. I don't know!

You think it's less weird to go online?
When people can fake everything!

Thank you, Mark Zuckerberg.

But no thanks. Okay.

STU: And they're just -- to build up on this point for one second.

There's a study that came out, the last 20 years, of how much time do you spend socializing with the people.

Again, that's not with your best friends.

This is just socializing with anyone, a human.

Every single group. Every single group has massive drops.

GLENN: Massive.

STU: Massive drops. Just give you some examples.

Ages. Fifteen to 24-year-olds. Thirty-five-point down.

In 20 years. 35 percent. So a typical 15-year-old, as compared to what they are, in 2003 and 2025, where were the two measurement years?

They're spending 35 percent less time, with other human beings.

GLENN: Okay. Hang on just a second. Can you please stop distracting me? Because I'm trying to figure out why our kids are killing themselves.

STU: No, it's really hard.

GLENN: It's very hard to figure out.

STU: To understand.

And this is the coup de grâce of this entire study, which is, the typical female pet owner spends more time actively engaged with her pet, than she spends face-to-face contact with her friends of her own species.

GLENN: Uh-huh.

STU: That is unbelievable -- not like you're in the same house as your cat.

Right? No. More face-to-face time with your cat!

GLENN: And I've got news for you. If you think your cat is your friend, wait until you die, and your cat is trapped in the house with you and you have no friends to check. They will eat your face.

STU: They will still have a use for you.

GLENN: Yeah. They will have a use foy.

STU: Not the other way around.

GLENN: Okay. Here's why I'm bringing this up today.

This is a lie, that is going to be sold to you, like crazy. And it's going to be wrapped in a beautiful, shiny package. And it's going to have from Mark Zuckerberg and others like him, on the tag.

They want you to believe, that AI and bots can be your friends.

RADIO

The Conclave: Will the Next Pope Be Conservative, Progressive, or an 'Anti-Pope'?

The Conclave to elect the Catholic Church’s next Pope has begun. But will the next Pope be “conservative” and orthodox, will he follow in Pope Francis’ footsteps and be more friendly to leftist and globalist ideas, or will he be an “anti-Pope,” as some Catholics are claiming Francis was? Glenn speaks with LifeSiteNews co-founder and CEO, John-Henry Westen, who reviews the most likely candidates for the papacy and why he believes the “anti-Pope” claims against Francis are not ungrounded.

Transcript

Below is a rush transcript that may contain errors

GLENN:

RADIO

Did the New York Times Just Admit It Curates Your Truth?

A recent New York Times hit piece is a perfect example of why many Americans no longer trust the newspaper. Glenn compares the piece, which criticizes “The MartyrMade Podcast” host Darryl Cooper’s revisionist history, with the New York Times’ own “1619 Project,” written by Nikole Hannah Jones. Glenn disagrees with both people about major historical events. But the Times, with its elitist hypocrisy, pushed Jones’ attempt to frame America as a racist nation since its inception as unquestionable truth. “I’m not defending [Cooper or Jones],” Glenn says. “I’m defending the idea that We the People decide what’s true, and that takes work and curiosity…The minute you let somebody else decide what you’re allowed to hear, you have already surrendered your freedom to think.”

Transcript

Below is a rush transcript that may contain errors

GLENN: I want to take on something else that I don't know. Maybe I should just keep my big, fat mouth shut.

Because I think this one will piss off everybody. But it's the truth. There was a story in the New York Times. The podcaster asking for you to side with history's villains. It was in the New York Times. Let me read something.

Darryl Cooper is no scholar. But legions of fans, many on the right, can't seem to resist what he presents as hidden truths.

All of a sudden, everyone was coming for Darryl Cooper. There were the newspaper columnists. The historians. The Jewish groups. Repugnant says the chairman of Yadveshev (phonetic), Israel's Holocaust museum in a statement.

Even the Biden White House released a statement, calling him a Holocaust denier who spreads Nazi propaganda. So it was for a time for Mr. Cooper. One of the most popular podcaster in the country, to do what he does best. Hit record.

In a special on his history program, Martyr Made. Mr. Cooper addressed the controversy, which had exploded out of September 2nd appearance on the Tucker Carlson Show.

The podcast started by the former Fox News host. At first, Mr. Cooper, a gifted historic storyteller, but not a trained historian, defended the claims he had made on Mr. Carlsen's show. One that Winston Churchill was the chief villain of the war. Ridiculous. Not by implication. Adolf Hitler.

The two -- and two, that millions had died in Nazi-controlled Eastern Europe because Nazis had not adequately planned to feed them. Okay. Not true.

He then said, the story goes on to say, I don't know if we retracted some of that stuff. This emotional ventriloquism is part of Mr. Cooper's approach and appeal. On TikTok, a fan praised him as one of the best historians of our time, because he tries to go out of his way, to understand the perspective of everyone involved in a situation.

These critics have probably helped make Mr. Cooper bigger than ever. He's been the most subscribed to history newsletter on Substak. One spot ahead of the evident economic historian, Adam HEP Toos in the wake of the Rogan interview. Martyrmade. Blah, blah, blah.

Okay. So they go on and on and on. To talk about how this just can't stand. I mean, we've got to -- there's got to be some sort of filter. And, you know, Joe Rogan just can't have on, whoever he wants to have on. That's the problem!

Is it? New York Times. Is that the problem?

Hmm, that's really interesting.

Now, let me just look and -- and let me just look in the past here, and see if we've had this exact same problem, with anybody else. Because the person that came to mind was not Darryl Cooper, but Nicole Hannah Jones. Because I think those two are the same coin, and the coin is counterfeit.

Just opposite sides of the same coin. The martyr made podcast spins a tale of grievance and distrust. And it's wrapped in enough fact to keep it plausible.

But there are some facts in there. Okay.

Jones, she did the 1619 Project.

She did the same thing in reverse. Except, I think she's actually worse.

I mean, because I think she made up almost everything in that. She recasts American history. As racist from the very inception of the country.

Neither one of them is telling the whole truth. Neither one of them. Neither wants to, I think. They're both in the business of narrative, and not history.

So am I. But I tried to be fair.

The real problem is not these two.

Honestly, it's the New York Times.

Because in their Sunday styles, write-up on Cooper.

The Times poses as a concerned observer.

Wary of growing influence among the disaffected right.

Why are we disaffected. Why is the right disaffected?

We're disaffected because you have tried to take our country from us.

Everything that we believe. Our history.

Our values. Our traditions. And you've tried to denigrate them. And destroy them, every step of the way.

And you've done them with one lie, right after another.

Okay?

Why are they framing him. Not with facts. But with suspicion.

Not because he's -- dishonest or not dishonest. But because he's popular. They clutch their pearls, because he has an audience. And only the New York Times can have that you audience.

But where that was concern, when they did -- when they gave an audience to Nicole Hannah Jones.

And gave her a Pulitzer for a project now so discredited by the very historians that are now talking about Cooper!

Where was the caution when they declared that 1619, not 1776, was the true founding of the nation? They didn't question her authority. They didn't say, well, she's not a historian. They printed it. In fact, they taught it, and endorsed it. They platformed it in schools!

That's different than anything that Joe Rogan is doing. They platformed it in schools.

So let's be clear. Okay?

I think both Cooper and Jones are wrong.

They may have points worth considering.

But I think that they get it fundamentally wrong, in a few places.

They are looking at facts to sell the story.

And not necessarily reveal the truth.

Now, maybe I'm being too cynical.

But that's the way I see it. And I'm not condemning either one.

I'm condemning all of those on the left, or the right, that are now doing the same thing that the New York Times did with -- with Cooper, but didn't do with Anna Nicole Jones. Only one of those two was lauded by the New York Times, as legitimate. And a necessary corrective, even though, it was all a lie! Made up!

So that's what -- when I'm -- I'm reading that op-ed in the New York Times.

I can't take the -- oh, my gosh. The hypocritical nature of it. Just, blood shoots out of my eyes.

Because that's what the New York Times is actually saying. Don't you little people understand. We must decide what stories are acceptable. Not you!

Not somebody like Joe Rogan. We will decide. Which distortion are his virtuous and which ones are dangerous. Not you.

We get to choose the false prophets that get a column, which -- and which ones are called conspiracy theorists. We, at the New York Times, we in the media!

And athat is the problem! This isn't about the authors. Okay. First Amendment gives him a right to say whatever they want.

You may not like. You don't like it, stop listening.

Well, but other people might listen. Yeah. Well, other people might listen.

Maybe we should pay more attention to our education in our schools. Maybe we should pay more attention, so we don't become somebody that is a dummy, themselves. And are -- because this is the problem!

We don't have a press that exposes lies anymore. We have a press that curates the lies.

I really think this is why I started collecting -- you know, we have now, the third largest collection of founding indictments, in the American journey experience.

Along with David Barton's wall builders.

It is -- it's only behind the national archives. And the library of Congress.

Most people don't know it. Because, you know, we don't talk about it yet.

Beginning in '26. We will be making a big deal out of it.

We also have the largest collection of pilgrim era artifacts and documents in the world.

The largest. So I can tell you what happened in Jamestown in 1619.

I can tell you this, the ship that Hannah HEP Nicole Jones talks about. There were no slaves on that ship.

How do I know?

We have the manifest!

No slaves. Hmm. That seems problematic, doesn't it?

And the Mayflower did not launch a system of slavery.

In fact, they fought against it.

We -- this is so crazy.

What the Pilgrims did against slavery was remarkable.

Remarkable. When a slave shipbuildingsly gave into their port, it was -- slavery was against the law. They called it man stealing.

It was against the law. As soon as the slave came into port. You could smell the slave ship. They knew exactly what it was. They marched and up arrested the captain of the ship.

They put anymore irons. And put him in jail.

And these people, who were already paying 15 percent of everything they make. These poor people.

15 percent of everything they make, to a king they can't be they despise. But they paid it, because they wanted to just stay alive.

They took up a collection from each other. Not outside. From each other.

Got a new captain. Refueled. Restocked the ship. And sent those people. Those slaves back to Africa, so they could be free!

That's who our pilgrims were. Don't believe me? You don't have to take my word for it.
We have the evidence. Please, you know, the longest running treaty with Native Americans happened with our Pilgrims. And you know who broke it? Not the white man. It was the Native Americans! And you know why?

Because after years and years of the Pilgrims and the Native Americans getting along, Christianity was starting to seep into their culture. And they needed to go to war with the tribe. And the war that the way they used to fight it, the Native Americans, it was okay to enslave your enemy.

In fact, you needed to.

You could torture them, after you won!

Just to make a point. And then you would enslave anybody you wanted.

And Christianity said, no. You can't do either one of those things.

And so the native Americans, that were part of this tribe, that were and friends under this treaty, with the Pilgrims. They started telling their chief. You know, we can't do these things.

And the chief got so pissed. Because he was like, we're fighting a war.

We fought it like they always fought it.

That they broke the treaty. Did you know that?

No. They were just horrible. We stole the land.

Ay-yi-yi. Did America live up to its ideals?

No! Has anybody, ever?

Have you? Has the pope? Has anybody really lived up to their ideals all the time?

No! But you have ideals, and that's what matters.

By the way, on the other side, I also happen to own a few original Nazi documents, from the actual perpetrators. I've got documents from the engineer that actually calculated how much Zyklon B it would take to murder a room full of Jews, okay?

It wasn't because they didn't want to -- they didn't have enough food.

This was calculated. I have the final prescription signed by Dr. Mengele, for a thousand liters of lumen that will for the so-called children's hospital. That's how the right was killing the undesirables in the children's hospital.

They didn't do it in a frenzy. It wasn't a riot. It wasn't out of desperation. It was silence out of lab coats, and beauracrats and experts signing off, and the press like the New York Times refusing to say a word about it. The scariest people are not the ones in the streets. They weren't. They were the ones with titles. With offices, with press credentials.

They were the ones with the doctorates.
They were the people who decided what could be published.

Who could be punished. What could be known? What could be said?

And that's the danger that we're staring down, right now. Not from cringe theorists on a podcast. Not even from overzealous academics with a Pulitzer.

But from the institutions that bless one distortion, and condemn the other.

Not based on truth. But based on usefulness.

Is it useful to our side?

I just want you to know. This is my stance on this. and make this very, very clear.

The First Amendment does not exist to protect comfortable speech. It doesn't exist to protect Cooper, as opposed to Jones. It exists to protect both of them!

It protects uncomfortable points of view.

Things you do not like to hear. And disagreement. It protects people who are absolutely wrong, and even those who are lying!

It protects the process, so you can figure it out. There is no licensed priesthood in our country.

You know, that are -- the priesthood of truth-tellers. No official ministry of facts.

That's where countries go wrong. The Times should be exposing both sides of these stories.

Just like I'm doing.

The distortions of the right, and the left.

But instead, they become exactly what they've warned us about.

A newspaper that prints dogma, and not dialogue.

And the real problem here: No.

The real solution here is you. Jefferson warned that a man who reads nothing but newspapers.
Sorry. A man who reads nothing is better informed than a man who only reads the newspaper. Okay? I would say, the newspaper is today's social media.

Man who reads nothing is more well-educated than a man who just only reads social media.

But today we might say, better to be ignorant than confidently misled by trusted media.

They see themselves not as a watch to go. But as a shepherd. And we are the sheep.

So I am not defending either one.

I am defending the idea that we, the people. Not the institutions. Not the elites. Not the New York Times.

Not Joe Rogan.

You decide what's true. And that takes work and that takes curiosity. Maybe the other guy is wrong.

I don't know. Maybe I don't have the whole story either. I don't know.

Look it up. Because the minute you let somebody else decide, what you're allowed to hear, you have already surrendered your freedom to think!
RADIO

What Christian Movies Can Learn from Serial Killer Films

Christian movies can learn a whole lot from serial killer murder mysteries, The Daily Wire’s Andrew Klavan tells Glenn. While Christian films tend to have good messages, they don’t often touch on the dark realities of this fallen world we live in – realities that even the Bible addresses through the stories of Cain and Abel and many others. Instead, Klavan argues, he gets more biblical truths out of movies like “Halloween” and “The Silence of the Lambs” and books like “Crime and Punishment” than he does films like “God’s Not Dead.” Klavan tells Glenn how he finds God in the literature of darkness, a topic he further delves into in his new book, “The Kingdom of Cain.”

Transcript

Below is a rush transcript that may contain errors

GLENN: Andrew Klavan. Host of the Andrew Klavan program. The Andrew Klavan Show.

How are you, sir?

ANDREW: I'm good. Good to see you.

GLENN: Good to see you. I don't think I've seen you out of your element ever.

ANDREW: Yes, I've been many times to the studio.

GLENN: Have you? Well, they were memorable.

ANDREW: I get this reaction a lot.

GLENN: No. I just love you. I love you. And I got to tell you, the best compliment I could give you, your son is remarkable.

ANDREW: He is remarkable. He is.

GLENN: I hope some day, somebody will say that by my children. Really remarkable.

You and your wife are amazing parents.

ANDREW: Oh, well, thank you.

GLENN: So tell me about the Kingdom of Cain, and talk down to me.

ANDREW: It's a really simple book, and very entertaining, because it's about the movies that we all love.

GLENN: Wait. Wait. Wait. Wait. He says this. Let me read this to you, Stu, and see if you understand what this is.

STU: The Kingdom of Cain looks at three murders in history, including the first murder. Cain's killing of his brother Abel. And at the art created from imaginative engagement, from those horrific events by artists ranging from Dostoyevsky to Hitchcock. To make beauty out of the world, as it is shot through with evil and injustice and suffering. It is the task, not just of the artist, but Klavan argues of every life rightly lived.

Examining how the transformation occurs in art. Grants us a vision of how it could happen in our life. What is this about?

STU: I don't know what you're missing.

ANDREW: I will tell you, I'm a crime writer. Right? I get this letter all the time. Constantly. It says, you call yourself a Christian.

That part is true, and yet you write about horrific things. You right about murder.

Prostitutes and gangsters, and all this stuff.

Why do you do that?

And the reason is very simple. I believe that God is a central fact of reality. And I believe that any artist who speaks truthfully about reality, will speak about God.

And so what I did. I took three murders. Three very famous murders.

I showed how they inspired works of art. Over and over and over again.

They're -- not just one work of art. But they kept coming back, inspiring other works of art. And how those works of art actually speak about something, that happens to a society, when it begins to lose its faith. As our society has certainly done.

You know, and they chart those works of art, and some of them are like the stupidest little horror movie.

And yet, the guy who is making that horror movie understood what he was talking about.

And can show you. If you go back, for instance, and watch a slasher movie. Like Halloween, which is a very scary movie.

It's actually about the fall of the end of faith. And how it destroys sexual responsibilities.

So it takes place in the suburb. Have you seen it?

GLENN: Wait. Wait. Yeah. I have seen it.

ANDREW: Where there are no moms. And the dads are very weak.

And this knife-wielding crazy man comes back. And basically preys on kids having sex while nobody is watching.

And it's a very, very stark picture. I bet if you asked the director what he was doing, he would tell you that. It's right in the movie, when he see that. But you have to be watching this.

The thing is, these movies are -- not just movies. But novels.

The arts are -- really reveal the conscience of a culture.

GLENN: Yes.

ANDREW: And so taking the way they look at murder, tells us things that are bad about our culture.

But it also tells us about ways we want to go in the future.

The role, for instance, of psychiatrists in -- in these films.

Films. Most of these films are based on murder, committed by Ed Dean in the 1950s, a guy who was constant. Who used to kill women.

Right?

And then dress up in their bodies. Just like in Silence of the Lambs. That inspired Psycho.

It inspired a really good horror movie called the Texas Chainsaw Massacre.

Even though it's a crazy title. It's actually a good movie. The Silence of the Lambs. All of these movies grow out of that one murder.

And what it's about? It's about confusion. It's about sexual. About gender. You know, we don't see that going around nowadays. In fact, it's everywhere. In fact, these movies were made in the 1950s, '60s, '70s, and '80s and on. And so they were predicting, as art often does, what was going to happen, and explaining why.

GLENN: So do you think Alford Hitchcock knew that this was coming? Or he was just a good storyteller?

ANDREW: You are a good story teller. Who was it? T. S. Eliot said a great poet writes himself, and in writing himself, he writes his time.

And I think that that's what happens. These artists basically bring something out of themselves. But it reveals where we are all are. And it reveals where we are going. If you see where we are, you can tell where we're going.

That's why the book does not just concentrate on the darkness. It actually says. What do you do?

How do you react? Now that you know what's happening. How do you react to those things in a creative, joyful way?

Because this is -- the Bible doesn't say things will be great. The Bible says. Yeah.

GLENN: That's not the main point.

ANDREW: Being crucified. And at the same time, it says, rejoice ever more.

GLENN: Right.

ANDREW: So one of the things that really bothers me about Christian movies.

Is they don't really represent life.

If you do a Christian movie, that has real things in it, you get slammed.

Why would you put it in?

Why was there sex? Why was there murder?

One of the major influences that turned me to Christ, when I was 19 years old. That took three decades to kick in.

But it was reading Crime and Punishment. About an axe murderer. And about a prostitute who basically turns this axe murderer's life around.

If you walked into a Christian bookstore today.

And say, can I have that book about the axe murderer and the hooker? Yeah, they would look at you like you were nuts. Because Dostoyevsky was a great artist and a great Christian.

One of the truly deep and interesting Christians in history.

He revealed something about the philosophies that were rising up at that time.

And that are still with us today. And the philosophies that later became spoken out by Nietzsche. And Nietzsche affected all of the leftist philosophers that you and I have loved so much. And have done so many good things for our survival.

GLENN: So let's pretend somebody didn't read that by Dostoyevsky or whatever his name is.

And tell us the story -- and tell us the story. And exactly what -- what he was teaching.

ANDREW: Well, the idea is God is dead.

And therefore, instead of having this horrible Christian philosophy. That is nice to the poor. And the weak, and has charity. And compassion.

We need strong special men. Like Napoleon, for instance. Who will make their own law.

And this man, in this story. Crime and Punishment says, well, if I can make my own law, I can murder somebody.

And it will be a sin. It won't be wrong.

And then he actually accomplishes this murder.

And finds a way. Oh, wait. I've actually shattered the moral order. And now my life is spiraling out of control.

Now, Nietzsche wrote his philosophy, which is the exact philosophy in his book.

After Dostoyevsky wrote the novel, and then his philosophy inspired two murderers in America, named Leopold and Lowe. This was called the crime of the century. The crime of the 20th century.

GLENN: I don't remember it.

ANDREW: I know, nobody remembers it now, but it was one of the biggest crimes of the century. It inspired countless movies and television shows.

It was two kids, they were -- they were rich, gay Jewish kids in the suburbs.

GLENN: What year?

ANDREW: This is 19 -- I want to say 30 -- 30 or 40.

GLENN: Okay.

ANDREW: Yeah. It was the '30s. I'm sorry.

And they decided, well, we're Superman. Like Nietzsche. They read Nietzsche. And they thought, yes. This is what we want to be.

One of them. We will commit the perfect murder, to show we could do it.

They took a kid at random, who they know, and killed them.

GLENN: This is Rope.

ANDREW: Exactly. Exactly. And Rope became the Hitchcock film. And also inspired Compulsion, which is another movie.

Almost a true movie about it. Pops up again and again.

Two people who said, we will commit the perfect murder. Because we're superior.

If you look for it, you will find it in one story after another.

And it's based on the idea, that there's no God. And therefore, anything is permissible, and strong men have to make the rules.

GLENN: That's one of the best movies out of Hitchcock.

Nobody even knows it. Great movie from Hitchcock. And great movie with Jimmy Stewart and just really -- and disturbing.

ANDREW: Yeah, and written -- the original play was written by the guy who also wrote a play called Gaslight, which is where we get the word gaslighting.

So I talk all about these works of art. These works and movies. And listen, I think it's an entertaining book, Glenn.

GLENN: I love your work. I love your work. Most people, if you don't know who Andrew Klavan is.

You've written movies. I mean, you've written just some thrilling novels.

And novels that have been made into movies. And I'm a huge, huge fan.

But, I mean, you know, you are talking to mice here.

ANDREW: I try to just make it about things that people like and enjoy.

GLENN: Yeah. So what is -- what is the lesson that we learn from -- from all of this?

ANDREW: Well, I think the most important lesson, if I can call it that, in the book. Is that the beauty has something to do with the answer to evil.

You know, one of the things that keeps people from believing in God. They say, there's so much evil in the world.

How can a good God, allow this evil to exist?

And at the end of the book, the last third of the book. Which is a very personal statement about what I do, to basically live joyfully in the world, that I can see is evil.

It ends with looking at the statue of Michelangelo. Which is one of the most beautiful works --

GLENN: Beautiful.

ANDREW: But it think about what it's about, Glenn. It's about a mother with her dead son. It is a world with a dead God. It's the worst movement in human history. And yet Michelangelo, a man, made it beautiful.

And my question at the end of the book, is if a man can take that misery, that suffering, that evil, and turn it into beauty, what can God do with the world that we're living in now?

When he works with the marvel of eternity. And so I work my way to that point, by going to the movies that we watch, the stories that we read.

And why we're so fascinated with murder.

You know, think about try crime. This is what this is about.

STU: Why are we?

ANDREW: Because it is the borderline, where you cannot say, there's something right about this.

It's the place where I suddenly realize that the moral order has its great points, but it also has a very stark --

GLENN: So explain to me. Explain to me why shows like, let's say.

Yellowstone.

Are so satisfying, because you're kind of like -- kind of like seeing that guy taking to the train station.

You know what I mean?

You know that it's wrong. But you're kind of in there. You're kind of like -- you know.

And you feel. At least I do. I mean, I'm sure a lot of people watch. Yeah. That's fine.

I watch it. I don't like the fact that I kind of -- I'm rooting for them.

ANDREW: I think the best art does that to you. I really enjoy this. That actually tells me something about myself, that I don't want to think about.

GLENN: Yeah.

ANDREW: See, a lot of people think art is like a sugar pill, that they used to give you a little lesson in life. A little parable of sorts. I don't think that's what it is at all.

I think it's an experience that you really can't have in your life, that broadens the way you look at life. Broadens your view of humanity. So when you get Christian stories like God Is Not Dead. I don't want to pick on anybody.

GLENN: But you'll pick on them.

ANDREW: I will pick on them. The guy is hit by a car. He says, well, at least he was saved.

I think, really? We can't just say -- you can't call his wife say, and say, this is a sad moment. Let me grieve when people die? We can't say we're horrified by death and afraid?

So I want Christian art that deals with life in a real way.

And shows that people who are afraid. And people who have evil thoughts, and people who want to justify murder. And they -- there are moments when we all sort of think -- but if you go off into a room by yourself and ask, how can I make the perfect world?

Within two minutes, so help me.

You will be committing mass murder in your mind.

Let me see. Well, first, I have to go to rid of these people because these people can't be reformed. You'll wipe them out, right?

So that's who we all are.

When he start to see that. I believe that's actually a layer on top of who we really.

I believe who we really are is who Christ wants us to be. That's the question.

How do you get through that layer?

That's what artists do for us. They show us our true selves.

And lead our conscience to the place we're supposed to go.

GLENN: All right. Our natural soul is who Christ wants us to be.

ANDREW: Right.

GLENN: And we're encapsulated in this flesh. And the natural man is an enemy to that. And it's the battle back and forth.

ANDREW: And that's what art is. That battle. That's where drama comes from. That's where tragedy comes from.

You know, one of the stories I mentioned in the Kingdom of Cain is Macbeth, because it's such a great story about murder.

And it ends with the most beautiful speech about nihilism, about things, nothing makes sense. Nothing is worth anything. Right? Life is a tale told by an idiot. But because you're watching a play, you understand, Shakespeare is not saying that. A guy has detached himself from the moral order is saying that. He's lost the meaning of life, because he's detached himself from the meaning of life.

And so studying murder and writing art about murder. Takes you to the most serious questions about who we are. And who we really are. And what we really want. And how we -- you know, that inner battle that goes on. Which is to me, the source of drama.